DOCSLIB.ORG

Heathers: the Musical

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Heathers: the Musical FLORIDA REP EDUCATION 2017 - 2018 CONSERVATORY HISTORIC ARCADE THEATRE • FORT MYERS RIVER DISTRICT JASON PARRISH, INTERIM ARTISTIC DIRECTOR · JOHN MARTIN, MANAGING DIRECTOR KODY C. JONES, EDUCATION DIRECTOR PRESENTS SPONSORED BY MARVIN AND LYNNE BIRDT DIRECTED AND FIGHT CHOREOGRAPHED BY KODY C. JONES MUSIC DIRECTOR CHOREOGRAPHER ROSALIND METCALF MEGAN JIMENEZ LEONARD SET DESIGNER LIGHTING DESIGNER COSTUME DESIGNER JORDAN MOORE ANDREW McDANIELS JACQUELYN LOY SOUND DESIGNER PROPERTIES MASTERS KATIE LOWE JORDAN GARON · JESSECA TERHAAR PRODUCTION STAGE MANAGER CAYCELYNN HOGGARD Heathers The Musical (High School Edition) is presented by special arrangement with SAMUEL FRENCH, INC. FLORIDA REP EDUCATIONAL PROGRAMS ARE GENEROUSLY SPONSORED BY The Claiborne & Ned Foulds Foundation • Marvin & Lynne Birdt • Dinah Bloomhall Sanibel Captiva Community Bank • Arthur M. Zupko CAST (in alphabetical order) Ensemble................................................................................HALEY ADKINS Ensemble............................................................................ERICA AICHHOLZ Ensemble.....................................................................HANNAH ATKINSON Veronica Sawyer......................................................................NAYDA BAEZ Ensemble..............................................................................NYDIA BROWN Ensemble...........................................................................TAYLOR CARUSO Hipster Dork/Ensemble........................................................CHASE CLARK Ms. Fleming................................................................................HALEY CLAY Principal Gowan/Ensemble.......................................................LEXIE COLE Coach Ripper/Mom/Ensemble....................................AMANDA COLLINS Ensemble..........................................................................ABBY CORCORAN Ensemble......................................................................BRADEN DOWNING Preppy Stud/Ensemble................................................MATTHEW EAKINS Ensemble..........................................................................BERKLEY GADDIS Big Bud Dean/Ensemble.......................................................GIANNI GIZZI Ram’s Dad.......................................................................................AJ GROSS Ensemble............................................................................SOPHIA GURULE Stoner Chick/Ensemble....................................................SOPHIE HAGAN Heather Chandler.............................................................ATHENA KELLEY JD.......................................................................................BRICE KINGSLEY Ensemble................................................................................VIOLET MANN Martha Dunnstock............................................................JESSE MASSARI New Wave Girl/Ensemble...........................................ALYSSA MEHRBERG Kurt’s Dad/Dad/Ensemble...................................................JESSE MILLER Young Republicanette/Ensemble.................................DANICA MURRAY Beleaguered Geek/Ensemble.............................................NATHAN ROSS Kurt Kelley...........................................................................ROBERT ROSSO Heather Duke.............................................................................CHLOE TSAI Ensemble..................................................................................MIA WAGNER Ram Sweeney......................................................................SCOTTY WELLS Heather McNamara...............................................................CAT WESTLEY Assistant Director: Emma Woods Assistant Choreographer: Christina DeCarlo Assistant Stage Manager: Matteo Occhino Dance Captains: Emily Longoria, Alyssa Mehrberg Production Manager: Tim Billman Technical Director: Drew Johnson Asst. Technical Director: Savannah Relos Lighting and Sound Director: John Kiselica Sound Engineer: Josh Schacht Costume Shop Manager: Alex Vazquez Wardrobe Supervisor: Sara Lynn Scott Light/Sound Board Operator: Andrew McDaniels Run Crew: Hannah Robinson, Gabriele Steinborn Education Director: Kody C. Jones Education Outreach Manager: Anna McCullers Education Associate: Christina DeCarlo Education Intern: Emma Woods WARNING CONTAINS SOME ADULT MATERIAL AND LANGUAGE HEATHERS THE MUSICAL WILL BE PERFORMED WITH A 15-MINUTE INTERMISSION The videotaping or making electronic or other audio and/or visual recordings of this production or distributing recordings on any medium, including the internet, is strictly prohibited, a violation of the author’s rights and actionable under United States Copyright Law. For more information, please visit: www.samuelfrench.com/whitepaper ABOUT THE WRITERS KEVIN MURPHY was a producer of the original LA and NY productions of Heathers (Drama Desk nominee for music). He also provided lyrics and co-wrote the book for the stage musical Reefer Madness and was a producer on both the original Los Angeles and Off-Broadway productions. Reefer swept the three major Los Angeles theatre awards which included triple wins for Best Musical and Best Score. In New York, Kevin’s lyrics were nominated for a Drama Desk Award. Kevin co-adapted Reefer into a Showtime Original movie which premiered at the 2005 Sundance Film Festival and screened in competition at the 2005 Deauville Film Festival, winning the Premiere Audience Award. The movie received three Emmy noms, winning for Outstanding Music & Lyrics. Kevin is currently showrunner for the AMC historical drama series The Son starring Pierce Brosnan. Other TV credits include Desperate Housewives (Golden Globe winner, two-time WGA Award nominee, Emmy nominee), Defiance, Ed, Reaper, Caprica and Hellcats. Kevin has co-written many songs for these shows, most recently “Across the Storm Divide” (recorded by Trace Adkins) and “Teach This Boy to Fly” (co-written with Laurence O’Keefe), both of which were featured on Defiance. LAURENCE O’KEEFE was a producer of the original LA and NY productions of Heathers (Drama Desk nominee for music). With his wife Nell Benjamin, he won the Olivier Award (London’s Tony) for co-writing Legally Blonde: The Musical, which ran 2 1/2 years on the West End and has toured the UK. Blonde received seven Tony Award nominations, two US national tours and several international productions, winning Australia’s Helpmann Award for Best Musical. Larry wrote the Off-Broadway smash Bat Boy: The Musical, which won the Lucille Lortel Award, two Richard Rodgers Awards and the New York Outer Critics Circle Award for Best Musical, and has received 500+ productions worldwide, including the West End, Tokyo, Seoul, Berlin and Edinburgh. Larry has composed music and/or lyrics for The Daily Show, SyFy’s Defiance, the Disney Channel, PBS and Cirque du Soleil. A graduate of Harvard and USC, Larry teaches master classes at Harvard, Yale, NYU, and elsewhere. FROM THE DIRECTOR Who could forget the iconic lines of the movie: Heathers? In 1988, the movie premiered to surprisingly giant audiences nationwide and garnered a cult-following for its harsh attack on the reality of high school life. Along with many others, I grew up with this dark comedy as a kid, but I was shocked to see that the story of Heathers has gained even more relevance in 2018. In March of 2017, I sat down with REPresent, our student advisory board and many other high school students and asked them one question: what shows speak to you as a young adult? What show do you connect with so much as a high-school student that you are just bursting at the seams to perform it? There were a few titles mentioned – Spring Awakening, Bare: A Pop Opera, even Footloose. The title that was requested more than any others was Heathers. It was evident that this show contained themes and content that our students wanted, and perhaps needed, to put a voice to. Many of these titles contained adult themes and language but featured characters of high school age. It was evident that our students wanted to express themselves personally and artistically with challenging material and mature themes that they themselves were currently dealing with. Making a decision to produce any production is not taken lightly, especially one that contains adult or challenging themes for our students and/or community. We started with research and multiple conversations and meetings about the teen suicide, gun violence, and bullying. We evolved from our normal artistic process to a journey that shed light on important subject that all students normally have to deal with on their own. As we processed and grew from these discoveries, it became even more pivotal to communicate the story of Heathers with passion and decorum. Our production disguises these types of themes in comedic satire that deteriorates as the show progresses, leaving a sad and vulnerable reality that is more relevant now than ever. The day of our first production meeting, we were all devastated by the news from Parkland. Discussion began with the production team, as well as the cast, on how to proceed as we were dealing with similar atrocities in our own production. Not long after, I was overwhelmed as members of the cast spoke up with maturity and grace, saying our story is one that needs to be told now more than ever. The cast was not only ready to perform this type of material, but had learned throughout the process that theatre is more
Load more

Recommended publications
  • Gareth Owen Theatrical Sound Designer
    Gareth Owen Theatrical Sound Designer Musical Theatre Sound Design Awards highlights include : Outer Critics Circle Award COME FROM AWAY Schoenfeld, New York Olivier Award MEMPHIS Shaftesbury Theatre, London Craig Noel Award COME FROM AWAY La Jolla Playhouse, San Diego Pro Sound Award MEMPHIS Shaftesbury Theatre, London Olivier Award MERRILY WE ROLL ALONG Comedy Theatre, London Olivier Nomination TOP HAT Aldwych Theatre, London Tony Nomination END OF THE RAINBOW Belasco Theatre, New York Olivier Nomination END OF THE RAINBOW Trafalgar Studios, London Tony Nomination A LITTLE NIGHT MUSIC Walter Kerr, New York Upcoming Sound Design highlights include : Susan Stroman’s YOUNG FRANKENSTEIN on London’s West End; Stephen Schwartz’s PRINCE OF EGYPT (World Premiere), and Des McAnuff’s DONNA SUMMER PROJECT both on Broadway; COME FROM AWAY in Toronto and on tour in the USA; Don Black’s THE THIRD MAN (World Premiere) in Vienna; BODYGUARD in Madrid; and the JERSEY BOYS International Tour. International Musical Sound Design highlights include : Lead Producer Director A BRONX TALE (World Première) Long Acre, Broadway Dodgers Theatrical Robert DeNiro COME FROM AWAY (World Première) Schoenfeld, Broadway Junkyard Dog Chris Ashley STRICTLY BALLROOM (European Première) Worldwide (2 versions) Global Creatures Drew McConie DISNEY’S HUNCHBACK OF NOTRE DAME Worldwide (5 versions) Disney Scott Schwartz SCHIKANEDER (World Premiere) Raimund, Vienna Stephen Schwartz & VBM Trevor Nunn CINDERELLA Rossia, Moscow Stage Entertainment Lindsay Posner SECRET GARDEN Lincoln
    [Show full text]
  • First-Run Smoking Presentations in U.S. Movies 1999-2006
    First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform.
    [Show full text]
  • DRAMATURGY GUIDE School of Rock: the Musical the National Theatre January 16-27, 2019
    DRAMATURGY GUIDE School of Rock: The Musical The National Theatre January 16-27, 2019 Music by Andrew Lloyd Webber Book by Julian Fellowes Lyrics by Glenn Slater Based on the Paramount Film Written by Mike White Featuring 14 new songs from Andrew Lloyd Webber and all the original songs from the movie Packet prepared by Dramaturg Linda Lombardi Sources: School of Rock: The Musical, The Washington Post ABOUT THE SHOW Based on the hit film, this hilarious new musical follows Dewey Finn, a failed, wannabe rock star who poses as a substitute teacher at a prestigious prep school to earn a few extra bucks. To live out his dream of winning the Battle of the Bands, he turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. While teaching the students what it means to truly rock, something happens Dewey didn’t expect... they teach him what it means to care about something other than yourself. For almost 200 years, The National Theatre has occupied a prominent position on Pennsylvania Avenue – “America’s Main Street” – and played a central role in the cultural and civic life of Washington, DC. Located a stone’s throw from the White House and having the Pennsylvania Avenue National Historic Site as it’s “front yard,” The National Theatre is a historic, cultural presence in our Nation’s Capital and the oldest continuously operating enterprise on Pennsylvania Avenue. The non-profit National Theatre Corporation oversees the historic theatre and serves the DC community through three free outreach programs, Saturday Morning at The National, Community Stage Connections, and the High School Ticket Program.
    [Show full text]
  • Julianne Hough
    | COVER STORY | THE WELL LET’S HEAR IT FOR THE GIRL Loose-limbed celebrity dancer-cum singer JULIANNE HOUGH talks to JOE YOGERST about her love of dance, her artistic aspirations, her English accent – and the uncanny omnipresence of the musical Footloose in her life PHOTOGRAPHY / MARK LIDDELL STYLING / LISA MICHELLE BOYD, OPUS BEAUTY HAIR / CAMPBELL F MCAULEY, SOLO ARTISTS, USING SYDNEY HAIR CARE MAKE-UP / SPENCER BARNES, SOLO ARTISTS, USING ARMANI COSMETICS DRESS: PRADA DECEMBER 2011 – PRESTIGE – 239 THE WELL | COVER STORY | ulianne hough is back home in Los the film version of the hit Broadway musical Angeles, taking a well-deserved break from Rock of Ages, due for release in June 2012. the worldwide publicity blitz that precedes Twenty or 30 years from now, some young the remake of Footloose, a movie about young ingénue is going to star as Julianne Hough people who would do just about anything in a biopic about the dancer’s younger days, to dance. That’s pretty much been the story because her lead-up to fame and fortune of Hough’s life, too, a relentless and often reads like a real-life version of Flashdance, or exhausting endeavour to become one of the one of those other small-town-girl-makes- globe’s leading dancers. good movies. Once upon a time, it was ballet that She was born and raised into a large (five launched dancers (such as Rudolf Nureyev kids) Mormon family on the edge of Salt Lake and Mikhail Baryshnikov) into stardom City. But unlike the movie story, these were beyond their immediate circle and to parallel small-town folks who loved to dance.
    [Show full text]
  • REV-Digital-Playbill-Footloose.Pdf
    1 Finding inspiration is important. At M&T Bank, we understand how important the arts are to a vibrant community. That’s why we offer our time, energy and resources to support artists of all kinds, and encourage others to do the same. Learn more at mtb.com. Equal Housing Lender. ©2018 M&T Bank. Member FDIC. 2 Serving Hometowns Since 1870 mygenbank.com | 315.568.5855 3 The rev Administrative staff Jessica Alexander Ed Bauso Lauren Bice Director of Audience Marketing Administrative Services/Grant Manager Assistant Assistant Melissa Carbonaro Lisa Chase Billy Goheen Business Director of Company Mgmt. Manager Education Apprentice Geoffrey Howard Tiffany Howard Nancy Hunt Technical Director, Costume Shop Audience Services Education Manager/Designer Associate Michael Iannelli Erin Katzker Josh Katzker Director of Production Educational Artistic Associate/ & Operations Theatre Manager PiTCH Coordinator Lynnette Lee Rocky Love Christopher Lynch Managing Technical Company Director Director Manager Dylan Parmenter Marshall Pope Lisa Robillard Facilities & Vehicles Props Master Audience Services Manager Manager Olivia Semsel Brett Smock Ashley Wilson Marketing Producing Wardrobe/Rentals Manager Artistic Director Supervisor The rev board of directors Kelly Wejko Roberta Williams Connie Bouck Susie Gaynes Secretary nd President 1st Vice President 2 Vice President Cayuga County WHMB P.C. Supreme & County Court Cathy Benson Joe Bartolotta Patrick Carbonaro Treasurer Bill Abdallah JBJ Real Property Carbanaro Law CFCU Community Offices, P.C. Credit Union Matt Chalanick Denise Driscoll Menzo Case Peggy Dickman Charles T. Driscoll Generations Bank The Real Estate Dickman Farms Agency Masonry Restoration Co., Inc. Diana Gagliostro David Tehan Angela Winfield Judy Foresman Muldoon Dry Cleaners, Inc.
    [Show full text]
  • Corus Entertainment Beats the Back-To-School Blues with an Unbeatable Fall Lineup on Ytv, Teletoon, and Treehouse
    CORUS ENTERTAINMENT BEATS THE BACK-TO-SCHOOL BLUES WITH AN UNBEATABLE FALL LINEUP ON YTV, TELETOON, AND TREEHOUSE From Nelvana Studios, New Original Series Mysticons and Hotel Transylvania: The Series Make their Canadian Broadcast Debuts on YTV and TELETOON Treehouse Boogies into Fall with the Return of The Wiggles in the Brand- New Series Wiggle Wiggle Wiggle, and Lachy!, as well as More Exclusive Content than Ever Before New Episodes of Smash Hit Series Include The Loud House (YTV), Ben 10 (TELETOON), Peppa Pig (Treehouse), and More For additional photography visit Corus’ Media Centre To share this release socially use: http://bit.ly/2wJnRMX For Immediate Release TORONTO, August 30, 2017 – New worlds, mystical monsters, and unlikely heroes take over Corus Entertainment’s unbeatable kids’ networks this fall with hot new series and fresh seasons of hit animated and live-action shows premiering on YTV, TELETOON, and Treehouse. Kicking off the fall premieres on YTV, the #1 kids network for Kids 6-11*, is the new, animated, original series, Mysticons. The 40-episode, half-hour, fantasy-action series from Nelvana and Nickelodeon follows four regular girls, Arkayna, Zarya, Em, and Piper, who are called into action to double as legendary heroes known as Mysticons. Beginning this week, viewers will get a sneak peek of the series weeknights at 5:30 p.m. ET/PT until Mysticons’ official premiere on Sunday, September 3 at 11 a.m. ET/PT. Click here for the series’ trailer. YTV celebrates the end of summer with everyone’s favourite little brother, Lincoln Loud, in the Big Loud Labour Day stunt on Monday, September 4 starting at 6 a.m.
    [Show full text]
  • Gabriel Mann Composer & Songwriter
    GABRIEL MANN COMPOSER & SONGWRITER AWARDS GUILD OF MUSIC SUPERVISOR AWARDS A MILLION LITTLE THINGS NOMINATION (2020) Best Song / Recording Created for Television GUILD OF MUSIC SUPERVISOR AWARDS ROSEWOOD NOMINATION (2017) Best Song / Recording Created for Television ASCAP FILM AND TELEVISION MUSIC AWARD MODERN FAMILY WINNER (2013) Top Television Series CREDITS BETTER NATE THAN EVER Tim Federle, dir. Disney THE J TEAM MicHael Lembeck, dir. Awesomeness Films A MILLION LITTLE THINGS D.J. NasH, created by ABC MODERN FAMILY Steven Levitan, ABC ChristopHer Lloyd, created by HIGH SCHOOL MUSICAL: THE MUSICAL – THE SERIES Tim Federle, created by Disney THE UNICORN Grady Cooper, CBS Bill Martin, Mike ScHiff, created by iCARLY REVIVAL Ali ScHouten, prod. Paramount+ MADAGASCAR: A LITTLE WILD (Theme Music) Dana Starfield, created DreamWorks Animation by 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Mann Page 1 of 6 GABRIEL MANN COMPOSER & SONGWRITER CREDITS (continued) CLEOPATRA IN SPACE (Main Title Theme By) Judge Plummer, prod. Peacock SIDE HUSTLE (Theme Song) David Malkoff, created Nickelodeon by CAROL’S SECOND ACT Emily Halpern, SaraH CBS Haskins, created by DELILAH James Griffiths, dir. HBO Max MERRY HAPPY WHATEVER Tucker Cawley, created Netflix by PRINCE OF PEORIA Devin Bunje, Nick Netflix Stanton, created by FAM Corinne Kingsbury, CBS created by ARRESTED DEVELOPMENT (Songs By) MitcHell Hurwitz, Fox created by SCREECHERS WILD! Todd Resnick, dir. AlpHa Group LEGEND OF THREE CABALLEROS Matt Danner, Douglas Disney Television Animation Lovelace, Greg Franklin, dirs. HUMOR ME Sam Hoffman, dir. Shout! Factory NELLA THE PRINCESS KNIGHT (Theme Song, Songs By) Christine Ricci, created Nickelodeon by 3349 Cahuenga Blvd.
    [Show full text]
  • The Big One-Oh! a Letter from Charley (Actor Aaron Banes)
    C TABLE OF CONTENTS SECTION I | THE PLAY Synopsis Setting Themes Characters SECTION II | THE CAST & CREATIVE TEAM Creative Biographies Cast List Behind the Scenes Look SECTION III | YOUR STUDENTS AS AUDIENCE Theater Vocabulary Vocabulary from The Big One-Oh! A Letter from Charley (Actor Aaron Banes) SECTION IV | YOUR STUDENTS AS ACTORS Reading a Scene for Understanding Scene/Character Analysis SECTION V | YOUR STUDENTS AS ARTISTS Warm-up: “I Am a Tree” Explode the Moment! Drawing to Write Activity Thumbs Up Or Thumbs Down? Common Core & DOE Theater Blueprint SECTION VI | THE ATLANTIC LEGACY 2 SECTION I: THE PLAY Synopsis Setting Themes Characters 3 SYNOPSIS Charley Maplewood has never been one for parties—that would require friends, which he doesn’t have. Well, unless you count his monster friends, but they’re only imaginary. But now that he’s turning ten—the big one-oh—he decides to throw a birthday party for himself, complete with a “House of Horrors” theme. Of course things don’t work out as he plans. Will Charley be able to pull it together before the big one-oh . becomes the big OH-NO!? TIME Present Day SETTING Fresno, California. THEMES • Making new friends • Change and transition • Being yourself • Being the “new kid” at school 4 CHARACTERS Charley: An almost ten-year-old who has just moved to town. Boing-Boing: Charley’s dog, a puppet. Mom: Charley’s mom. Dad: Charley’s dad, lives in Scotland. Lorena: Charley’s sixteen-year-old sister. So Lame #1: Lorena’s back-up singer. So Lame #2: Lorena’s back-up singer.
    [Show full text]
  • Society for Humanistic Judaism and the IISHJ Associate Resolution in Support of the Full Professor of Professional Development
    Humanistic Judaism Magazine Jews and Cannabis Interview: Emily Eizen The Real Reefer Madness Community News and much more Winter 2021 Table of Contents From SHJ Tributes, Board of Directors, p. 3 Communities p. 23–24 Jews and Cannabis p. 4–5 A Relationship History by J. M. Branum Contributors I J. M. Branum is an SHJ member, attorney and social justice activist in Oklahoma City. The Real Reefer Madness I Adam Chalom is the rabbi of Kol Hadash p. 6–8 Humanistic Congregation in Deerfield, IL and the dean of the International Institute for Secular by Rabbi Jeffrey L. Falick Humanistic Judaism (IISHJ). I Rachel Dreyfus is the Partnership & Events Cannabis Can Heal the Heart and Mind Coordinator for the CHJ. p. 9–10 I Jeffrey Falick is the Rabbi of The Birmingham Temple, Congregation for Humanistic Judaism. A Humanist Approach I Arlene Gerwin serves on the planning committee of by Michael Whitty, PhD Beth Ami, Boulder, CO. A former marketing executive, she moved from New York to Boulder to live the good Emily Eizen life-—hiking, biking, skiing, and snow-shoeing. I Paul Golin is the Executive Director of the Society p. 11–13 for Humanistic Judaism. Interview with Paul Golin I Miriam Jerris is the Rabbi of the Society for Humanistic Judaism and the IISHJ Associate Resolution in Support of the Full Professor of Professional Development. Legalization of Cannabis in the U.S. I Jodi Kornfeld is the rabbi of Beth Chaverim Humanistic Jewish Community. p. 14 I Jon Levine is a member of Kahal B’raira, Greater Boston’s Congregation for Humanistic Judaism and It's Not for Everyone represents KB on the SHJ Board.
    [Show full text]
  • FOOTLOOSE; the MUSICAL - by Dean Pitchford and Walter Bobbie
    FOOTLOOSE; THE MUSICAL - by Dean Pitchford and Walter Bobbie July 10 - August 2, 2009 Director – Mark Valahovic Musical Director – Tanya K Manwill Choreographer – Edwin Roa Lighting Designer – Larry Hugo Set Designer – Kevin Riddle Costume Designer – Meredith Heiderman Sound Designer – Ben Clore Production Stage Manager – Bob Button Producer – Satch Huizenga Asst Director – Rebecca Willingham Asst Stage Manager – Evan Lang Dance Captain – Katherine Baird Properties – Mandy & Lindsay McDavid Master Painter – Mary Butcher Master Electrician – Scott Keith Light Board Technician – Jill Urquhart Sound Board Technician – Matt Miller Follow Spot Operator – Tiffany Ames Hair & Makeup Designer – Daphne D’earth Latham Costume Assistants – Karie Reed, Jill Urquhart MUSICIAN/MENTORS PIANO – Erica Umback DRUMS/PERCUSSION – April Martin GUITAR/BASS – Jim Polson BASS – Hardy Douglas GUITAR/BASS/WOODWINDS – Mike D’Antoni Woodwinds – Laura DiPuma MUSICIAN/APPRENTICES PIANO – Claire Wiley DRUMS/PERCUSSION – Joey Ballard BASS GUITAR – Will Bollinger TRUMPET – Emily Kuhn SAXOPHONES – Carolyn McKenzie OBOE – Julia Perry CAST REN McCORMACK – Richie MacLeod ETHEL McCORMACK – Courtney Thompson REVEREND SHAW MOORE – Jacob Canon VI MOORE – Gabrielle Laskey ARIEL MOORE – Veronica Lowry LULU WARNICKER – Joy Tanksley WES WARNICKER – Trent Manwill COACH ROGER DUNBAR/A COP – Scott Dunn ELEANOR DUNBAR – Jessica Wilbert RUSTY – Kelsey Fehlner URLEEN – Brittanie Pleasants WENDY JO – Ali Stoner CHUCK CRANSTON – Chris Moneymaker LYLE – Kevin Snyder TRAVIS/COYBOY BOB – Gage Jenkins BETSY BLAST – Jane McDonald WILLARD HEWITT – Jacob Lyon JETER – Ronald Stewart BICKLE – Josh Tucker GARVIN – Corbin Puryear ENSEMBLE/DANCERS – Carly Amburn, Katherine Baird, Ally Boate, Caitlin Hunt, Anna Webster, Brittany Yount .
    [Show full text]
  • Paramount+ Announces a Mountain of Movies, Original Series and Live Sports Coming to the Service This Summer
    Paramount+ Announces a Mountain of Movies, Original Series and Live Sports Coming to the Service This Summer June 7, 2021 “Infinite” Premieres Exclusively on Paramount+ June 10, Followed by the Debut of “PAW Patrol: The Movie” on August 20, Same Day as Its Theatrical Release The Streaming Service Will Add More Than 1,000 New Movies, including “Rocketman,” “The Hustle,” “Sonic the Hedgehog,” “Mission: Impossible - Ghost Protocol,” “Footloose,” “Skyfall,” “Like a Boss,” “Star Trek Beyond,” “The Rhythm Section” and More Premium Original Series Premiering and Returning This Summer Include iCARLY, EVIL, THE GOOD FIGHT, RuPAUL’S’ DRAG RACE ALL STARS, BEHIND THE MUSIC and More Paramount+ Will Stream Hundreds of Live Soccer Matches, Including Concacaf Men’s World Cup Qualifiers, UEFA Club Competitions, Italy’s Serie A, Campeonato Brasileirão Série A, NWSL, Argentina’s Liga Profesional de Fútbol and More New Ad-Supported Plan Launches Today for $4.99 per Month, Packaging the Best in Entertainment, News and Sports at an Even More Compelling Price Point NEW YORK--(BUSINESS WIRE)--Jun. 7, 2021-- Paramount+ today announced it will significantly expand its content offering this summer, starting with the exclusive premiere of the sci-fi action film “Infinite” and introduction of more than 1,000 premium movies this week. From generation-defining films and award-winning classics to thrilling action-adventure movies and family friendly hits, the world-class movie library will be complemented by a summer slate of highly anticipated originals, plus an unrivaled sports package that includes hundreds of marquee soccer matches. The new summer slate will roll out over the next several weeks, joining Paramount+’s already extensive content portfolio that is now available to subscribers at a new low-cost tier of just $4.99/month starting today.
    [Show full text]
  • FOOTLOOSE CHARACTER DESCRIPTIONS from the Author: the Major Characters in Footloose Have One Trait in Common: They Are All Survivors
    FOOTLOOSE CHARACTER DESCRIPTIONS From the author: The major characters in Footloose have one trait in common: they are all survivors. Their circumstances, no matter how tragic, have not defeated them. As a consequence, the audience finds them likable, sympathetic, and human. This means that each role is unique and presents the actor with specific challenges. Thumbnail sketches of some of these characters are provided below. There will be a lot of support with dancing. The show will be choreographed in a way that stretches students’ dancing abilities without hindering their performances. If you do not consider yourself a dancer, see learning choreography as another step in your education as a theatrical performer. MALE CHARACTERS REN MCCORMACK (Leading role, dancer) A teenage boy from Chicago. Ideally, Ren must sing and dance – and he must also be fairly witty. Ren is a joker who enjoys a good time (which is why his pals are upset to find out he’s leaving Chicago in the opening number). Lately though, his fun-loving attitude has taken on a tone of desperation. He is trying too hard to convince the world, and himself, that his father’s desertion hasn’t wounded him as deeply as it has. Ariel is the first character to get Ren to talk about that sticky subject. Sharing that intimacy early on becomes the basis for Ren’s and Ariel’s relationship. Ren’s emotional journey starts with his being feisty and flippant in Act 1, continues through his thoughtful argument to the Town Council, and ends with this emotional final confrontation with Reverend Moore.
    [Show full text]