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Download Enemmy Law and Disorder Movie in Dual Audio Movie
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Fortisian Feb Issue 2016
FEBRUARY 2016 HAPPENINGS IN THE WORLD OF FORTIS STARTING POINT Message from the Chief Executive Officer HAPPENINGS IN THE WORLD OF FORTIS NEW BEGINNINGS & LAUNCHES My dear fellow Fortisians, My greetings to all of you in this Spring issue of our magazine. Fortis is the first in India to monitor and publish clinical outcomes in As you all know, our focus continues to be on the delivery of value-based Cardiology based on global ICHOM norms healthcare. As is the case with most services, it is sometimes challenging to illustrate the value proposition in healthcare prior to the service is experienced As part of its continued endeavour to strengthen patient-centric or consumed. Perceptions, therefore, tend to be ephemeral and quite often health services, Fortis Healthcare has become the first private coloured and perhaps even confusing. Indian healthcare chain to monitor and publish clinical outcome To understand reality and demonstrate what is truly good, it is important to data for major Cardiac Sciences procedures, based on global adopt global benchmarks that stand for best practices which will help us norms specified by the International Consortium for Health measure our performance. In order to demonstrate the robustness, Outcomes Measurement (ICHOM). predictability and repeatability of our procedures, we have embarked upon a These norms enable comparison with best-in-class results worldwide, and allow hospitals to analyse and understand how journey of making our clinical outcomes transparent. To begin with, we have they stack up globally on factors that determine clinical published data from the Fortis Escorts Heart Institute for major Cardiology outcomes. -
Nachman Phulwani Zimovcak (NPZ) Law Group, P.C
Hi, just a reminder that you're receiving this email because you have expressed an interest in Nachman Phulwani Zimovcak (NPZ) Law Group, P.C. (f/k/a, Nachman & Associates, P.C.) - Don't forget to add [email protected] and [email protected] to your address book so we can be sure to land in your inbox! You may unsubscribe if you no longer wish to receive our emails. Nachman Phulwani Zimovcak (NPZ) Law Group, P.C. - U.S. and Canadian Immigration and Nationality Law Newsletter and Updates. TEXT "npzlawgroup" to 22828 to Sign-up for our FREE Bimonthly Newsletter. In This Issue: Dear Readers: TRUMP The media is ablaze with commercials for the candidates. Many ADMINISTRATION PLANS TO RESTRICT seats are "up for grabs" with very contentious political battles being GREEN CARDS FOR waged. The Trump Administration is seizing upon any and all THOSE ON PUBLIC opportunities to get potential voters to "rally around the flag". ASSISTANCE. Unfortunately, incidents in the news are making the political strategy for the current Administration far too easy. USCIS ANNOUNCES POTENTIAL CHANGES IN U.S. BUSINESS Voters will be going to the polls this week and making decisions that IMMIGRATION LAW. will resonate for years to come. Hanging in the balance, of course, is the future of the U.S. immigration law including, but not limited to, U.S. SUPREME COURT business immigration which significantly impacts the US economy. A TO HEAR CRUCIAL IMMIGRATION CASE. stark reminder of the importance of US business immigration to the the U.S. economy is that almost 50% of the Founders of Fortune 500 PRESIDENT TRUMP companies are immigrants or from immigrant families. -
Shemaroo Entertainment Limited
DRAFT RED HERRING PROSPECTUS Dated September 19, 2011 Please read section 60B of the Companies Act, 1956 (This Draft Red Herring Prospectus will be updated upon filing with the RoC) 100% Book Building Issue SHEMAROO ENTERTAINMENT LIMITED Our Company was originally incorporated as a private limited company under the Companies Act, 1956 on December 23, 2005, with the name Shemaroo Holdings Private Limited. Subsequently, pursuant to a Scheme of Arrangement approved by the Hon’ble High Court of Bombay vide order dated March 7, 2008 and by the special resolution of our shareholders dated May 28, 2008, the name of our Company was changed to Shemaroo Entertainment Private Limited and a fresh certificate of incorporation was granted to our Company on June 3, 2008, by the RoC. Thereafter, pursuant to a special resolution of our shareholders dated March 26, 2011, our Company was converted to a public limited company and a fresh certificate of incorporation consequent to the change of status was granted on April 1, 2011, by the RoC. For further details in connection with changes in the name and registered office of our Company, please refer to the section titled “History and Certain Corporate Matters” on page 95 of this Draft Red Herring Prospectus. Registered and Corporate Office: Shemaroo House, Plot No.18, Marol Co-operative Industrial Estate, Off Andheri Kurla Road, Andheri East, Mumbai- 400059 Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 Contact Person and Compliance Officer: Mr. Ankit Singh, Company Secretary; Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 E-mail: [email protected]; Website: www.shemaroo.com PROMOTERS OF OUR COMPANY: MR. -
Who Stole the Nobel? Page 1 of 2 the Telegraph 7/27/2011
The Telegraph Page 1 of 2 Issue Date: Saturday , February 26 , 2011 Who stole the nobel? Suman Ghosh gears up for a satirical thriller on the nobel theft Come March and Suman Ghosh will start to steer his third film Nobel Chor, a satirical look at Tagore’s stolen medal, with Mithun in the title role. A t2 chat with the Miami-based economist-turned-director about the urban-rural divide and more... When and where do you begin Nobel Chor? The theft of the Nobel happened in Santiniketan and our protagonist Bhanu, played by Mithunda, is based in Bolpur. We went to Bolpur twice, saw a lot of places. Given the story, I wanted everything to have that feel, his house to have a certain structure, and ultimately identified a hut that belongs to someone else where we will shoot. Sudipta Chakraborty We have a lot of outdoor all over Calcutta and that’s a huge tension because of the logistics and permissions involved in filming at Gorky Sadan, Dharamtala, south Calcutta.... It’s Calcutta in 2004 because that’s when the theft happened. The character roughly remains the same but I have to be careful not to bring in the new malls and flyovers. It’s not about capturing the city but to bring out the stark contrast with a village in the interiors. How Bhanu is almost like fish out of water when he comes to Calcutta. There were some changes in the final casting… The film is entirely centred around Mithun Chakraborty. I try to keep track of actors but when I’m in Calcutta I don’t get time to watch too many television serials. -
I. I. T. M. Research Reports
I. I. T. M. RESEARCH REPORTS • Energetic consistency of truncated models, Asnani G.C., August 1971, RR-001. • Note on the turbulent fluxes of heat and moisture in the boundary layer over the Arabian Sea, Sinha S., August 1971, RR-002. • Simulation of the spectral characteristics of the lower atmosphere by a simple electrical model and using it for prediction, Sinha S., September 1971, RR-003. • Study of potential evapo-transpiration over Andhra Pradesh, Rakhecha P.R., September 1971, RR-004. • Climatic cycles in India-1: Rainfall, Jagannathan P. and Parthasarathy B., November 1971, RR-005. • Tibetan anticyclone and tropical easterly jet, Raghavan K., September 1972, RR-006. • Theoretical study of mountain waves in Assam, De U.S., February 1973, RR-007. • Local fallout of radioactive debris from nuclear explosion in a monsoon atmosphere, Saha K.R. and Sinha S., December 1972, RR-008. • Mechanism for growth of tropical disturbances, Asnani G.C. and Keshavamurty R.N., April 1973, RR-009. • Note on “Applicability of quasi-geostrophic barotropic model in the tropics”, Asnani G.C., February 1973, RR-010. • On the behaviour of the 24-hour pressure tendency oscillations on the surface of the earth, Part-I: Frequency analysis, Part-II: Spectrum analysis for tropical stations, Misra B.M., December 1973, RR-011. • On the behaviour of the 24 hour pressure tendency oscillations on the surface of the earth, Part-III : Spectrum analysis for the extra-tropical stations, Misra B.M., July 1976, RR-011A. • Dynamical parameters derived from analytical functions representing Indian monsoon flow, Awade S.T. and Asnani G.C., November 1973, RR-012. -
Ripped, Retro and Ravishing
23 SCREEN CHANGE SATURDAY, DEC 31, 2011 2011 2012 Telly bellies and old flames Saas-bahus and their kitchen politics made way for old-fashioned, and mature, romance on television this year KKAHANI MEIN TWIST: Unlike the typical AVIJIT GHOSH 20-nothing telly TIMES NEWS NETWORK couples, Ram and Priya (left) are “Have you ever been in love? Horrible isn’t it? middle-aged and It makes you so vulnerable. It opens your Dr Ashutosh and Dr Nidhi (right) chest and it opens up your heart and it means have an 18-year that someone can get inside you and mess you age gap up. You build up all these defenses, you build up a whole suit of armour, so that nothing can a 20-plus intern with flowing hair and forest-fire and complicating one’s life. By a twist of of a girl half his age. In times when most heroes tured enormous mindspace. And in the Dec 17 hurt you, then one stupid person, no different eyes. Nidhi brims with life. Her smile carries the circumstance, they get married. And slowly, are 20-nothings and almost as pretty as the TAM rating, Bade Achche... was at 9th place. from any other stupid person, wanders into smell of the finest winter flowers and she can like shit, love too happens. And that ‘crazy little heroine, these serials put forward an alternative The love stories have become a late evening your stupid life...and then your life isn’t your light up a room by just stepping into it. -
Amfar India to Benefit Amfar, the Foundation for AIDS Research
amfAR India To Benefit amfAR, The Foundation for AIDS Research November 2014 Mumbai, India Event Produced by Andy Boose / AAB Productions A Golden Opportunity amfAR held its inaugural Indian fundraising gala in Mumbai in November 2013. The event was hosted by amfAR Global Fundraising Chairman Sharon Stone, and Bollywood stars Aishwarya Rai Bachchan and Abhishek Bachchan. It was chaired by amfAR Chairman Kenneth Cole, Vikram Chatwal, Anuj Gupta, Rocky Malhotra, and Hilary Swank. Memorable Moments The black-tie event, presented by Dr. Cyrus Poonawalla and held at The Taj Mahal Palace Hotel, featured a cocktail reception, dinner, and an exquisite gold-themed fashion show that showcased three of India’s most important fashion designers -- Rohit Bal, Abu Jani- Sandeep Khosla, and Tarun Tahiliani. The evening concluded with a spirited performance by pop sensation Ke$ha, whose Hilary Swank for amfAR India songs included her hits Animal, We R Who We R, and Tik Tok. Among the Guests Neeta Ambani, Torquhil Campbell, Duke of Argyll, Sonal Chauhan, Venugopal Dhoot, Nargis Fakhri, Sunil Gavaskar, Parmeshwar Godrej, Lisa Haydon, Dimple Kapadia, Tikka Kapurthala, Nandita Mahtani, Rocky The Love Gold Fashion Show for amfAR India Abhishek Bachchan, Sharon Stone, Nita Ambani, and Aishwarya Rai Bachchan for amfAR India Malhotra, Dino Morea, among many others. Kenneth Cole and Sharon Stone for amfAR India Total Media Impressions: 2.4 Billion Total Media Value: $1.6 Million Aishwarya Rai Bachchan for amfAR India The Love Gold Fashion Show for amfAR India A Star-Studded Cast amfAR’s fundraising events are world renowned for their ability to attract a glittering list of top celebrities, entertainment industry elite, and international society. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78.