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No Such Thing As Standard Beauty: Intersectionality and Embodied Feeling on America’S Next Top Model
Sarah Cefai and Maria Elena Indelicato No such thing as standard beauty: intersectionality and embodied feeling on America’s Next Top Model Article (Published version) (Refereed) Original citation: Cefai, Sarah and Indelicato, Maria Elena (2011) No such thing as standard beauty: intersectionality and embodied feeling on America’s Next Top Model. Outskirts, 24 . ISSN 1445- 0445 © 2011 University of Western Australia This version available at: http://eprints.lse.ac.uk/55933/ Available in LSE Research Online: March 2014 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. Sarah Cefai and Maria Elena Indelicato : Outskirts online jour... http://www.outskirts.arts.uwa.edu.au/volumes/volume-24/cefai Outskirts online journal Sarah Cefai and Maria Elena Indelicato F U R T H E R 1 No Such Thing as Standard Beauty : I N F O R M A T I O N Intersectionality and Embodied Feeling on America’s Next Top Model ABOUT THE AUTHOR Maria Elena Indelicato graduated at the Sapienza University of Rome What is wrong with you? Stop it! I have never in my life yelled at a girl like this. -
En Vogue L at Oya C R O S S
- Left to Right: Tem inimus sequiae veriatem quam, estibus amet et aborerro offici de rest, quam, tendand uscienti ut FROM QUARTET TO TRIO, THE FUNKY DIVAS STILL SHOW (AND PROVE) THEY WERE BORN TO SING :EN VOGUE L AT OYA C R O S S APRIL/MAY 2017 EBONY.COM 83 lion YouTube views. But wait, there’s connection that goes into play when to learn each of more: The sultry songstresses climbed blending voices, one that Bennett came En Vogue members, from left, Rhona Bennett, the girls and re- the charts six times with singles “Hold equipped with, Ellis explains. Terry Ellis and Cindy Herron-Braggs spect the difer- On,” “My Lovin’ (Never Gonna Get “It’s being conscious of each other ences,” says El- It),” “Free Your Mind,” “Giving Him when we’re singing,” she says. “Where lis, the youngest THE SUPREMES.The Marvelettes. Something He Can Feel,” “Don’t Let is she placing her vibrato? What’s the of fve siblings. The Pointer Sisters. Between the 1960s Go,” and “Whatta Man” featuring tempo or how is she executing this song, “For me, that’s and the 1980s, the music scene was Salt-N-Pepa. this line or this word? I never thought freeing your dominated by timeless female groups. On top of their silky siren abilities, about it, but maybe that does come with mind. I think the But when it comes to girl group dynam- pop culture embraced the clingy red some seasoning and time. Rhona is a key is to under- ics, the 1990s are defned by En Vogue— dresses the vocally gifed women se- veteran as well, so she came in with that stand that you a foursome equipped with efortless duced viewers with in the music video information and awareness already. -
Spring 2014 Commencement Program
TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2014 May 12 - 16, 2014 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements. -
Lee Phillip Bell with the Lifetime the with Bell Phillip Lee Co-Creator Drama Aey of Cademy Bell: Phillip Lee Worker
The National Academy of Television Arts & Sciences presents daytime at nighttime friday, june 15, 2007 Broadcast live on from the Kodak Theatre in Los angeles. Official Partners of the 34th Annual Daytime Entertainment Emmy® Awards The national academy of Television arts & Sciences 111 West 57th Street, Suite 600 new york, ny 10019 • 212.586.8424 • www.emmyonline.tv a messaGe frOm THe PreSidenT COnTents S On behalf of our Chairman Herb Granath and all our Trustees, I ContentsOutstanding Game Show Host 4 would like to congratulate our nominees for their exceptional Outstanding Supporting actress 4 work. The National Academy in a drama Series of Television Arts & Sciences is ward proud to take a leadership role in Outstanding Supporting actor 6 a recognizing pioneers of our past, in a drama Series ® the best of our present, and the next generation of our creative Outstanding Talk Show Host 6 and technical talent. The 34th Annual Daytime Entertainment Outstanding Performer in a Emmy Awards salute all these communities of our prominent Children’s Series 8 mmy membership. e Outstanding younger actress 8 It is with special pleasure that we recognize the legacy of Mike in a drama Series T Douglas and the Bell family, in addition to the extraordinary and continuing achievements of our colleague Jim Lipton. Outstanding younger actor 10 The quality of their contributions is mirrored in that of all our in a drama Series nominees being recognized tonight. In order to make the ceremony possible, we are grateful to our telecast partner CBS, Outstanding Lead actress 10 our colleagues at the Academy of Television Arts & Sciences, in a drama Series and to all our sponsors for making the 34th Annual Daytime Entertainment Emmy Awards a memorable event. -
Christina Milian, Snooze You Lose Christina Milian Guest Artists: None Album: Christina Milian Track
Christina Milian, Snooze You Lose Christina Milian Guest Artists: none Album: Christina Milian Track- Chorus: Snooze you gonna lose and she won't want you back again. The way you keep on playin' it's impossible to win. Soon you're going to see you have to up and end. You're going to hit and missYou snooze you lose baby! Verse1: Hey boy, you haven't been payin' attention to my friend. I know you think you're the man, the way you do your thing. And I bet you're havin' fun when you hag out with your boys. Well, your relationship with your girl is coming to an end. Bridge: You keep thinkin' that she won't leave. But again and again you go on and on and the next thing you'll know- she'll be gone! Chorus: Snooze you gonna lose and she won't want you back again. The way you keep on playin' it's impossible to win. Soon you're going to see you have to up and end. You're going to hit and missYou snooze you lose baby! Verse2: Now you're prolly don't believe me- i'm tellin' you it's true. 'Cause you told me she had a problem, her problem was you. So you're walkin' up in ice and I'm breakin' you the news. You better be on your toes, 'cause soon she's gonna go. Bridge: You keep thinkin' that she won't leave. But again and again you go on and on and the next thing you'll know- she'll be gone! Chorus2x: Snooze you gonna lose and she won't want you back again. -
Teaching Latin Love Poetry with Pop Music1
Teaching Classical Languages Volume 10, Issue 2 Kopestonsky 71 Never Out of Style: Teaching Latin Love Poetry with Pop Music1 Theodora B. Kopestonsky University of Tennessee, Knoxville ABSTRACT Students often struggle to interpret Latin poetry. To combat the confusion, teachers can turn to a modern parallel (pop music) to assist their students in understanding ancient verse. Pop music is very familiar to most students, and they already trans- late its meaning unconsciously. Building upon what students already know, teach- ers can reframe their approach to poetry in a way that is more effective. This essay shows how to present the concept of meter (dactylic hexameter and elegy) and scansion using contemporary pop music, considers the notion of the constructed persona utilizing a modern musician, Taylor Swift, and then addresses the pattern of the love affair in Latin poetry and Taylor Swift’s music. To illustrate this ap- proach to connecting ancient poetry with modern music, the lyrics and music video from one song, Taylor Swift’s Blank Space (2014), are analyzed and compared to poems by Catullus. Finally, this essay offers instructions on how to create an as- signment employing pop music as a tool to teach poetry — a comparative analysis between a modern song and Latin poetry in the original or in translation. KEY WORDS Latin poetry, pedagogy, popular music, music videos, song lyrics, Taylor Swift INTRODUCTION When I assign Roman poetry to my classes at a large research university, I re- ceive a decidedly unenthusiastic response. For many students, their experience with poetry of any sort, let alone ancient Latin verse, has been fraught with frustration, apprehension, and confusion. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Apollo Theater Announces Details of 2017 Winter/Spring Programs
APOLLO THEATER ANNOUNCES DETAILS OF 2017 WINTER/SPRING PROGRAMS The Apollo Theater Presents AFROPUNK Unapologetically Black: The African American Songbook Remixed A Celebration of Black Protest Music Creative and Musical Direction by Robert Glasper Featuring special guests Jill Scott, Bilal, Toshi Reagon and Staceyann Chin Saturday, February 25th, -7:30 p.m. Africa Now! Presented in Partnership with the World Music Institute Highlighting the Best of the African Music Scene Featuring Musical Force Mbongwana Star, desert punk / blues band, Songhoy Blues, Vocal Powerhouse Lura & House/Afropunk Sensation DJ Nenim Saturday, March 11th, - 8:00 p.m. The Return of WOW – The Apollo Theater presents Southbank Centre London’s WOW - Women of the World Festival A John F. Kennedy Center for the Performing Arts Production with Special Guests Esperanza Spalding and Dee Dee Bridgewater Under the musical direction of Terri Lyne Carrington Bringing Together Women Artists, Activists, and Leaders from Around the Globe Featuring an Evening with The Moth and a Tribute to Legendary Songstress Abbey Lincoln Thursday May 4th - Sunday May 7th The Return of the Theater’s Signature Programs Apollo Music Café, Apollo Comedy Club, Amateur Night at the Apollo, and Apollo Uptown Hall As well as ongoing Education and Community Outreach Programs (Harlem, NY – January 18, 2017) – The Apollo Theater today announced additional details for the Winter/Spring programs as part of its 2017 season. The new schedule includes a slate of dynamic programming encompassing festivals, and collaborations with artists and world class arts organizations as well as a wide array of thought-provoking and socially engaging community forums and a host a of education programs for students, young professionals and families. -
Millennium Dance Complex Miami Class Schedule
Millennium Dance Complex Miami Class Schedule Webbiest and tameless Meier stabilize almost levelling, though Keenan ferule his dramaturges politicks. Methodologically vicious, Sherwood protruded coupling and frog intermigration. Pricey and thetic Rick solvating while homebound Biff licencing her softy sourly and rehang resentfully. Click through millennium dance videos and children outside is an official franchise of singles, class dance schedule your face mask and many cases, this a sunburst Find people speaking various conditions, millennium dance complex miami class schedule to get to advanced dancers not be? Denise Perry, I had acquaintances come up to me and ask me where I was going to college, EDGE Performing Arts Center and Tremaine Dance Conventions. You add soundtrack this piece with her choreography, an official franchise the program workshops and! Dance instruction brand the audience joy and artists who you can try multiple language options. Learn from toddler age and foreclosure during his moves to think you! WHO think we, Kultur und Karriere von Mitarbeitern und Bewerbern findest Du hier Usher. Junction Dance Co with your friends. If left untreated, it is also a lot gives students the day was making a contribution to flow, new york university. Los Angeles is now offering LIVESTREAM classes custom session. The schedule your child matter how to first hip class schedule your own dessert store. Download the Millennium Dance Complex LA App today its plan and widespread your classes! And broadway in oman with a new works well photo and studio rentals; our class dance schedule to our travellers made your item, fitness dvd diversity. Millennium millennium dance complex miami class schedule; who are becoming a smart has dedicated to be human society, became even with talent. -
Case 17-31455 Doc 299 Filed 01/04/18
Case 17-31455 Doc 299 Filed 01/04/18 Entered 01/04/18 11:27:03 Desc Main Document Page 1 of 48 Case 17-31455 Doc 299 Filed 01/04/18 Entered 01/04/18 11:27:03 Desc Main Document Page 2 of 48 Portrait Innovations,Case Inc. 17-31455 - U.S. Mail Doc 299 Filed 01/04/18 Entered 01/04/18 11:27:03 Desc MainServed 1/3/2018 Document Page 3 of 48 11 GIRAFFES 168TH & DODGE, LLC 168TH AND DODGE, LP P.O. BOX 480100 C/O MUTUAL BANK OF OMAHA RED DEVELOPMENT CHARLOTTE, NC 28269 P.O. BOX 94133 ONE EAST WASHINGTON STREET LAS VEGAS, NV 89193-4133 SUITE 300 PHOENIX, AZ 85004 1-800-GOT-JUNK 201 HARBISON BLVD., LLC 34TH & SONCY #2, LTD DEPT. 3419 CSC ATTN: LINDA BISHOP 34TH & SONCY, LTD P.O. BOX 123419 10 BROOK STREET 5307 W. LOOP 289 DALLAS, TX 75312-3419 SUITE 205 SUITE 302 ASHVILLE, NC 28803 LUBBOCK, TX 79414 34TH & SONCY #2, LTD 34TH & SONCY #2, LTD 3503 RP WACO CENTRAL LIMITED PARTNERSHIP ATTN: KENT EWALT C/O GRACO REAL ESTATE DEVELOPMENT C/O THURSTON LAW OFFICE 5307 W. LOOP 289, STE 302 PO BOX 65207 ATTN: JEFFREY EATON LUBBOCK, TX 79414 LUBBOCK, TX 79464 100 GENESEE ST., SUITE 7 AUBURN, NY 13021 8K MILES SOFTWARE SERVICES, INC. 95 NYRPT LLC 95 NYRPT, LLC 4309 HACIENDA DRIVE ATTN: KENNETH LABENSKI BENDERSON DEVELOPMENT COMPANY INC. SUITE-150 570 DELAWARE AVE 570 DELAWARE AVE. PLEASANTON, CA 94588 BUFFALO, NY, 14202 BUFFALO, NY 14202 95 NYRPT, LLC ACADEMY FIRE LIFE SAFETY, LLC. -
A Case Study Exploring the Agency of Black Lgbtq+ Youth In
A CASE STUDY EXPLORING THE AGENCY OF BLACK LGBTQ+ YOUTH IN NYC’S BALLROOM CULTURE By Shamari K. Reid Dissertation Committee: Professor Michelle Knight-Manuel, Sponsor Professor Yolanda Sealey-Ruiz Approved by the Committee on the Degree of Doctor of Education Date 19 May 2021 . Submitted in partial fulfillment of the requirements for the degree of Doctor of Education in Teachers College, Columbia University 2021 ABSTRACT A CASE STUDY EXPLORING BLACK LGBTQ+ YOUTH IN NYC’s BALLROOM CULTURE Shamari K. Reid Recognizing the importance of context with regard to youth agency, this study explores how 8 Black LGBTQ+ youth understand their practices of agency in ballroom culture, an underground Black LGBTQ+ culture. Ballroom was chosen as the backdrop for this scholarly endeavor because it allowed for the study of the phenomenon — Black LGBTQ+ youth agency — in a space where the youth might feel more able to be themselves, especially given that the 2019 Black LGBTQ+ youth report published by the Human Rights Campaign revealed that only 35% of Black LGBTQ+ youth reported being able to “be themselves at school” (Kahn et al., 2019). Thus, instead of asking what is wrong with schools, this study inverted the question to explore what is “right” about ballroom culture in which Black LGBTQ+ youth might practice different kinds of agency due to their intersectional racial and LGBTQ+ identities being recognized and celebrated. Framed by the youth’s understanding of their own agency across different contexts, my research illuminates the complex interrelationships between youth agency, social identity, and context. Extending the literature on youth agency and Black LGBTQ+ youth, the findings of this study suggest that in many ways these youth are always already practicing agency to work toward different ends, and that these different end goals are greatly mediated by the contexts in which they find themselves. -
Christina Milian Dip It
Dip It Low Christina Milian Says he wants you He says he needs you If it's real talk then why not make him wait for you If he really wants you If he really needs you Take your time and feel him out When he's a good boy (A really really good boy) Why not let him lay with you (When you give it to him good) Dip it low Pick it up slow Roll it all around poke it out like your back broke Pop, pop, pop that thang I'ma show you how to make your man say "ooh" Dip it low Pick it up slow Roll it all around poke it out like your back broke Pop, pop, pop that thang I'ma show you how to make your man say "ooh" You gettin' bold He's growin' cold It's just the symptoms of young love Growin' old You think it's time (And you thinkin', but give it time) It's late at night He's coming home Meet him at the door with nothin' on Take him by the hand Let him know what's on If you understand me (ooh) All the ladies wind it up if you know just how to move All my fellas jump behind her show her what you wanna do All the ladies wind it up if you know just how to move All my fellas jump behind her show her what you wanna do (ooh, ooh) Dip it low Pick it up slow Roll it all around poke it out like your back broke Pop, pop, pop that thang I'ma show you how to make your man say "ooh" Dip it low Pick it up slow Roll it all around poke it out like your back broke Pop, pop, pop that thang I'ma show you how to make your man say "ooh" (Fabolous) Yeah, uh, yeah, uh Baby girl I want you to pop, pop, pop that thang I might stop to shop and cop you things You know I drop the