25-29 October 2018 Ifi Horrorthon
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Liste Des Chaines /Filmes/Vods/Series
Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Colonne1 Tunisia 1 Tunisia 2 Tunisia Nat 3 Elhiwar Ettounsi ATTESSIA Nessma Hannibal Telvza Tv Al Janoubia Tunisna MTunisia Sahel TV Al Mustakillah Zitouna Al Insen Carthage TV AR-MECCA CANAL ALGERIE ENTV Algeria 3 AR-Algerie-Tamazight-tv4 TV5 Samira Echorouk Echourouk News Echorouk Benna Ennahar Elheddaf Dzair Dzair News Numidia News El Djazairia 1 EL BILAD Beur Fadjr Bahia Berbere Al Magharibia 1 AlaoulaInterHD ALAoulaInter AR-AlAoula-Layoune Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com 2M Maroc Arryadia AR-Arrabiaa AlMaghrebia Assadissa Maroc Tamazight AR-Medi-1_TV AR-MBC1_HD AR-MBC_1 AR-MBC_2 AR-MBC2_HD AR-MBC_4 AR-MBC4_HD AR-MBC-MAX AR-MBC_MAX-HD AR-MBC-Action AR-MBC_Action-HD AR-MBC-DRAMA AR-MBC_Drama-HD AR-MBC_MASR AR-MBC-masr2 AR-MBC_Bollywood-HD AR-MBC_Bollywood AR-Rotana_Cinema-HD AR-Rotana-Cinema-EGY AR-Rotana-Cinema-KSA AR-Rotana_Aflam AR-Rotana_Masria-HD AR-Rotana-Masriya AR-Rotana-Clip AR-Rotana_Music-HD AR-Rotana-Music AR-Rotana-Khalijiya HD AR-Rotana-Khalijiya AR-Rotana_Classic-HD AR-Rotana-Classic AR-ART_Aflam_1 AR-ART_Aflam-2 AR-ART_Cinema AR-ART_Hekayat-1 AR-ART_Hekayat-2 AR-BeIn_Movies1_HD AR-BeIn_Movies2_HD AR-BeIn_Movies3_HD AR-BeIn_Movies4_HD Ar-Bein-Gourmet Ar-Bein-Junior Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Ar-BeinDrama AR-StarCinema-1 AR-StarCinema-2 AR-Toktok_Cima AR-Cima AR-AL-SHASHA-CINEMA AR-4G-AFLAM AR-4G-CIMA AR-4G-CLASSIC AR-4G-DRAMA AR-4G-FILM AR-CINEMA-1 AR-CINEMA-2 AR-CIMA-TUBE AR-CINEMA-TUBE AR-Darbaka-Aflam -
Desire, Disease, Death, and David Cronenberg: the Operatic Anxieties of the Fly
Desire, Disease, Death, and David Cronenberg: The Operatic Anxieties of The Fly Yves Saint-Cyr 451 University of Toronto Introduction In 1996, Linda and Michael Hutcheon released their groundbreaking book, Opera: Desire, Disease, Death, a work that analyses operatic representations of tuberculosis, syphilis, cholera, and AIDS. They followed this up in 2000 with Bodily Charm, a discussion of the corporeal in opera; and, in 2004, they published Opera: The Art of Dying, in which they argue that opera has historically provided a metaphorical space for the ritualistic contemplation of mortality, whether the effect is cathartic, medita- tive, spiritual, or therapeutic. This paper is based on a Hutcheonite reading of the Fly saga, which to date is made up of seven distinct incarnations: George Langelaan published the original short story in 1957; Neumann and Clavell’s 1958 film adaptation was followed by two sequels in 1959 and 1965; David Cronenberg re-made the Neumann film in 1986, which gener- ated yet another sequel in 1989; and, most recently in 2008, Howard Shore and David Henry Hwang adapted Cronenberg’s film into an opera. If the Hutcheons are correct that opera engenders a ritualistic contemplation of mortality by sexualising disease, how does this practice influence composers and librettists’ choice of source material? Historically, opera has drawn on the anxieties of its time and, congruently, The Fly: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée CRCL DECEMBER 2011 DÉCEMBRE RCLC 0319–051x/11/38.4/451 © Canadian Comparative Literature Association CRCL DECEMBER 2011 DÉCEMBRE RCLC The Opera draws on distinctly 21st-century fears. -
SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others. -
Rassegna INDICE RASSEGNA STAMPA Rassegna
rassegna INDICE RASSEGNA STAMPA rassegna Festival Cinematografici Nazione Lucca 18/04/2019 p. 15 JOE DANTE, HORROR ANTISTRESS 1 Nazione Siena 18/04/2019 p. I CAPOLAVORI DI HELMUT NEWTON GLI SCATTI PIU' BELLI A 2 26/27 SAN GIMIGNANO I CAPOLAVORI DI HELMUT N Repubblica Firenze 18/04/2019 p. 14 RUTGER HAUER AL FILM FESTIVAL 3 Tirreno Lucca 18/04/2019 p. 11 LA REGISTA LUCCHESE PATRIZIA LAZZARI VINCE IL PREMIO 4 "DONNE IN CORTO" Iniziative ed eventi Nazione Firenze 18/04/2019 p. 28 "ESSERE LEONARDO DA VINCI" PROIEZIONE-SPETTACOLO 5 AL CINEMA NELL'ANTEPRIMA CON FINAZZER FLORY Indice Rassegna Stampa Pagina I Pagina 15 yucca Foglio 1 LA RASSEGNA Joe Dante, horror antistress Il regista di Gremlins, super star al Lucca Film Festival EVENTO Premio alla carriera áZ questa sera all'Astra t< ;1 IL REGISTA Joe Dante ri- ceverà il premio alla carrie- ra questa sera alle 20.30 al cinema Astra e introdurrà la prima italiana di "Night- mare Cinema", lavoro col- lettivo e antologia horror di cinque registi in cui Joe Dante ha girato l'episodio "Mirari". Il regista sarà omaggiato da una selezio- ne dei suoi film più rappre- sentativi che ripercorreran- no la sua carriera. Sabato terrà una masterclass, con il giornalista e critico cine- matografico Paolo Zelati che insieme a Stefano Gior- gi ha curato l'omaggio. VIP II famoso cineasta, che ha diretto anche Piranha insieme al IL FILM horror come valvola an- produttore Mick Garris (sulla sinistra) al termine dell'incontro ti stress. E se lo dice un vero mae- sta della sua antologia horror far produrre il lavoro. -
Programma Ufficiale
PROGRAMMA UFFICIALE 13-19 APRILE 13-21 APRILE 30 MARZO-24 APRILE EUROPA CINEMA LUCCA FILM FESTIVAL MOSTRE SERATA TRIBUTO A BLADE RUNNER CON RUTGER HAUER SABATO 20 APRILE 22.00 PIAZZA SAN MICHELE Indice 2. PROGRAMMA PROIEZIONI LUCCA 10. PROGRAMMA PROIEZIONI VIAREGGIO 11. PROGRAMMA MOSTRE 12. COSTI E MODALITA DI ACCESSO 13. MAPPE 1 SABATO 13 CINEMA CENTRALE AUDITORIUM VINCENZO DA MASSA CARRARA 10.30 SEZIONE EDUCATIONAL 10.00 SEZIONE EDUCATIONAL ANTEPRIMA ITALIANA CORPI, VISSUTO E IMMAGINARIO A SCUOLA, TRA INFANZIA SERENDIP E ADOLESCENZA. Marco Napoli, 2018, 70', col. PROGETTO A CURA DEL PROF. WALTER RINALDI 15.00 SOMMER Philip Gröning, 1986, 105', b/n. 17.00 ANTEPRIMA ITALIANA MIO FRATELLO SI CHIAMA ROBERT ED È UN IDIOTA (MEIN BRUDER HEISST ROBERT UND IST EIN IDIOT) Philip Gröning, 2018, 174', col. CINEMA ASTRA 17.00 CONVERSAZIONE CON PAOLO TAVIANI A SEGUIRE GOOD MORNING BABILONIA (VERSIONE RESTAURATA) Paolo e Vittorio Taviani, 1987, 117', col. “RESTAURO REALIZZATO DA CSC-CINETECA NAZIONALE E ISTITUTO LUCE CINECITTÀ A PARTIRE DAL NEGATIVO ORIGINALE 35MM E DAL SONORO MAGNETICO ORIGINALE CONSERVATI PRESSO LUCE-CI- NECITTÀ”. 20.30 RED CARPET CON PROIEZIONI ED EFFETTI SONORI PER L’ANTEPRIMA ITALIANA DI LA LLORONA-LACRIME DEL MALE Michael Chaves, 2019, 93', col. DISTRIBUITO DA WARNER BROS. 2 13 DOMENICA 14 CINEMA CENTRALE 17.00 INCONTRO CON IL REGISTA LUCA FERRI A SEGUIRE 15.00 CONCORSO LUNGOMETRAGGI PIERINO THOSE WHO WORK (CEUX QUI TRAVAILLENT) Luca Ferri, 2018, 70', b/n Antoine Russbach, Belgio-Svizzera, 2018, 101', col. 17.00 THE DAY AFTER I AM GONE Nimrod Eldar, Israele, 2019, 95', col. -
First Man the Irish Film Institute
OCTOBER 2018 FIRST MAN THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s EXHIBIT national cultural institution for film. It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. IFI FRENCH FILM FESTIVAL Place publique MYSTERY MATINEE The IFI’s flagship festival, the IFI French Film Festival, This month’s secret screening, for which tickets cost just €5, will return for its 19th edition from November 14th to 25th. will take place at 13.00 on Sunday 14th. Sometimes it will Highlights of this year’s festival include Agnès Jaoui’s latest be a preview, but not always; sometimes, it will be a title one Place publique, Stéphane Brizé’s At War, and Gilles Lellouche’s might expect to see at the IFI, but not always. Join us for this hilarious Sink or Swim. Full festival details will be available month’s screening, and expect the unexpected! Previous from www.ifi.ie/frenchfest. surprise screenings have included a preview of Greta Gerwig’s Lady Bird and Alexander Payne’s Citizen Ruth. WINE TASTING FEAST YOUR EYES AND TAPAS Every month we pair a new release with a specially Join us at the IFI Café Bar for a night of classic wine tasting devised main course from the IFI Café Bar kitchen. This on Thursday, October 4th at 19.30. For just €20 learn how month’s film choice will be the 18.30 screening of Matteo to tell your Rueda from Rioja, all paired with Lamb Sausage, Garrone’s Italian crime drama Dogman on Wednesday Salmon and Crab Roulade, and Durrus Cheese with Pickled 24th. -
The Loft Cinema Film Guide
loftcinema.org THE LOFT CINEMA Showtimes: FILM GUIDE 520-795-7777 JUNE 2019 WWW.LOFTCINEMA.ORG See what films are playing next, buy tickets, look up showtimes & much more! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Company Tamales, Burritos from Tumerico, Ethiopian Wraps from JUNE 2019 Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan LOFT MEMBERSHIPS 5 cookies and more! *Pizza served after 5pm daily. SPECIAL ENGAGEMENTS 6-27 SOLAR CINEMA 6, 9, 14, 17, 21 NATIONAL THEATRE LIVE 10 BEER OF THE MONTH: LOFT JR. 11 SUMMERFEST ESSENTIAL CINEMA 13 SIERRA NEVADA BREWING CO. LOFT STAFF SELECTS 19 ONLY $3.50 ALL THROUGH JUNE! COMMUNITY RENTALS 23 REEL READS SELECTION 25 CLOSED CAPTIONS & AUDIO DESCRIPTIONS! THE FILMS OF CHER 26-27 The Loft Cinema offers Closed Captions and Audio NEW FILMS 32-43 Descriptions for films whenever they are available. Check our MONDO MONDAYS 46 website to see which films offer this technology. CULT CLASSICS 47 FILM GUIDES ARE AVAILABLE AT: FREE MEMBERS SCREENING • 1702 Craft Beer & • Epic Cafe • R-Galaxy Pizza BE NATURAL... • Ermanos • Raging Sage (SEE PAGE 37) • aLoft Hotel • Fantasy Comics • Rocco’s Little FRIDAY, JUNE 14 AT 7:00PM • Antigone Books • First American Title Chicago • Aqua Vita • Frominos • SW University of • Black Crown Visual Arts REGULAR ADMISSION PRICES • Heroes & Villains Coffee • Shot in the Dark $9.75 - Adult | $7.25 - Matinee* • Hotel Congress $8.00 - Student, Teacher, Military • Black Rose Tattoo Cafe • Humanities $6.75 - Senior (65+) or Child (12 & under) • Southern AZ AIDS $6.00 - Loft Members • Bookman’s Seminars Foundation *MATINEE: ANY SCREENING BEFORE 4:00PM • Bookstop • Jewish Community • The Historic Y Tickets are available to purchase online at: • Borderlands Center • Time Market loftcinema.org/showtimes Brewery • KXCI or by calling: 520-795-0844 • Tucson Hop Shop • Brooklyn Pizza • La Indita • UA Media Arts Phone & Web orders are subject to a • Cafe Luce • Maynard’s Market $1 surcharge. -
Unbroken – Pressbook Italiano
Unbroken – pressbook italiano 1 Unbroken – pressbook italiano UNIVERSAL PICTURES e LEGENDARY PICTURES presentano una Produzione JOLIE PAS PRODUCTION — 3 ARTS ENTERTAINMENT Un film di ANGELINA JOLIE Da una Sceneggiatura di JOEL COEN & ETHAN COEN RICHARD LAGRAVENESE & WILLIAM NICHOLSON Tratto dal libro di LAURA HILLENBRAND “Sono ancora un uomo. Una storia epica di resistenza e coraggio” con JACK O’CONNELL DOMHNALL GLEESON MIYAVI GARRETT HEDLUND FINN WITTROCK Prodotto da ANGELINA JOLIE CLAYTON TOWNSEND MATTHEW BAER ERWIN STOFF Produttori Esecutivi MICK GARRIS THOMAS TULL JON JASHNI Direttore della Fotografia ROGER DEAKINS Uscita Italiana: 29 Gennaio 2015 Durata del Film: 130 minuti Il materiale fotografico è disponibile sul sito www.upimedia.com Facebook: https://www.facebook.com/Unbrokenilfilm Instagram:http://instagram.com/Unbrokenit/ Twitter: http://twitter.com/Unbrokenilfilm Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Matilde Marinai – [email protected] 2 Unbroken – pressbook italiano Introduzione "La prima volta che ho avuto modo di parlare con Louie Zamperini, è stato per telefono, nel primo pomeriggio di più di dieci anni fa, quando ero alla ricerca di una bella storia. Ascoltando i racconti della sua vita movimentata, avventurosa e piena di imprevisti sapevo di aver trovato non solo una bella storia da scrivere: avevo trovato forse la storia di vita più straordinaria che avessi mai ascoltato. Mi meravigliai ad ogni svolta del racconto: la giovinezza turbolenta; la velocità superlativa che lo ha portato alle Olimpiadi e l’ incontro con Hitler; le ore strazianti da bombardiere della Seconda Guerra Mondiale; l’ incidente aereo; il naufragio sulla zattera di salvataggio durato 47 giorni a 2000 miglia; l’incontro con gli squali; il tifone; la fame; la cattura; la lotta epica di un prigioniero di guerra; gli anni segnati dai postumi del terrore tipico del disturbo post-traumatico da stress (DPTS); ed il bel momento finale di redenzione. -
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication. -
Banos.10.3.P2alfinal Maquetación 3
RMC Original JMM Ingeniería genética en el cine: el caso de las quimeras Gemma Rodríguez, Josep-E Baños Facultad de Ciencias de la Salud y de la Vida. Universitat Pompeu Fabra. Barcelona (España). Correspondencia: Josep-E Baños. Departamento de Ciencias Experimentales y de la Salud. Universitat Pompeu Fabra. Dr. Aiguader 88. 08003 Barcelona (España). e-mail: [email protected] Recibido el 9 de enero de 2014; aceptado el 29 de enero de 2014 Resumen El desarrollo de la genética molecular durante la segunda mitad del siglo XX ha permitido plantear situa- ciones que hasta entonces se mantenían dentro de la biociencia ficción. Entre ellas se encuentra la posi- bilidad de realizar quimeras mediante la combinación de material genético. El cine ha reflejado repetida- mente esta posibilidad a partir de obras literarias o directamente de guiones cinematográficos. El pre- sente artículo analiza algunas películas que ayudan a comprender las creencias sociales sobre las quimeras a lo largo del último siglo. Se consideran La isla de las almas perdidas/Island of lost souls (1932) de Erle C. Kenton, La isla del Doctor Moreau/ The island of doctor Moreau (1977) de Don Taylor, La mosca/ The fly en las versions de Kurt Neumann (1958) y de David Cronenberg (1986), Mimic (1997) de Guillermo del Toro y Splice. Experimento mortal/ Splice (2009) de Vincenzo Natali. Las principales conclu- siones del análisis son la presencia de una visión negativa a la posibilidad de construir quimeras con argu- mentos similares en la crítica de Frankenstein, así como una aproximación prácticamente ausente a la posible utilidad de seres de tales características. -
IFFR Feature Film Contact List
Algeria Divine Wind Programme section: Voices Main Programme Director(s): Merzak Allouache Prod. Countries: Algeria, France, Qatar, Lebanon Prod. Year: 2018 Length: 95 Genre: Fiction Company: Les Asphofilms, Baya Films Contact: Bahia Allouache 48th INTERNATIONAL FILM Email: [email protected] FESTIVAL ROTTERDAM Phone: +33 62 5301443 Logline: An inexperienced young jihadi grapples January 23 – February 3, 2019 with doubts while awaiting an attack on an oil refinery in the Algerian desert. His unbending partner for the attack – she is determined to die a martyr – makes every effort to keep him on FEATURE FILM CONTACT LIST board. This black-and-white drama full of contrasts tackles existential questions in an explosive situation. Sold territories: All available Log lines from IFFR catalogue. Argentina In order of country La secta del gatillo International premiere Programme section: Signatures Director(s): José Celestino Campusano Prod. Countries: Argentina Prod. Year: 2018 Length: 59 Genre: Fiction Company: Cinebruto Contact: Paulina Portela Email: [email protected] Phone: 54911 34002718 Logline: In this VR project by José Campusano (he had a retrospective at IFFR in 2018) you step straight into the shady world of corrupt police 1 officers in Buenos Aires. A very evil cop tries to circles. Argentine filmmaker José Celestino clear up the mess he’s made of his work and life Campusano interweaves their stories to provide now he knows he is incurably ill. an unsentimental picture of power, abuse and Sold territories: (homo)sexuality within richer and poorer circles in Argentina. Una banda de chicas Trailer: https://www.youtube.com/watch?v=WZ- International premiere yvRdPuXQ Programme section: Scopitone Sold territories: Director(s): Marilina Giménez Prod. -
The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.