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Vr Katalog Seite1-34 Korrigiert:Layout 1.Qxd 2 Inhalt Contents Sommaire Introduction 4 Horst Gerhard Haberl: Software agents heading for migration 8 Virtual Residency: International call for a virtual mass migration to the model house Europe 16 Virtual Residency – Entire Concept: Europe is expanding. 18 List of Participants 31 Exhibitions: Poland, Germany, France 36 PL/Lublin: Galeria Biala: Anna Nawrot and Jan Gryka – A short story about two meetings in Lublin 40 Concepts chosen for the first exhibition. 46 D/Völklingen: World Cultural Heritage Site Claudia Brieske: Not only the sharing of virtual and real space... 56 Concepts chosen for the second exhibition. 60 F/Metz: Centre d‘Art Contemporain Faux Mouvement Patrick Nardin – What is virtual about the “Virtual Residency”? 108 Concepts chosen for the third exhibition. 114 Artists chosen for the exhibitions. 128 Initiators: Bohr, Brieske, Huppert, Riethmüller 212 Credits 222 Links and Websites | The Website | The exhibitions 223 3 Monika Bohr, Claudia Brieske, Leslie Huppert, Gertrud Riethmüller: Introduction Monika Bohr, Claudia Brieske, Leslie Huppert und diesem Katalog dokumentiert sind. Diese flexible Gertrud Riethmüller sind eine Gruppe von Medien- Struktur hatte zur Folge, dass sich im Laufe der künstlerinnen, die mit der „Virtual Residency“ ihr Diskussion mit den Kooperationspartnern über die zweites internationales Medienkunstprojekt durch- Subthemen und der Entwicklung eigener Ausstel- führen. 2001 initiierten sie das Projekt „Gegenort – lungskonzeptionen der Rahmen des Projektes The Virtual Mine“1, das in einer alten Schachtan- ständig erweiterte und veränderte. Entstanden ist lage des Kohlebergbaus in Neunkirchen/Saar eine vielfältige und lebendige Auseinandersetzung realisiert wurde. In diesem Projekt hat die Gruppe mit dem Gesamtthema Migration. Die Projekt- mit Hilfe „virtueller Bohrungen“ über den Kanal des gruppe wird auch in Zukunft neue Partnerschaften Internets künstlerische Konzeptionen und Ideen mit Akteuren der europäischen Kulturszene von verschiedenen Orten der Welt gefördert. Die eingehen, um die Ausstellungsserie in neuen Konzepte wurden zusammen mit den jeweiligen Formen weiterzuführen. Künstlern und Künstlerinnen aus europäischen Ländern, aus Japan, Australien, den USA u.a. über Mit „Gegenort – The Virtual Mine“ und „Virtual E-Mails und Videokonferenzen weiterentwickelt Residency“ entwickelte die Gruppe zwei Proto- und als Resultate einer intensiven Kommunikation in typen einer speziellen Methode, um thematische einer stillgelegten Schachtanlage in Neunkirchen/ Netzwerke im Bereich der Neuen Medien zu Saar im Sommer 2001 „materialisiert“ (www.the- schaffen. Diese Netzwerke sind international, oft virtual-mine.net). interdisziplinär und weitestgehend unabhängig von kommerziellen und politischen Strukturen. Virtual Nach der erfolgreichen Realisation der „Virtual Residency ist im Bezug zu den teilnehmenden Mine“ entschloss sich die Gruppe, ein neues Pro- Künstlerinnen und Künstlern nicht hierarchisch jekt mit ähnlicher Methodik, jedoch neuer Konzep- organisiert. Bekannte sowie unbekannte Künstler tion, zu entwickeln und durchzuführen. Das Projekt nehmen auf gleichberechtigter Basis teil. Die Teil- „Gegenort – The Virtual Mine“ integrierte den nehmer werden ausschließlich nach der Qualität sozialen, politischen und historischen Kontext der der Konzepte ausgewählt. Die Möglichkeit, eigene sich auflösenden Bergbauindustrie. Demgegen- unabhängige Netzwerke zwischen den „virtuellen über fokussiert die Virtual Residency Themen mit Residenten“ zu bilden, ist ein sehr interessanter weltweiter soziopolitischer und kultureller Relevanz und willkommener Aspekt. für Künstler und Publikum. Während beim ersten Projekt ein internationaler Aufruf stattgefunden hat, Das World Wide Web wird trotz zunehmender Kon- dessen Ergebnisse nur an einem Ort gezeigt trolle und Kommerzialisierung immer noch als eine wurden, starteten diesmal fortlaufende Aufrufe zur Plattform empfunden, auf der unendliche Beweg- Teilnahme mit sich wandelnden Aspekten zum ungs- und Ausdrucksmöglichkeiten praktiziert Thema Migration. Auch in den Ausstellungen werden können. Das Projekt „Virtual Residency“ wurde eine größere Bandbreite gezeigt, da die nutzt diese Möglichkeiten, initiiert neue Kommuni- Gruppe diesmal mit verschiedenen europäischen kationsprozesse und transportiert die künstleri- Organisationen zusammenarbeitete und von 2006 schen Ergebnisse dieser Debatte in den bis 2007 drei Ausstellungen mit Partnern in Polen, physischen Raum. Es ist ein lebendiges, sich mit 4 Frankreich und Deutschland realisierte, die in dem Einfluss der Partnerinstitutionen und der Teilnehmer stetig wandelndes, weit verzweigtes, Monika Bohr, Claudia Brieske, Leslie Huppert zeit- und raumgreifendes Medien- und Kommuni- and Gertrud Riethmüller are a group of media kationskunstwerk. Mit seiner komplexen Inter- artists whose second international media art netplattform und den daraus generierten Ausstel- project is the “Virtual residency”. In 2001 they lungen in sogenannten „Musterhäusern“ entwickelt initiated “Gegenort – The Virtual Mine”1 , a project das Projekt ein Gewebe/ein Netz temporärer which was realized at the site of a disused coal Aufenthalte künstlerischer Migrationen in verschie- mine in Neunkirchen/Saar. With the help of denen Regionen Europas und auch außerhalb “virtual boreholes” and through the “channel” of Europas. the Internet the group was able to produce artistic concepts and ideas from various places Durch Globalisierungsprozesse wird es auch in the world. In co-operation with the artists from zukünftig größere Migrationsbewegungen geben. Europe, Japan, Australia and the USA the con- cepts had been further developed, sometimes Virtual Residency soll sich daher als ein autonomes via e-mail or videoconference. In the summer of Netzwerk der künstlerischen Debatte weiterent- 2001 this concepts “materialized” at the site of a wickeln und die Projektdatenbank weiterhin als disused coal mine as the result of intensive Forum der künstlerischen Auseinandersetzung mit communication across several continents. diesem Thema bestehen bleiben und wachsen. Wir, die Projektgruppe und ihre Partner, sind über- After the successful realization of the “Virtual zeugt, dadurch mit künstlerischen Mitteln einen Mine”, we decided to launch a new project with a wichtigen Beitrag zur europäischen und internatio- similar methodology, but a new concept. „Gegen- nalen Kooperation leisten zu können. ort – The Virtual Mine“ also considered the social, political and historic context of the disbanding mining industry. The Virtual Residency, however, concentrates on issues which are of sociopolitical and cultural relevance on a global scale. The results of the first project‘s call for participation had been presented only at one location, whereas this time, there were continuous calls for participation referring to various aspects of the topic “migration”. This time a wider spectrum of works could be seen in the exhibitions, which was the result of the co-operation between the group and different European organizations on the one hand and the realization of three exhibitions with partners in Poland, France and Germany from 2006 to 2007 on the other hand. The latter are documented in this catalog. During discus- sions about subthemes and personal exhibition 1http://www.the-virtual-mine.net concepts with the co-operation partners, the 5 Monika Bohr, Claudia Brieske, Leslie Huppert, Gertrud Riethmüller: Introduction project underwent constant growth and remained In the future there will be major movements of infinitely mutable due to its flexible structure and migrants as well due to globalization. That is why the communication possibilities involved. This the Virtual Residency and it‘s data base should led to a multifaceted and lively dissection of the develop further as an autonomous network of general theme of migration. In order to carry forth artistic debate and as a forum of artistic reflection the exhibition series in new forms, the project on this theme. Thus, our partners and we are group will continue to go into partnership with confident that we were able to make an important actors of the European cultural scene. contribution to European and international artistic cooperation. A prototype of a method for the compilation of thematic networks in the area of the contempo- rary media was developed for both projects – “Gegenort - The Virtual Mine” and the “Virtual Residency”. These international and often inter- disciplinary networks are to a very large degree independent of commercial and political struc- tures. With regard to the participating artists, the Virtual Residency is not hierarchically organized. Well-known as well as unknown artists are participating on an equal footing. The selection of the participants exclusively depends on the quality of their concepts. One very interesting and welcome aspect is that it is possible for the “Virtual Residents” to build their own independent networks. Despite increasing control and commercializa- tion, the World Wide Web is still seen as a platform for unlimited possibilities to express one- self. “Virtual Residency” uses these possibilities, initiates new communication processes and transports the artistic outcomes of this debate into physical space. Here we have a lively, ramified, time and space covering media and communication artwork. Because of its complex Internet platform and the resulting exhibitions at the so called “Model Houses”, the project is developing a texture, a net of temporary residences of the
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