Bruce Nauman Biography
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2015 Regional Economic Development Council Awards
2015 Regional Economic Development Council Awards Governor Andrew M. Cuomo 1 2 Table of Contents Regional Council Awards Western New York .........................................................................................................................12 Finger Lakes ...................................................................................................................................28 Southern Tier ..................................................................................................................................44 Central New York ..........................................................................................................................56 Mohawk Valley ...............................................................................................................................68 North Country .................................................................................................................................80 Capital Region ................................................................................................................................92 Mid-Hudson ...................................................................................................................................108 New York City ............................................................................................................................... 124 Long Island ................................................................................................................................... -
Iowa State Capitol Complex Master Plan I
Iowa State Capitol Complex I Master Plan January 7, 2010 (Amended December 2020) State of Iowa Department of Administrative Services & Capitol Planning Commission Confluence Zimmer Gunsul Frasca Architects LLP Jeffrey Morgan Architecture Studio Tilghman Group Snyder and Associates [ This page intentionally left blank ] Iowa State Capitol Complex Master Plan Master Complex Capitol State Iowa Contents ii Preface 78 Architectural Design 82 Utilities 1 Chapter 1 - The Vision 84 Parking 9 Chapter 2 - Principal Influences on the Plan 88 Transit 10 Historical Development 92 Pedestrian and Bicycle Circulation 16 Capitol Neighborhood 99 Sustainable Development Principles 23 Chapter 3 - Capitol Complex 107 Chapter 4 - Making the Vision a Reality 24 Concept 111 Acknowledgements 28 Approaches and Gateways 30 View Corridors and Streets 117 Appendix A - Transportation Plan 38 Access and Circulation 131 Appendix B - Facility Needs Assessment 45 Landscape Framework Summary 58 Monuments and Public Art 155 Appendix C - Capitol Complex Planning History 62 Site Amenities 64 Signs and Visitor Information 164 Appendix D - Annual Review & Update of Iowa State Capitol Complex 2010 72 Buildings Master Plan i ii Iowa State Capitol Complex Master Plan Master Complex Capitol State Iowa Preface iii Introduction Amended December 2016, 2020 The Iowa State Legislature appropriated funds to the Department of Administrative than fiscal years. Services for updating the 2000 Master Plan for physical facilities on the Iowa State Capitol Complex. The resulting 2010-2060 plan was prepared in close collaboration Beginning in 2015, the Capitol Planning Commission committed to keeping the with the Capitol Planning Commission for its consideration and acceptance. The Master Plan viable and current by annually reviewing the Plan to note accomplished consultant team was led by Confluence and Zimmer Gunsul Frasca Architects goals as well as recognizing evolving changes in conditions and assumptions. -
New Work: Glenn Ligon
- 1 glenn ligon: new work SAN FRANCISCO MUSEUM OF MODERN ART Glenn Ligon: New Work is a thought-proYoking, three part rumination on self-por traiture and the individual in relationship to collective hi,tories and notions of group identity. The first gallery of the show features four large, silkscreened paint ings based on news photos documenting the 1995 Million Man March. The next gallery contains a number of self-portraits of the artist himself, also silkscreened onto canvas, constituting a complement and counterpart to the images of the march. The final component is a collection of news clippings, test photos, journal notes, and other documents Ligon accumulated while creating the exhibition as a whole. This material will be archived permanently at the Gay and Lesbian Historical Society of Northern California and is on view there in conjunction with the show. Iigon considers these three components of the exhibition to be distinct and separate bodies of work, ret they arc also clearly related. Each element is a way of reflecting, both conceptually and visually, on ways that images of the self and the group are con structed and deployed, and to what ends. 'J he two bodies of imagery on view at SFMOMA stand in sharp contrast to one another: on one side, immense pictures of the Million Man March, showing African-American men joined together in an impressive show of unity and strength; on the other, a clinically spare series of unemotional head-shots of an individual man. The paintings derived from news photographs feature a largely undifferentiat ed sea of humanity and suggest themes long associated with photographs of demon strations: political struggle, adivbm, and protest. -
Curriculum Vitae
CURRICULUM VITAE JANUARY 2019 Name: Alejandro Garcia Address: 303 Crawford Avenue Syracuse, NY 13224 Telephone: Office: (315) 443-5569 Born: Brownsville, Texas April 1, 1940 Academic Unit: School of Social Work Academic Specialization: Social Policy, Gerontology, Human Diversity Education: Ph.D., Social Welfare Policy, The Heller School for Advanced Studies in Social Welfare, Brandeis University (1980) Dissertation title: "The Contribution of Social Security to the Adequacy ` of Income of Elderly Mexican Americans." Adviser: Professor James Schulz. M.S.W., Social Work, School of Social Work, California State University at Sacramento (1969) B.A., The University of Texas at Austin (1963) Graduate, Virginia Satir's International AVANTA Process Institute, Crested Butte, Colorado (1987) Membership in Professional and Learned Societies: Academy of Certified Social Workers American Association of University Professors Council on Social Work Education The Gerontological Society of America National Association of Social Workers Association of Latino and Latina Social Work Educators Professional Employment: October 2015-present Jocelyn Falk Endowed Professor of Social Work, School of Social Work Syracuse University 1983 to present: Professor (Tenured), School of Social Work, Syracuse University, Syracuse, NY 1994-2002 Chair, Gerontology Concentration, School of Social Work, Syracuse University, Syracuse, NY Garcia cv p. 2 1999, 2000 Adjunct faculty, Smith College School for Social Work Northampton, MA 1984-91 Faculty, Elderhostel, Le Moyne College, Syracuse, NY 1978-1983 Associate Professor, School of Social Work, Syracuse University, Syracuse, NY 1975-1978 Instructor, Graduate School of Social Work Boston College, Boston, MA 1977-1978 Adjunct Assistant Professor of Social Work, Graduate School of Social Work, Boston University, Boston, MA 1977-1978 Special Lecturer in Social Policy. -
Press Release
Contact: Mark Linga 617.452.3586 [email protected] N E W S R E L E A S E The Media Test Wall Presents Video Trajectories (Redux): Selections from the MIT List Visual Arts Center New Media Collection featuring works by Bruce Nauman, Dara Birnbaum, Bill Viola, Nam June Paik and Gary Hill Viewing Hours: Daily 24 Hours Cambridge, MA – September 2008. The MIT List Visual Arts Center’s Media Test Wall presents Video Trajectories (Redux): Selections from the MIT List Visual Arts Center New Media Collection. This five-part exhibition series features selections from the List Center’s exhibition Video Trajectories (October 12-December 30, 2007) which was originally organized by MIT Professor Caroline A. Jones. The five selections in Video Trajectories (Redux), considered masterworks from video art history were acquired to become part of the MIT List Center’s New Media Collection. This exhibition re-introduces these works to a broader public: September 12-October 10 Bruce Nauman Slow Angle Walk (Beckett Walk), 1968 Video, black-and-white, sound, 60 minutes © 2008 Bruce Nauman/Artists Rights Society (ARS), New York, NY For Bruce Nauman, the video camera is an indispensable studio tool and witness. Barely edited, a characteristic Nauman tape from the late '60s shows the artist laconically following some absurd set of directions for an extended amount of time within the vague purview of a video camera mounted at a seemingly random angle in relation to the action. Slow Angle Walk is a classic of the genre, reflecting the artist's interest in Irish playwright Samuel Beckett, whose characters announce, "Let's go!" while the stage directions read, "No one moves." October 13-November 14 Dara Birnbaum Technology/Transformation: Wonder Woman, 1978-79 Video, color, sound, 5 minutes 50 seconds Courtesy of Electronic Arts Intermix Trained in architecture and painting, Birnbaum early on understood the estranging power of repetition. -
Architecture of Downtown Des Moines: Some Highlights from the Twentieth Century and Beyond
Paula Mohr is an architectural historian and directs the certified local government program in Iowa. She is a graduate of the Cooperstown Museum Studies program and the architectural history program at the University of Virginia. Paula is the local co-chair for FORUM 2018. Architecture of Downtown Des Moines: Some Highlights from the Twentieth Century and Beyond By Paula Mohr In its 170-some years, the evolution of Des Moines’ commercial core has paral- leled that of many American cities. Fort Des Moines, an early foothold in terms of Euro-American settlement, today survives only as an archaeological site. Early commercial buildings of wood frame on both the east and west sides of the Des Moines River were replaced with brick later in the nineteenth century. At the turn of the twentieth century another wave of development introduced tall buildings or skyscrapers. In the midst of all this change, we can see the impact of external forces, including architectural ideas from Chicago, the City Beautiful Movement and the contributions of nationally and internationally renowned architects. The “book” on Des Moines’ architecture is still being written. As a result of this constant renewal and rebuild- Youngerman Block (1876), also by Foster, features ing, only a handful of nineteenth century buildings a façade of “Abestine Stone,” a nineteenth-century survive in Des Moines’ downtown. In the Court artificial stone manufactured by the building’s Avenue entertainment area across the river from owner, Conrad Youngerman. The five-story Des the FORUM conference hotel are several notable Moines Saddlery Building (c. 1878), just around examples. -
Bruce Nauman
BRUCE NAUMAN “The true artist helps the world by revealing mystic truths.” -Bruce Nauman Biography BRUCE NAUMAN Video > Make Me Think Me Nauman studied mathematics and physics at the University of Wisconsin-Madison, and art with William T. Wiley and Robert Arneson at the University of California in Davis. He worked as an assistant to Wayne Thiebaud and in 1966 he became a teacher at the San Francisco Art Institute. In 1968 he met the singer and performance artist Meredith Monk and signed with the dealer Leo Castelli. In the 1980s he moved to New Mexico. Much of his work is characterised by an interest in language which often manifests itself in a playful, mischievous manner. For example, the neon Run From Fear- Fun From Rear, or the photograph Bound To Fail which literalises the title phrase and shows the artist's arms tied behind his back. There are however, very serious concerns at the heart of the work. Nauman seems to be interested in the nature of communication and the inherent problems of language, as well as the role of the artist as supposed communicator and manipulator of visual language. In 1999 he received the Golden Lion of the Venice Biennale. In 2004 he created his work Raw Materials at Tate Modern. Nauman cites Samuel Beckett, Ludwig Wittgenstein, John Cage, Philip Glass, La Monte Young and Meredith Monk as major influences on his work. Biography Born Fort Wayne, Indiana, 1941 EDUCATION 1964 B.S. University of Wisconsin, Madison (mathmatics & physics) 1966 M.F.A. University of California, Davis 1966-68 Taught at San Francisco Art Institute, San Francisco 1970 Taught at University of California, Irvine HONORS/AWARDS 1968 NEA Grant, Artistic Fellowship Award, Washington, D. -
FOR IMMEDIATE RELEASE Barbara T. Smith the 21St Century Odyssey April 13
805 Traction Avenue Los Angeles CA 90013 213.625.1747 www.theboxla.com FOR IMMEDIATE RELEASE Barbara T. Smith The 21st Century Odyssey April 13 – May 25, 2019 Opening Reception: Saturday April 13, 6PM – 8PM Screenings: Saturday, April 20 & Saturday, May 18 Panel with the artist: Saturday, May 11 For The Box’s fifth solo exhibition of Barbara T. Smith’s work, the focus will be on The 21st Century Odyssey, a two year-long durational performance that took place from September 26, 1991 to September 26, 1993. These dates correlate with the opening and the closing of Biosphere 2, located near Tucson, Arizona, where her partner at the time, Dr. Roy Walford, was the interred physician. Smith took on the role of Homer’s Odysseus and traveled the world while Walford, confined inside the Biosphere 2 facility along with 7 other “Biospherians” for 2 years, was Penelope. For Smith, this work was an endeavor to attain a global consciousness while maintaining the connection between Biosphere 1 (the earth) and Biosphere 2. “I was holding Bio 2 in my heart and connecting, of course, with Roy as a vehicle of that connection.” As part of this work, Smith traveled extensively internationally and domestically and considered every aspect of her life in this two year period, from the exotic to the banal, as part of the performance. In Homer’s The Odyssey, Odysseus struggles for ten years to get home to Ithaca after his battles in the Trojan War. Between 1992 and 1993, Smith traveled to India, Nepal, Thailand, Australia, United Kingdom, Germany, and Norway; within the U.S., she went to Northern California, Hawaii and Seattle. -
Crossing Into Eighties Overview 2012
Crown Point Press Newsletter June 2012 The waterfall on Ponape, clockwise from front: Dorothy Wiley, Marina Abramovic, Joan Jonas, Daniel Buren, Chris Burden, and Mary Corse, 1980. Tom Marioni had named the conference “Word of Mouth” VISION #4. Twelve artists each gave a twelve-minute talk. Since LP records lasted twenty-four minutes, he had specified twelve-minute talks so we could put two on a side. Later we presented three records in a box. The records are white—“because it felt like we were landing from a flying saucer when we got off the plane in Ponape,” Tom remembers. The plane circled over what looked like a green dot in a blue sea, and we landed abruptly on a short white runway made of crushed coral with a great green rocky cliff at one end and the sea at the other. Against the cliff was a new low building. Shirtless workers in jeans hustled our bags from the plane into a big square hole in the building’s side, visibly pushing them onto a moving carousel. A man in a grass skirt and an inspector’s cap hustled us inside to claim them. The airport building was full of people, many in grass skirts, some (men and women) topless. CrOSSINg INTO THE EIgHTIES They clapped and whistled as we filed past. We learned later Escape Now and Again that word had circulated that we were an American rock group. In front of the airport was a flatbed truck with fourteen An excerpt from a memoir in progress by Kathan Brown white wicker chairs from the hotel dining room strapped On January 15, 1980, thirty-five artists and other art people, on the bed in two facing rows. -
42 Artists Donate Works to Sotheby's Auction Benefitting the Studio Museum in Harlem
42 Artists Donate Works to Sotheby’s Auction Benefitting the Studio Museum in Harlem artnews.com/2018/05/03/42-artists-donate-works-sothebys-auction-benefitting-studio-museum-harlem Grace Halio May 3, 2018 Mark Bradford’s Speak, Birdman (2018) will be auctioned at Sotheby’s in a sale benefitting the Studio Museum in Harlem. COURTESY THE ARTIST AND HAUSER & WIRTH Sotheby’s has revealed the 42 artists whose works will be on offer at its sale “Creating Space: Artists for The Studio Museum in Harlem: An Auction to Benefit the Museum’s New Building.” Among the pieces at auction will be paintings by Mark Bradford, Julie Mehretu, Lynette Yiadom-Boakye, Glenn Ligon, and Njideka Akunyili Crosby, all of which will hit the block during Sotheby’s contemporary art evening sale and day sales in New York, on May 16 and 17, respectively. The sale’s proceeds will support the construction of the Studio Museum’s new building on 125th Street, the first space specifically developed to meet the institution’s needs. Designed by David Adjaye, of the firm Adjaye Associates, and Cooper Robertson, the new building will provide both indoor and outdoor exhibition space, an education center geared toward deeper community engagement, a public hall, and a roof terrace. “Artists are at the heart of everything the Studio Museum has done for the past fifty years— from our foundational Artist-in-Residence program to creating impactful exhibitions of artists of African descent at every stage in their careers,” Thelma Golden, the museum’s director and chief curator, said in a statement. -
Asia Arts Awards Hong Kong Auction to Benefit Asia Society Thursday, March 23, 2017 1
ASIA ARTS AWARDS HONG KONG AUCTION TO BENEFIT ASIA SOCIETY THURSDAY, MARCH 23, 2017 1. Xu Bing (b. 1955, Chongqing, China; lives and works in Beijing and New York) Phoenix, 2015 Digital print on paper 15 3/4 x 18 3/4 in. (40.1 x 47.7 cm) Artist Proof 1 of 8 Courtesy of the artist Suggested value: US$1,500.00 Xu Bing is a conceptual artist whose work draws on the creative use of language, words, and text. This is a print of an original drawing of Xu’s large-scale installation of the same name made from construction debris and light-emitting diodes. Phoenixes are traditionally associated with rebirth and Xu’s interpretation may be seen as a reflection on urbanization. The artist received a BFA in printmaking in 1981 and an MFA in 1987 from the Central Academy of Fine Arts (CAFA), Beijing. A recipient of the MacArthur Fellowship in 1999, Xu’s artworks have been exhibited worldwide, including at the 56th and 45th Venice Biennales (2015, 1993); Arthur M. Sackler Gallery, Washington, D.C. (2013, 2001); the Victoria and Albert Museum, London (2013); The Museum of Modern Art, New York (2007); The Metropolitan Museum of Art, New York (2006); the Biennale of Sydney (2002); and Johannesburg Biennale (1997), among others. The artist served as the Vice President of the Central Academy of Fine Arts, Beijing, from 2008 to 2014, and is currently a professor and member of the Academic Committee at CAFA. He was awarded a Doctorate of Humane Letters by Columbia University in 2010. -
Ferenc Gróf (1972, Pécs, HU) Is a Graduate of the Hungarian University of the Arts, Budapest, and Since 2012 He Has Taught At
FERENC GRÓF (1972, Pécs, HU) is a graduate of the Hungarian University of the Arts, Budapest, and since 2012 he has taught at the École Nationale Supérieur d’Art (ENSA) in Bourges (FR). His work considers ideological footprints, at the intersection of graphic design and spatial experiences. He is a founding member of the Parisian co-operative Société Réaliste—founded in 2004—whose work considers questions of contemporary political representations, ideological design, and text-based interventions. Société Réaliste’s recent solo exhibitions include: amal al-gam, acb Gallery, Budapest, 2014; Universal Anthem, tranzit.ro, Cluj, 2013; A Rough Guide to Hell, P!, New York, 2013; Thelema of Nations, Galerie Jérôme Poggi, Paris, 2013; and Empire, State, Building, MNAC, Bucharest, 2012, Ludwig Museum, Budapest, 2012, and Jeu de Paume, Paris, 2011. Société Réaliste’s work has also been included in numerous group exhibitions and biennials in Shanghai, 2012; Lyon, 2009; and Istanbul, 2009. Since 2015 Société Réaliste is on hiatus, Ferenc Gróf continues his work as an individual artist. His most recent solo exhibitions were Without index (Kiscelli Museum, Budapest, 2016), X with a dot below (acb Gallery / OFF Biennale, Budapest, 2017) and or firing of a red star alert (acb Gallery, 2018). Gróf lives and works in Paris. 1 EDUCATION > Without index, solo exhibition, Kiscelli Museum, > Hungarian University of Fine Arts, Budapest, Budapest. 1996–2001. > The line (Járat), Herman Museum, Miskolc, HU. > Jan van Eyck Academie, Maastricht, > Cold wall #2, Museum of contemporary Art, 2008–2009. Novi Sad (RS). > Worldless, solo exhibition, Nick Gallery, Pécs. RECENT PROJECTS > Statues of Rebels, acb Gallery, Budapest.