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Read Ebook {PDF EPUB} Sweet Judy Blue Eyes My Life in Music by Judy Collins Biography. Judy Collins has inspired audiences with sublime vocals, boldly vulnerable songwriting, personal life triumphs, and a firm commitment to social activism. In the 1960s, she evoked both the idealism and steely determination of a generation united against social and environmental injustices. Five decades later, her luminescent presence shines brightly as new generations bask in the glow of her iconic 55-album body of work, and heed inspiration from her spiritual discipline to thrive in the music industry for half a century. The award-winning singer-songwriter is esteemed for her imaginative interpretations of traditional and contemporary folk standards and her own poetically poignant original compositions. Her stunning rendition of Joni Mitchell's “Both Sides Now” from her landmark 1967 album, Wildflowers , has been entered into the Grammy Hall of Fame. Judy’s dreamy and sweetly intimate version of “Send in the Clowns,” a ballad written by Stephen Sondheim for the Broadway musical A Little Night Music, won "Song of the Year” at the 1975 Grammy Awards. She’s garnered several top-ten hits gold- and platinum-selling albums. Recently, contemporary and classic artists such as Rufus Wainwright, Shawn Colvin, Dolly Parton, Joan Baez, and Leonard Cohen honored her legacy with the album Born to the Breed: A Tribute to Judy Collins . Judy began her impressive music career at 13 as a piano prodigy dazzling audiences performing Mozart's “Concerto for Two Pianos,” but the hard luck tales and rugged sensitivity of folk revival music by artists such as Woody Guthrie and Pete Seeger seduced her away from a life as a concert pianist. Her path pointed to a lifelong love affair with the guitar and pursuit of emotional truth in lyrics. The focus and regimented practice of classical music, however, would be a source of strength to her inner core as she navigated the highs and lows of the music business. In 1961, she released her masterful debut, A Maid of Constant Sorrow, which featured interpretative works of social poets of the time such as Bob Dylan, Phil Ochs, and Tom Paxton. This began a wonderfully fertile thirty-five-year creative relationship with Jac Holzman and Elektra Records. Around this time Judy became a tastemaker within the thriving Greenwich Village folk community and brought other singer-songwriters to a wider audience, including poet/musician Leonard Cohen – and musicians Joni Mitchell and Randy Newman. Throughout the 60s, 70s, 80s, 90s, and up to the present, she has remained a vital artist, enriching her catalog with critically acclaimed albums while balancing a robust touring schedule. Prolific as ever, Judy recorded a DVD special Judy Collins: A Love Letter To Stephen Sondheim, in her hometown of Denver, CO. Along with the Greely Philharmonic Orchestra, Judy dazzled the audience with Sondheim’s beautiful songs and her lovely, radiant voice. DVD and CD companion will be released in early 2017. Judy also released a collaborative album in June 2016, Silver Skies Blue , with writing partner, Ari Hest. Silver Skies Blue has been GRAMMY nominated for BEST FOLK ALBUM in 2017, this is the first GRAMMY nomination for Collins in over 40 years. In 2012, she released the CD/DVD Judy Collins Live At The Metropolitan Museum Of Art which aired on PBS. This special television program was nominated for a New York Emmy and won a Bronze Medal at the 2013 New York Festival International Television & Film Awards. Based on its success, in 2014 she filmed another spectacular show in Ireland at Dromoland Castle . Live In Ireland was released in 2014. This program also won a Bronze Medal at the 2014 New York Festival International Television & Film Awards and the program will broadcast on PBS in 2014 and 2015. Judy’s most recent collaboration with her as a singer-songwriter is the 2019 album Winter Stories, including critically-acclaimed Norwegian folk artist Jonas Fjeld, and masterful bluegrass band Chatham County Line. Winter Stories , is a collection of classics, new tunes, and a few surprises, featuring spirited lead vocal turns, breathtaking duets, and Judy’s stunning harmony singing. Judy has also authored several books, including the powerful and inspiring, Sanity & Grace and her extraordinary memoir, Sweet Judy Blue Eyes: My Life in Music . For her most recent title to be released in 2017, Cravings, she provides a no-holds barred account of her harrowing struggle with compulsive overeating, and the journey that led her to a solution. Alternating between chapters on her life and those of the many diet gurus she has encountered along the way (Atkins, Jean Nidtech of Weight Watchers, Andrew Weil, to name a few), Cravings is the culmination of Judy's genuine desire to share what she's learned—so that no one has follow her heart-rending path to recovery. In addition, she remains a social activist, representing UNICEF and numerous other causes. She is the director (along with Jill Godmillow) of an Academy Award-nominated film about Antonia Brico – PORTRAIT OF A WOMAN, the first woman to conduct major symphonies around the world–and Judy's classical piano teacher when she was young. Judy Collins is as creatively vigorous as ever, writing, touring worldwide, and nurturing fresh talent. She is a modern-day Renaissance woman who is also an accomplished painter, filmmaker, record label head, musical mentor, and an in-demand keynote speaker for mental health and suicide prevention. She continues to create music of hope and healing that lights up the world and speaks to the heart. Sweet Judy Blue Eyes : My Life in Music. A vivid, highly evocative memoir of one of the reigning icons of folk music, highlighting the decade of the ’60s, when hits like “Both Sides Now” catapulted her to international fame. Sweet Judy Blue Eyes is the deeply personal, honest, and revealing memoir of folk legend and relentlessly creative spirit Judy Collins. In it, she talks about her alcoholism, her lasting love affair with Stephen Stills, her friendships with Joan Baez, Richard and Mimi Fariña, David Crosby, and Leonard Cohen and, above all, the music that helped define a decade and a generation’s sound track. Sweet Judy Blue Eyes invites the reader into the parties that peppered Laurel Canyon and into the recording studio so we see how cuts evolved take after take, while it sets an array of amazing musical talent against the backdrop of one of the most turbulent decades of twentieth-century America. Beautifully written, richly textured, and sharply insightful, Sweet Judy Blue Eyes is an unforgettable chronicle of the folk renaissance in America. SWEET JUDY BLUE EYES. Some notes on the contents of Judy Collins's third memoir. As I mentioned, Sweet Judy Blue Eyes is admirably free of grammatical errors. In fact; I noted only one possible error, and that turned out to be correct. But there are a few omissions and puzzling passages, and some things that are noteworthy. I'll discuss those things here. Quotations from the book are shown in blue. Page 19: Her suicide attempt, at age 14 (?), caused her parents considerable angst. But she never mentions her siblings' reactions. (They are Mike, David, Denver John, and Holly Ann.) She writes, "Of course, no one talked to me about what I had done, not directly. There was no counseling, no therapy, no group that I might go to, no suicide or grief counselor who would be sent for. These were still the dark ages for mental health issues." Page 21: "In 1950, long before the advent of the 'crossover' phenomenon, Stafford made the album American Folk Songs at the height of her popular success. In fact, the album was part of a folk music revival that was taking hold around the country. 'Barbara Allen' was on that album, along with 'Shenandoah' and 'Black is the Color.' Before I ever heard of Woody Guthrie or Pete Seeger, Jo Stafford and Elton Hayes, the singer in the movie, put me in touch with the beauty and the wonder of folk music." The movie was The Black Knight , a 1954 Arthurian adventure starring Alan Ladd. Elton Hayes played the part of the minstrel, and sang the song that so grabbed Judy's attention: "The Gypsy Rover." Pages 22-23: Lingo the Drifter (Paul Lezchuk) This character deserves to be better known IMO. The same goes for her father, Chuck Collins, who she describes lovingly in the book. Blind since childhood, he got around better than some sighted people. Both he and Lezchuk had radio shows in Denver back in the day. Page 25: "Blondel, Richard the Lionheart's troubadour, saved his master's life by hunting out all the prisons where he might be kept and singing a song outside the castle walls until he heard Richard's response. He then sent for help to free his king." There was such a troubadour: Jean 'Blondel' de Nesle, a French trouvère . The story, however, appears to be legend, since Richard's jailers were proud of holding him. Page 29: "From his teenage years, Daddy always wore hand-painted glass eyes to cover the ravaged scar tissue left when he lost his sight as a child." On page 28, she says his sight began to fail almost from the time of his birth on an Idaho farm in 1911. So why the scar tissue? Page 31: The poems of Don Blanding, including "Vagabond House." Does this tie into Mr. Blandings Builds his Dream House (a 1948 movie starring Cary Grant, Myrna Loy and Melvyn Douglas)? Page 33: "But later, when I was nineteen and pregnant, my mother and I got rip-roaring drunk one afternoon.

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