Paul Thomas Anderson, MAGNOLIA (1999, 188 Min)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fiona Apple, Mit Gabriela Krapf
Jazz Collection: Fiona Apple, mit Gabriela Krapf Dienstag, 10. Oktober 2017, 21.00 - 22.00 Uhr Samstag, 14. Oktober 2017, 17.06 - 18.30 Uhr (Zweitsendung mit Bonustracks) Fiona Apple – Das Leben singen Das Werk der New Yorker Sängerin, Pianistin und Songschreiberin Fiona Apple ist mit vier Alben zwar schmal, aber es ist gewichtig. Mit 18 erhielt sie für ihr Debut einen Grammy, 22 Jahre und etwa 100 Songs später ist sie zur Ikone geworden. Irgendwie überfordert Fiona Apple alle mit ihrer Kunst, die Plattenlabels, ihre Zuhörerinnen und Zuhörer und oft genug auch sich selber. Denn Kompromisse sind nicht vorgesehen: Fiona Apple macht ihre eigene Person, ihre Verletzlichkeit, ihre psychischen Probleme und die Verwerfungen ihrer Biographie radikal zum Thema. Die Sängerin und Pianistin Gabriela Krapf ist eine grosse Bewunderin von Fiona Apple. Gemeinsam mit Annina Salis diskutiert sie ihr Werk, welches Musik und Poesie untrennbar miteinander verschmelzen lässt. Gast: Gabriela Krapf Redaktion: Beat Blaser Moderation: Annina Salis Fiona Apple: Tidal Label: Columbia Track 02: Sullen Girl Track 04: Criminal Fiona Apple: When the Pawn… Label: Epic, Clean State Track 01: On the Bound Track 05: Paper Bag Fiona Apple: Extraordinary Machine Label: Epic Track 01: Extraordinary Machine Track 05: Tymps (The Sick in the Head Song) Fiona Apple Youtube Track: Tymps (The Sick in the Head Song) Fiona Apple: The Idler Wheel Label: Epic Track 09: Anything We Want Track 10: Hot Knife Bonustracks – (nur am Samstag, 14.10.2017) Gabriela Krapf and Horns: The Great Unknown Label: Eigenvertrieb Track 03: But Then You Called Andrew Bird feat. Fiona Apple: Are You Serious Label: Decca Track 06: Left Handed Kisses Fiona Apple feat. -
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
The Soraya Joins Martha Graham Dance Company and Wild up for the June 19 World Premiere of a Digital Dance Creation
The Soraya Joins Martha Graham Dance Company and Wild Up for the June 19 World Premiere of a Digital Dance Creation Immediate Tragedy Inspired by Martha Graham’s lost solo from 1937, this reimagined version will feature 14 dancers and include new music composed by Wild Up’s Christopher Rountree (New York, NY), May 28, 2020—The ongoing collaboration by three major arts organizations— Martha Graham Dance Company, the Los Angeles-based Wild Up music collective, and The Soraya—will continue June 19 with the premiere of a digital dance inspired by archival remnants of Martha Graham’s Immediate Tragedy, a solo she created in 1937 in response to the Spanish Civil War. Graham created the solo in collaboration with composer Henry Cowell, but it was never filmed and has been considered lost for decades. Drawing on the common experience of today’s immediate tragedy – the global pandemic -- the 22 artists creating the project are collaborating from locations across the U.S. and Europe using a variety of technologies to coordinate movement, music, and digital design. The new digital Immediate Tragedy, commissioned by The Soraya, will premiere online Friday, June 19 at 4pm (Pacific)/7pm (EST) during Fridays at 4 on The Soraya Facebook page, and Saturday, June 20 at 11:30am/2:30pm at the Martha Matinee on the Graham Company’s YouTube Channel. In its new iteration, Immediate Tragedy will feature 14 dancers and 6 musicians each recorded from the safety of their homes. Martha Graham Dance Company’s Artistic Director Janet Eilber, in consultation with Rountree and The Soraya’s Executive Director, Thor Steingraber, suggested the long-distance creative process inspired by a cache of recently rediscovered materials—over 30 photos, musical notations, letters and reviews all relating to the 1937 solo. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences
PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences FEATURES THE LAST SONG (Short) Duly Noted Inc./HBO Sponsored Prod: Effie Brown Dir: Sasie Sealy SHOULD’VE BEEN ROMEO Angel Baby Ent. Prod: Gregory Segal, Paul Ben-Victor Dir: Marc Bennett EVERY DAY Ambush Ent. Prod: Miranda Bailey, Amanda Marshall Dir: Richard Levine Cast: Helen Hunt, Liev Schreiber, Brian Dennehy, Eddie Izzard, Carla Gugino *Official Selection: Tribeca Film Festival 2010, Seattle Film Festival 2010 THEN SHE FOUND ME Killer Films Prod: Pamela Koffler, Christine Vachon Dir: Helen Hunt Cast: Helen Hunt, Bette Midler, Colin Firth, Matthew Broderick *Official Selection, Toronto International Film Festival 2007 *Audience Award, Palm Springs International Film Festival 2008 DARK MATTER Myriad Pics. Prod: Mary Salter, Janet Yang Dir: Chen Shi-Zheng Cast: Liu Ye, Meryl Streep, Bill Irwin, Blair Brown *Alfred P. Sloan Feature Film Prize, Sundance Film Festival 2007 TRANSAMERICA IFC Films Prod: Rene Bastian, Linda Moran Dir: Duncan Tucker Cast: Felicity Huffman, Kevin Zegers *Nominated for Best Actress, Academy Awards 2006 SECRETARY Lions Gate Prod: Andrew Fierberg, Amy Hobby Dir: Steven Shainberg Cast: Maggie Gyllenhaal, James Spader *Nominated for Best Feature, Independent Spirit Awards 2003 *Special Jury Prize, Sundance Film Festival 2002 THE QUICKIE Pandora Filmproduktion Prod: Karl Baumgartner Dir: Sergei Bodrov Cast: Vladimir Moshkov, Jennifer Jason Leigh, Dean Stockwell, Lesley Ann Warren, Henry Thomas *Official Selection Moscow International -
Scene and Heard: a Profile of Laura Colella
Scene and Heard: A Profile of Laura Colella She sits quietly in a coffee shop, waiting. She is of small stature, and fine boned. She has striking eyes and a beautiful face, one that easily could be in front of the camera. Providence born and raised, no one she knew ever talked about becoming a filmmaker. She is definitely under the radar – but is soaring very high. This is Laura Colella. In her 44 years, she has managed to impress some very important people in the film world. One of those folks is Paul Thomas Anderson – the same Paul Thomas Anderson who wrote and directed The Master, There Will Be Blood, Boogie Nights and my personal favorite (and I believe his), Magnolia. Last February, he hosted a screening of her film Breakfast with Curtis in LA, and held a lengthy Q & A session afterward. In the same month, at the Independent Spirit Awards, the film was nominated for the John Cassavetes Award for Best Feature made for under $500,000, and won a $50,000 distribution grant from Jameson. Her love of film started early. She grew up heavily involved in theater, was in a few productions at Trinity Rep, and worked there as a production assistant. “My first year in college at Harvard, my boyfriend took me to the end-of-year film screenings at RISD, which opened up that world of possibility for me. I discovered the excellent film department at Harvard, which centered on 16MM production, became totally immersed in it, and never looked back.” Laura now has three features under her belt – Tax Day, her first, for which she received a special equipment grant through the Sundance Institute, portrays two women on their way to the post office on that dreaded day, April 15. -
Film & Event Calendar
1 SAT 17 MON 21 FRI 25 TUE 29 SAT Events & Programs Film & Event Calendar 12:00 Event 4:00 Film 1:30 Film 11:00 Event 10:20 Family Gallery Sessions Tours for Fours: Art-Making Warm Up. MoMA PS1 Sympathy for The Keys of the #ArtSpeaks. Tours for Fours. Daily, 11:30 a.m. & 1:30 p.m. Materials the Devil. T1 Kingdom. T2 Museum galleries Education & 4:00 Film Museum galleries Saturdays & Sundays, Sep 15–30, Research Building See How They Fall. 7:00 Film 7:00 Film 4:30 Film 10:20–11:15 a.m. Join us for conversations and T2 An Evening with Dragonfly Eyes. T2 Dragonfly Eyes. T2 10:20 Family Education & Research Building activities that offer insightful and Yvonne Rainer. T2 A Closer Look for 7:00 Film 7:30 Film 7:00 Film unusual ways to engage with art. Look, listen, and share ideas TUE FRI MON SAT Kids. Education & A Self-Made Hero. 7:00 Film The Wind Will Carry Pig. T2 while you explore art through Research Building Limited to 25 participants T2 4 7 10 15 A Moment of Us. T1 movement, drawing, and more. 7:00 Film 1:30 Film 4:00 Film 10:20 Family Innocence. T1 4:00 Film WED Art Lab: Nature For kids age four and adult companions. SUN Dheepan. T2 Brigham Young. T2 This Can’t Happen Tours for Fours. SAT The Pear Tree. T2 Free tickets are distributed on a 26 Daily. Education & Research first-come, first-served basis at Here/High Tension. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
O'neill Society News
Boston International Conference June 17-20, 2020 @ Suffolk University Fall 2019 O’Neill Society News The official newsletter of the Eugene O’Neill International Society Contents • EON Society at ALA 2019 .................2 • A Tribute to Kurt Eisen ......................2 • Society Annual Business Mtg .........3 • ALA Conference May 2019 in Boston and 2020 Conference Update....................................................3 • Peter Quinn wins O’Neill Award ....3 • O’Neill Festivals in Danville, CA and New Ross, Ireland ...............................4 • Eisel Reflections on Long Day’s ......5 • Babson Students to Tao House ......5 • Dowling on NPR Radio Show .........5 • Grad Student Paper Competition .5 • New Film on Charles Gilpin ............5 • 2020 Conferences for O’Neillians .6 • Garvey Comes Full Circle .................6 • Photos from Recent Productions of O’Neill plays .........................................7 O’Neill Conferences, Festivals and • Opportunity for ePublishing ..........8 • Review celebrates 5th Decade .......8 Performances Around the Globe The summer and fall were filled with multiple conferences, festivals and regional performances of plays by Eugene O’Neill. The activities took place in the hills of Danville, CA, at Tao House; at the American Literature Association Conference in Boston, MA; in New Ross, Ireland at the Eugene O’Neill Theatre Festival, and many stops in between. We’ll highlight these events in this edition of the newsletter! Word came just as we were going to press that O’Neill Society member, celebrated scholar and poet George Monteiro died suddenly from a heart attack on Tuesday, November 5. His wife Brenda Murphy reported that he had been dealing with debilitating neurological problems for several years, a “Parkinsonism” not unlike Eugene O’Neill’s. -
Motion Picture Science: a Fully Integrated Fine Arts/STEM Degree Program
Motion Picture Science: A Fully Integrated Fine Arts/STEM Degree Program Victoria M. Scholl, Megan M. Iafrati, David L. Long, Joseph J. Pow Rochester Institute of Technology, vms3476, mmi7593, dllppr, [email protected] Abstract - Technology has advanced in such a way that Today, a majority of Americans entertain themselves there is now a need within the motion picture industry, with ubiquitous TV shows, movies, and video games as as well as in society in general, for professionals trained opposed to attending some form of live entertainment. with a comprehensive knowledge of Science, Technology, Further, they are increasingly accessing this content on- Engineering, and Mathematics (STEM) as well as the demand and across multiple platforms at home and on-the- traditional Arts. In the School of Film and Animation go. As technology has advanced, so too have the (SOFA) at Rochester Institute of Technology (RIT) a possibilities in the world of art, an idea that has been novel undergraduate program has been developed to embraced in most professional practices but is less well cultivate students into professionals with the skill sets addressed in education. Motion picture professionals are necessary to fill this niche. This undergraduate program expected to have a certain technical proficiency as well as is Motion Picture Science (MPS), a degree developed to an understanding of artistic principles but there is often a give students relevant tools to take into synergistic divide between those two subjects within education. This STEM and Arts careers in the modern motion picture rift has prevented artists and engineers from collaborating to industry. Pioneered in 2007, Motion Picture Science has the greatest extent possible in formative experiences during consistently boasted increasing enrollment and secondary and post-secondary learning, leading to a successful graduates who earn meaningful employment widespread lack of understanding of the entire process of in the fields of their choosing. -
73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
Support the Oshkosh Herald Koeller Road
*****************ECRWSS**** PRST STD U.S. POSTAGE POSTAL CUSTOMER PAID SHAWANO, WI PERMIT NO. 135 AUGUST 25, 2021 x OSHKOSHHERALD.COM VOLUME 4, ISSUE 34 Teen Dating Violence With Growing Christine Ann Checkout Episode 13 diversity www.breakwaterwi.org help is one call or text away! in census call 2-1-1 or text your zip code to 898211 snapshot Slow growth in area on INSIDE top of multiracial shift By Kaitlyn Scoville Oshkosh Herald After a months-long delay, 2020 cen- sus data began its release in mid-August. National headlines broadcasted that the non-Hispanic white population had shrunk to its lowest share of the popula- tion since 1790 despite a slow increase over the past decade. Prep football Statistics detail the growth of non-white populations, noting a staggering increase High schools win of multiracial in- opening games dividuals by 276 Inside percent – from 9 Pages 18, 19 million in 2010 to County map almost 34 million lines to shift / in 2020. Page 8 Board size holds Front man The non-Hispan- at 36 / Page 8 Boston singer was ic white population Photo by Michael Cooney shrank by 8.6 per- their biggest fan A large oak tree upended by a July storm damaged a boardwalk at Sullivan’s Woods and made cent and now accounts for 57.8 percent of part of the trail impassable. the U.S. population, according to Reuters. Page 4 Every decade, the U.S. gets a refresher course on demography as it makes sense of local and national data. Forest preserve, trail University of Wisconsin Oshkosh so- School district ciology department chair Paul Van Auken has been monitoring this unsurprising pivots back to will need repair work change in numbers, citing projections of non-Hispanic white people no lon- Sullivan’s Woods area means that we need to completely replace ger holding more than half of the pop- mask mandate this structure,” he said.