Producer Fans: How Twilight Fans Are Using Facebook to Blur the Lines Between Media Producers and Consumers
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Would You Understand What I Meant If I Said I Was Only Human?”
”Would you understand what I meant if I said I was only human?” The Image of the Vampire in Stephenie Meyer’s Twilight and Charlaine Harris’s Dead Until Dark Jessica Dimming Fakulteten för humaniora och samhällsvetenskap English IV 15hp Supervisor Magnus Ullén Examiner Adrian Velicu HT 2012 Abstract In this essay I have decided to look at two very popular vampire novels today, Dead Until Dark by Charlaine Harris and Twilight by Stephenie Meyer. The focus of this essay is to look at the similarities and differences between these two novels and compare them to each other but also to the original legend of the vampire; this by using Dracula and other famous vampire stories to get an image of the vampire of pop-culture. I look at the features of the vampires, their abilities and different skills, and also sex and sexuality and how it is represented in these different stories. Even though the novels attract a wide audience they are written for a younger one and have a love story as its center. In this essay I give my opinion and view of the vampires and what I believe to be interesting with the morals and looks of the vampires as one of the different aspects. 2 Content Introduction 3 The Gothic novel 6 The legend of the vampire 7 Setting 10 Narrator 38 Features of the vampires in Twilight 43 Features of the vampires in Dead Until Dark 53 Vampires as sexual objects 67 Love and sexuality in Twilight 75 Love and sexuality in Dead Until Dark 86 Conclusion 95 Works cited 30 3 Introduction Dead Until Dark and Twilight by top selling authors Charlaine Harris and Stephenie Meyer are both novels written for young adults, somewhere between the ages of 14-24, with one major theme in common, vampires. -
A Portrait of Fandom Women in The
DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day. -
Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production 2017
Repositorium für die Medienwissenschaft Sophie G. Einwächter Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production 2017 https://doi.org/10.25969/mediarep/16230 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Einwächter, Sophie G.: Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production. In: Media in Action. Interdisciplinary Journal on Cooperative Media. Copyright Law (2017), Nr. 2, S. 93– 112. DOI: https://doi.org/10.25969/mediarep/16230. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.25819/ubsi/8194 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ This work is licensed under an Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Copyright remains with the authors. https://doi.org/10.25819/ubsi/8194 Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production Sophie G. Einwächter 1. Introduction Media fandom incorporates a large number of practices that are either explicitly quoting or implicitly referencing cultural objects. Observers outside fandom ofen label these practices derivative, appropriative, or transformative, each of these labels conveying a legal or ethical judg- ment respectively; many question their legitimacy. Among fans, a high level of uncertainty surrounds the legal status of these practices, which are generally assumed to border on copy right infringement. -
The Impact of Fanfiction on Literature (Case Study of Fifty Shades of Grey by E
PEOPLE‘S DEMOCRATIC REPUBLIC OF ALGERIA MINISTRY OF HIGHER EDUCATION AND SCIENTIFIC RESEARCH UNIVERSITY OF ABDELHAMID IBN BADIS-MOSTAGANEM- Faculty of Foreign Languages Department of English A Dissertation submitted in partial fulfillment for the degree of Master in Literature and Civilization The Impact of Fanfiction on Literature (Case Study of Fifty Shades of Grey by E. L. James) Presented by: Boukra Roza Academic Year: 2019/2020 Members of the jury: Supervisor: Mrs. GHERNOUT Soumia President: Taguia Cherif Examine: Benmaati Fatima Zohra Dedication I would like to dedicate this thesis first and foremost to my mom who was always supportive of me and always pushed me to reach higher. To my friends who gave me comfort when I most needed it and who gave me an escape when it seemed hard to go on. Finally and most importantly I’d like to give a much earned gratitude to my well esteemed teachers who did not give up on me and provided me with knowledge and guidance and for that I’ll be eternally grateful. Thank you ever so much. I Acknowledgment I would first like to thank my supervisor, Mrs. Ghernout Soumia, whose ability was significant in planning the research questions and methodology. Your savvy input pushed me to hone my thinking and carried my work to a more significant level. I would like to acknowledge my Friends. for their magnificent cooperation. I would especially like to single out Belbah Sofiane Ilyes and Chenene Ouarda, I thank you for your patient help and for all of the opportunities I was given to promote my research. -
Fandom And/As Labor, No. 15 (March 15, 2014)
Transformative Works and Cultures, special issue: Fandom and/as labor, No. 15 (March 15, 2014) Editorial Mel Stanfill & Megan Condis, Fandom and/as labor Praxis Bethan Jones, Fifty shades of exploitation: Fan labor and Fifty Shades of Grey Robert Moses Peaslee, Jessica El-Khoury, Ashley Liles, The media festival volunteer: Connecting online and on-ground fan labor Christina Savage, Chuck versus the ratings: Savvy fans and "save our show" campaigns Giacomo Poderi & David James Hakken, Modding a free and open source software video game: "Play testing is hard work" Bertha Chin, Sherlockology and Galactica.tv: Fan sites as gifts or exploited labor? Rose Helens-Hart, Promoting fan labor and "all things Web": A case study of Tosh.0 Matthias Stork, The cultural economics of performance space: Negotiating fan, labor, and marketing practice in Glee’s transmedia geography Symposium Tisha Turk, Fan work: Labor, worth, and participation in fandom's gift economy Joly MacFie, Better Badges: Image as virus Interview Bertha Chin, Bethan Jones, Myles McNutt, & Luke Pebler, Veronica Mars Kickstarter and crowd funding Review Stephanie Anne Brown, Digital labor: The Internet as playground and factory, edited by Trebor Scholz Simone D. Becque, Cognitive capitalism, education, and digital labor, edited by Michael A. Peters and Ergin Bulut Anne Kustritz, Gaga feminism: Sex, gender, and the end of normal, by J. Jack Halberstam Transformative Works and Cultures (TWC), ISSN 1941-2258, is an online-only Gold Open Access publication of the nonprofit Organization for Transformative Works. TWC is licensed under the Creative Commons Attribution-Noncommercial 3.0 Unported License. Download date: March 15, 2017. -
Film Adaptation for Knowing Audiences: Analysing Fan On-Line Responses to the End of Breaking Dawn – Part 2 (2012)
. Volume 14, Issue 2 November 2017 Film adaptation for knowing audiences: Analysing fan on-line responses to the end of Breaking Dawn – Part 2 (2012) Samantha Pearce & Alexis Weedon, University of Bedfordshire, UK Abstract: Critics of film adaptations of literary works have historically evaluated the success or failure of the movie on the grounds of its fidelity to the original book. In contrast popular arguments for medium specificity have questioned whether fidelity is possible when adapting one medium to another. This article follows recent academic work which has focused awareness on the processes of adaptation by examining evidence of reading and viewing experience in online and social media forums. The broader research project explored the online Twilight fan community as an example of a ‘knowing audience’ acquainted with both novel and film. Here we focus on the strong response within fan forums to the surprise ending of the final film adaptation Breaking Dawn – Part 2 (2012). The research uses the forum, blog and facebook page as sites for evidence of reading experience as defined by the Reading Experience Database (RED). The analysis sheds new light on the tensions that exist between fidelity and deviation and the article positions fan audiences as intensive readers who gained unexpected pleasure from a deviation from a canon. It argues that fans are also collaborators within the adaptation process who respect authorial authority and discuss the author’s, scriptwriter’s and director’s interpretation of the novel for the screen. The research identifies the creative and commercial advantages to be gained from a collaborative and open dialogue between adaptors and fans. -
Triangulated Desire in Meyer's Twilight: a Queer Dynamic
Journal of Dracula Studies Volume 15 Article 2 2013 Triangulated desire in Meyer's Twilight: A Queer Dynamic Jami McFarland University of Ottawa Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation McFarland, Jami (2013) "Triangulated desire in Meyer's Twilight: A Queer Dynamic," Journal of Dracula Studies: Vol. 15 , Article 2. Available at: https://research.library.kutztown.edu/dracula-studies/vol15/iss1/2 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected]. Triangulated desire in Meyer's Twilight: A Queer Dynamic Cover Page Footnote Jami McFarland is currently completing her M.A. in Women’s Studies at the University of Ottawa. She received her B.A. in English Studies with a minor in Fine Arts from Nipissing University in 2011. Jami is currently involved in research concerning queer media and theory. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol15/ iss1/2 Triangulated Desire in Meyer’s Twilight: A Queer Dynamic Jami McFarland [Jami McFarland is currently completing her M.A. in Women’s Studies at the University of Ottawa. She received her B.A. in English Studies with a minor in Fine Arts from Nipissing University in 2011. -
Fragile Bodies in Stephenie Meyer's Twilight Series
Cultivating Perspectives: Fragile Bodies in Stephenie Meyer’s Twilight Series by Heather Simeney MacLeod A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Heather Simeney MacLeod, 2014 ABSTRACT This dissertation project exposes the troubling engagement with classifications of materiality within text and bodies in Stephenie Meyer’s contemporary American vampire narrative, the Twilight Series (2005-2008). It does so by disclosing the troubling readings inherent in genre; revealing problematic representations in the gendered body of the protagonist, Bella Swan; exposing current cultural constructions of the adolescent female; demonstrating the nuclear structure of the family as inextricably connected to an iconic image of the trinity— man, woman, and child; and uncovering a chronicle of the body of the racialized “other.” That is to say, this project analyzes five persistent perspectives of the body—gendered, adolescent, transforming, reproducing, and embodying a “contact zone”—while relying on the methodologies of new feminist materialisms, posthumanism, postfeminism and vampire literary criticism. These conditions are characteristic of the “genre shift” in contemporary American vampire narrative in general, meaning that current vampire fiction tends to shift outside of the boundaries of its own classification, as in the case of Meyer’s material, which is read by a diverse readership outside of its Young Adult categorization. As such, this project closely examines the vampire exposed in Meyer’s remarkably popular text, as well as key texts published in the late twentieth and early twenty-first centuries, such as Joss Whedon’s television series Buffy the Vampire Slayer (1997-2003), Alan Ball’s HBO series True Blood (2009-2014), Kathryn Bigelow’s Near Dark (1987) and Joel Schumacher’s The Lost Boys (1987). -
Ratcliffe 1 Lindsay Ratcliffe Professor Reilly FYW 100-02 12 November
Ratcliffe 1 Lindsay Ratcliffe Professor Reilly FYW 100-02 12 November 2013 A Study in Fan Mediated Works After reading about the views of legal scholars on the relationship between federal copyright laws and fan-based mediated works, I have formulated a number of opinions on the topic. Through further research and analysis, I will explore the dynamic relationship between copyrighted material and fanworks and evaluate how a future reform could serve a purpose in promoting creativity, while outlining the powers of a copyright holder in the internet age. First, I will outline the basics to fan practices and the capitalist structure as it applies to the media. Second, I will outline the morality of fan writings. Third, I will exemplify that published fan writings have been sold legally. To end, I will predict how the current laws will be changed with wider understanding of fan culture. If the intended goal of copyright is to protect original works of authorship as a means to promote the development of the arts and sciences, then these goals should be fulfilled through law. Media-inspired works that expand upon ideas and concepts that do not harm the copyright owner’s ability to publish their works and receive capital should be considered as creative works, and therefore should not be demeaned as infringements of copyright material. Crash Course in Fan Culture History Historically, the origin of media fan-based communities (fandoms) in the current use of the term is popularly attributed to the 1960s science fiction television series Star Trek. The series ran for three seasons, inspiring fans to create a sense of community through the creation of a Star Ratcliffe 2 Trek fandom. -
2021 FTF Schedule V4
FOREVER TWILIGHT IN FORKS FESTIVAL SEPTEMBER 9--12,12, 2021 #BD1Movie10 1 FTF2021 Schedule V4 FINAL published August 18, 2021 COVID---19-19 SAFETY PROCEDURES At our events, masks indoors are required, and masks outdoors are recommended by Clallam County Health Department per the press release shown above. All school events require a mask, including costume contest participants, and you must sign-in to enter the school. Please maintain a six-foot space between you and other attendees that are outside your bubble, including cosplayers and any special guests. Please don’t ask the cosplayers or any special guests to remove their masks for photos. Cosplayers will not be taking photos with attendees inside the photo booths. We will be disinfecting the tables and chairs in between dinner seatings, during parties, and after other uses. Hand sanitizer will be available throughout the weekend. We may take temperatures prior to entry into some events. If you are experiencing any of the following symptoms: fever or chills, cough, shortness of breath or difficulty breathing, fatigue, muscle or body aches, headache, new loss of taste or smell, sore throat, congestion or runny nose, nausea or vomiting, or diarrhea please contact your healthcare provider immediately, and refrain from attending events. 2 FTF2021 Schedule V4 FINAL published August 18, 2021 Very Important Twilighters (VITs) will enjoy: FTF Festival Breakfast with The Olympic Coven An autograph from and photograph (or selfie) with each Twilight Saga Actor Special Guest “Fandom Family Reunion” Party FTF Festival Panel featuring Twilight Saga Actor Peter Facinelli Bella Italia Catered Dinner “Dream Wedding Sequence – White Party Gala” Carlisle and Esme’s 100 th Anniversary Luncheon Photo download codes for Fandom Family Photo and Family Farewell Photo VIT Goodie Bag, Commemorative Ticket, and VIT Lanyard with Name Badge for one very nice price of $325.00. -
Exploring the Romanticization of Adolescent Dating Violence in the Twilight Saga and the Romantic Relationship Beliefs Held by Female Fans of the Series
Smith ScholarWorks Theses, Dissertations, and Projects 2016 Till (un)death do us part : exploring the romanticization of adolescent dating violence in The twilight saga and the romantic relationship beliefs held by female fans of the series Aviva H. Jacobstein Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Social Work Commons Recommended Citation Jacobstein, Aviva H., "Till (un)death do us part : exploring the romanticization of adolescent dating violence in The twilight saga and the romantic relationship beliefs held by female fans of the series" (2016). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/1685 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. Aviva H. Jacobstein Till (un)death do us part: Exploring the romanticization of adolescent dating violence in The Twilight Saga and the romantic relationship beliefs held by female fans of the series ABSTRACT The purpose of this quantitative study was to examine the romantic relationship beliefs held by female fans of The Twilight Saga and to explore influences of media that romanticizes adolescent dating violence. This study specifically examined 18 to 20-year-old female fans’ varying degrees of Twilight exposure, narrative immersion into the series, and their beliefs regarding what constitutes a healthy romantic partnership. A total of 194 individuals who were exposed to the entirety of Twilight completed an anonymous online survey, which asked individuals to reflect on their reading/watching exposure to Twilight and immersion into the series. -
Fan Studies Network North America
FAN STUDIES NETWORK NORTH AMERICA OCTOBER 25-27, 2018 DEPAUL UNIVERSITY CHICAGO, IL OVERVIEW SPECIAL EVENTS Thursday Registration Basement & 11th Floor 4:30-7:30 Registration 11th Floor 5:30-6:30 Wine and Cheese Cocktail Reception 11th Floor Speed Geeking Thursday 6:30-7:30 Daley 1128 6:30-7:30 Speed Geeking Daley 1128 Organizer: Lesley Willard (UT Austin) Caitlin McCann (UCLA) Friday William Staton (DePaul U) Courtney Stone (Concordia U) 8:15-10:00 Registration Basement 10:00-12:30 11th Floor Keynote Address 8:45-9:45 Opening Session: Keynote Daley 0105 Friday 8:45-9:45 Daley 0105 10:00-11:30 Session 1 Abigail De Kosnik (UC Berkeley), EVERYTHING IS FANDOM, AND 11:30-12:30 Lunch (on site) 11th Floor FANDOM IS THE PROBLEM, SO WHAT ARE WE GOING TO DO ABOUT IT? 12:30-2:00 Session 2 Biography: 2:30-4:00 Session 3 Abigail De Kosnik is an Associate Professor at the University of 4:30-6:00 Session 4 California, Berkeley, in the Berkeley Center for New Media and the Department of Theater, Dance & Performance Studies. She is the author of Rogue Archives: Digital Cultural Memory and Media Fandom 8:00-9:30 Screening: Vids and Videographic Criticism Daley 0102 (MIT Press, 2016). She has published articles on media fandom, popular digital culture, and performance studies in Cinema Journal, International Journal of Communication, Modern Drama, TWC, Verges, Saturday Performance Research, and elsewhere. She is the co-editor of the 8:30-9:00 Breakfast Daley 1134 essay collection The Survival of Soap Opera: Transformations for a New Media Era (UP Mississippi, 2011).