David Bollier

Total Page:16

File Type:pdf, Size:1020Kb

David Bollier Viral Spiral - How the Commoners Built a Digital Republic of Their Own David Bollier copy @ viralspiral.cc © 2008 by David Bollier All rights reserved. No part of this book may be reproduced, in any form, without written permission from the publisher. The author has made an online version of the book available under a Creative Commons Attribution-NonCommercial license. It can be accessed at ‹http://www.viralspiral.cc› and ‹http://www.onthecommons.org›. Requests for permission to reproduce selections from this book should be mailed to: Permissions Department, The New Press, 38 Greene Street, New York, NY 10013. Published in the United States by The New Press, New York, 2008 Distributed by W. W. Norton <=amp> Company, Inc., New York ISBN 978-1-59558-396-3 (hc.) CIP data available The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press operates in the public interest rather than for private gain, and is committed to publishing, in innovative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. www.thenewpress.com A Caravan book. For more information, visit www.caravanbooks.org.; License: Creative Commons Attribution-NonCommercial license. SiSU viralspiral.cc ii Contents Contents “You Have No Sovereignty Where We Gather” .............. 61 3 WHEN LARRY LESSIG MET ERIC ELDRED 64 Viral Spiral - How the Commoners Built a Digital Larry Lessig's Improbable Journey ... 69 Republic of Their Own, Waging the Eldred Case ......... 74 David Bollier 1 A Movement Is Born ........... 80 Attribution ..................... 1 ACKNOWLEDGMENTS ............. 2 PART II 84 INTRODUCTION ................. 3 The Rise of Socially Created Value ... 7 The Rise of Free Culture 85 The Commoners Build a Digital Republic [Intro] ....................... 85 of Their Own ........... 9 4 INVENTING THE CREATIVE COMMONS .. 87 The Rise of the Commoners ....... 12 What If . ? ............... 89 A New Type of Emergent Democracy? . 19 Crafting the Licenses ........... 101 Branding the Public Domain in Code .. 105 PART I 21 The Action Shifts to Palo Alto ...... 107 5 NAVIGATING THE GREAT VALUE SHIFT .. 113 Harbingers of the Sharing Economy 22 The Great Value Shift ........... 116 [Intro] ....................... 22 The Endangered Economics of Central- 1 IN THE BEGINNING WAS FREE SOFTWARE 24 ized Media ............. 118 2 THE DISCOVERY OF THE PUBLIC DOMAIN 41 The Economic Advantages of Open Me- The Elusive Quest for “Balance” ..... 43 dia ................. 121 The Great Expansion of Intellectual Prop- Web 2.0: A New Breed of Participatory erty ................. 48 Media ............... 123 Confronting the Proprietarian Juggernaut 52 Open Networks and the Long Tail .... 127 A New Story About the Public Domain . 56 Another Vehicle for Niche Communities: What Is “Authorship”? .......... 57 The Commons .......... 129 SiSU viralspiral.cc iii Contents 6 CREATORS TAKE CHARGE ......... 133 Share the Wealth, Grow a Commercial DIY Videos and Film ........... 138 Ecosystem ............ 216 Letting the Music Flow .......... 142 Open Content as a Gateway to Commer- Music as Remix .............. 147 cial Opportunities ......... 218 7 THE MACHINE AND THE MOVEMENT ... 154 Commoners as Co-creators of Value .. 225 Building the CC Machine ......... 157 Reintegrating the Sharing and Commer- 8 FREE CULTURE GOES GLOBAL .. 164 cial Economies .......... 230 Brazil, the First Free Culture Nation ... 167 11 SCIENCE AS A COMMONS ......... 231 National Variations of a Global Idea ... 173 The Viral Spiral in Science ........ 235 Laboratories of Free Culture ....... 176 The Open-Access Movement ...... 239 The Developing Nations License .... 179 The Scholar's Copyright Project ..... 244 The iCommons Network ......... 181 The Neurocommons ........... 250 9 THE MANY FACES OF THE COMMONS .. 185 Open Physical Tools ........... 253 Individual Choice Versus the Commons 189 12 OPEN EDUCATION AND LEARNING ... 257 Freedom, the Commons, and Movement MIT's OpenCourseWare Initiative .... 260 Building .............. 191 The Rise of the Open Educational Re- The Splintering of the Free World? ... 193 sources Movement ........ 263 CONCLUSION: THE DIGITAL REPUBLIC Criticism from the Left and from the South 198 AND THE FUTURE OF DEMOCRATIC Fair Use and the Creative Commons .. 201 CULTURE .................. 268 PART III 206 A New Species of Citizenship ...... 269 A Long-Term Power Shift? ........ 276 A Viral Spiral of New Commons 207 Index 283 [Intro] ....................... 207 10 THE NEW OPEN BUSINESS MODELS .. 209 Metadata 300 Open Networks Spur New Business Mod- SiSU Metadata, document information ..... 300 els ................. 211 SiSU viralspiral.cc iv Viral Spiral - How the Commoners Built a Digital Republic of Their Own 1 Viral Spiral - How the Commoners Built a Digital Attribution Republic of Their Own, David Bollier To Norman Lear, dear friend and intrepid explorer of the frontiers of democratic practice SiSU viralspiral.cc 1 Viral Spiral - How the Commoners Built a Digital Republic of Their Own 2 ACKNOWLEDGMENTS must single out Glenn Otis Brown, Mia Garlick, Joichi Ito, Heather Ford, Tomislav Medak, Ronaldo Lemos, and 3 In this book, as with any book, dozens of barely visi- Hal Abelson for their special assistance. ble means of support conspired to help me. It has been Since writing a book resembles parachuting into a 6 hard work, but any author with sufficient honesty and forest and then trying to find one's way out, I was self-awareness realizes the extent to which he or she is pleased to have many friends who recommended some a lens that refracts the experiences, insights, and writ- useful paths to follow. After reading some or all of ings of others. It is a pleasure to pay tribute to those who my manuscript, the following friends and colleagues have been helpful to me. offered many invaluable suggestions and criticisms: Charles Schweik, Elliot E. Maxwell, John Seely Brown, 4 I am grateful to Larry Lessig, a singular visionary in de- veloping the commons as a new paradigm, for help- Emily Levine, Peter Suber, Julie Ristau, Jay Walljasper, ing to make this book possible. He submitted to sev- Jonathan Rowe, Kathryn Milun, Laurie Racine, and eral interviews, facilitated my research within the Cre- Gigi Sohn. It hardly requires saying that none of these ative Commons community, and, despite our shared in- astute readers bears any responsibility for the choices volvements in various projects over the years, scrupu- that I ultimately made. lously respected my independence. It is also a plea- For the past seven years, the Tomales Bay Institute, 7 sure to thank the Rockefeller Foundation for generously recently renamed On the Commons, has nurtured helping to cover my research, reporting, and travel ex- my thinking and commitment to the commons. (On penses. the Commons has no formal affiliation to the Creative Commons world, but it enthusiastically shares its 5 I interviewed or consulted with more than one hundred commitments to the commons.) I am grateful to my people in the course of writing this book. I want to thank colleagues Peter Barnes, Harriet Barlow, and Julie each of them for carving out some time to speak with Ristau for their unflagging support of my book over the me and openly sharing their thoughts. The Creative past three years, even when it impinged on my other Commons and iCommons staff were particularly helpful responsibilities. in making time for me, pointing me toward useful doc- uments and Web sites and sharing their expertise. I In the early stages of this book, Elaine Pagels was un- 8 SiSU viralspiral.cc 2 Viral Spiral - How the Commoners Built a Digital Republic of Their Own usually generous in offering her help, and my conversa- INTRODUCTION 11 tions with Nick Bromell helped pry loose some important insights used in my conclusion. Cherry Alvarado was of It started with that great leap forward in human history 12 extraordinary help to me as she transcribed scores of in- the Internet, which gave rise to free software in the terviews with unfailing good humor and precision. I also 1980s and then the World Wide Web in the early wish to thank Andrew Ryder for resourceful assistance 1990s. The shockingly open Internet, fortified by these in the early stages of my research. tools, began empowering a brash new culture of rank amateurs — you and me. And this began to reverse the 9 I have dedicated this book to my dear friend and men- tor Norman Lear. The zeal, imagination, and grace that fierce tide of twentieth-century media. Ordinary people he brings to the simple imperatives of citizenship have went online, if only to escape the incessant blare of been more instructive and inspirational than he perhaps television and radio, the intrusive ads and the narrow realizes. He has also been of incalculable support to me spectrum of expression. People started to discover in my headstrong explorations of the commons. their own voices . and their own capabilities . and one another. 10 Finally, at the end of the day, when I emerge from my writer's lair or return from yet another research and re- As the commoners began to take charge of their lives, 13 porting trip, it is Ellen and my sons Sam and Tom who they discovered anew that traditional markets, govern- indulge my absences, mental and physical, and reac- ments, and laws were often not serving their needs very quaint me with the things that matter most. I could not well. And so some pioneers had the audacity to in- wish for more. David Bollier Amherst, Massachusetts vent an infrastructure to host new alternatives: free and May 1, 2008 open-source software. Private licenses to enable shar- ing and bypass the oppressive complications of copy- right law. A crazy quilt of Web applications. And new types of companies that thrive on servicing social com- munities on open platforms. At the dawn of the twenty-first century, the common- 14 ers began to make some headway.
Recommended publications
  • 3/3 Comes Together in FEX There Will Be Three Outages of Power Sgt
    INSIDE DISBO VICTORY In Your Opinion A-4 Tuskegee Airman A-9 Dirty, A-7 Hockey, B-1 Football Clinic B-1 Vol. 27, No. 9 Serving the base of choice for the 21st century March 12, 1998 Power and water outages 3/3 comes together in FEX There will be three outages of power Sgt. Michael Wiener for 3/3. and hot water from Friday to Combat Correspondent "This is the first time the bat- illiesday. Friday through Saturday, talion has been to the field as a will be out from 10 p.m. to electricity KAHUKU TRAINING whole (since Okinawa)," Neary 6 am. in buildings 1027-1032, 1045- AREA, Kahuku, Oahu said. "We're bringing all the 1075-1077, 1088, - 1050, 1066-1068, Marines and Sailors from 3d pieces together." 1193-1194, 126.3, 1265, 1404, 1641, Battalion, 3d Marine "Up until now, it's been 4012-4013, 40224027, 4034, 4084, Regiment, trained together squad, platoon and company 5005, 6036, 6088-6089 and 6109. Feb. 24 to March 3 for the first training," said Capt. John Saturday, hot water will be out at time since returning from Golden, the L Company com- bar- Anderson Hall and 1000-series Okinawa in January. mander. "This training exer- p.m. racks from 7:30 a.m. to 3:30 The battalion made a trip to cise was to gauge where we are Digital photo by Sgt. Michael Wiener Tuesday, electricity will be out at the Kahuku Training Area for a as a battalion to test our Cpl. William Vortman (left) and bowling alley, main - Enlisted Club, week-long field exercise to strengths and find our weak- Capt.
    [Show full text]
  • Theoretical Frameworks for Participatory Media
    THE RESEARCHING AND TEACHING COMMUNICATION SERIES MEDIA TECHNOLOGIES AND DEMOCRACY IN AN ENLARGED EUROPE THE INTELLECTUAL WORK OF THE 2007 EUROPEAN MEDIA AND COMMUNICATION DOCTORAL SUMMER SCHOOL Edited by Nico Carpentier Pille Pruulmann-Vengerfeldt Kaarle Nordenstreng Maren Hartmann Peeter Vihalemm Bart Cammaerts Hannu Nieminen The Intensive Programme in Media and Communication: Enlarging Europe – Enlarging Participation is supported by the Socrates Erasmus IP project (contract number: 69935-IC-1-2004-EE-ERASMUS-IPUC-6), the European Communication Research and Education Association (www.ecrea.eu), the University of Tartu – the Department of Journalism and Communication (www.jrnl.ut.ee) and a consortium of 19 universities. ISSN 1736–3918 (print) ISBN 978–9949–11–744–4 (print) ISSN 1736–4752 (PDF) ISBN 978–9949–11–745–1 (PDF) Copyright: Authors 2007 Tartu University Press www.tyk.ee Table of contents INTRODUCTION Introduction: Participation and learning. The intellectual work of the 2007 European media and communication doctoral summer school in Tartu......................................................................................................... 11 Nico Carpentier PART ONE SECTION ONE: TECHNOLOGY, DEMOCRACY AND POLICY Communication and technology: beyond determinism?...................... 27 Denis McQuail Public service broadcasting in a multimedia environment .................. 41 Jo Bardoel Towards the democratic regulation of European media and communication ..........................................................................................
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Issue 199.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 199 February Oxford’s Music Magazine 2012 Asher Oxford’sDust maverick MC on his incredible lifetime of music making plus all your local music news, reviews and upcoming gigs. photo: Zahra Tehrani NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net TRUCK FESTIVAL is set to return this summer after founders Robin and Joe Bennett handed the event over to new management. Truck, which had been the centrepiece of Oxford’s live music calendar since 1998, surviving both floods and foot and mouth crises, succumbed to financial woes last year, going into administration in September. However, the event has been taken over by the organisers of Y-Not Festival in Derbyshire, which won Best Grassroots Festival 2011 at the UK Festival Awards. The new organisers hope to take Truck back to its roots as a local community festival. In a statement on the Truck website, Joe and Robin announced, ““We have always felt a great responsibility for the integrity and sustainability of Truck Festival, which grew so quickly and with such enthusiasm from very humble beginnings in 1998. Via Truck’s unique catering arrangements with the Rotary Club, tens of thousands of pounds have been raised for charities and good causes every year, including last year, and many great bands have taken their first steps to international prominence. BONNIE ‘PRINCE’ BILLY makes visits Oxford in May when he “However, after a notoriously difficult summer of trading for Truck teams up with alt.folk band Trembling Bells.
    [Show full text]
  • B I O G R a P
    Index Table of Contents Page 3 Preface by Ivor Harper Page 4 In the Beginning Page 10 The Line Ups Page 15 On the Road Page 23 The Old Studio Page 28 A New Lease of Life Page 41 Recording the ‘Lords of Hypocrisy’ Album Page 48 End of an Era Page 50 Pagan Altar 2007 Page 54 Pagan Altar 2008 Page 59 Pagan Altar 2009 Page 69 Pagan Altar 2010 Page 78 Pagan Altar 2010 -2013 Page 80 Recording ‘The Room of Shadows’ 2013 -2015 Page 81 Mixing ‘The Room of Shadows’ 2017 Page 89 Pagan Altar 2017 Page 97 Discography Page 103 Lyrics Preface When it was first suggested that I write this article I must say that it was with a certain amount of trepidation and mixed emotions that I agreed. I initially considered that being so close to members of the band for years that have spanned from before Pagan Altar was formed to the present day would not make me objective enough in my approach. Having been an ex-drummer with the band, in fact the first, an association that I am extremely proud of, I suppose my natural tendencies and inclinations would lean towards looking at the band through rose coloured glasses. I have therefore tried to observe and analyse the whole situation from a totally detached viewpoint, but human nature being what it is, some of my own opinions and observations have probably crept in and become incorporated within some of the analytical assumptions. I have refrained from mentioning myself in the Bio, this is not due to any pretence at a misguided view of modesty that I might have but because I genuinely feel that any major achievements made by the band were after my departure.
    [Show full text]
  • Intellipedia-Wrangler.Pdf
    This document is made available through the declassification efforts and research of John Greenewald, Jr., creator of: The Black Vault The Black Vault is the largest online Freedom of Information Act (FOIA) document clearinghouse in the world. The research efforts here are responsible for the declassification of hundreds of thousands of pages released by the U.S. Government & Military. Discover the Truth at: http://www.theblackvault.com NATIONAL SECURITY AGENCY CENTRAL SECURITY SERVICE FORT GEORGE G. MEADE, MARYLAND 20755-6000 FOIA Case: 81322A 28 April 2017 JOHN GREENEWALD Dear Mr. Greenewald: This is our final response to your Freedom of Information Act (FOIA) request of 22 May 2015, for Intellipedia pages on WRANGLER. As stated in our previous response, dated 27 May 2015, your request was assigned Case Number 81322. A copy ofyour request is enclosed. For purposes of this request and based on the information you provided in your letter, you are considered an "all other" requester. As such, you are allowed 2 hours of search and the duplication of 100 pages at no cost. There are no assessable fees for this request. Your request has been processed under the FOIA. For your information, NSA provides a service of common concern for the Intelligence Community (IC) by serving as the executive agent for Intelink. As such, NSA provides technical services that enable users to access and share information with peers and stakeholders across the IC and DoD. Intellipedia pages are living documents that may be originated by any user organization, and any user organization may contribute to or edit pages after their origination.
    [Show full text]
  • WIKINOMICS How Mass Collaboration Changes Everything
    WIKINOMICS How Mass Collaboration Changes Everything EXPANDED EDITION Don Tapscott and Anthony D. Williams Portfolio Praise for Wikinomics “Wikinomics illuminates the truth we are seeing in markets around the globe: the more you share, the more you win. Wikinomics sheds light on the many faces of business collaboration and presents a powerful new strategy for business leaders in a world where customers, employees, and low-cost producers are seizing control.” —Brian Fetherstonhaugh, chairman and CEO, OgilvyOne Worldwide “A MapQuest–like guide to the emerging business-to-consumer relation- ship. This book should be invaluable to any manager—helping us chart our way in an increasingly digital world.” —Tony Scott, senior vice president and chief information officer, The Walt Disney Company “Knowledge creation happens in social networks where people learn and teach each other. Wikinomics shows where this phenomenon is headed when turbocharged to engage the ideas and energy of customers, suppli- ers, and producers in mass collaboration. It’s a must-read for those who want a map of where the world is headed.” —Noel Tichy, professor, University of Michigan and author of Cycle of Leadership “A deeply profound and hopeful book. Wikinomics provides compelling evidence that the emerging ‘creative commons’ can be a boon, not a threat to business. Every CEO should read this book and heed its wise counsel if they want to succeed in the emerging global economy.” —Klaus Schwab, founder and executive chairman, World Economic Forum “Business executives who want to be able to stay competitive in the future should read this compelling and excellently written book.” —Tiffany Olson, president and CEO, Roche Diagnostics Corporation, North America “One of the most profound shifts transforming business and society in the early twenty-first century is the rapid emergence of open, collaborative innovation models.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Fostering Learning in the Networked World: the Cyberlearning Opportunity and Challenge
    Inquiries or comments on this report may be directed to the National Science Foundation by email to: [email protected] “Any opinions, findings, conclusions and recommendations expressed in this report are those of the Task Force and do not necessarily reflect or represent the views of the National Science Foundation.” Fostering Learning in the Networked World: The Cyberlearning Opportunity and Challenge A 21st Century Agenda for the National Science Foundation1 Report of the NSF Task Force on Cyberlearning June 24, 2008 Christine L. Borgman (Chair), Hal Abelson, Lee Dirks, Roberta Johnson, Kenneth R. Koedinger, Marcia C. Linn, Clifford A. Lynch, Diana G. Oblinger, Roy D. Pea, Katie Salen, Marshall S. Smith, Alex Szalay 1 We would like to acknowledge and give special thanks for the continued support and advice from National Science Foundation staff Daniel Atkins, Cora Marrett, Diana Rhoten, Barbara Olds, and Jim Colby. Andrew Lau of the University of California at Los Angeles provided exceptional help and great spirit in making the distributed work of our Task Force possible. Katherine Lawrence encapsulated the Task Force’s work in a carefully crafted Executive Summary. Fostering Learning in the Networked World: The Cyberlearning Opportunity and Challenge A 21st Century Agenda for the National Science Foundation Science Foundation the National for A 21st Century Agenda Report of the NSF Task Force on Cyberlearning Table of Contents Executive Summary...............................................................................................................................................................................................................................5
    [Show full text]
  • Chart Action News
    Thursday, December 8, 2016 NEWS CHART ACTION MusicRow Inaugural Touring Issue New On The Chart —Debuting This Week Inside MusicRow’s Touring Issue print Artist/song/label—chart pos. magazine, exclusive editorial examines Drake White/Makin’ Me Look Again/Dot Records— 79 numerous aspects of road life, including Shari Rowe/Take That Shot/Kore PR-Maven Medai— 80 business management’s role for concert budgeting, concert creation and ! Greatest Spin Increase production leaders, and an agent round Artist/song/label—Spin Increase table. The issue will also delve into event security, VIP experiences and Luke Bryan/Fast/Capitol Nashville— 406 insights from the concert lighting Jason Aldean/Any Ol’ Barstool/Broken Bow— 322 business. Also, don’t miss the annual Little Big Town/Better Man/Capitol Nashville— 244 ‘Next Big Thing’ list! Single copies of Miranda Lambert/We Should Be Friends/RCA Nashville— 244 MusicRow‘s Touring Issue are available Blake Shelton/A Guy With A Girl/Warner Bros.— 205 for purchase at musicrow.com for $30, Thomas Rhett/Star Of The Show/Valory Music Co.—189 and are included with yearly Billy Currington/Do I Make You Wanna/Mercury Nashville—172 !subscriptions at no additional cost. !Aaron Watson/Outta Style/Big Label Records—150 Alan Jackson, Lee Ann Womack Set For Most Added Honky Tonk Highway Tour In 2017 Artist/song/label—No. of Adds Alan Jackson will embark on the Honky Luke Bryan/Fast/Capitol Nashville—27 Tonk Highway Tour in 2017, along with Jason Aldean/Any Ol’ Barstool/Broken Bow—19 special guest Lee Ann Womack on Billy Currington/Do I Make You Wanna/Mercury Nashville—13 select dates.
    [Show full text]
  • Venues & Series
    Ticket Megadeth, fueled by Dave Mustaine’s 7:30 p.m. Saturday, May 2. The concert is a return to the stage following throat cancer, is Venues & series GCRMC Benefit for the building of the new Cont’d from Page 9 on their first North American tour since Cancer Center, and features Las Cruces trib- 2017. Lamb of God released their first new Lowbrow Palace — 111 E. Robinson. Juanes — The Latin rock icon and multiple ute artist Chris Waggoner, backed by his 10- music in five years recently with the single Doors usually open one hour prior to show Grammy award-winning artist’s “Mas Futuro piece “Play Me” Band. Concert tickets: $45. “Checkmate,” to be released from the time. All concerts listed are all ages. Que Pasado” Tour is 8 p.m. Friday, Oct. 2, A private reception with hors d’oeuvres, band’s self-titled eighth studio album. Surcharge for ages under 21. Available in at the Plaza Theatre. The performance is a cash bar, and live auction begins at 5:30 p.m. advance at The Headstand or journey through all the greatest hits of his — The Mexican come- Combo reception/concert tickets are $65. Franco Escamilla past, combined with the guitar interpreta- eventbrite.com. Information: lowbrow- dian, musician and radio announcer returns Inn of the Mountain Gods Resort tions of Latin America’s most beloved to El Paso for his brand new “Payaso” Tour palace.com. See separate listing for outdoor and Casino — Mescalero, N.M. Most rhythms found on his new album. Tickets: at 7 p.m.
    [Show full text]
  • Praise & Worship
    pg0144_Layout 1 4/4/2017 1:07 PM Page 44 Soundtracks! H ot New Artist! pages 24–27 ease! ew Rele page N 43 More than 10,000 CDs and 186,000 Music Downloads available at Christianbook.com! page 8 1–800–CHRISTIAN (1-800-247-4784) pg0203_Layout 1 4/4/2017 1:07 PM Page 2 NEW! Elvis Presley Joey Feek NEW! Crying in If Not for You the Chapel Showcasing some of the Celebrating Elvis’s commitment first songs Joey Feek ever to his faith, this newly compiled recorded, this album in- collection features “His Hand cludes “That’s Important to in Mine,” “How Great Thou Art,” Me,” “Strong Enough to Cry,” “Peace in the Valley,” “He “Nothing to Remember,” Touched Me,” “Amaz ing Grace,” “The Cowboy’s Mine,” and more. “Southern Girl,” and more. WRCD31415 Retail $9.99 . .CBD $8.99 WRCD34415 Retail $11.99 . .CBD $9.99 Also available: WR933623 If Not for You—Book and CD . 15.99 14.99 David Phelps NEW! Hymnal Deal! Phelps’s flawless tenor inter- pretations will lift your appre- Joey+Rory Hymns That Are ciation of favorite hymns to a whole new level! Features “In Important to Us the Garden,” “How Great Thou The beloved country duo Art,” “Battle Hymn of the Re- sings their favorite hymns! public,” and more. Includes “I Need Thee Every Hour,” “He Touched WRCD32200 Retail $13.99 . .CBD $11.99 Me,” “I Surrender All,” “The Also available: Old Rugged Cross,” “How WRCD49082 Freedom . 13.99 11.99 WR918393 Freedom—DVD . 19.99 15.99 Great Thou Art,” and more.
    [Show full text]