How the Grinch Stole Christmas! the Musical
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KS5 Exploring Performance Styles in Musical Theatre
Exploring performance KS5 styles in Musical Theatre Heidi McEntee Heidi McEntee is a Dance and KS5 – BTEC LEVEL 3, UNIT D10 Performing Arts specialist based in the Midlands. She has worked in education for over fifteen years delivering a variety of Dance and Performing Arts qualifications at Introduction Levels 1, 2 and 3. She is a Senior Unit D10: Exploring Performance Styles is one of the three units which sit within Module D: Assessment Associate working on musical theatre Skills Development from the new BTEC Level 3 in Performing Arts Practice Performing Arts qualifications and (musical theatre) qualification. This scheme of work focuses on the first unit which introduces a contributing author for student and explores different musical theatre styles. revision guides. This unit requires learners to develop their practical skills in dance, acting and singing while furthering their understanding of musical theatre styles. The unit culminates in a performance of two extracts in two different styles of musical theatre as well as a critical review of the stylistic qualities within these extracts. This scheme of work provides a suggested approach to six weeks of introductory classes, as a part of a full timetable, which explores the development of performance styles through the history of musical theatre via practical activities, short projects and research tasks. Learning objectives By the end of this scheme, learners will have: § Investigated the history of musical theatre and the factors which have influenced its development Unit D10: Exploring Performance § Explored the characteristics of different musical theatre styles and how they have developed Styles from BTEC L3 Nationals over time Performing Arts Practice (musical § Applied stylistic conventions to the performance of material theatre) (2019) § Examined professional work through critical analysis. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
Music Copying
Philip Mantione 505-204-6027(cell) [email protected] www.philipmantione.com Music Preparation and Copying Experience MUSIC PREPARATION SERVICE EMPLOYERS NYC (1997 - 2010) • Emily Grishman Music Preparation • Katharine Edmonds Music • Chelsea Music Los Angeles (1996-97) • Suzie Katayama at Sony Music • Eric Stonerook Music SKILL SET • Highly proficient Finale user (16 years of experience). • Experience using Sibelius • Experience copying for musical theatre, film, TV, recording sessions, industrials and concerts. • Experience creating Piano Conductor parts from full score. • Experience copying Piano Vocals and Full Scores. • Experience with Proofreading and Music Librarian work. EDUCATION 1996 - M.M. - Composition - CSULA 1988 - Muscians' Institute - GIT - Honors Graduate 1982 - B.S. - State University of New York at Buffalo (SUNYAB) AFM DUAL-MEMBERSHIP • Local 802 - NYC (1997 - present) • Local 47 - Los Angeles (1996-97, 2010 - present) CREDITS SELECTED MUSICAL THEATRE PRODUCTIONS: BROADWAY AND OFF-BROADWAY Allegro A Tree Grows in Brooklyn Bounce Death Takes a Holiday Dessa Rose Dirty Rotten Scoundrels Side Show Spamalot Witches of Eastwick Never Gonnna Dance A Little Night Music Annie Get Your Gun Wild Party Frog and Toad Marie Christine Everything's Ducky Fiddler on the Roof The Full Monty It Ain't Nothin' But The Blues Tony Awards Parade Seussical Follies Bat Boy Thoroughly Modern Millie The Rocky Horror Show Best Little Whorehouse in Texas Nine to Five Urinetown Swing Radio City Music Hall Christmas Little Fish Brooklyn Into -
“Angels in America”
Press Contact: For National Theatre: Susie Newbery [email protected] For Broadway: Rick Miramontez / Molly Barnett / Chelsea Nachman / Ryan Ratelle [email protected] / [email protected] / [email protected] / [email protected] 212 695 7400 FOR RELEASE ON THURSDAY, SEPTEMBER 7, 2017 THE GREAT WORK RETURNS NATHAN LANE & ANDREW GARFIELD STAR IN THE NATIONAL THEATRE PRODUCTION OF TONY KUSHNER’S LANDMARK PLAY “ ANGELS IN AMERICA ” ON BROADWAY FEATURING SUSAN BROWN, DENISE GOUGH, AMANDA LAWRENCE, JAMES McARDLE, & NATHAN STEWART-JARRETT DIRECTED BY MARIANNE ELLIOTT PERFORMANCES BEGIN ON FRIDAY, FEBRUARY 23, 2018 AT THE NEIL SIMON THEATRE OPENING NIGHT SET FOR WEDNESDAY, MARCH 21 STRICTLY LIMITED 18-WEEK ENGAGEMENT New York, NY – Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Starring two-time Tony Award® winner Nathan Lane and Academy Award® and Tony Award nominee Andrew Garfield, the cast of Angels in America will feature fellow original National Theatre cast members Susan Brown, Denise Gough, Amanda Lawrence, James McArdle, and Nathan Stewart-Jarrett. -
EINSTEIN's DREAMS, a New Musical Based on Alan Lightman's Novel
EINSTEIN’S DREAMS, a new musical based on Alan Lightman’s novel, receives NYC premiere at 59E59 Theaters Novelist and MIT Professor Alan Lightman will participate in a post-show conversation on Friday, December 6 New York, New York September 5, 2019—59E59 Theaters (Val Day, Artistic Director; Brian Beirne, Managing Director) is thrilled to present the NYC premiere of EINSTEIN’S DREAMS book and lyrics by Joanne Sydney Lessner, music and lyrics by Joshua Rosenblum, directed by Cara Reichel, and based on the novel by Alan Lightman. Milton Granger is the music director; the movement director/associate director is Dax Valdes. Produced by Prospect Theater Company, EINSTEIN’S DREAMS begins performances on November 5 for a limited engagement through December 15. Press Opening is Wednesday, November 20 at 7 PM. The performance schedule is Tuesday – Friday at 7 PM; Saturday at 2 PM & 7 PM; and Sunday at 2 PM. Please note the following schedule adjustments: the Sun 11/10 performance is at 7 PM (there is no matinee); there are added 2 PM matinee performances on Tue 11/26 and Thur 12/12; there are no performances on Wed 11/27 and Thur 11/28. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison). Single tickets are $25 - $70 ($49 for 59E59 Members). To purchase tickets, call the 59E59 Box Office at 646-892-7999 or visit www.59e59.org. The running time is 95 minutes, including intermission. The year is 1905. A young and uncertain Albert Einstein dares to envision new worlds beyond the limits of classical physics. -
Im a G E Fe a Tu Re S a U D Re Y D W Y E R Fro M a P H O to B Y a V Ita L Z E M E R
Image features Audrey Dwyer from a photo by Avital Zemer. 1 A Message from the Artistic and Executive Directors Welcome to Seussical – one of our favourite musicals at YPT. Apart from being great fun and featuring terrific performances, this is a profound story. At its centre is Horton the Elephant’s assertion that "a person’s a person no matter how small". Obviously, these are words to live by. They are also a call to action for young people – to think and care about those who are sometimes forgotten or unseen. We hope Seussical inspires all audience members, young and not so young, to be conscious of the impact of their actions. Think how much better the world would be. To quote another song from the show "Oh the thinks you can think – if you’re willing to try..." Our show runs through the Holidays with public performances every day between December 27th and 31st. Perhaps you know someone for whom Seussical tickets would make a great gift! We wish you the very best for the Holidays and the New Year to come. ALLEN MACINNIS NANCY J. WEBSTER Artistic Director Executive Director Young People’s Theatre is a member of the Professional Association of Canadian Theatres (PACT) and engages, under the terms of the Canadian Theatre Agreement, professional Artists who are members of Canadian Actors’ Equity Association. This facility is supported through Toronto Arts Council Strategic Funding. Young People’s Theatre is situated on the territories of the Mississaugas of New Credit and other Indigenous peoples, whom we acknowledge and respect. -
Dissertation Final Corrected
FROM PENCIL TO PERFORMANCE: The creative nexus of arranging, orchestration and music direction in works of contemporary pop/rock musical theatre BRYAN SCHIMMEL 8300995 A thesis submitted to the Faculty of Humanities University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Degree of Master of Music Final Corrected Submission 22 September 2014 ABSTRACT In the art form of musical theatre, available literature on the creative musical aspects of musicals has focused primarily on the composers and/or lyricists; their works having been extensively analysed and documented. There is, however, comparatively less literature and documentation on the processes that guide the transformation of the theatre composer’s work to an eventual performance embracing arranging, orchestration and music direction. This dissertation explores these practices from two perspectives – the creative and the recreative. First, from the creative perspective, I challenge Joseph P. Swain who makes a compelling case for composition as a tool of dramaturgy in his book The Broadway Musical: A Critical and Musical Survey (2002). I contest that his argument cannot hold true for pop/rock musicals in which the scores are comprised of pre-existing popular music that was not originally or intentionally composed for the stage. In order to understand how music functions as a dramatic element in musical theatre, it must follow that all collaborative creative forces that contribute to this music must be evaluated in a holistic manner. Dramaturgy contextualises and elucidates storytelling and artistic vision. While Swain has postulated that composition is an element of dramaturgy, I offer the notion that since arranging and orchestration contextualise and elucidate the composition they therefore cannot be excluded as dramaturgical devices. -
LIVE from LINCOLN CENTER "The Nance" TCA Bios
“The Nance” TCA Panelist Biographies Douglas Carter Beane’s credits on Broadway include Rodgers + Hammerstein’s Cinderella (Tony Award nomination), The Nance (nominated for five Tony Awards and two Drama Desk Awards), Lysistrata Jones (Tony Award nomination), Sister Act (Tony Award nomination), the stage adaptation of the film Xanadu (Outer Critics Circle & HX Awards for Best Musical, Drama Desk Award for Best Book, and four Tony nominations including Best Musical) and The Little Dog Laughed (Tony Award; West End Olivier Award nomination). His other plays include As Bees In Honey Drown (Outer Critics Circle John Gassner Award), Mr. and Mrs. Fitch, Music From a Sparkling Planet, The Country Club, Advice From a Caterpiller, The Cartells, and Mondo Drama. He has written the libretto for the Metropolitan Opera's Die Fledermaus, which is currently in their repertory, and his ballet, Artists and Models, 1929 is a part of the dance show In Your Arms. He wrote the film adaptation of his play Advice From a Caterpiller as well as the screenplay of To Wong Foo, Thanks For Everything, Julie Newmar. His play The Cartells has been optioned by HBO to be turned into a series. Lincoln Center Theater will produce his next play, Shows For Days, this spring and he is developing a play in verse, Fairycakes, which he will both write and direct. He resides in New York City with his husband, composer Lewis Flinn, their son, Cooper and daughter, Gabrielle. Nathan Lane most recently played Hickey in the acclaimed Robert Falls production of The Iceman Cometh in Chicago. His credits at Lincoln Center Theater include The Nance, Some Americans Abroad and The Frogs. -
LIVE from LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk Is a Multiple Emmy Award-Winning Producer
LIVE FROM LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk is a multiple Emmy Award-winning producer and director whose career has encompassed leading roles in many areas of commercial and educational content. Since his arrival at Lincoln Center in 2011, he has served as executive producer of Live From Lincoln Center episodes ranging from classical music to dance to theatre. Prior to his work at Lincoln Center, Wilk served as Chief Creative Officer at Sony Music Entertainment, where he oversaw all visual content for Sony’s label groups and spearheaded Sony’s digital expansion. He also served as Founding Programmer and Executive Vice President of Programming and Production for the National Geographic Channel, where he launched the channel and developed its initial programming and scheduled and commissioned new programs, including specials with PBS and NBC. Wilk has won five Emmy Awards and received 15 nominations. Over the course of his career, he has produced or directed more than 1,000 television shows, ranging from children’s programming to news to commercial entertainment, in addition to continuing his work as a conductor of live music concerts. JAMES LAPINE James Lapine collaborated with Stephen Sondheim as author and director for Sunday in the Park With George; Into the Woods; Passion; and the multi-media revue Sondheim on Sondheim. He also directed Merrily We Roll Along as part of Encores at New York City Center. With William Finn, he has collaborated on March of the Falsettos and Falsettoland, later presented on Broadway as Falsettos and recently revived in 2016; A New Brain; Muscle; and Little Miss Sunshine. -
Spinning Tree Announces Upcoming Season
Spinning Tree announces upcoming season Spinning Tree Theatre announces 2018-19 season Spinning Tree Theatr Spinning Tree Theatre proudly announces the 2018-19 season of plays and musicals. Artistic Director Michael Grayman- Parkhurst: “Spinning Tree’s eighth season deepens into our examination of the human condition by shining a light on what it means to live authentically and without apology. We’ll travel from turn-of-the-20th-century New England to 1937 New York City, travel the world through the eyes of young women and land in 1980’s North Eastern England. And while noticing differences in each other culturally and historically, we’ll be reminded that the same stars look down on all of us.” DADDY LONG LEGS (August 17 – September 2). The romantic and charming new Off-Broadway musical is from the Tony Award- winning director of Les Misérables (John Caird, book) and the Tony-nominated composer of Jane Eyre (Paul Gordon, music and lyrics). Based on Jean Webster’s 1912 novel, this heartwarming Cinderella story is about a witty and winsome young woman and her mysterious benefactor. Kansas City premiere! THE NANCE (November 2-18). Douglas Carter Beane’s 2013 Broadway play (with original music by Glen Kelly) originally starred Nathan Lane. New York City’s Mayor LaGuardia wants to clean up the city before the 1937 World’s Fair, and his target is burlesque. A nance was a stereotypical gay character and master of comic double entendre, typically played by a straight actor. What happens when our nance is gay…and has fallen in love? Kansas City premiere! EMOTIONAL CREATURE (January 17 – February 3, 2019). -
Spring 2015 Issue of the Foundation’S Newsletter
April 2015 SOCIETY BOARD PRESIDENT Jeff Kennedy [email protected] VICE PRESIDENT J. Chris Westgate [email protected] SECRETARY/TREASURER Beth Wynstra [email protected] INTERNATIONAL SECRETARY – ASIA: Haiping Liu [email protected] INTERNATIONAL SECRETARY – Provincetown Players Centennial, 4-5 The Iceman Cometh at BAM, 6-7 EUROPE: Marc Maufort [email protected] GOVERNING BOARD OF DIRECTORS CHAIR: Steven Bloom [email protected] Jackson Bryer [email protected] Michael Burlingame [email protected] Robert M. Dowling [email protected] Thierry Dubost [email protected] Eugene O’Neill puppet at presentation of Monte Cristo Award to Nathan Lane, 8-9 Eileen Herrmann [email protected] Katie Johnson [email protected] What’s Inside Daniel Larner President’s message…………………..2-3 ‘Exorcism’ Reframed ……………….12-13 [email protected] Provincetown Players Centennial…….4-5 Member News………………….…...14-17 Cynthia McCown The Iceman Cometh/BAM……….……..6-7 Honorary Board of Directors..……...…17 [email protected] The O’Neill, Monte Cristo Award…...8-9 Members lists: New, upgraded………...17 Anne G. Morgan Comparative Drama Conference….10-11 Eugene O’Neill Foundation, Tao House: [email protected] Calls for Papers…………………….….11 Artists in Residence, Upcoming…...18-19 David Palmer Eugene O’Neill Review…………….….12 Contributors…………………………...20 [email protected] Robert Richter [email protected] EX OFFICIO IMMEDIATE PAST PRESIDENT The Eugene O’Neill Society Kurt Eisen [email protected] Founded 1979 • eugeneoneillsociety.org THE EUGENE O’NEILL REVIEW A nonprofit scholarly and professional organization devoted to the promotion and Editor: William Davies King [email protected] study of the life and works of Eugene O’Neill and the drama and theatre for which NEWSLETTER his work was in large part the instigator and model. -
Music Director's Resume
DAVID WOLFSON 140 Cabrini Blvd. #9 Music Director/Arranger New York, NY 10033 (917) 535-3300 [email protected] New York (selected) How the Grinch Stole Christmas, Associate Conductor, Hulu Theater, 2012, 2014, 2018. (Mus. Dir. Joshua Rosenblum) All Aboard!, Music Director/Arranger, 2017, 14th Street Y (off-Broadway). (Dir. Warren Friedman) Bounce! The Basketball Opera, Music Director, 2016. (Opera Workshop, Ardea Arts, dir. Grethe Holby). The Art of Memory, Music Director, 2015-16. (Opera workshop, The Firehouse Space; Dir. Jean Randich) National Pastime, Music Director, Arranger, Orchestrator, Peter Jay Sharp, 2012. (Off-B’way; Dir. Nancy Robillard) Cat (an Opera Musical), Music Director, Family Opera Initiative, 2010. (Central Park Zoo & Tour; Dir. Grethe Holby) An Evening At The Carlyle, Music Director, Arranger, Algonquin Theatre, 2009. (Off-B’way; Dir. Tom Herman) Mark Twain’s Blues, Music Director, Arranger, DR2 Theatre, 2008. (Off-B’way; Dir. Tom Herman) Bush Is Bad: Impeachment Edition, Music Director, Triad Theatre, 2006. (Dir. Gary Slavin) The New York Theatrical Community Chorus, Music Director, Conductor, 2001-2006. Under The Bridge, Assoc. Music Director, Zipper Theatre, 2005. (Off-B’way; Mus. Dir. Paul Raiman) Animal Fair, Music Director, Gallery Players, 2001. NY Premiere of musical by Clark Gesner. Kuni-Leml, Music Director, Jewish Repertory Theatre (Playhouse 91),1998. (Off-B’way; Dir. Ran Avni) Prime Time Prophet. Music Director, Arranger. Players Theatre, 1993. (Off-B’way; Dir. Kevin Connors) Regional (selected) Bucks County Playhouse, New Hope, PA. Music Director, Arranger, Orchestrator, National Pastime. 2015. (Dir. Hunter Foster.) Music Theatre of Connecticut, Wesport, CT. Music Director, Ragtime, 2019.