DOCSLIB.ORG

Garth Ennis Jacen Burrows Guillermo Ortego Nolan Woodard

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Garth Ennis Jacen Burrows Guillermo Ortego Nolan Woodard NOLAN WOODARD GUILLERMO ORTEGO JACEN BURROWS GARTH ENNIS 0 0 5 1 1 COMICS 5 $3.99 7 5 9 6 0 6 0 9 0 4 0 2 US WHEN HIS FAMILY WAS KILLED IN A HAIL OF MOBSTER BULLETS, FRANK CASTLE DIED, AND OUT OF THE ASHES WAS BORN THE VIGILANTE KNOWN AS THE PUNISHER. WAGING A RELENTLESS WAR AGAINST ORGANIZED CRIME, THE PUNISHER HAS PUSHED COUNTLESS HARD MEN INTO THEIR GRAVES AND OTHERS TO THE BRINK. PREVIOUSLY... WHILE TARGETING MOBSTER KONSTANTIN PRONCHENKO, FRANK CASTLE MET VALERY STEPANOVICH. YEARS AGO IN AFGHANISTAN, STEPANOVICH AND THE REST OF HIS COMPANY WERE SOLD OUT TO THE ENEMY BY A COMMANDING OFFICER: PRONCHENKO. STEPANOVICH WATCHED HIS FRIENDS DIE SLOWLY, HORRIFICALLY. HE’S SINCE HARRIED PRONCHENKO ACROSS TWO CONTINENTS. IN NEW YORK, BOTH STEPANOVICH AND CASTLE NOTICED PRONCHENKO’S CRIMINAL DEALINGS BECOMING MORE EFFICIENT, AND THAT HE WAS MOVING INTO LEGITIMATE BUSINESS. WITH RESPECTABLE METHODS AND MOTIVATIONS, STEPANOVICH MADE A GOOD SECOND FOR CASTLE. THEY CAPTURED PRONCHENKO’S WIFE, ZINAIDA SEBROVNA, AND LEARNED THAT UNLIKE HIS PREVIOUS DEAD AND MISSING WIVES, SEBROVNA HADN’T GIVEN HER HUSBAND ANY SONS, BUT SHE HAD ORCHESTRATED HIS RECENT TRANSFORMATION. SHE ALSO CONCEALED A TRACKER IN HER THIGH LONG ENOUGH THAT CASTLE AND STEPANOVICH ONLY NARROWLY ESCAPED GARTH ENNIS WRITER PRONCHENKO’SHER MEN IN WITH TOW. JACEN BURROWS PENCILS GUILLERMO ORTEGO INKS NOLAN WOODARD COLORS ROB STEEN LETTERING PAOLO RIVERA COVER VALERIO GIANGIORDANO & NOLAN WOODARD VARIANT COVER JAY BOWEN LOGO ANTHONY GAMBINO DESIGN KATHLEEN WISNESKI ASSOC. EDITOR NICK LOWE EDITOR C.B. CEBULSKI EDITOR IN CHIEF PUNISHER: SOVIET No. 5, May 2020. Published Monthly except in March by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 1290 Avenue of the Americas, New York, NY 10104. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2020 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. Subscription rate (U.S. dollars) for 12 issues: U.S. $26.99; Canada $42.99; Foreign $42.99. POSTMASTER: SEND ALL ADDRESS CHANGES TO PUNISHER: SOVIET, C/O MARVEL SUBSCRIPTIONS P.O. BOX 727 NEW HYDE PARK, NY 11040. TELEPHONE # (888) 511-5480. FAX # (347) 537-2649. [email protected]. KEVIN FEIGE, Chief Creative Officer; DAN BUCKLEY, President, Marvel Entertainment; JOHN NEE, Publisher; JOE QUESADA, EVP & Creative Director; DAVID BOGART, Associate Publisher & SVP of Talent Affairs; TOM BREVOORT, SVP of Publishing; DAVID GABRIEL, VP of Print & Digital Publishing; JEFF YOUNGQUIST, VP of Production & Special Projects; DAN CARR, Executive Director of Publishing Technology; ALEX MORALES, Director of Publishing Operations; DAN EDINGTON, Managing Editor; SUSAN CRESPI, Production Manager; STAN LEE, Chairman Emeritus. For information regarding advertising in Marvel Comics or on Marvel.com, please contact Vit DeBellis, Custom Solutions & Integrated Advertising Manager, at [email protected]. For Marvel subscription inquiries, please call 888-511-5480. Manufactured between 02/14/2020 and 02/25/2020 by LSC COMMUNICATIONS INC., GLASGOW, KY, USA. .
Load more

Recommended publications
  • BREAKING Newsrockville, MD August 19, 2019
    MEDIA KIT BREAKING NEWS Rockville, MD August 19, 2019 THE BOYS by Garth Ennis and Darick Robertson Coming to GraphicAudio® A Movie in Your Mind® in Early 2020 GraphicAudio® is thrilled to announce a just inked deal with DYNAMITE COMICS to produce and publish all 6 Omnibus Volumes of THE BOYS directly from the comics and scripted and produced in their unique audio entertainment format. The creative team at GraphicAudio® plans to make the adaptations as faithful as possible to the Graphic Novel series. The series is set between 2006–2008 in a world where superheroes exist. However, most of the su- perheroes in the series' universe are corrupted by their celebrity status and often engage in reckless behavior, compromising the safety of the world. The story follows a small clandestine CIA squad, informally known as "The Boys", led by Butcher and also consisting of Mother's Milk, the French- man, the Female, and new addition "Wee" Hughie Campbell, who are charged with monitoring the superhero community, often leading to gruesome confrontations and dreadful results; in parallel, a key subplot follows Annie "Starlight" January, a young and naive superhero who joins the Seven, the most prestigious– and corrupted – superhero group in the world and The Boys' most powerful enemies. Amazon Prime released THE BOYS Season 1 last month. Joseph Rybandt, Executive Editor of Dynamite and Editor of The Boys says, “While I did not grow up anywhere near the Golden Age of Radio, I have loved the medium of radio and audio dramas almost my entire life. Podcasts make my commute bearable to this day.
    [Show full text]
  • DIRECTOR's REPORT September 20, 2018 FIGHTING COMMUNITY
    DIRECTOR’S REPORT September 20, 2018 FIGHTING COMMUNITY DEFICITS On July 10th, OLBPD hosted its annual Family Fun and Learning Day in Cleveland at the Lake Shore Facility. OLBPD hosted 85 registered patrons who enjoyed tours of the Sensory Garden and OLBPD, as well as guest speakers Tracy Grimm from the SLO Talking Book Program, and Beverly Cain, State Librarian of Ohio. OLBPD patrons also enjoyed listening to keynote speaker Romona Robinson, WOIO-TV evening news anchor and author of “A Dirt Road to Somewhere,” and Pam Davenport, Network Consultant from the National Library Service. Exhibitors were also on hand from the Cleveland Sight Center, Guiding Eyes for the Blind, Magnifiers and More, and others offering products and services of interest to our patrons. FORMING COMMUNITIES OF LEARNING Summer Reading Club The 2018 Summer Lit League (SLL), formerly known as Summer Reading Club provided reading and engagement activities that were thematically aligned with Yinka Shonibare’s art installation The American Library. The exhibit in Brett Hall was a part of FRONT International: Cleveland Triennial for Contemporary Art, a regional art show held in Cleveland, Oberlin and Akron. Key aspects of the collaborative exhibition include international cultural diversity, immigration and the ever- changing political climate of an American City. As it relates to summer programming, the key aspects FRONT built the programmatic foundation of the SLL programmatic experience. Programming content focused on world art and culture activities. Throughout the summer program, participants participated in a variety of enrichment activities that promoted the arts, inclusion, community building, reading, writing and other forms of creative expression.
    [Show full text]
  • (“Spider-Man”) Cr
    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
    [Show full text]
  • The Lawyer As Superhero: How Marvel Comics' Daredevil Depicts
    Barry University School of Law Digital Commons @ Barry Law Faculty Scholarship Spring 5-2019 The Lawyer as Superhero: How Marvel Comics' Daredevil Depicts the American Court System and Legal Practice Louis Michael Rosen Barry University School of Law, [email protected] Follow this and additional works at: https://lawpublications.barry.edu/facultyscholarship Part of the Entertainment, Arts, and Sports Law Commons, Law and Society Commons, and the Legal Ethics and Professional Responsibility Commons Recommended Citation 47 Capital U. L. Rev. 379 (2019) This Article is brought to you for free and open access by Digital Commons @ Barry Law. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Barry Law. THE LAWYER AS SUPERHERO: HOW MARVEL COMICS’ DAREDEVIL DEPICTS THE AMERICAN COURT SYSTEM AND LEGAL PRACTICE LOUIS MICHAEL ROSEN* TABLE OF CONTENTS I. INTRODUCTION ................................................................................. 380 II. BACKGROUND: POPULAR CULTURE AND THE LAW THEORIES ....... 387 III. DAREDEVIL––THE STORY SO FAR ............................................... 391 A. Daredevil in the Sights of Frank Miller ....................................... 391 B. Daredevil Through the Eyes of Brian Michael Bendis ................ 395 C. Daredevil’s Journey to Redemption by David Hine .................... 402 D. Daredevil Goes Public, by Mark Waid ........................................ 406 IV. DAREDEVIL’S FRESH START AND BIGGEST CASE EVER, BY CHARLES SOULE ...................................................................................... 417 V. CONCLUSION .................................................................................... 430 Copyright © 2019, Louis Michael Rosen. * Louis Michael Rosen is a Reference Librarian and Associate Professor of Law Library at Barry University School of Law in Orlando, Florida. He would like to thank Professor Taylor Simpson-Wood, his mentor, ally, advocate, cheerleader, and ever-patient editor as he wrote this article.
    [Show full text]
  • Mason 2015 02Thesis.Pdf (1.969Mb)
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
    [Show full text]
  • British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
    University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children.
    [Show full text]
  • Marvel Universe Thor Comic Reader 1 110 Marvel Universe Thor Comic Reader 2 110 Marvel Universe Thor Digest 110 Marvel Universe Ultimate Spider-Man Vol
    AT A GLANCE Since it S inception, Marvel coMicS ha S been defined by hard-hitting action, co Mplex character S, engroSSing Story line S and — above all — heroi SM at itS fine St. get the Scoop on Marvel S’S MoSt popular characterS with thi S ea Sy-to-follow road Map to their greate St adventure S. available fall 2013! THE AVENGERS Iron Man! Thor! Captain America! Hulk! Black Widow! Hawkeye! They are Earth’s Mightiest Heroes, pledged to protect the planet from its most powerful threats! AVENGERS: ENDLESS WARTIME OGN-HC 40 AVENGERS VOL. 3: PRELUDE TO INFINITY PREMIERE HC 52 NEW AVENGERS: BREAKOUT PROSE NOVEL MASS MARKET PAPERBACK 67 NEW AVENGERS BY BRIAN MICHAEL BENDIS VOL. 5 TPB 13 SECRET AVENGERS VOL. 1: REVERIE TPB 10 UNCANNY AVENGERS VOL. 2: RAGNAROK NOW PREMIERE HC 73 YOUNG AVENGERS VOL. 1: STYLE > SUBSTANCE TPB 11 IRON MAN A tech genius, a billionaire, a debonair playboy — Tony Stark is many things. But more than any other, he is the Armored Avenger — Iron Man! With his ever-evolving armor, Iron Man is a leader among the Avengers while valiantly opposing his own formidable gallery of rogues! IRON MAN VOL. 3: THE SECRET ORIGIN OF TONY STARK BOOK 2 PREMIERE HC 90 THOR He is the son of Odin, the scion of Asgard, the brother of Loki and the God of Thunder! He is Thor, the mightiest hero of the Nine Realms and protector of mortals on Earth — from threats born across the universe or deep within the hellish pits of Surtur the Fire Demon.
    [Show full text]
  • Nick Fury, Will Smith, and Other Black Authority Figures Breaking the Racial Contract in Popular Films of 2000-2015
    The University of Southern Mississippi The Aquila Digital Community Master's Theses Spring 5-2017 Nick Fury, Will Smith, and Other Black Authority Figures Breaking the Racial Contract in Popular Films of 2000-2015 Solai N. Wyman University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/masters_theses Part of the Film and Media Studies Commons, and the Political Science Commons Recommended Citation Wyman, Solai N., "Nick Fury, Will Smith, and Other Black Authority Figures Breaking the Racial Contract in Popular Films of 2000-2015" (2017). Master's Theses. 292. https://aquila.usm.edu/masters_theses/292 This Masters Thesis is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Master's Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. NICK FURY, WILL SMITH, AND OTHER BLACK AUTHORITY FIGURES BREAKING THE RACIAL CONTRACT IN POPULAR FILMS OF 2000-2015 by Solai N. Wyman A Thesis Submitted to the Graduate School and the Department of Political Science, International Development, and International Affairs at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved: ________________________________________________ Dr. Allan McBride, Committee Chair Associate Professor, Political Science, International Development, and International Affairs ________________________________________________ Dr. Marek Steedman, Committee Member Associate Professor, Political Science, International Development, and International Affairs ________________________________________________ Dr. Joseph Weinberg, Committee Member Assistant Professor, Political Science, International Development, and International Affairs _______________________________________________ Dr. Edward Sayre Chair, Department of Political Science, International Development, and International Affairs ________________________________________________ Dr.
    [Show full text]
  • Crime and Punisher: How the Punisher Mediates Domestic Identity and American Ideologies in Foreign Policies Through Images of Masculinity and Vigilantism
    Crime and Punisher: How the Punisher mediates domestic identity and American ideologies in foreign policies through images of masculinity and vigilantism Master’s thesis Carlijn Kruidhof 3473171 07/04/2016 Word count: 18,938 Master’s thesis Carlijn Kruidhof 07/04/2016 Contents Introduction ............................................................................................................................................ 3 Theories and myths ................................................................................................................................. 9 Phase 1: Reagan Presidency .................................................................................................................. 13 The good guy or the bad guy ............................................................................................................ 15 Failing institutions and vigilantism.................................................................................................... 18 Reagan hard body ............................................................................................................................. 19 Nostalgia ....................................................................................................................................... 21 Fear and fantasy ................................................................................................................................ 22 Domestic Identity .............................................................................................................................
    [Show full text]
  • Free Catalog
    Featured New Items FAMOUS AMERICAN ILLUSTRATORS On our Cover Specially Priced SOI file copies from 1997! Our NAUGHTY AND NICE The Good Girl Art of Highest Recommendation. By Bruce Timm Publisher Edition Arpi Ermoyan. Fascinating insights New Edition. Special into the lives and works of 82 top exclusive Publisher’s artists elected to the Society of Hardcover edition, 1500. Illustrators Hall of Fame make Highly Recommended. this an inspiring reference and art An extensive survey of book. From illustrators such as N.C. Bruce Timm’s celebrated Wyeth to Charles Dana Gibson to “after hours” private works. Dean Cornwell, Al Parker, Austin These tastefully drawn Briggs, Jon Whitcomb, Parrish, nudes, completed purely for Pyle, Dunn, Peak, Whitmore, Ley- fun, are showcased in this endecker, Abbey, Flagg, Gruger, exquisite new release. This Raleigh, Booth, LaGatta, Frost, volume boasts over 250 Kent, Sundblom, Erté, Held, full-color or line and pencil Jessie Willcox Smith, Georgi, images, each one full page. McGinnis, Harry Anderson, Bar- It’s all about sexy, nubile clay, Coll, Schoonover, McCay... girls: partially clothed or fully nude, of almost every con- the list of greats goes on and on. ceivable description and temperament. Girls-next-door, Society of Illustrators, 1997. seductresses, vampires, girls with guns, teases...Timm FAMAMH. HC, 12x12, 224pg, FC blends his animation style with his passion for traditional $40.00 $29.95 good-girl art for an approach that is unmistakably all his JOHN HASSALL own. Flesk, 2021. Mature readers. NOTE: Unlike the The Life and Art of the Poster King first, Timm didn’t sign this second printing.
    [Show full text]
  • R​Aynor's ​A​Rtfully ​P​Rofiled ​H​Is ​I​Deal ​C​Omics, Or
    Gosh! Raynor's Artfully Profiled His Ideal Comics, or GRAPHIC ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Edited by Raynor Kuang ​ Questions by Raynor Kuang, Jarret Greene, Aaron Kashtan, Erik Owen ​ And with thanks to Peter Parker, Bruce Wayne, and L. Kuang, the heroes of my childhood ​ Round 2 Tossups 1. In a climactic moment in this manga, Yamagata’s head explodes as he attempts to shoot a former ​ teammate. Lady Miyako establishes a cult in this manga and later convinces a character to stop using headache­quelling pills. One character in this manga loses an arm after being struck by a (*) space­guided ​ laser directed by Colonel Shikishima. This manga was created by Katsuhiro Otomo, and it opens with one character passing out after crashing into the Esper Takashi. The main characters of this manga include the bikers Kaneda and Tetsuo, and the title boy, who triggered a psychic explosion prior to the events of this manga. For 10 points, name this cyberpunk manga set in a futuristic “New Tokyo” that was later adapted into a cult anime film. ANSWER: AKIRA ​ 2. Before being imprisoned in the Stranger’s Labworld, the “Prime” version of this character transformed ​ three heroes into part of the Young Gods. The Fantastic Four damaged a propulsion unit used by this character which caused him to be broken apart by the Sun. This character attempted to conquer the Rigelians while it was part of the (*) Black Galaxy, and it was created by the Stranger. This character housed the ​ Wanderers after Thor rescued it from an attack by Galactus, and the original explanation for its birth was its coming into contact with the consciousness of a human.
    [Show full text]
  • [QWBP]⋙ Punisher: Born (Born (2003)) by Garth Ennis
    Punisher: Born (Born (2003)) Garth Ennis Click here if your download doesn"t start automatically Punisher: Born (Born (2003)) Garth Ennis Punisher: Born (Born (2003)) Garth Ennis Collects Born #1-4. In the waning days of the Vietnam War...the Punisher is born. The year is 1971. With mounting casualties and a rising anti-war sentiment, America's time in Vietnam is coming to a close. Yet in the isolated Valley Forge Firebase on the Cambodian border, Captain Frank Castle is one of the few soldiers still committed to the fight against the enemy. With dwindling reserves, Castle must stand against an impending Viet Cong attack that threatens to wipe out the entire American platoon. To survive the battle, what grim decision must he make that will forever alter the course of his life? In this acclaimed tale, superstar Garth Ennis reveals the never-before-told story of the horrors Castle was forced to face to come home from Vietnam alive — ending in a shocking twist that will forever change how readers see Marvel Comics' most famous urban vigilante. Download Punisher: Born (Born (2003)) ...pdf Read Online Punisher: Born (Born (2003)) ...pdf Download and Read Free Online Punisher: Born (Born (2003)) Garth Ennis From reader reviews: Irma Chavez: What do you about book? It is not important with you? Or just adding material when you need something to explain what the one you have problem? How about your spare time? Or are you busy particular person? If you don't have spare time to perform others business, it is gives you the sense of being bored faster.
    [Show full text]