When Did the Legend of the Last Emperor Originate? a New Look at the Textual Relationship Between the Apocalypse of Pseudo-Methodius and the Tiburtine Sibyl
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SVAKO-NEKA-VERUJE-En
1 2 Conference EVERLASTING VALUE AND PERMANENT ACTUALITY OF THE EDICT OF MILAN On the Way to the Great Jubilee in 2013 Book 1 Everyone Should Believe as His Heart Wishes Belgrade, September 2011 Under the auspices of His Holiness Mr. Irinej, the Serbian Patriarch EVERLASTING VALUE AND PERMANENT ACTUALITY OF THE EDICT OF MILAN ON THE Way TO THE Great Jubilee IN 2013 Book 1 - Everyone Should Believe as HIS Heart Wishes Publisher Association of Nongovernmental Organizations in SEE – CIVIS Dositejeva 4/IV, 11000 Belgrade, Serbia Tel: +381 11 26 21 723, Fax: +381 11 26 26 332 www.civis-see.org For publisher Mirjana Prljević Chief Editor Mirjana Prljević Editor Bojana Popović Translators Marina Djordjević Bojana Popović Translator of the text “Edict of Milan” by Nebojša Ozimić Ivana Filipović Design & Prepress Marko ZAkovskI Printed by Graphic, Novi Sad Press run: 500 pcs ISBN 978-86-908103-2-1 The publishing of this book was supported by German Foundation Renovabis Content 5 INTRODUCTION 6 CONCLUSIONS FROM THE CONFERENCE Opening speeches 7 H.E. Bishop of Bačka, Dr Irinej 9 Miloš Simonović 9 Archpriest Vitalij Tarasjev 10 H.E. Mons. Orlando Antonini 11 Dr Johann Marte 12 Mirjana Prljević 13 Božidar Đelić 15 I sesSION 17 Dr. Christian Gastgeber Constantine the Great and His Bible Order 20 Erika Juhasz Constantine the Great and his Importance: Seen by the Historiography of the 7th Century 25 Dr. Sebastiano Panteghini Constantine the Great and the Renewal of His Image (14th century, Ecclesiastical History by Nike- phoros Xanthopulos) 30 Prof. Milutin Timotijević Emperor Constantine’s Aureole 37 Prof. -
BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
Christian Moral Decline: a New Context for the Sibylla Tiburtina (Ms Escorial &.I.3)
Holdenried, A. (2016). Christian Moral Decline: A New Context for the Sibylla Tiburtina (Ms Escorial &.I.3). In Peoples of the Apocalypse : Eschatological Beliefs and Political Scenarios (Vol. 63, pp. 321-336). (Millennium-Studien / Millennium Studies 63; Vol. 63). de Gruyter. Peer reviewed version Link to publication record in Explore Bristol Research PDF-document This is the accepted author manuscript (AAM). The final published version (version of record) is available online via Walter de Gruyter GmbH at https://www.degruyter.com/viewbooktoc/product/469126. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Christian Moral Decline: A New Context for the Sibylla Tiburtina (Ms Escorial &.I.3) The Sibylla Tiburtina was one of the most popular, widespread and influential apocalyptic texts of the medieval period. I have considered elsewhere the Tiburtina’s reception by its medieval audience.1 My observations in this paper, however, concern a new aspect of the Latin text - its early history. Much remains to be said about this topic, since, as has been rightly remarked: ‘the history of the family of texts that for convenience’s sake we call the Sibylla Tiburtina is still imperfectly known’.2 This is perhaps not surprising: with roots in late antiquity, the Tiburtina’s text evolved over a remarkably long period. -
The Fall of Rome by Dr Peter Heather Last Updated 2011-02-17 Was The
The Fall of Rome By Dr Peter Heather Last updated 2011-02-17 Was the collapse of the Roman empire in the west a series of gradual adjustments or a catastrophic event that brought violent change? Dark ages In September 476 AD, the last Roman emperor of the west, Romulus Augustulus, was deposed by a Germanic prince called Odovacar, who had won control of the remnants of the Roman army of Italy. He then sent the western imperial regalia to Constantinople. The Roman empire in western Europe - a centralised superstate which had been in existence for 500 years - had ceased to exist, its single emperor replaced by upwards of a dozen kings and princes. The vast majority of these rulers, like Odovacar himself , were non-Roman in origin. Their power was based on the control of military forces which were the direct descendents of recent immigrants into the Roman world, whether Anglo-Saxons in Britain, Goths in southern Gaul and Spain, or Vandals in North Africa. The end of empire was a major event in human history. What difference did this political revolution make to real life in the former western Empire? For many 19th and earler 20th century commentators, the fall of Rome marked the death knell of education and literacy, sophisticated architecture, advanced economic interaction, and, not least, the rule of written law. The 'dark ages' which followed were dark not only because written sources were few and far between, but because life became nasty, brutish and short. Other commentators, who were more focused on the slavery and entrenched social hierarchies that were also part of the Roman world, didn't really disagree with these observations. -
Holy Roman Emperors
Holy Roman Emperors 791 818 846 873 901 928 955 983 1010 1038 1065 1092 1120 1147 1174 1202 1229 1257 1284 1311 1339 1366 1393 1421 1448 1476 1503 1530 1558 1585 1612 1640 1667 1695 1722 1749 1777 1804 Lothair I, Carolingian Henry II of Saxony, holy Great Interregnum, Holy Habsburg dynasty of the Francis I, Habsburg holy holy roman emperor roman emperor Roman Empire Holy Roman Empire roman emperor Guy of Spoleto, holy Henry IV, Salian holy Adolf of Nassau, holy Charles V, Habsburg holy roman emperor roman emperor roman emperor roman emperor Conrad III of Conrad I of Franconia, Frederick III, Habsburg Matthias, Habsburg holy Hohenstaufen, holy roman holy roman emperor holy roman emperor roman emperor emperor Carolingian dynasty of Otto I of Saxony, holy Otto IV, Welf holy roman Rupert of Wittelsbach, Joseph I, Habsburg holy the Holy Roman Empire roman emperor emperor holy roman emperor roman emperor Richard, Earl of Louis II, Carolingian Salian dynasty of the Albert II, Habsburg holy Joseph II, Habsburg holy Cornwall, holy roman holy roman emperor Holy Roman Empire roman emperor roman emperor emperor Lambert of Spoleto, holy Henry V, Salian holy Albert I, Habsburg holy Ferdinand I, Habsburg roman emperor roman emperor roman emperor holy roman emperor Frederick I (Barbarossa) Berengar, Carolingian Louis IV of Wittelsbach, Ferdinand II, Habsburg of Hohenstaufen, holy holy roman emperor holy roman emperor holy roman emperor roman emperor Charlemagne (Charles I), Frederick II of Otto II of Saxony, holy Jobst of Luxembourg, Charles VI, Habsburg -
51St International Congress on Medieval Studies
51st lntemational Congress on Medieval Studies May 12-15,2016 51st International Congress on Medieval Studies May 12–15, 2016 Medieval Institute College of Arts and Sciences Western Michigan University Kalamazoo, MI 49008-5432 wmich.edu/medieval 2016 Table of Contents Welcome Letter iii Registration iv-v On-Campus Housing vi Off-Campus Accommodations vii Travel viii Driving and Parking ix Food x-xi Campus Shuttles xii Construction xiii Hotel Shuttles xiv Hotel Shuttle Schedules xv Facilities xvi Logistics xvii Varia xviii Lecture/Performance xix Exhibits Hall xx Exhibitors xxi Plenary Lectures xxii Advance Notice—2017 Congress xxiii The Congress: How It Works xxiv Travel Awards xxv Richard Rawlinson Center xxvi Center for Cistercian and Monastic Studies xxvii M.A. Program in Medieval Studies xxviii Medieval Institute Affiliated Faculty xxix Medieval Institute Publications xxx–xxxi About Western Michigan University xxxii Endowment and Gift Funds xxxiii The Otto Gründler Book Prize xxxiv 2016 Congress Schedule of Events 1–175 Index of Sponsoring Organizations 177–183 Index of Participants 185–205 List of Advertisers A-1 Advertising A-2 – A-48 Maps M-1 – M-7 ii The Medieval Institute College of Arts and Sciences Dear Colleague, Summer passed with the Call for Papers; fall came with a change of colors to Kalamazoo and the organization of sessions; we are now in winter here at Western Michigan University, starting to look forward to the spring and the arrival of you, our fellow medievalists, to the 51st International Congress on Medieval Studies. The Valley III cafeteria and adjoining rooms will host booksellers and vendors; cafeteria meals will be served in Valley II’s dining hall. -
Nicholson Museum
OF FACES POWER IMPERIAL PORTRAITURE ON ROMAN COINS NICHOLSON MUSEUM Peter Brennan, Michael Turner & Nicholas L. Wright OF FACES POWER IMPERIAL PORTRAITURE ON ROMAN COINS NICHOLSON MUSEUM Peter Brennan, Michael Turner & Nicholas L. Wright This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Enquiries should be made to the publisher. No photograph printed in this book may be reproduced without the permission of the copyright owner. Copyright for the text and images in this publication is held by the Nicholson Museum. Published by the Nicholson Museum, The University of Sydney, NSW, 2006, Australia © The Nicholson Museum, The University of Sydney, 2007 Faces of Power Imperial Portraiture on Roman Coins ISBN 1 86487 833 9 This book was produced with the generous financial support of the Alexander Cambitoglou Nicholson Museum Endowment Fund. Book design by Virginia Buckingham, Virginia Buckingham Graphic Design. Photographs by Rowan Conroy. COVER & ADJACENT IMAGES: DOMITIAN ROME MINT: 75–79 AD AUREUS OBV: CAESAR AVG F DOMITIANVS; LAUREATE, BEARDED HEAD OF DOMITIAN R.; DOTTED BORDER REV: CERES AVGVST; DRAPED CERES STANDING L. HOLDING EAR OF CORN IN R. HAND, SCEPTRE IN L.; DOTTED BORDER NM 2004.2624 (BMC 322.) CONTENTS FOREWORD 5 Michael Turner FACES OF POWER 7 Peter Brennan A QUICK GUIDE TO ROMAN COINS 9 Nicholas L. Wright Romans – The people with the three names 9 Legends & their abbreviations 10 Greek Imperial coinage 12 Glossary of descriptive terms & abbreviations 12 COIN DENOMINATIONS 14 Primary Imperial Roman denominations 27 BC – 294 AD Primary Imperial Roman denominations after 294 AD Primary civic (Greek Imperial) denominations in Eastern provinces THE COINS 15 Peter Brennan THE DYNASTIES 79 Nicholas L. -
2015 TSJCL Certamen Novice Division, Round 1
2015 TSJCL Certamen Novice Division, Round 1 TU # 1: What was the occupation in ancient Rome of a carnifex? EXECUTIONER B1: What was the occupation in ancient Rome of a caup? INNKEEPER, BARTENDER B2: What was the occupation in ancient Rome of a cantor? SINGER TU # 2: Make the verb form nlunt singular. NN VULT B1: Make nn vult 2nd person. NN VS B2: Make nn vs plural. NN VULTIS TU # 3: With what daily activity did a slave called a vestiplicus assist a Roman citizen? GETTING DRESSED / PUTTING ON CLOTHES/ PUTTING ON TOGA B1: If an equestrian or senator had a vertical stripe on his tunic, what color was it? PURPLE B2: How did a toga candida look different from a normal toga? HAD SHINY/SPARKLY CHALK (DUST) ON IT TU # 4: With which two of his sisters did Zeus have children? HERA AND DEMETER B1: What job was shared by Hera and her daughter Eileithyia? GODDESS OF CHILDBIRTH B2: What two gods were sons of Zeus and Hera? ARES AND HEPHAESTUS TU # 5: Listen carefully to the following Latin passage, which I will read twice. Then answer in English the question that follows: "In Graeci lim mnstrum fercissimum agrs vstbat, atque mults virs interficibat. Rx nxius igitur rculum cnsuluit. Responsum est ita: “de rt propter t patriam tuam pniunt." (repeat) Question: Who in this passage did something about the trouble that was being caused? THE KING B1: What was the reason for the trouble? A (VERY FIERCE) MONSTER B2: What did the king find out was the reason for the monster's destruction? HE WAS (score check) TU # 6: What Roman emperor was the first to commit suicide, in the year 68? NERO B1: What builder of the Pantheon was his great-grandfather? AGRIPPA B2: Name his other famous great-grandfather (his father's mother's father). -
Sacred Image, Civic Spectacle, and Ritual Space: Tivoli’S Inchinata Procession and Icons in Urban Liturgical Theater in Late Medieval Italy
SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY by Rebekah Perry BA, Brigham Young University, 1996 MA, University of Massachusetts Amherst, 2006 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts & Sciences This dissertation was presented by Rebekah Perry It was defended on October 28, 2011 and approved by Franklin Toker, Professor, History of Art and Architecture Anne Weis, Professor, History of Art and Architecture Bruce Venarde, Professor, History Alison Stones, Professor, History of Art and Architecture ii Copyright © by Rebekah Perry 2011 iii SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY Rebekah Perry, PhD University of Pittsburgh, 2011 This dissertation examines the socio-politics of urban performance and ceremonial imagery in the nascent independent communes of late medieval Lazio. It explores the complex manner in which these central Italian cities both emulated and rejected the political and cultural hegemony of Rome through the ideological and performative reinvention of its cult icons. In the twelfth century the powerful urban center of Tivoli adopted Rome’s grandest annual public event, the nocturnal Assumption procession of August 14-15, and transformed it into a potent civic expression that incorporated all sectors of the social fabric. Tivoli’s cult of the Trittico del Salvatore and the Inchinata procession in which the icon of the enthroned Christ was carried at the feast of the Assumption and made to perform in symbolic liturgical ceremonies were both modeled on Roman, papal exemplars. -
University of Florida Thesis Or Dissertation Formatting
THE MAN AND THE MYTH: HERACLIUS AND THE LEGEND OF THE LAST ROMAN EMPEROR By CHRISTOPHER BONURA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2011 1 © 2011 Christopher Bonura 2 ACKNOWLEDGMENTS I thank my adviser, Dr. Andrea Sterk, for all the help and support she has given me, not just for this thesis, but for her patience and guidance throughout my time as her student. I would never have made it to this point without her help. I would like to thank Dr. Florin Curta for introducing me to the study of medieval history, for being there for me with advice and encouragement. I would like to thank Dr. Bonnie Effros for all her help and support, and for letting me clutter the Center for the Humanities office with all my books. And I would like to thank Dr. Nina Caputo, who has always been generous with suggestions and useful input, and who has helped guide my research. My parents and brother also deserve thanks. In addition, I feel it is necessary to thank the Interlibrary loan office, for all I put them through in getting books for me. Finally, I would like to thank all my friends and colleagues in the history department, whose support and friendship made my time studying at the University of Florida bearable, and often even fun, especially Anna Lankina-Webb, Rebecca Devlin, Ralph Patrello, Alana Lord, Eleanor Deumens, Robert McEachnie, Sean Hill, Sean Platzer, Bryan Behl, Andrew Welton, and Miller Krause. -
Liturgy As History: the Origins of the Exeter Martyrology
ORE Open Research Exeter TITLE Liturgy as history: the origins of the Exeter martyrology AUTHORS Hamilton, S JOURNAL Traditio: Studies in Ancient and Medieval History, Thought, and Religion DEPOSITED IN ORE 01 November 2019 This version available at http://hdl.handle.net/10871/39448 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication 1 Liturgy as History: The Origins of the Exeter Martyrology Sarah Hamilton, University of Exeter Abstract Through an Anglo-Norman case study, this article highlights the value of normative liturgical material for scholars interested in the role which saints’ cults played in the history and identity of religious communities. The records of Anglo-Saxon cults are largely the work of Anglo-Norman monks. Historians exploring why this was the case have therefore concentrated upon hagiographical texts about individual Anglo-Saxon saints composed in and for monastic communities in the post-Conquest period. This article shifts the focus away from the monastic to those secular clerical communities which did not commission specific accounts, and away from individual cults, to uncover the potential of historical martyrologies for showing how such secular communities remembered and understood their own past through the cult of saints. Exeter Cathedral Library, Ms 3518, is a copy of the martyrology by the ninth-century Frankish monk, Usuard of Saint-Germain-des-Prés , written in and for Exeter cathedral’s canons in the mid-twelfth century. -
Zur Kanonisationsbulle Für Erzbischof Heribert Von Köln 49
ZUR KANONISATIONSBULLE FUR ERZBISCHOF HERIBERT VON K~LN Von Heribert Müller Theodoi Schieffev zunz 65, Gebuvtstag ~1~ ~h.Ilgen 1907 im Rahmen seiner Untersuchungen zur rheinisch- ~~~ll~nkundedes Mittelalters die von Johann Gelenius im ersten Band der ,,FarraginesUüberlieferte I<anonisationsbulle eines Gregorius epi- smpus semus servorum dei für den heiligen Heribert als Fälschung dieses ge- lehrten Sammlers nachzuweisen suchte, stand die Urkunde für einige Jahre im Blickpunkt der rheinischen Geschichtsforschung, bis H. Schrörs sie über- zeiigend als mittelalterliches Falsum entlarven konnte I. Seitdem wandte sich das wissenschaftliche Interesse von diesem Stück wieder ab; in den folgenden Jahrzehnten stellte man nur noch im Zusammenhang mit Arbeiten über Heri- bert, seine Klostergrüiidung in Deutz oder den Heribertusschrein bisweilen Überlegungen an, welcher Papst wohl mit dem als Aussteller genannten Gre- gorius gemeint sein könnte, und entschied sich oftmals - aber meist ohne nähere Begründung - für Gregor V11 2. F, W. Oediger stieß nun während seiner Arbeit an den ,,Regesten der Erzbischöfe von Köln im Mittelalter" auf eine Überlieferung dieser Bulle aus dem 12. Jahrhundert in einem Evangeliar aus St. Severin in Köln (Reg. 682, 4 Anm.) - somit fand die These des Bonner I<irchenhistorikers ihre späte Bestätigung. Doch niemand folgte der neuen Spur, und die Fragen nach Ort, Zeit und Anlaß der Fälschung blieben bis heute 1 Th. I1 g e n, Die Kanonisationsbulle für Erzbischof Heribert von Köln (= Kriti- sche Beiträge zur rheinisch-westfälischen Quellenltunde des Mittelalters 111), in: Westdt. Zs, f. Gesch. 26 (1907), S. 1-25. Ebd. 30 (1911)~ S, 281 f., wiederholte I l g e n kurz seine Argumente in einer Entgegnung auf die Angriffe von Schrörs.