MOCA – Museum of Contemporary Art in

MOCA is the Museum of Contemporary Art in Bangkok. It is located in 499 Kamphaengphet 6 Rd., Ladyao, Chatuchak. This museum is a special, serene place and definitely worth a visit if you are in Bangkok. The MOCA is supposed to provide a solid platform in building “Art Society” in thus encouraging newcomer in various branches of arts. This is the museum’s vision.

MOCA – Museum of Contemporary Art

At the MOCA – Museum of Contemporary Art in Bangkok*

This museum was established by Mr. Boonchai Bencharongkul in honour of Prof. (Corrado Feroci) who is considered the ‘Father of Thai Contemporary Arts’. What is more, the MOCA is also supposed to appreciate the great favour of His Majesty King Bhumibol Adulyadej.

An artist at work – preserving the essence of Thainess at MOCA*

The Italian-born Prof. Silpa Bhirasri (1892-1963) worked mainly in Thailand and was ground-breaking in establishing modern art in Thailand. In addition, he was instrumental in founding . In accordance with Prof. Bhirasri’s vision, the MOCA wants to protect and maintain Thai art and culture in order to preseve the esscence of Thainess for future generations. In this way, the art collections should reflect the basis of Thai culture. An artful sculpture of Ganesha (Phra Pikanet) a Hindu God in Thai culture*

Hence, the museum’s mission is to give Thai people and foreigners the opportunity to admire and appreciate Thai art and artists. In particular, Thai people of the younger generation should be strengthened in their love for the uniqueness of Thai culture. Thus, they can learn a lot about the artists’ inspirations and methods of creation in the museum. These sculptures remind me of Thai court dolls, strengthening Thai people’s love for Thai culture at the MOCA*

The MOCA has five sections displayed on five different floors. Hence, the 1st floor has two halls in which the works of Prof. Chalood Nimsamer and Paitun Muangsomboon are displayed respectively. Both are National Artists of Sculpture. Unusual sculptures and works of art at the Museum of Contemporary Art in Bangkok*

On the 2nd floor you find contemporary art of different themes and concepts such as social knowledge and Buddhism while on the 3rd floor there are creations displaying imagination in Thai contemporay art. For instance, there are works of the famous Thai National Artist Chakrabhand Posayakrit. Displaying social knowledge and Buddhism in art, exhibition at MOCA*

The 4th floor harbours works of one of my favourite Thai artists – Thawan Duchanee. He is also a famous and remarkable National Artist in Thailand and is considered a modern Buddhist artist. What is more, the highlights on this floor are three gigantic contemporary paintings called “The Three Kingdoms-Heaven, Middle Earth, and Hell” created by the artists Sompop Budtarad, Panya Wijinthanasan and Prateep Kochbua. The works of Thawan Duchanee. modern Buddhist artist* The Three Kingdoms-Heaven, Middle Earth, and Hell at the MOCA*

Last but not least, the th5 floor is about international contemporary art and there are also paintings from the 19th century Romantic period of Queen Victoria. International and Thai art at the MOCA attracts many foreign visitors*

Finally, we may say that the MOCA – Museum of Contemporay Art in Bangkok is a remarkable place created to preserve the display the essence of Thainess, Thai culture and art. Fore more information, I recommend you check outthe museum’s website.

Yours, Sirinya

*all photos in this post, credit: Siwaphong Pakdeetawan, Instagram@knack66

Media Review: Thawan Duchanee: Modern Buddhist Artist

Today’s media review is about Thawan Duchanee: Modern Buddhist Artist by Russell Marcus (ISBN: 9786162150562). This book was published in 2013 by Silkworm Books, Chiang Mai, Thailand. The book is in English language, comprises 168 pages and is available as print version and e-formats (iBooks, Kindle, Google Books and Kobo). It costs 595 Bath; on Amazon the print version is about 18 EUR. You may take a look inside the book here.

Thawan Duchanee: Modern Buddhist Artist

This book is a comprehensive work about Thai National Artist Thawan Duchanee. It is structured in five main sections, namely ‘Paintings’, ‘Buildings’, ‘Artistry’, ‘Philosophy’ and ‘Life’. Hence, the author focusses on different aspects of Thawan’s art reflecting Buddhist philosophy and portraying Buddhism in a subtle manner.

The first section about ‘Paintings’ is subdivided into four chapters which deal with the dangers of doubt, lust, fear, and lack of concentration. What is more, Marcus points out that man’s pursuit of pleasure and escape from and avoidance of pain is primary subject of Thawan’s paintings. In addition, the work argues that virtues are exemplified in the previous lives of the Buddha. Thus, the first chapter is about the Dhammapada showing us how Buddhist teachings are reflected in the artist’s works. The next chapter, theBattle of Mara, deals with Buddha’s fight to reach enlightenment. The third part is thus concerned with the Last Ten Lives of the Buddha. These are moral tales illustrating the Buddha’s ten characteristic virtues. The fourth chapter of this section is about Seeing What Is Visible meaning to look beyond literal interpretations of Thawan’s work.

Thawan Duchanee (photo credit: chiangraitimes.com)

The second section of the book is concerned with ‘Buildings’ created by the artist. This is mainly about Thawan’s outstanding architectural and decorative achievements in Chiang Rai and Germany. Hence, the fifth chapter of this work deals with the Buddhist Meditation Room and the artist’s paintings from the Buddhist meditation centre of a German castle. Finally, the following chapter is about Thawan’s greatest achievement, namely the Black House Museum village in Chiang Rai (The Biggest Work of the Painter Is Not a Painting). The next section ‘Artistry’ is about Thawan’s mastery of a wide range of styles, techniques and media. Thus, the fourth section ‘Philosophy’ lists what the artist said about his own work, including his concerns and passions regarding art, artworks and his own unique way and style. The final section ‘Life’ is Thawan’s biography.

In my view, this book is a very comprehensive and detailed work about Thawan’s different art forms. In particular, I welcome that there are more than 100 colour and black-and- white images that serve to illustrate the diversity and versatility of the artist’s work. In addition, I very much appreciate that the book offers deep insights into Thawan’s creative genius and also explores his philosophical backdrop.

Finally, I can highly recommend Thawan Duchanee, Modern Buddhist Artist. Particularly to everyone who is interested in the versatility of Thai and Buddhist art.

Yours, Sirinya

‘Baandam’: The Black House Museum by Thawan Duchanee

“In my imagination and dreams, time and space become one; they vibrate with an irrational quality attributable to the dream although I know they have the original beat of reality. Artwork is my love made visible; it represents everything in the infinite universe materialized through my imagination” (Thawan Duchanee)

‘Baandam’ is the Black House Museum designed by Thai National Artist Thawan Duchanee (1939-2014). ‘Baandam’ is a complex of over 40 houses which are situated 10km north of Chiang Rai.

Picture of the artist Thawan Duchanee, from his site

Thawan Duchanee is a prominent representative of Thai and Asian art. He started his artistic education at the Poh Chang Arts and Crafts College. Thawan Duchanee then studied at Silpakorn University under the Italian painter Corrado Feroci (Silpa Bhilasri) who is known as the father of modern Thai art. Thawan Duchanee is also familiar with Western artistic traditions since he also studied at the Royal Academy of Visual Arts in Amsterdam.

Returning to Thailand, Thawan Duchanee developed a signature style of artistry using predominantly black and red tones. This is based on the styles of traditional Buddhist art and is supposed to symbolize the darkness immanent in humanity.

Black House Museum White Temple and Black House in Chiang Rai

‘Baandam’ main building*

‘Baandam’ tiered building* ‘Baandam’ tiered roof house*

This tendency is also reflected in the Black houses of ‘Baandam’ in Chiang Rai. Thus, the Black Houses are designed in different styles and what is special about them is that their colour is predominantly black. Hence, there are also some white buildings but their only function is to bring out the Black Houses even more distinctly. Most of the Black Houses of the ‘Baandam’ Museum serve as a kind of ‘showroom’ for various artefacts, curiosities and oddities.

‘Baandam’ cylindrical white building*

In fact, Thawan Duchanee’s estate is an interesting collection of bizarre, surreal structures including a zoo’s worth of animal skeletons ‘Baandam’ collection of hides and

eggs* ‘Baandam’ On skeletons*

Nevertheless, ‘Baandam’ a special kind of museum because the objects and artefacts of the Black House Museum are all related to death, mortality and impermanence. In other words, one may also say that they highlight the negative side of nature.

‘Baandam’ snake skin* ‘Baandam’ skull and egg*

Hence, there are many skulls from different animals as well as skins (e.g. snake skins), hides, eggs and carvings of more traditional demons. In addition, ‘Baandam’ also has interesting furniture and special collectors’ pieces to offer.

‘Baandam’ carved façade*

‘Baandam carved pillars*

(*Photo credits: Anandajoti Bhikkhu)

I am very much impressed by Thawan Duchanee’s art and the Black House Museum in Chiang Rai, in particular. I think it is the mixture between traditionalism, curiosity and oddity and makes it so special. Considering Western artists, I think the Swiss surrealistic artist H.R.Giger would have loved ‘Baandam’ and its oddities!

Finally, I’d like to close this article by inserting this short video about ‘Baandam’, the Black House museum in Chiang Rai so that you can get some more impressions. In this video, Thawan Duchanee’s son Doi-tibet Duchanee explains something about the art and the intentions of his father. It’s worth watching!

Have you been to ‘Baandam’ and do you like this museum complex?

There is also a comprehensive book about Thawan Duchanee called ‘Modern Buddhist Artist’ written by Russell Marcus. Perhaps you’d like to check this out and my review to this book

Have fun exploring! And if you have the chance, visit ‘Baandam’

Do you know that there is also a White Temple (Wat Rong Khun) in Chiang Rai that serves as a kind of juxtaposition to the Black House museum? If you want to learn more, check it out here Yours, Sirinya