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SOLDIER's MANUAL and TRAINER's GUIDE MOS 42R9F TUBA
STP 12-42R12-ASI-9F-SM-TG SOLDIER’S MANUAL and TRAINER’S GUIDE MOS 42R9F TUBA PLAYER Skill Levels 1 and 2 November 2005 DISTRIBUTION RESTRICTION: Approved for public release; distribution is unlimited. HEADQUARTERS DEPARTMENT OF THE ARMY This publication is available at Army Knowledge Online (www.us.army.mil) and General Dennis J. Reimer Training and Doctrine Digital Library at (http://www.train.army.mil). *STP 12-42R12-ASI-9F-SM-TG SOLDIER TRAINING HEADQUARTERS PUBLICATION DEPARTMENT OF THE ARMY No. 12-42R12-ASI-9F-SM-TG Washington, DC, 3 November 2005 SOLDIER'S MANUAL AND TRAINER'S GUIDE MOS 42R9F Tuba Player Skill Levels 1 and 2 TABLE OF CONTENTS PAGE Table of Contents......................................................................................................................................... i Preface ........................................................................................................................................................ iii Chapter 1. Introduction...........................................................................................................................1-1 Chapter 2. Training Guide ......................................................................................................................2-1 Chapter 3. MOS/Skill Level Tasks .........................................................................................................3-1 Skill Level 1 Subject Area 1: Musical Tasks 514-446-1302 Tune Your Tuba To A Given Pitch ...........................................................................3-1 -
Pbone Care Card
Care card pBone Customer Care Card Includes how to play, sheet music, product care information & warranty details Thank you for purchasing pBone. We hope you have many hours of fun - that’s why we created it! Here are a few tips to help get you started. How to play 1. Breathing: this is the heart and soul of trombone playing. Take a relaxed deep breath and blow out through your lips. 2. Buzz: Position the mouthpiece in the middle of your lips, create a hole in your lips and blow air through it. Slowly make the hole smaller as you blow to create a buzz - watch at: www.bit.ly/2y0Qlzy 3. Holding the pBone: Your left-hand holds the bell section. Your right-hand fingers gently hold the outer slide. 4. Moving the Slide: The trombone has seven slide positions. Moving the slide away from you creates a low note and towards you creates a high note. 5. Get Started with your FREE online lessons: we have teamed up to offer your first 9 lessons to help you learn your first steps, assemble and hold the pBone correctly, getting started on your first notes: www.musicgurus.com/course/pbone-1?aff=warwick (see the information later in this care card for more details) General Before use: Pour a small amount of lukewarm water (NEVER HOT) into slide section and work the slide, rinse and drain. Run lukewarm water through the bell section. Rinse and drain. Join the bell and slide sections together and secure them simply with resistance. The bell and slide sections should have a gap of between 5-7mm of black space between them. -
Course Outline Symphonic Band/Wind Ensemble Is the Second Course in the Comprehensive Band Program at Hopkins JHS and Mission San Jose HS
Hopkins JHS Symphonic Band 2014-2015: Course Outline Symphonic Band/Wind Ensemble is the second course in the comprehensive band program at Hopkins JHS and Mission San Jose HS. It is an advanced level performing class. Students are expected to practice their instruments daily for at least 20-25 minutes. Private lessons are strongly encouraged for all band participants. Students in this class will continue their refinement of basic musical skills (tone production, music reading, and general musicality) through the performance of complex band music. The Hopkins bands are considered to be among the best in the Bay Area and in California! Instructor Contact Information Mr. Greg Conway, Director of Instrumental Music (510) 656-3500, ext. 38023 [email protected] (* E-mail is the best way to contact Mr. Conway) Attendance This class is part of a performance-based music program. CONCERT PERFORMANCE ATTENDANCE IS MANDATORY! Check the performance calendar below to avoid conflicts. Missed concerts will result in the final grade being lowered two full letter grades! Failure to attend a concert may prevent a student from being allowed to attend Anaheim/Disneyland trip. Performances added during the year will be announced well in advance, and will also be required. DATE TIME EVENT Wed., Dec. 17 7:00 p.m. Winter Band Concert Sat., Apr. 18 TBA CMEA Band Festival (Castro Valley HS) Thurs.-Mon., May 14-18 All Day Anaheim/Disneyland Trip & Festival Wed., May 27 7:00 p.m. Mission Area Elem. Band Concert (MSJHS) Tues., June 2 7:00 p.m. Spring Band Concert Thurs., June 11 5:00 p.m. -
Simple Instrument Diagnostics and Repairs for Band Directors Paul Morgenroth Wind Instrument Connections [email protected] 785-840-4547
NEED A QUICK FIX? Simple instrument diagnostics and repairs for band directors Paul Morgenroth Wind Instrument Connections [email protected] 785-840-4547 Most of my issues at school are solved with these tools: (I don’t keep everything in the same place like a tool box) I have a chest of drawers in my office. TOOLS drawer: PERCUSSION drawer Mouthpiece truing tool Drum keys, bongo wrench *Rawhide Mallet Large Screwdrivers FLUTE drawer Allen wrenches Cleaning rods Dental floss Lighter DOUBLE REED drawer Weldwood contact cement Reed knife Glue pellets Reamer Sheet cork Water key corks BY PODIUM: Sand paper 220 grit *Small screwdrivers *Steel Wool #0000 *Soft Jaw Pliers *Pliers *Mouthpiece Puller Needle Nose Old silk swab DESK drawer Teflon tape General purpose tools *Electrical tape Scissors Horn String Claw hammer *Blue thread locker Vise Grips 5 minute epoxy Drill – for holes in double reed cases *Super glue Hot glue gun *Xacto knife *Paraffin canning wax (Gulfwax) TABLE BY OFFICE *Microfiber rag *Tags for repair, place to leave instrument *Used once or more a week WOODWINDS SPRINGS Do they open or close? Spring hook tool Small screwdriver LOOSE KEYS Tighten until stiff Back off until pop up JOINT FITTING Loose Dental Floss Scotch tape-Flutes KEY ADJUSTING FLUTE key wiggle CLARINET crow’s foot SAX G# test COMBINATIONS Adjustment screws are great if they turn Turn too easily? Blue threadlock, not super glue Turn until keys meet tone holes together SAX OCTAVE A little play between the neck loop and the floating lever BASS CLARINET BELL KEY Warning! PADS Torn? Wrap with Teflon tape to limp through Fell out? No seat or light seat, reglue – just use existing glue. -
Instrument-Catalogue.Pdf
CONTENTS Introduction iv Methods of Cataloguing v vi Additional Note About the Museum Numbering System The Instruments Museum number Item Page M380 00008 D Flute in C (Goulding & D'Almaine) 6 keys 17 B20 00007 Eb Flute in D b (Hawkes & Son) 8 keys 17 B21 00009 Clarinet in B b (D'Almaine) 6 keys 3 M129 00005 Bugle in C (anon) single coil 15 B18 00004 Cornet in B b (Dan Godfrey) 4 B16 00026 Cornet in A b (Besson) 1 M431 00020 Keyed bugle in E b (Charles Pace) 7 keys 10 B15 00024 Keyed bugle in C (Charles Pace) 8 keys 13 M708 00023 Flugel horn in B b (Johann Riedl) four valves 13 M.68 00003 Natural trumpet in F (anon) 2 M779 00025 Slide trumpet in F (Charles Pace) 14 M432 00027 Keyed trumpet (anon) 3 keys 15 B13 00006 Tenor cor in F (Hawkes & Son) three valves 16 B6 00013 Baritone (Leopold Uhlmann) four valves 6 B3 00021 Tenor trombone in C (anon) 11 B4 00010 Bass trombone in G (Dan Godfrey) 2 B19 00019 Serpent in C (anon) 4 keys 1 B1 00022 Ophicleide in C (Courtois) Hughes model 12 B5 00012 Euphonium (Franz Bock) four valves 5 B9 00015 Bombardon in E b (Leopold Uhlmann) four valves 7 B7 00016 Bombardon in E b (Leopold Uhlmann) four valves 8 B8 00018 Bombardon in E b (anon) four valves 9 B10 00017 BB b bass (Leopold Uhlmann) four valves 9 B11 00011 BB b bass (Courtois) three valves 4 B12 00014 BB b bass (Hawkes & Son) three valves 7 B29 Bugle mouthpiece (anon) 20 B22 Soprano comet mouthpiece (anon) 22 B17 Cornet mouthpiece (Besson) 18 B28 Cornet mouthpiece (anon) 20 B27 Comet mouthpiece (anon) 21 B26 Cornet mouthpiece (Salvation Army ?) -
BC Song List 2020 Copy
1999 - Prince 24K Magic - Bruno Mars 10th Avenue Freeze Out -Bruce Springsteen Ain’t It Fun - Paramore Ain’t No Mountain High Enough All About That Bass – Meghan Trainor All of Me – John Legend American Girl – Tom Petty A Thousand Years — Christina Perri At Last – Etta James Bad Girls – Donna Summer Bad Romance – Lady Gaga Bang Bang - Ariana Grande, Nicki Minaj, Jessie J Beyond - Leon Bridges Blame It On the Boogie - Jackson 5 Blank Space — Taylor Swift Blurred Lines – Robin Thicke Breakdown – Tom Petty Break My Heart - Dua Lipa Bring It On Home – Sam Cooke Boogie Oogie – Taste of Honey Brick House - Commodores Brown Eyed Girl – Van Morrison Butterfly Kisses - Bob Carlisle Cake By the Ocean - DNCE California Girls – Katy Perry California Love - 2Pac Call Me Al – Paul Simon Can’t Get Enough of Your Love-Barry White Can’t Hold Us – Macklemore & Ryan Lewis Can’t Stop the Feeling - Justin Timberlake Can’t Take My Eyes Off You - Frankie Valli Car Wash – Rose Royce Celebration – Kool & the Gang Chain of Fools – Aretha Franklin Chained to the Rhythm — Katy Perry Cinema – Benny Benassi (acoustic) Cold Sweat - James Brown Come Away With Me – Norah Jones Coming Home - Leon Bridges Crazy In Love - Beyonce Crazy Love – Van Morrison Dancing Queen - ABBA Days Like This – Van Morrison Domino - Van Morrison Domino - Jessie J Don’t Start Now - Dua Lipa Don’t Know Why – Nora Jones Don’t Stop Believin’ - Journey Everybody (Backstreet’s Back) - Backstreet Boys Everything – Michael Buble’ Everywhere — Fleetwood Mac Feel This Moment – Pitbull ft Christina A -
Friedheim's Reservoir: a Failed Precursor to the Trombone Water Key
81 Friedheim's Reservoir: A Failed Precursor to the Trombone Water Key Howard Weiner The nineteenth century was a period of great innovation in brass instrument making. In addition to major breakthroughs that changed the course of musical history, such as the application of the valve to the trumpet and horn, there were also a number of minor inven- tions that have nevertheless made their mark. One of these was the water key, a device that allows the brass player to get rid of the moisture that accumulates inside the instrument easily and quickly. As simple, and ingenious, as the water key might be, its invention was apparently preceded by that of another device developed specifically for the trombone: Friedheim's reservoir. According to the article on the "water key" in New Grove 2, the earliest known water key was applied to "the hibernicon, a contrabass bass-horn patented in 1823 by J.R. Cotter of Co. Cork."' It was two years prior to this, however, that J". Friedheim announced his invention in a notice that appeared on page 1 of his Trente-six Exercices Pour le Trombone (Paris: author, 1821) 2 The announcement reads, Notice When one plays a piece of a certain length on the trombone, the water produced by the humid warmth of the breath collects at the bottom of the slide and produces a beating sound which especially makes the high notes disagreeable to the ear. To avoid this beating sound one must remove the slide in order to empty it. During this time, many measures elapse in which one does not play and the effect that the composer wanted to produce is spoiled, all the more so since this almost always affects fundamental notes of the chord, which are the responsibility of this instrument. -
4. Folk, Folk Rock, Singer-Songwriters
4. Folk, Folk Rock, Singer-Songwriters Lecture Outline • Traditional folk definition and folk song features • Three different ideas of “folk” • Professionalization of folk in the 1950s and 1960s • Singer-songwriters • Some newer folk artists and sounds Traditional Folk • Oral/Aural transmission • Anonymous composition (and communal composition) • Heavy ideological side to the term – Authenticity claims, ideas that change with time • Some Folk Song Types: – Ballads • Narratives (love, war, heroes, disasters, etc.) – Work Songs • Sailors, fishing, mining, lumber, sewing, etc. – Other • Lullabies, children’s songs, drinking songs etc. Traditional Folk Song Features • Often unaccompanied (a cappella) • Simple melodies (and harmonies, if present) • Usually solo singer or solo instrument – Simple accompaniment – Fiddle, guitar, accordion, whistle, spoons, etc. • Strophic form (AAAAA, etc.) or verse/chorus • Modal (not major or minor, but Dorian, Lydian modes, etc.) • Dancing often accompanies folk music Three different ideas of “folk” music 1. 19th Century – Romantic nationalism – European classical composers use folk melodies for new compositions – Start of song collecting • Turns it into a pop music • Shapes folk culture in terms of what is and isn’t collected • Turns it into a written music (as opposed to purely oral/aural) 2. 1930s and 1940s 3. Folk Revival Period (1958-1965) Folk in the 1930 and 1940s: Three Trends • Folk music starts to be used as a political tool – Beginning of connections with folk and protest music – Folk singers often advocated for social change – Usually left wing positions, socialism, helping the poor or marginalized • Creation of new “folk” songs – These were often written to sound old-timey, but were also often about current events • Some of these new songwriters became celebrities – One of the best examples of these three trends (left wing politics, new songs, and celebrity), was Woody Guthrie… Woodie Guthrie Ex: Woody Guthrie “Do Re Mi” (1940) • Similar to 19th C. -
Trumpet Cornet Pocket Trumpet Trumpet Cornet Pocket Trumpet
TrumpetTrumpet CornetCornet PocketPocket TrumpetTrumpet Owner’s Manual Precautions 2 After Playing 8~11 Maintenance goods 2 1. Valve Slide Maintenance 8 Nomenclature 3 2. Maintenance for Pistons and Valve Caings 10 Before playing 4~7 3. Body Maintenance 11 1. Applying Oil to the Piston 4 Others 12 2. Setting the Mouthpiece 5 1. Caution for Strage 12 3. Holding the Instrument 5 2. Cleaning the Instrument 12 4. Press the Pistons 6 Fingering chart 14~15 5. Placing the Instrument 7 6. Tuning 7 Thank you for purchasing “J. Miachael” instrument. For instructions on the proper assembly Nomenclature of the instruments, and how to keep the instruments in optimum condition for as long as possible, we urge you to read this Owner’s manual thoroughly. The precautions given below concern the proper and safe use of the instrument, and are to ●Trumpet 1st Valve Bell protect you and others from any damage or injuries. Please follow and obey these 2nd Valve precautions. Valve Cap 3rd Valve Mouthpiece Caution Mouthpiece Receiver Main Tuning Slide ●Keep the oil, small parts, etc., out of ●Do not throw or swing the instrument. 1st Valve Slide Water Key children’s mouths and do maintenance The mouthpiece or other parts may fall 2nd Valve Slide Stopper Screw when children are not present. off hitting other people. 3rd Valve Slide Valve Casing Bottom Cap ●Take care not to disfigure the instrument. ●Do not modify the instrument. Besides Placing the instrument where it is voiding the warranty, modification of the unstable may cause the instrument to fall instrument may make repairs impossible. -
Austin City Limits Showcases the Best in Americana with the Lumineers and Shovels & Rope
Austin City Limits Showcases the Best in Americana with The Lumineers and Shovels & Rope New Episode Airs October 19 on PBS Austin, TX—October 17, 2013—Austin City Limits (ACL) celebrates the best in Americana music today, with The Lumineers and Shovels & Rope making their ACL debuts. Denver's Lumineers perform their breakthrough hits including “Ho Hey” and “Stubborn Love” while Charleston, South Carolina's Shovels & Rope perform songs from their acclaimed debut O' Be Joyful. The new episode, part of ACL's just-launched Season 39, premieres October 19th. ACL airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online at acltv.com immediately following the initial broadcast. The episode offers a deeper look at two acts that have been receiving well-deserved attention in the roots revival movement. Leading off the hour is The Lumineers, a folk-rock trio that play traditional but original heart-on-the-sleeve music. Of the band The Austin Chronicle writes, “There's nothing precious or affected here, just three dedicated artists opening their hearts.” The young group's breakthrough hit “Ho Hey” was one of the most-played songs of 2012, earning them a performing slot on 2013's Grammy Awards telecast, in addition to two Grammy nominations for Best New Artist and Best Americana Album. The Lumineers' uplifting ACL debut is filled with heart-swelling stomp-and-clap acoustic rock, classic pop and front-porch folk. Their set includes an inspired take on a Dylan classic, while the tambourine driven beat of “Ho Hey” brings the crowd to its feet and the performance closes with a crowd sing-along on “Stubborn Love”. -
Top 40 UPDATE BILLBOARD.COM/NEWSLETTERS BILLBOARD.BIZ/NEWSLETTER JUNE 6, 2013 | PAGE 1 of 9
MID WEEK Top 40 UPDATE BILLBOARD.COM/NEWSLETTERS BILLBOARD.BIZ/NEWSLETTER JUNE 6, 2013 | PAGE 1 OF 9 INSIDE Top 40 And Radio Geeks, Unite! The Connected Consumer PAGE 3 RICH APPEL [email protected] What’s With a multitude of entertainment options out there, it’s easy to YOUNGER = HIGHER, LONGER, MORE New At forget that in top 40’s long history, a listener’s favorite station has Who are top 40’s P1s, and how engaged are they in the digital uni- The New never been the only game in town. There was always something verse? According to Edison Research VP Jason Hollins, 60% are Music else a consumer could do. Not to mention there are only so many female, 50% are age 12-24 and 60% 12-34, with an average age of hours in a day, right? 28. This younger skew means a greater Seminar The good news suggested by the HOW TOP 40’S P1s COMPARE TO THE POPULATION level of connectivity compared with PAGE 4 PERSONS TOP 40 Infinite Dial’s study of the format’s 12+ P1s not just other formats but to the 12- P1s—released last week by Edi- AM/FM radio usage in car 84% 88% plus and 12-34 population in general. Macklemore son Research and Arbitron—is that Awareness of Pandora 69% 88% Nearly 80% of P1s have Internet ac- & Ryan Lewis there seems to be plenty of room— Having a profile on any social network 62% 82% cess and use Wi-Fi, and one-third own and time—for all players. -
Performing on the Trombone: a Chronological Survey David M
Performance Practice Review Volume 9 Article 6 Number 2 Fall Performing on the Trombone: A Chronological Survey David M. Guion Follow this and additional works at: http://scholarship.claremont.edu/ppr Part of the Music Practice Commons Guion, David M. (1996) "Performing on the Trombone: A Chronological Survey," Performance Practice Review: Vol. 9: No. 2, Article 6. DOI: 10.5642/perfpr.199609.02.06 Available at: http://scholarship.claremont.edu/ppr/vol9/iss2/6 This Article is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Performing on the Trombone: a Chronological Survey David M. Guion The trombone is one of the oldest wind instruments currently in use. The trumpet, horn, and flute have a longer history, but have changed in construction and playing technique far more than the trombone, which reached its present form sometime in the 15 century. The name "trombone," Italian for "big trumpet," is attested as early as 1439. The German word Posaune may have referred to an instru- ment with a slide as early as 1363.1 The old English word "sack- but," on the other hand, first appeared in 1495, and cognate terms appeared in Spain and France not much earlier than that. Therefore the confusing and misleading practice of referring to a baroque-style trombone as a sackbut should be abandoned. Using two words for a trombone wrongly implies two different instruments, and at times leads to the erroneous notion that the sackbut is the "forerunner" of the trombone.