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Villas Industry Forum : Bath Spaces High Flier : Ar the indian review of world furniture, volume 18 . issue 0398 . may - june 2021 interiors and design “Architecture is really about well-being. I think that people want to feel good in a space.” ZAHA HADID focus : villas industry forum : bath spaces high flier : ar. jude d’souza Chic Products for the Modern Home AHEC 04 00 GEZE AHEC 05 ifj : the indian review of world 01 KAFF APPLIANCES EBCO 06 furniture, interiors and design 02 EUROTECH KLITE 07 03 CONTENT HAFELE 08 editorial photo courtesy: editor & creative head 09 tessera india, mumbai sylvia khan [email protected] assistant editor mignonne dsouza likes! [email protected] 10 10 TRUMP GALLERY 12 URBANSCAPE OFFICE editorial consultant shailendra mehta 14 THE YELLOW BOX [email protected] 16 WOERWAG HEADQUARTERS IFJ WriteTank Associate partner:editorial correspondents aadrita chatterji transformation [email protected] 18 18 RESIDENCE, THE CONTERIE darielle britto 20 BELGADIA PALACE RESTORATION [email protected] 22 VANKE Nantou GALLERY studio head harish raut 19 20 21 [email protected] 2020 focus to contribute editorial matter 24 villas Hall 1, Bombay [email protected] Center, Mumbai to advertise www.interiorlifestyleindia.comjasmeet kaur news [email protected] 84 84 PERPETUUM MOBILE MIRALLES X AHEC +91 98338 05467 91 IFJ 88 SUPERSALONE 2021 to subscribe pooja tawde [email protected] product watch Visit the preferred 92 sourcing destination industry forum 94 bath spaces for home fashion available online at: high flier 100 AR. JUDE D’SOUZA Wall Accents | published by Printed and published byLuminaries Sylvia Khan on behalf of | wanderlust Liyakat Ali Khan. Published by Index Media Pvt. Ltd. 106 Pooja BIHANI 703, 7th Floor, Brahans Business Park, 108 FEATHERLITE Paper Box Road, OffQuirky Mahakali Caves Road, decor Andheri (East), | inside backcover CANADIAN WOOD Mumbai 400093, India. backcover UMG DIGITAL Tel. : +91 022 2687 9081-88, 022 2687 8050 / 51 Editor : Sylvia Khan While all constructive inputsHome and editorial material ware are welcome, | the editorial team does not undertake responsibility for either printing or return of unsolicited material or printing of responses in an unedited form. While every attempt is made to ensure Metalveracity of material, & the Handicraftseditors are not responsible for verification | of the accuracy of information which is accepted in good faith from contributors and shall not be held liable to any extent. All rights of printing and publication reserved by the publishers. No part of this publication may be reproduced elsewhere, without the written permission of the publishers.and more… All material and photography provided by the architects or their PR agencies and have been freely provided to IFJ for coverage. IFJ does not solicit material or pay for material. IFJ does not accept any monetary fee for material in the editorial section. The only paid content is advertorialFor or advertising, enquiries, and is clearly marked. call: IFJ is not liable for any infringement of copyright, should this occur,Namita as this material Potdar is directly provided | +91 by 22the architect 6144 firms 5962 [email protected] their PR agencies. member of corporate office Index Media Pvt. Ltd. international alliance of 703, 7th Floor, Brahans Business Park, Paper Box Road, furnishing publications Off Mahakali Caves Road, Andheri (East), Mumbai 400093, India. Tel. : +91 022 2687 9081-88 CONTENT *For trade visitors only| Free entry EXPLORE. American Hardwoods. Architects and designers all over the world have embraced American hardwoods for the range of colours, grains and textures they offer, as well as for their consistency in grade, quality and supply and their sustainable credentials. For more information visit: www.americanhardwood.org [email protected] 00971508494841 AHEC_India monologuemonodia At the risk of being accused of propagating the ‘let them eat cake’ ethos, IFJ decided to distract ourselves by looking at the luxury segment this time, at that ultimate indulgence in personal space, the villa. While there were large amounts (sometimes shockingly so!), invested on the villas and their fit out, what was equally shining was the degree of mindfulness and thought that had gone into the design of each of these, and the extent to which creativity had been pushed. Also, the call for projects met with such an overwhelming response, that we have decided to continue the party into a second edition. While eyes are rolled at the ‘excesses’ in design and spend on said excesses, the fact is that the market is not an ethical, value judgement-based entity. It is purely commerce-driven, free of the shackles of ‘right and wrong’ and the fact remains, that this segment did well during the pandemic. Or at least kept its head above the water, while its less affluent compadres sank, in the travails of the pandemic. Such is commerce. There’s no point in expressing righteous indignation, it’s not a bad thing. It’s the sectors that recover that will cause impetus and drive growth in sluggish times such as these. The mid- market sectors are petrified. The shock of job losses or wage cuts, have caused rethinking of almost all big buying decisions. It’s the salt and the diamonds which will now drive growth : the lowest and the highest ends of the market. As business slowly re-starts, the feeling is one of hope rather than fear. There is a wide acceptance that Covid 19 will be the unpleasant neighbor that we will have to learn to live with and that now that vaccines are more easily accessible, we have the weapons to fight it. So, as we reenter our work places, reminding ourselves to wear formal clothes again, a spirit of optimism does prevail. Perhaps it really was okay to do a Villa Focus this time. Stay well and stay safe ! Sylvia Khan Editor & Creative Head I look forward to hearing from you. Please send your thoughts to me at [email protected] EDITORIAL text : : IFJ WriteTank likes! photography : : jeetin sharma TRUMP GALLERY gurugram commission : architecture discipline, new delhi conference space at the mezzanine level, The corridor adjacent to the lounge ends at overlooking the double-height exhibition the staircase with a pantry housed beneath gallery in the front. Elements of wood, the space. Upon proceeding upstairs, fabric, metal and leather create a simple one arrives at the office with a 260 sq. ft. but stylish ambience. large conference room overlooking the exhibition space on the lower level. Pleated Conceptualized as a ‘white box’, the frosted fabric panels encased in gold-metal exhibition space is a white-walled double- comprise the design palette in this section. height volume with natural grey oak plank The conference room features charcoal flooring arranged in a fishbone pattern. A fabric walls, a nine-seater black conference large model with a series of display panels table with a central stile, surrounded with depicting the timeline of the company is nude leather chairs with black legs. the focus of the space. The exhibition space is a plain and three-dimensional canvas with a delicate Moooi chandelier that constructs an introspective ambience. A lounge under the mezzanine is clad in charcoal-colored fabric defined by gold bands at the joint, rendering an exclusive cave-like scale. The grey oak of the gallery spreads into the area, organized in a straight planked fashion. Tan leather- upholstered furniture comprises the minimalistic but opulent décor, adding warm coziness to the experience. Spread over 1,800 sq ft, this sales gallery A vertical glass and gold-striped transparent screen for a real estate and property management firm is situated in the becomes the façade, with a gold-finished steel beam retail arcade at The Oberoi. It overlooks a 36,000 sq ft reflection bearing the word ‘Trump’ at the center. White opaque pool with a 15 ft high floor-to-ceiling picture window that brings curtains and sheer drapes flank the glass screen, in natural light. The high ceiling further accentuates the space, veiling the space to create a seamless white canvas. creating a pleasant and serene mood. The interiors open from the entrance with red seating LIKES on either side, accentuated by a color palette of white, gold and charcoal. The rear half is split to contain a lounge on the ground-level and an office and MAY-JUNE 10 11 text : : IFJ WriteTank likes! photography : : andre fanthome URBANSCAPE OFFICE new delhi commission : urbanscape architects, new delhi The visitor enters the studio through a light fixture. The cabin and conference stone and concrete staircase lined with rooms are entirely enveloped in full- wooden panels that offer privacy. This height glass panels towards the central leads to the reception area, adorned cutout to enable communication and with Vibhor Sogani’s ‘Master Stroke’ transparency. for a space The desire was wall installation in iron and stainless that reflected the designer’s inclination for steel inspired by a pencil stroke. The The third floor is a residential space independence, a resident’s nostalgic sense lounge features Louis Poulsen artwork with living spaces, staircase and a and the need for continuity. It houses a and lighting fixtures, and the formal bedroom, with a cutout space running commercial fashion store and steps to seat conference room has a table that interrupted through all the floors. On passers-by along the storefront, leading the represents dialogue and synthesis. each floor, Vibhor Sogani’s artwork way through a central entry point for the The floor terminates with a sculpture is displayed that resembles pencil architectural office above. by Aditi Garg, which is inspired by the shavings. cover of Pink Floyd’s ‘Division Bell’. Oriented towards the northeast direction, an exposed burnt brick façade greets visitors.
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