Robert Barry

SELECTED SOLO EXHIBITIONS

2018 Parra & Romero, Madrid, Spain

2016 Robert Barry: Random, Galerie Untilthen, Saint Ouen, France Mary Boone Gallery, NYC, NY. Works from 1964 to 2016.

2015 Bethlehem Baptist Church, Los Angeles, California. “Robert Barry: Works 1962 until present’, Galerie Greta Meert, Brussels, Belgium “Robert Barry: All the Things I know 1962 to the present’, 205 Hudson Street Gallery, New York

2014 “Incomplete…”, Gallery Alfonso Artiaco, Naples, Italy “New Work Hamburg”, First Floor, Galerie Sfeir Sempler, Hamburg, Germany Barbara Krakow Gallery, Boston, Ma, USA “Robert Barry: Diptych, Window-Wallpiece”, Montclair Art Museum, New Jersey, US

2013 «Robert Barry», Le Consortium, Dijon, France “One Billion Colored Dots”, Montclair Art Museum, New Jersey, US “Robert Barry”, Galerie Greta Meert, Brussels

2012 “Robert Barry-Light and Dark, The Projections of Robert Barry 1967 - 2012, Galerie Yvon Lambert, Paris “Taking your time”, Michelle Didier, Paris “Robert Barry, SoundPieces”, Jan Mot, Mexico City “Different times, different works”, Galleria Massimo Minini, Brescia, Italy

2011 «Silver» Galerie Bugdahn und Kaimer, Düsseldorf «Troublesome» Galleria Alfonso Artiaco, Neapel «Golden Words» Giacomo Guidi MG Art, Roma «Robert Barry: Recent Mirrorpieces» Sperone Westwater, New York City

2010 «Words and Music» The Common Guild, Glasgow / Schottland «Recent Works» Galerie Sfeir-Semler, Hamburg

2009 «Choice: Something Else by Robert Barry» Galerie Bugdahn und Kaimer, Düsseldorf Galerie Greta Meert, Brüssel «Word Lists” Galerie Yvon Lambert, Paris «RB 62-08” Galerie Yvon Lambert, New York City

2008 «Works on Paper from the 1970s and a New Window piece», Galerie Bugdahn und Kaimer, Düsseldorf «It is, It isn’t - Live Performance» Jan Mot Gallery, Brussels, Belgium «Robert Barry» Ritter/Zamet Gallery, London

2007 «Robert Barry» Galleria Alfonso Artiaco, Neapel «Artists Books» Alfred Vandaele Showcase, Ghent, Belgium «New Multi-Part Colored Mirrorpieces» Galerie Greta Meert, Brussels, Belgium «Art and War» Klemens Gasser & Tanja Grunert Inc., New York City

2006 «An Installation and a Video» Galerie Yvon Lambert, Le Studio, Paris «Paintings, Drawings and Videos» Galerie Steinek, Wien «Old and New Works» Galerie Sfeir-Semler, Hamburg «Some Times» Galerie Bugdahn und Kaimer, Düsseldorf

2005 «25 Paintings and a Video» Gasser & Grunert Gallery, New York City «Reflets et Réflexions» Musée d’Orsay, Paris Galleria Massimo Minini, Brescia / Italien «Installation” Galerie Yvon Lambert Project Room, Paris “Robert Barry: Diptych, Window-Wallpiece for the Montclair Museum” The Montclair Art Museum, Montclair / New Jersey «Robert Barry and Jonathan Monk” Galerie Widmer, Zürich

2004 «New Mirrors. New Videos. Old Drawings» Galerie Sfeir-Semler, Hamburg «Robert Barry. Some places to which we can come. Works 1963 to 1975», Aargauer Kunsthaus Aarau, Aarau / Schweiz

2003 «Robert Barry. Some places to which we can come. Works 1963 to 1975» Kunsthalle Nürnberg, Nürnberg

2002 Galerie Yvon Lambert, Paris «Reflection - New Mirrorpieces and a Wallpiece» Galerie Bugdahn und Kaimer, Düs- seldorf

2001 «Project for McKinsey & Selected Works» McKinsey & Company, Düsseldorf «Robert Barry. old paintings new sculpture» Galerie Sfeir-Semler, Hamburg «Early Works, 1966-1973» Gasser & Grunert Gallery, New York City «Robert Barry - Drei Wandzeichnungen» Lenbachhaus, München

2000 «Four Yellow Pieces» Base: Progetti per L’Arte, Florenz «Reactions» Galleria Primo Piano, Rom 1999 «Robert Barry: Stay Away, Recent Installations» Holly Solomon Gallery, New York City «Robert Barry - It Can Be...Drei Dia-Installationen» Neues Museum Weimar, Weimar «Robert Barry: Werk of papier, schilderijen, grafiek en CD» Vous etes ici Editions, Amsterdam «Robert Barry: Paintings 1988-1994 + Windowpiece 1996» Galerie Bugdahn und Kaimer, Düsseldorf «Monochrome» Salle des Expositions Ecole Superieure des Beaux-Arts, Nimes / Frankreich

1998 Galerie Yvon Lambert, Paris Kunstraum Neue Kunst, Hannover The Box, Turin Galerie Sfeir-Semler, Hamburg

1997 Indianapolis Museum of Art, Indianapolis / Indiana Book Works, London «13 Works and Artist’s Book» Galerie Meert-Rihoux, Brüssel

1996 Dum Umeni Brno (Haus der Kunst), Brno / Tschechische Republik Galerie Steinek, Wien

1995 «Recent Works» Galerie Meert-Rihoux, Brüssel «Fellow Workers. Recent ‘Portraits’ from the Art World» Galerie Bugdahn und Kaimer, Düsseldorf «Robert Barry and Heinz Gappmayr», Kunstraum, Wien Galerie Klemens Gasser, Köln Galerie Steinek, Wien 1994 «Robert Barry», Galerie Yvon Lambert, Paris Holly Solomon Gallery, New York City «Wallworks and New Pieces» Galerie Art & Public, Genf

1993 Galerie Steinek, Wien «Drawings» Waßermann Galerie, München

1992 «Robert Barry. Photo Drawings» Galleria Ugo Ferranti, Rom «Wallpiece and New Works», Galerie Bugdahn und Kaimer, Düsseldorf Galerie Klemens Gasser, Bolzano Art & Project / Van Krimpen, Rotterdam

1991 Galeria 57, Madrid Le Consortium, Dijon «Details from ‘not intended’. A New Projection» Holly Solomon Gallery, New York City Galerie Foksal, Warschau Galerie Pierre Huber, Genf «Diptychs. New Works on Paper» Galerie Waßermann, Köln Galleria Ugo Ferranti, Rom

1990 Rena Bransten Gallery, San Francisco / California Galleria Massimo Minini, Brescia / Italien Galerie Yvon Lambert, Paris «Words, Space, Sound, Time» Haags Gemeentemuseum, Den Haag Leo Castelli Gallery, New York City Holly Solomon Gallery, New York City «Works 1967-1990» Galerie Meert-Rihoux, Brüssel Salama-Caro Gallery, London 1989 Holly Solomon Gallery, New York City Leo Castelli Gallery, New York City Julian Pretto Gallery, New York City Delfryd Celf Gallery, Wales Thomas Solomon’s Garage, Los Angeles / California «Robert Barry: Lavori su Carta 1975-1989» Galleria Ugo Ferranti, Rom Magazine, Centre National d’Art Contemporain, Grenoble Musée Saint Pierre, Art Contemporain, Lyon «Robert Barry. Works from 1967-1976» Julian Pretto Gallery, New York City Roy Boyd Gallery, Los Angeles / California

1988 Delfryd Celf Gallery, Wales Galerie Waßermann + edition e, München Galerie Yvon Lambert, Paris Holly Solomon Gallery, New York City «The Art Cologne Wallpiece» Galerie Paul Maenz, Köln «Soundpiece Variations Nr.3 - september 1987» Galerie Meert-Rihoux, Brüssel Sperone-Westwater Gallery, New York City

1987 Galleria Primo Piano, RomE Julian Pretto Gallery, New York City Delfryd Celf Gallery, Wales Galerie Ghislaine Mollet-Vieville, Paris Galerie Paul Maenz, Köln «Robert Barry & Lawrence Weiner» Galleria Christian Stein, Turin

1986 «Closed Gallery & Marcuse Piece» Delfryd Celf Gallery, Lloyds Bank, Wales «Robert Barry & Peter Downsbrough» Le Consortium, Dijon

1985 The Renaissance Society, University of Chicago, Chicago / Illinois 1984 «Robert Barry: Wallpiece» Galerie Yvon Lambert, Paris David Bellman Gallery, Toronto, Ontario / Kanada

1983 Leo Castelli Gallery, New York City Art & Project, Amsterdam Galleria Francoise Lambert, Mailand Galleria Locus Solus, Genua Galerie L’Hermitte, Coutances / Frankreich

1982 «Robert Barry: Graphik und Installationen» Ulmer Museum, Ulm Museum Folkwang, Essen Museum of Conceptual Art, San Francisco / California

1981 Galerie Yvon Lambert, Paris «All the Time» Leo Castelli Gallery, New York City Art & Project, Amsterdam «Robert Barry: dessins» CAPC - Centre d’Arts Plastiques Contemporains de Bordeaux, Bordeaux

1980 «Wallpiece» Leo Castelli Gallery, New York City «Banco» Galleria Massimo Minini, Brescia / Italien «Robert Barry. Colour Drawings» Galerie Paul Maenz, Köln «Fêtes Musicales de la Saint-Baume», Saint-Baume / Frankreich «1-80 Series: Robert Barry» Joselyn Art Museum, Omaha / Nebraska

1979 Galerie Paul Maenz, Köln Robert Barry: New Drawings» Galleria Francoise Lambert, Mailand Galerie Rolf Preisig, Basel «Again & Again» Leo Castelli Gallery, New York City 1978 «A Wall Drawing» Leo Castelli Gallery, New York City Galerie MTL, Brüssel Museum Folkwang, Essen Museum of Conceptual Art, San Francisco / California «Robert Barry: Prints, Drawings and Publications 1968-1978» Fine Arts Gallery, University of Colorado, Museum, Boulder

1977 «Almost» Galerie Paul Maenz, Köln «Endless Celebrations» Robert Self Ltd., London «Unless» Galerie Rüdiger Schöttle, München «Projectionen und Zeichnungen» Stedelijk Van Abbemuseum, Eindhoven und Museum Folkwang, Essen Galerie Yvon Lambert, Paris

1976 Leo Castelli Gallery, New York City Galleria Gian Enzo Sperone, Rom «Robert Barry, bulletin 97» Art & Project, Amsterdam Galerie Rolf Preisig, Basel Galerie Paul Maenz, Köln «Portrait, Part I» Julian Pretto Gallery, New York City «Portrait, Part II» P.S.I., Long Island City / New York Gian Enzo Sperone Gallery, New York City GalerIe Paul Maenz, Köln Cusack Gallery, Houston / Texas

1974 Galerie Yvon Lambert, Paris Galerie Paul Maenz, Köln Leo Castelli Gallery, New York City Jack Wendler Gallery, London «Robert Barry» Kunstmuseum Luzern, Luzern Galleria Sperone, Turin Galerie MTL, Brüssel Art & Project, Amsterdam Galerie Rolf Preisig, Basel «Robert Barry» Stedelijk Museum, Amsterdam Rhode Islands School of Design, Providence / Rhode Island, USA

1973 «Invitation Piece» Leo Castelli Gallery, New York City Galerie Foksal, Warschau «Invitation Piece» Galerie Yvon Lambert, Paris «Invitation Piece» Galerie MTL, Brüssel «Invitation Piece» Galleria Toselli, Mailand «Invitation Piece» Galleria Sperone, Turin «Invitation Piece» Galerie Paul Maenz, Köln Galleria Gian Enzo Sperone & Konrad Fischer, Rom Jack Wendler Gallery, London Kabinett für Aktuelle Kunst, Bremerhaven

1972 Leo Castelli Gallery, New York City Galleria Toselli, Mailand Galerie Paul Maenz, Köln «Slidepieces 1971-72, bulletin 51» Art & Project, Amsterdam Tate Gallery, London «Invitation Piece» Art & Project, Amsterdam «Invitation Piece» Jack Wendler Gallery, London

1971 Galerie Yvon Lambert, Paris «Robert Barry presents three shows and a review by Lucy R. Lippard» Galerie Yvon Lambert, Paris Galerie Paul Maenz, Köln «10.4.71, bulletin 37» Art & Project, Amsterdam Leo Castelli Gallery, New York City Eugenia Butler Gallery, Los Angeles

1970 «Closed Gallery Piece» Eugenia Butler Gallery, Los Angeles / California «Marcuse Piece» Galleria Sperone, Turin

1969 Seth Siegelaub, Los Angeles / California «Closed Gallery Piece, bulletin 17» Art & Project, Amsterdam «Closed Gallery Piece» Galleria Sperone, Turin

1964 Westerly Gallery, New York City SELECTED GROUP EXHIBITIONS

2017 Living with gods. Peoples, places and worlds beyond, British Museum, London, England The Transported Man., Eli and Edythe Broad Art Museum, East Lansing, Michigan

2016 Toda Percepcion es una Interpretacion: YOU ARE PART OF IT., Cisneros Fontanals Art Foundation, Miami, Florida Block Parts, Barbara Krakow Gallery, Boston, Massachusetts From the Collection: 1960-1969, The Museum of Modern Art, New York

2015 Cosa Mentale: Imaginary Teleathy in 20th Century Art, Centre Pompidou Metz, Metz, France Looking at Tomorrow: Light and Language from the Panza Collection, 1967-1990, Albright-Knox Art Gallery, Buffalo, New York The Xerox Book. Paula Cooper Gallery, New York City, New York Grey would be the color if I had a heart., Marc Straus Gallery, New York Selections from the Kramarsky Collection., David Zwirner Gallery, New York Construe une Collection, Nouveau Musée National de Monaco Second Chances, Aspen Art Museum, Aspen, Colorado Radiants, Bortolami Gallery, New York Conversations sur l’Invisible, Martine Aboucaya Gallery, Paris, Francce SIGNS/WORDS, Sperone Westwater Gallery, New York

2014 There Will Never Be Silence: Scoring John Cage’s 4’33’’. The Museum of Modern Art, New York City, New York A Particular Kind of Solitude., Elizabeth Street Garden, New York City, New York

2013 It Is., François Pinault Foundation, Venice, Italy When Attitudes Become Form, Fondazione Prada, Venice, Italy Sol LeWitt. Wall Drawings From 1968 to 2007., Centre Pompidou Metz, Metz, France Amazing! clever! Linguistic! An Adventure in Conceptual Art..., Generali Foundation, Vienna, Austria

2012 Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles, California Light Years: Conceptual Art and the Photograph, 1964-1977., The Art Institute of Chicago, Chicago, Illinois Materializing Six years: Lucy Lippard and the Emergence of Conceptual Art., Broo- klyn Museum, Brooklyn, New York Artlandic Wonder, Atlantic City, New Jersey Invisible: Art About the Unseen, 1957-2012, Hayward Gallery, London, England

2011 Le papier à l’oeuvre, Musée du Louvre, Paris, France Making Histories: Changing Views of the Collection, Stichting Stedelijk Museum, Amsterdam, The Netherlands Art=Text=Art: works by Contemporary Artists., University of Richmond Museum, Richmond, Virginia 20th Anniversary Exhibition, Museum für Moderne Kunst, Frankfurt am Main, Ger- many

2010 Double Bind/Stop Trying To Understand Me!., Villa Arson, Nice, France Less is More - Pictures, Objects, Concepts from the Collection and Archive of Her- man and Nicole Daled 1966 - 1978, Haus der Kunst, Munich, Germany Just Love Me, Museum d’Art Moderne, Luxembourg The Original Copy: Photography and Sculpture, 1839 to Today, The Museum of Mo- dern Art, New York City, New York 2009 “Voids, A Retrospective of Empty Exhibitions”, Centre George Pompidou, Paris “The Quick and the Dead, Walker Art Center”, Minneapolis Plein Air - Sommergarten, Art Forum and Palais am Funkturm, Germany Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles, California, US Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York City, New York In and Out of Amsterdam: Art and Project Bulletin, The Museum of Modern Art, New York City, New York

2008 “One More”, Esbjerg Kunstmuseum, Denmark “Un Coup de Des”, Generali Foundation, Vienna “Difference, What Difference?”, Art forum, Berlin “The Panza Collection”, Hirshhorn Museum and Sculpture Garden, Washington, DC “Imaginary Thing”, Aspen Art Museum, CO curated by Peter Eleey “The Winter Salon”, Bjorn Ressle Gallery, New York “Du Jardin au Cosmos”, Espace de l’art Concret, Mouans Sartoux, France “Oral Culture”, Jan Mot Gallery, Brussels,“It is, It isn’t” (live performance) “…5 Minutes Later” , KW Institute for Contemporary Art, Berlin “Once upon a time”, Yvon Lambert, Paris “MAXImin”, Fundacion Juan March, Madrid “Sound of Music”, Marres-Centre for Contemporary Culture, Maastricht, Holland “Paperweight”, Mehdi Chouakri, Berlin

2007 “1”, Bjorn Ressle Gallery, New York, (dedicated to Sol LeWitt) “Equinox: Permanent Collection Works from the 1960s and 1970s”, Museum of Contemporary Art, Los Angeles “Collection Dr. R. & H. Matthys – Colle”, Museum Dhondt-Dhaenens, Deurle, Belgium “Ils sont peintres/They are painters”, BSI Art Collection, BSI Infabanque, Paris “La parola nell’arte. Richerche d’avangardia nel 900. Dal futurismo ad oggi”, MART, Trento, Italy “Lines, Grids, Stains, Words”, The Museum of Modern Art, New York “Learn to Read”, Tate Modern, London, “Début de Siéle”, Centre National des Arts Plastiques, Paris -La Défense, “Deja-Vu: From the collection of Frac Nord-Pas de Calais”, Musée des Beaux-Arts, Tourcoing, France, Curated by Hans-Peter Feldmann “Des Fantômes et des Anges: Extraits des Collections du Musée d’Art Moderne Lille Métropole”, Musée des Arts Contemporains, Hornu, Belgium, “Performa 07: A Spoken Word Exhibition”, Swiss Institute, Contemporary Art, New York Curated by Mathieu Copeland “Des Oeuvres de la Collection Billarant”, Chez Dominique Perrault Architecture, Paris “Some Time Waiting”, Kadist Art Foundation, Paris “Sammlung”, Generali Foundation, Vienna “Sound of Music”, Broelmuseum, Courtrai, France, travels to Marres Center for “Contemporary culture in Maastricht”, Netherlands, Espace 36 in St. Omer, France “Text Works”, Norma Desmond Production, Los Angeles “Romantic Conceptualism”, Kunsthalle Nuernberg, travels to Bawag Foundation, Vienna “small is beautiful”, Klemens Gasser & Tanja Grunert, Inc., New York

2006 ”Dedica 1986-2006, 20 Anni della Galleria Alfonso Artiaco”, Pan Palazzo delle Arti Napoli, Naples “Art Metropole: The Top 100”, The National Gallery of Canada, Ottawa “Hadith”, Sfeir-Semler Gallery, Beruit “Busy Going Crazy, Collection Sylvio Perlstein”, La Masion Rouge, Paris, “WORD”, Deborah Colton Gallery, Houston, “…Concept Has Never Meant Horse.”, Generali Foundation, Vienna “Inventory, Works from the Herbert Collection”, Kunsthaus Graz, Germany “Plane/Figure: American Art from Swiss Collections”, Winterthur Kunstmuseum, Switzerland, “1968”, Solo Projects, Los Angeles “New Work”, Klemens Gasser & Tanja Grunert, Inc., New York “Sol LeWitt, Robert Barry, Daniel Buren, Wall Drawings”, Albion Gallery, London, “ Le Movement des Images, Art, Cinéma”, Centre National d’Art et de Culture Georges Pompidou, Paris, “Public Space/ Two Audiences, Works and Documents from the Herbert Collection”

Museu d’Art Contemporani de Barcelona, travels to: Kunsthaus Graz, Austria “Message Personnel”, Yvon Lambert, Paris “On Ongoing Low-Grade Mystery”, Paula Cooper Gallery, New York curated by Robert Nickas

2005 “Not a Drop but a Fall”, Kunstlerhaus Bremen, Germany “What Would a World Without Paper be Like?”, Vous Etes Ici, Amsterdam, “Colección Alfonso Artiaco, Out of Sight, Out of Mind”, Palacio de Sástago, Zara- goza “Private View 1980-2000, Collection Pierre Huber”, Le Musée cantonal des Beaux- Arts de Lausanne, Switzerland “Collection Sigrid and Franz Wojda International Minimalist, Conceptual, and Analy- tic Painting, 1960 to the Present”, Museum Moderner Kunst Stiftung Ludwig, Vienna “Rainbow”. Sfeir-Semler Gallery, Beirut “Editions 1998 – 2005”, Vous Etes Ici, Amsterdam, “Today is Just a Copy of Yesterday”, Jan Moet, Brussels, “Central Station, Collection Harald Falckenberg”, La Maison Rouge, Paris “What’s New Pussycat?”, Museum Fur Moderne Kunst Frankfurt am Main, Frankfurt, Germany “Slide Show”, Baltimore Museum of Art, travels to Contemporary Arts Center, Cin- cinnati The Brooklyn Museum of Art, New York “Before the End (The Last Painting Show)”, Le Consertium, Dijon, France, travels to the Swiss Institute - Contemporary Art, New York “Not Done! The Artist’s Book”, Museum Van Hedendaagse Kunst Antwerpen, An- twerp, Belgium “Not Done! The Artist’s Book”, Arcadia University Art Gallery, Spruance Art Center, Glenside, PA “Kunst – Licht”, Hallen Fur Kunst Freiburg, Freiburg, Germany “Strange, Familiar, and Unforgotten”, Erna Hecey Gallery, Brussels, Belgium “Today is Just a Copy of Yesterday”, Jan Mot Galerie, Brussels, Belgium

2004 Intra-Muros, MAMAC, Nice, France Not done, Museum van Hedendaagse Kunst Antwerpen The Big Nothing Institue of Contemporary Art, (ICA) Phildelphia A Minimal Future? Art As Object 1958-1968, MOCA,Los Angeles, California Beyond Geometry: Experiments in Form, 1940- 1970, County Museum of Art, LA, California Minimal Artists try to make Something look like Nothing and Conceptual Artists try to make Nothing like Something, or is It the Other Way Round, Yvon Lambert New York, USA From a Collection – For a Collection / Aus einer Sammlung – Für eine Sammlung, Galerie Bugdahn und Kaimer, Düsseldorf, Germany Nothingness, Galerie Eugen Lendl, Graz, Austria Sign Languaga, MOCA at The Geffen Contemporary, Los Angeles, California, USA Kunst – Licht, E- Werk Hallen für Kunst, Freiburg, Germany Collection Agnès B., Les Abattoirs – Frac Midi- Pyrénées, Toulouse, France The Snow Show”Lapland, Finland “Don’t Expect Anything,” Massimo Minini Gallery, Brescia, Italy

2003 Text Work, Museo di Arte Moderna, Bologna, Italy Rendez-vous# 4, Collection Lambert, Avignon, France Samadhi: The Contemplation of Space, Chelsea Art Museum, New York “Work Ethic,” Baltimore Museum of Art “Minimal to the Max – The Brownstone Collection”, Norton Museum of Art, West Palm Beach

2002 Sculpture, Galerie Bugdahn und Kaimer, Düsseldorf, Germany L’art Mol et Raide...Nouvelle présentation de la collection, Muséé d’art contemporain de Lyon Multiples objets du désir, Musée des Beaux Arts de Nantes, Nantes Between Works and Words, Maurice Keitelman Gallery, Brussels

2001 Silent Stories, Galerie Steinek, Vienne, Austria Extra Art, A Survey of Artists’ Ephemera, 1960 –1999”, California College of Arts and Crafts, San Francisco “Art Express, Art Minimal and Conceptuel Américain, 1961-1971”, Musée d’Art Mo- derne et Contemporain (MAMCO), Geneva, Switzerland, “À Fur et à Mesure”, Espace de L’Art Concret, Mouans-Sartoux, France “White Sculpture and Painting in the 20th Century”, Oeffentliche Kunstsammlung Basel “EMPATHY: Beyond the Horizon”, Pori Art Museum

2000 Extra Art, A Survey of Artists Ephemera, 1960 –1999, California College of Arts and Crafts, San Francisco (catalogue) Art Express, Art Minimal and Conceptuel Américain 1961-1971 Musée d’Art Moderne et Contemporain (MAMCO), Geneva, Switzerland À Fur et à Mesure Espace de L’Art Concret, Mouans-Sartoux, France, (catalogue) White Sculpture and Painting in the 20th Century, Oeffentliche Kunstsammlung Basel, Switzerland EMPATHY: Beyond the Horizon ,Pori Art Museum, Pori, Finland, (catalogue) Maurice Keitelman Gallery, Brussels, Belgium Zwischenraum # 4. Arbeiten mit fotograpie, Galerie Bugdahn & Kaimer, Düsseldorf, Germany Silent Stories, Galerie Steinek, Vienna, Austria Space Co-Opted, Andrew Kreps Gallery, New York, USA Probation Area / Versuchsfeld. Arte Povera, Conceptart, Minimal Art, Land Art. Die Sammlung Marzona, Museum fûr Gegenwart Hamburger Bahnhof, Berlin, Germany Zwischenraum # 5. Skulpuren und Objekte, Galerie Bugdahn & Kaimer, Düsseldorf, Germany

1999 Postmedia: Conceptual Photography in the Guggenheim Museum Collection, Solomon R. Guggenheim Museum, New York, USA

Tempus Fugit Nelson Atkins Museum of Art, Kansas City, Missouri, USA Museion, Museo d’Arte Moderna, Bolzano, Italy, “Stanze” (catalogue) Silver Shining, The Box, Turin, Italy Pur , Maidstone Library, Kent, England L’Artiste – Concepteur a New York, MJC, Dunkerque La Collection de Photographie d’agnes b , Centre National de la Photographie, Paris, France (E Così Via) (And So On) 99 Artisti della Collezioni Marzona, Galleria Comunale d’Arte Moderna e Contemporanea, Rome, Italy (catalogue) Rendez-vouz, Musée d’Art Contemporain, Collection Lambert, Avignon, France (catalogue) Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects, Works from the Collection of Annick and Anton Herbert” Casino Luxembourg, Luxembourg (catalogue) Flashing Into the Shadows: The Artist’s Film After Pop and Minimalism 1966 – 1976, Whitney Museum of Modern Art, New York, USA Zwischenraum #3, Editionen + Multiples, Galerie Bugdahn & Kraimer, Düsseldorf Suit Voices #2, Vous Etes Ici, Amsterdam, Netherlands

1998 Die Sammlung Paul Maenz, Neues Museum Weimar, Weimar, Germany Zwischenraum #1,Malerei, Galerie Bugdhan und Kaimer, Düsseldorf, Germany L’Art and Ecritt, Espace Gallery, New York, USA Zwischenraum #2, Arbeiten auf Papier, Galerie Bugdhan und Kaimer, Düsseldorf, Germany Wall Drawings: Robert Barry, Douglas Huebler, Sol Lewitt, Gordon Matta-Clark, Lance Fung Gallery, New York, USA Conceptual Art+Land Art 1969-1979, Galerie Bugdhan und Kaimer, Düsseldorf, Ger- many Past Forward, Holly Solomon Gallery, New York Scripta Manent, Esso Gallery, New York Searchlights: Consciousness at the Millenium, California College of Arts And Crafts, San Francisco, California, (catalogue) The Artists of the Leo Castelli Gallery 1957-1997, Forty Years of Exploration and Inno- vation Leo Castelli Gallery, New York La Collection Yvon Lambert ,Yokohama Museum of Art, Yokohama, Japan (cata- logue) Sans Titre à dix ans , La Musée D’Art Moderne Lille Métropole, Lille, France Meteore, The Box, Turin, Italy The Information Age , Susan Inglett, New York, (curated by David Platzker) Les Instruments de la Passion Cloister of the Jesuits, Nimes, France (curated by Rene Denizot)

1997 Critical Images: Conceptual Works from the 1960s to the Present, Leslie Tonkonow, New York Forms Du Simple-exercises D’Associations, Villa du Parc, Annemasse, Switzerland La Rayure L’Intervalle Le Jour, Frac Nord-Pas Calais, Dunkerque, France Artists-50 Video Portraits/ 50 Works, Kunsthaus Bregenz, Bregenz California Palace of the Legion of Honor, San Francisco, California, (catalogue) Concrete Poetry and Conceptual Art, Kunstverein Rosenheim, Rosenheim, Germany Newark Museum, Newark, New Jersey, curated by Joe Jacobs, (catalogue) Vous Etes Ici Editions, Art Forum Berlin, Berlin Germany Le Bel Aujourd’hui, Le Nouveau Musée-Institut France Rhone-Alpes, Villerbanne, France

1996 Foto Text Text Foto , Frankfurter Kunstverein, Frankfurt, (catalogue) Travaux Publics (Public Works), Stedelijk Van Abbemuseum, Eindhoven, Holland, (catalogue and print folio) En Filigrane, Bibliotheque Nationale de France, Galerie Colbert, Paris, France, (cata- logue) Styki/Contact Prints Galerie Foksal, Warsaw, Poland (catalogue) Galerie Analix, Geneva, Switzerland Galerie Steneik, Vienna Itinerant Texts, Traveling Exhibition in the U.K. and U.S. organized by Book Works, London, England, (catalogue) Happy Hour, Gilbert Brownstone & Cie, Paris, France Projects de 1990 a 1996 dans l’espace médiatique, Museum in Progress, FRAC, Cahmpagne-Ardenne Reims, France Robert Barry, Douglas Huebler, Sol Lewitt: Early and Recent Works, Thomas Solo- mon’s Garage. Los Angeles Black, Grey and White”, Galerie Bugdhan und Kaimer, Düsseldorf, Germany 1994 Géometrie Sacrée , Galerie des Beaux Arts, Brussels On the Line: selections from the Lewitt Family Collection, Wadsworth Atheneum, Hartford, Conneticut, USA Die Sammlung Marzona,Palais Lichtenstein, Vienna,(catalogue) Abstand und Naehe”, Prospect ‘68-‘69-’71, Galerie Bugdhan und Kaimer, Düsseldorf In Vivo, various locations in Geneva Copie-Grafien , Neues Museum, Weserburg Bremen, Germany, (catalogue) Les Fragments du Désir, Place Royale, Brussels En Voyage; 45 degrees Nord and Longitude O, various locations, organized by CAPC Musee d’Art Contemporain de Bordeaux, France Contemporaneously, Castello di Baia, Naples, Italy (catalogue) Murs du Sons, Villa Arson, Nice, France (catalogue) Julien’s Show II, Littlejohn-Sternau Gallery, New York, USA Mapping a Response to MoMA, American Fine Arts Co., New York, USA (catalogue) Corps de la Memoire, L’Espace d’Art Moderne et Contemporain de Toulouse et Midi- Pyrenees, France (catalogue) 1965 – 1975: Reconsidering the Objects of Art, The Museum of Contemporary Art, Los Angeles, USA Neue Galerie am Landesmuseum Joanneum Graz, Graz, Austria “Pittura/Immedia, Painting in the 90’s” (catalogue) Dubbel Spel, Stedelijke Academie Voor Schone Kunsten, Sint-Niklaas, Belgium (cata- logue) Passions Privées, Musée d’Art Moderne de la Ville de Paris, Paris, France (catalogue)

1993 Pour les Chapelles de Vence, Chateau de Villeneuve, Vence, France travelled to Espace des Arts, Chalon-sur–Saone, and CAPC Musee d’Art Contemporain, Bor- deaux (catalogue) Werke aus der Sammlung Paul Maenz, Schlossmuseum Weimar, Weimar, Germany Dialogues Provincial Museum, Hasselt, Belgium (catalogue) Visceral Responses Holly Solomon Gallery, New York Paula Cooper Gallery, New York; Le Consortium, Dijon, France; Le Capiton, Centre d’Art Contemporain, Frejus, France; Staedtische Galerie Goppingen, Germany; Galleria Massimo de Carlo, Milan; Hara Museum of Contemporary Pictures of the Real World (In Real Time), Art, Tokyo (organized by Robert Nickas) (catalogue) Rudiments d’un Musee Possible, Musee d’Art Moderne et Contemporain, Geneva, Switzerland Wall to Wall, Southhampton City Art Gallery, Southhampton, United Kingdom (cata- logue) From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., USA (catalogue)

1992 Live in Your Head, Heiligenkreuzerhof/Galerie Metropol, Vienna, Austria (curated by Robert Nickas) (catalogue) Le Monde En Eclats, L’Oevre En Effraction, Galerie Yvon Lambert, Paris, France Out of Sight, Out of Mind, Lisson Gallery, London, United Kingdom Die Sprache der Kunst, Kunsthalle Vienna; Frankfurter Kunstverein, Frankfurt, Ger- many (catalogue) Gegenbilder, Ueberwasserkirche, Munster, Germany, (catalogue) Sound, Museion, Museo d’Arte Moderna, Bolzano, Italy, (catalogue)

1991 Words, Kunje Gallery, Seoul, Korea Harry Shunk Projects: Pier 18, Musee d’Art Moderne, Nice, France Uit de eigen collectic: Weiner, Barry & Kosuth, Stedelijk van Abbemuseum Robert Barry, Bryan Hunt, Allan McCollum, Dennis Oppenheim Galerie Senda, Bar- celona, Spain Yvon Lambert Collectione, Musee d’art moderne, Villeneuve d’Ascq, France Knowledge, Aspects of Conceptual Art, University Art Museum, Santa Barbara, Cali- fornia, USA, (catalogue) Open Mind: The LeWitt Collection, The Wadsworth Atheneum, Hartford, Connecti- cut, USA (catalogue) Robert Barry, Marianne Eigenheer, Mic Enneper, Peter Hutchinson, Jürgen Klauke, Marie Jo Lafontaine, Galerie Bugdahn und Kaimer, Düsseldorf, Germany 1990 Teorici Americani, Studio Oggetto, Milan, Italy Nicole Klagsbrun Gallery, New York, USA 8 Young Artists, Then + Now, 1964 – 1991, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, USA (curated by E.C. Goossen) Buchstaeblich, Words and Images in Today’s Art, Van Der Heydt Museum, Wupper- tal, Germany, (catalogue) Tre Opere 1965 – 1975, John Baldessari, Robert Barry, Lawrence Weiner Prino Piano, Rome, Italy The Painted Desert, Galerie Renos Xippas, Paris, (curated by Robert Nickas) (cata- logue) Denk-Bilder, Kunst der Gegenwart 1960 – 1990, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany (catalogue) Aussenraum-Innenstadt, Hannover, Germany (catalogue) 1964, Daniel Newburg Gallery, New York (curated by Robert Nickas) (catalogue)

1988 60’s Revisited—New Concepts / New Materials, Leo Castelli Gallery, New York, USA Art Redefined, Rena Bransten Gallery, San Francisco, California, USA Robert Barry, Marianne Heske, Vladimir Zakrewski, Nahan Contemporary, New York, USA Red, Galerie Christine and Isy Brachot, Brussels, Belgium, (curated by Robert Nickas) (catalogue) Concept—Decoratif; Anti-Formalist Art of the 70’s, Nahan Contemporary, New York, USA (catalogue) No Trends, Nahan Contemporary, New York, USA From the Collection of Herbert and Dorothy Vogel, The Art Museum at Florida Inter- national University, Miami, Florida, USA (catalogue) Beyond the Frame, Rubin Spangle Gallery, New York, USA Language in Art, The Aldrich Museum of Contemporary Art, Ridgefield Conneticut, USA (catalogue) Conceptual Art, Minimal Art, Arte Povera, Land Art, Sammlung Marzona, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Conceptual Art Conceptual Forms, Galerie 1900 – 2000, Paris, France Word as Image, American Art 1960 – 1990, Milwaukee Art Museum, Milwaukee, Wisconsin Word as Image, American Art 1960 – 1990, Contemporary Arts Museum, Houston Texas (catalogue) Der Freie Raum, Wasserman Galerie, Munich, Germany (catalogue) Vom Verschwinden der Ferne, Deutsches Postmuseum, Frankfurt, Germany (cata- logue) Inquiries, Language in Art, Art Gallery of Ontario, Toronto, Ontario, Canada (Exhibi- tion traveled to other galleries in Canada) (catalogue) Information, Terrain Gallery, San Francisco, California, USA Works from the Seventies, Hal Bromm Gallery, New York, USA Art and Language, Thomas Siegal Gallery, Boston, Massachusetts, USA From Concept to Content: Robert Barry, Stanley Brown, Daniel Buren and Lawrence Weiner, Art Gallery, York University, Toronto, Canada (curated by David Bellman) (catalogue) Une Autre Affaire, Musee des Beaux Arts, Dijon, France Words, Tony Shafrazi Gallery, New York, USA Disappearances, Nahan Contemporary, New York, USA Pas A Cote Pas N’Importe Ou 4, Centre National des Arts Plastiques, Villa Arson, Nice, France Frankfurter Kunstverein and Schirn Kunsthalle Frankfurt, Frankfurt, Germany; Montreal, Quebec, Canada (catalogue) Minimal + Conceptuel, Galerie Gabrielle Maubrie, Paris, France Ideas and Ephemera, Real Art Ways, Hartford, Connecticut, (curated by Robert C. Morgan)

1986 Marcel Duchamp und die Avant-Garde seit 1950, Museum Ludwig, Cologne, Ger- many (catalogue) Robert Barry, Stanley Brouwn, Daniel Buren, Alan Charlton, Lawrence Weiner, Ian Wilson, Victoria Miro Gallery, London,United Kingdom Schlaf der Vernunft, Museum Fridericianum Kassel, West Germany Collection DV, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands; Carre d’Art, Musee d’Art Contemporain, Nimes, France (catalogue) Modes of Address: Language in Art since 1960, Whitney Museum of American Art, Federal Reserve Plaza, New York, USA Art Conceptual I, Musee d’Art Contemporaine de Bordeaux, France (catalogue) 20th Anniversary Group Exhibition, Paula Cooper Gallery, New York, USA Group Show, Galerie Paul Maenz, Cologne, Germany, (catalogue) 20th Anniversary Group Exhibition, Paula Cooper Gallery, New York, USA Group Show, Galerie Paul Maenz, Cologne, Germany, (catalogue)

1987 Beyond the Picture: Works by Barry, LeWitt, Mangold and Tuttle from the Collection of Dorothy & Herbert Vogel, Kunsthalle Bielefeld, Germany Dessins, Galerie Catherine Issert, Paris, France Leo Castelli & His Artists: 30 Years of Promoting Contemporary Art, Centro Cultura Art, Mexico City, (catalogue) Pictorial Grammar, Barbara Krakow Gallery, Boston, USA Galerie Johnen und Schöttle, Cologne, Germany Robert Barry, Pier Paolo Calzolari, Giulo Paolini, Lawrence Weiner, Francoise Lam- bert Gallery, Milan, Italy Robert Barry, John Baldessari, Stanley Brouwn, Gunther Tuzina, Lawrence Weiner, Castello di Rivoli, Museo d’Art Contemporanea, Turin, Italy

1985 American Renaissance: Painting and Sculpture since 1940, Museum of Art, Ft. Lauderdale, Florida, (curated by Sam Hunter) (catalogue) Individuals: A Selection of Contemporary Art, The Museum of Contemporary Art, Los Angeles, (catalogue)

1984 Oeuvres Moderns d’Art Contemporain, Yvon Lambert Gallery, Paris, France The Maximal Implications of the Minimal Line, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York, USA, (catalogue)

1983 ROSC ’84, The Guiness Hop Store, Dublin, Ireland, (catalogue) Galeria Francoise Lambert, Milan Content: A Contemporary Focus, 1974 – 1984, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA (catalogue) Regard sur la Quatrieme Dimensioin: L’Art et Le Temps, Palais des Beaux-Arts de Bruxelles, Brussels, Belgium Im Toten Winkel, Kunsthaus, Hamburg, Germany Drawings by Sculptors: Decades of Non-Objective Art in the Seagram Collection, Seagram Building, New York, USA, (travelling exhibition) Acquisition 1984: Art Contemporain, Musee Saint-Pierre, Lyon, France Selections from the Collection of Sol LeWitt, University Art Museum, California State University. Long Beach, California, USA

1982 Sessanta Opere, Massimo Minini, Brescia, Italy Master Works of Conceptual Art, Paul Maenz, Cologne, Germany Conception II, A Pierre et Marie, Paris, France

1981 Documenta VII, Kassel, Germany, (catalogue) Artists’ Photographs, Crown Point Press, Oakland, California, (catalogue) Sans Titre, Musee de Toulon, Toulon, France Livres d’Artistes, Musee d’Art Contemporain, Montreal, Canada Antiform et Arte Povera: sculptures 1966 – 69, Centre d’Art Plastique Contemporains de Bordeaux, France Castelli and His Artists, La Jolla Museum of Contemporary Art, La Jolla, California: Aspen Center for the Visual Arts, Aspen, Colorado; Leo Castelli Gallery, New York; Portland Center for the Visual Arts, Portland, Oregon; Laguna Gloria Art Museum, Austin Texas; (catalogue) Postminimalism, The Aldrich Museum, Ridgefield, Conneticut, USA Musique-Son-Language-Theatre, Musee d’Art Contemporain, Montreal, Canada (catalogue)

1980 Westkunst, Internationale Ausstellung Köln, Germany (catalogue) 4 x 7 from the Vogel Collection, Ben Shahn Gallery, William Patterson College, Wayne, New Jersey, USA (catalogue) 1979 Music, Sound, Language, Theatre, Cowell College Gallery, University of California, Santa Cruz; Oakland Museum, Oakland California, USA Sammlung Panza, Städtische Kunsthalle, Düsseldorf; Stedelijk Museum, Amsterdam, Netherlands Drawings to Benefit the Foundation for Contemporary Performance Arts, Inc, Leo Castelli Gallery, New York, USA

1978 Halle Fuer Internationale Neue Kunst, Zurich, Switzerland (catalogue) The Literal Use of Time, Ulrich Museum of Art, Wichita State University, Wichita, Kansas, USA Words Words, Museum Bochum, Bochum, Germany Words Words, Palazzo Ducale, Genova, Italy Une Exposition d’Artistes Invites par Ian Wilson, Centre Pompidou, Paris, France 73rd American Exhibition, The Art Institute of Chicago, Chicago, Illinois, USA

1977 Bookworks, Museum of Modern Art, New York, USA Fruit Market Gallery, Edinburgh, Scotland (catalogue) Carlisle Museum and Art Gallery, Carlisle, England Open to New Ideas: A Collection of New Art for Jimmy Carter, Georgia Museum of Art, Athens, Georgia, USA Robert Barry, Don Judd, Robert Morris, Keith Sonnier, Leo Castelli Gallery, New York, USA Words, Whitney Museum of American Art, New York, USA Words at Liberty, Downtown Branch, Museum of Contemporary Art, Chicago Illinois, USA Robert Barry, Barbara Jo Reville, Art Brewer, Robert Schiappacasse, Camerawork, Inc., San Francisco, USA Works from the Collection of Herbert and Dorothy Vogel, University of Michigan Museum of Art, Ann Arbor, USA Conceptual Art, Julian Pretto Gallery, New York, USA Audio Works, Artists Space, New York, USA New Works, Julian Pretto Gallery, New York, USA 1975 Drawing, USA, Cannaviello Studio d’Arte, Rome, Italy Survey, Part II, Sable-Castelli Gallery, Ltd., Toronto, Canada Ideas on Paper 1970 – 76, The Renaissance Society at the University of Chicago, USA Projects/Drawings/Diagrams, Paul Maenz, Cologne, Germany Language & Structure in North America, KAA Gallery, Toronto, Canada, (traveling exhibition at the Kensington Art Association) Painting, Drawing & Sculpture from the Collection of Dorothy and Herbert Vogel, The Clocktower, New York; The Institute for Contemporary Art, Philadelphia, Penns- ylvania; Contemporary Art Center, Cincinnati, Ohio, USA Word, Image, Number, Sarah Lawrence College Gallery, Bronxville, New York, USA (catalogue)

1974 Art Now, The John F. Kennedy Center for the Performing Arts, Washington, D.C., USA Ninth Anniversary Exposition, Art and Project, Amsterdam/MTL, Antwerp, Belgium De Mathematica, Galleria Dell’Obelisco, Rome, Italy 13 Projects ’74 Artists, Paul Maenz, Cologne, Germany Concept Art, Kunstverein, Braunschweig, Germany Kunst bleibt Kunst Project ’74, Kunsthalle, Cologne, (catalogue)

1973 Contemporanea, Parcheggio di Villa Borghese, Rome, Italy (catalogue)

1972 Notes and Scores for Sounds, Mills College, Oakland, California, USA (catalogue) Documenta 5, Kassel, Germany, (catalogue) Konzept”-Kunst, Basel, Switzerland, (catalogue) Art Without Limit, Memorial Art Gallery, Rochester, New York Cologne Art Fair, Cologne, Germany Biennale di Venezia, Venice, Italy Kunst Als Boek, Stedelijk Museum, Amsterdam, Netherlands Actualite d’un Bilan, Galerie Yvon Lambert, Paris, France, (catalogue) Art and Project, Amsterdam, Netherlands Das Konzept ist die Form, Westfaelischer Kunstverein, Landesmuseum, Münster, Germany (catalogue) Drawing, Museum of Modern Art, Oxford, United Kingdom

1971 Conceptual Art, Sir George Williams University, Montreal, Canada At the Moment, Zagreb, Yugoslavia Artist, Theory & Work, Kunsthalle Nurnberg, Germany, (catalogue) Eight Proposals, Francoise Lambert, Paris, France Conceptual Extension, Galerie 16, Kyoto, Japan Concept Art, Westfalischer Kunstverein zu Munster, Germany, (catalogue) Art Systems, Centro de Arte y Comunicacion and Museum of Modem Art of Buenos Aires, (catalogue) Project: Pier 18, Museum of Modern Art, New York, USA In Another Moment, Galerie SKC, Belgrade, Yugoslavia, (catalogue) Prospect 71, Düsseldorf, Germany (catalogue) Biennale de Paris, Paris, France

1970 String and Rope, Sidney Janis Gallery, New York, USA (catalogue) 18 Paris IV, ’70, Paris, France (catalogue) Art in the Mind Allen Memorial Art Museum, Oberlin College, Ohio, USA Projections: Anti-Materialism, La Jolla Museum of Art, La Jolla, California, USA (catalogue) Conceptual Art and Conceptual Aspects, New York Cultural Center, New York, USA (cata- logue) Information, Museum of Modern Art, New York, USA (catalogue) Conceptual Art and Arte Povera, Land Art, Galleria Civica d’Art Moderna, Turin, Italy, (catalogue) Nirvana, Kyoto Municipial Museum of Fine Arts, Kyoto, Japan Art and Project, Amsterdam, Netherlands Concept and Concept Galleria San Fedele, Milan, Italy, (catalogue) Nigel Greenwood Gallery, London, United Kingdom Critic’s Choice, New York State Council of the Arts, New York, USA Groups, Studio International London, United Kingdom (a magazine exhibition orga- nized by Seth Siegelaub) Art and Project, Amsterdam, Netherlands Software, The Jewish Museum, New York, USA, (curated by Jack Burnham) (catalogue)

1969 San Francisco Art Institute, California, USA Paula Cooper Gallery, New York, USA Simon Fraser University, Vancouver, British Columbia (catalogue) Conception-Perception, Eugenia Butler Gallery, Los Angeles, USA July, August, September, Seth Siegelaub, New York, USA (catalogue) 557,087, Seattle Art Museum Pavillion, Seattle, Washington, USA 995,000, Vancouver Museum of Art, Vancouver, British Columbia, (cat.) Prospect 69, Kunsthalle Düsseldorf, Germany (catalogue) groups, School of Visual Arts Gallery, New York, USA January 5-31, 1969, Seth Siegelaub, New York, USA (catalogue) March 1969, Seth Siegelaub, New York, USA (catalogue) When Attitudes Become Form..., Kunsthalle Bern, Germany When Attitudes Become Form..., The Institute of Contemporary Art, London Op Losse Schroeven, Stedelijk Museum, Amsterdam, Netherlands Folkwang Museum, Essen, Germany (catalogue)

1968 Bradford Junior College, Bradford, Massachusetts, USA Windham College, Putney, Vermont, USA The Square Painting, American Federation of Art, New York, USA Paula Cooper Gallery, New York Xerox Book, Siegelaub-Wendler, New York, USA

1967 Muller Gallery, Stuttgart

1966 Stephen Radich Gallery, New York Systematic Painting, The Guggenheim Museum, New York, USA (catalogue) Distillation, Tibor de Nagy Gallery, New York, USA Stable Gallery, New York, USA (curated by E.C. Goossen) The New Edge, Westerly Gallery, New York, USA

1964 American Federation of Arts, New York, USA (traveling exhibition) Eight Young Artists, Hudson River Museum, Yonkers, New York, USA Eight Young Artists, Bennington College, Bennington, Vermont, USA, (curated by E.C. Goossen) (catalogue)

SELECTED PUBLIC INSTALLATIONS

1999 Fitterman Hall, Borough of Manhattan Community College, New York (Hardy, Holzmann, Pfeiffer Associates, Architects) (delayed) Versicherungskammer Bayern, Munich, Germany Innogenetics Biotechnology Research Corporation, Ghent, Belgium 1998 L.H.I. Leasing, Munich, Germany Café of the New Museum of Contemporary Art, Weimar 1997 D.G. Bank, Frankfurt, Germany 1996 Theatre de la Ville les Abessess, Paris (Charles Vandenhove, architect) Hotel Windsor, Nice, France Finstral, Gochsheim, Germany 1992 Kapel de Liefde, Amsterdam Arzneimittel GmbH & Co., Laupheim, Germany

SELECTED BIBLIOGRAPHY (books by the artist)

2008 One Billion Colored Dots, MFC – Michele Didier, Brussels, Belgium One Plate Book, One Star Press, Paris 2007 Autobiography, published by des Éditions Incertain Sens, Rennes, France 2006 Art Lovers, mfc- Michèle Didier Editions, Brussels, Belgium 1995 Going through, Alain Buyse Publisher, Lille, France 1992 Come On, Imschoot Publishers, Gent, Belgium Musing From My Leisure, with text by Jean-Claude Lebensztejn, Published by Yvon Lambert, Paris 1982 There It Is, Ottenhausen Verlag, Aachen, Germany 1980 It Is About Time, Il Est Temps, with Rene Denizot, Yvon Lambert Editions, Paris 1977 Belmont 1967, Van Abbemuseum Eindhoven and Museum Folkwang Essen, Eindho- ven, The Netherlands and Essen, Germany 1974 Words and Trees, Art and Project, Amsterdam All the Things I Know but of Which I Am Not at the Moment Thinking- 1:36 pm, June 15, 1969, Stedelijk Museum, Amsterdam

1972 Two Pieces, Edition Sperone, Turin It Is…It Isn’t, Yvon Lambert, Editions, Paris 1971 One Billion Dots, Editions Sperone, Turin 30 Pieces as of 14 June 1971, Gerd de Vries, Cologne, West Germany 1970 An Untitled Book published by Editions Sperone, Turin

ARTICLES/ INTERVIEWS / BOOKS

2006 No.1: First Works by 362 Artists, edited by Francesca Richer and Matthew Rosen- zweig, Distributed Art Publishers, Inc. Magasin – Le Livre/The Book, Magasin-Centre National d’Art Contemporain de Gre- noble in collaboration with JRP/ Ringier, Zurich 2005 Real …..Personal, Robert Barry, Interview with Luca Cerizza, All Around All – BSI Art Collection, Lugano, JRP/ Ringier, Zurich Charles Vandenhove Art in Architecture, text by Éric Mézil, Gent-Amsterdam, Lu- dion. The Snow Show, edited by Lance Fung, Thames and Hudson, New York Reed, John, Gay City News, Volume 4, Issue 3, January 20-26, 2005, “The Word is Concept”, Review L’art du XXe siècle, edited Daniel Soutif, text by Jean-Pierre Criqui, published by Citadelles & Mazenod, Paris Philosophy and Conceptual Art, Oxford University Press, Warwickshire, UK 2004 The Context of Art / The Art of Context, editor Seth Siegelaub, Marion Fricke and Roswitha Fricke, Trieste, Nevado Press. Alexander, Darsie, Art on Paper, January/ February, “Something from Nothing, a Conversation with Robert Barry.” Heiser, Jörg, Frieze, January/February, Robert Barry, Kunstalle Nuremberg, Review. “Where Is the Photograph?”; edited by David Green; essay by David Green and Joanna Lowry, “From Presence to the Performative: Rethinking Photographic Indexi- cality”; published by Photoforum and Photoworks, University of Brighton and Kent Institute of Art and Design, UK 2003 Morley, Simon, Writing on the Wall – Word and Image in Modern Art, University of California Press Minimal to the Max – The Brownstone Collection Norton Museum of Art, West Palm BeachAlberro, Alexander, Conceptual Art and the Politics of Publicity, The MIT Press, Cambridge, MA Malasauskas, Raimundas, “You never know where it goes (interview with Robert Barry)”, Newsletter Galerie Jan Mot, no. 36, March 2003, Brussels Genocchio, Benjamin, New York Times, November 30, “Robert Barry, A Career built on exploring the Boundaries of Art.” “Les Artistes Contemporains, et la Philosophie”, Revue d’Esthétique; Edited by Anne Moeglin-Delcroix; Jochen Matthies, “Interview with Robert Barry”, Editions Jean-Mi- chel Place, Paris 2002 Binstock, Jonathan P., The 47th Corcoran Biennial: Fantasy Underfoot, Catalogue accompanying the exhibition, Corcoran Gallery of Art, Washington, D.C. Osborne, Peter, Conceptual Art, Phaidon Press Ltd., London RESIDENCIES 2001 Corimer, Anne, Art from the Sixties and Seventies…, Thames and Hudson, Ireson, Ally and Ele Carpenter (ed.). Nothing, August Publications, London Robert Barry, Project for McKinsey & Selected Works – Robert Barry, Interview and text by Robert Morgan, McKinsey & Company pub., Düsseldorf Recording Conceptual Art, Patricia Norvell and Alexander Alberro (ed.) 2000 Leffingwell, Edward. “Robert Barry at Holly Solomon”, Art in America. March, p. 129 Ratcliff, Carter. Out of the Box, The Reinvention of Art, 1965-1975, Allworth Press, New York Robert Barry, Alltägliches: Kunst am Arbeitsplatz / It’s All About Communication: Robert Barry; Luminita Sabau and Iris Cramer (ed.), text by Hubert Beck, Jean-Chris- tophe Ammann, Lindinger and Schmidt Verlag, Regensburg, (text in German) 1999 Alberro, Alexander and Blake Stimson (ed.). Conceptual Art: Critical Anthology, MIT Press, Cambridge, MA Morgan, Robert C. Review. October 15, 1999, p.37 Newman, Milhale and Jon Bird (eds.). Rewriting Conceptual Art, essay by Anne Rori- mer, titled “Siting the Page: Exhibiting Works in Publications – Some Examples of Conceptual Art in the U.S.A.”, Rendition Books Ltd., London Rinder, Lawrence (ed.). Searchlights: Consciousness at the Millenium,Thames & Hud- son Inc., New York 1998 Arnason, H.H. and Marla Prather (ed). History of Modern Art, fourth Edition, Harry n. Abrams, Inc., p.630 Baudson, Michel. “Robert Barry, Les Mots Sont Des Objets d’Art”, (interview), Un Mobile Home Dans le Desert, La Lettre Volee, Brussels Conti Tiziana. Review, Tema Celeste, October/December 1998, p.74 Godfrey, Tony. Conceptual Art, Phaidon Press, London Morgan, Robert C. The End of the Art World, Allworth Press with School of Visual Art, New York, pp. 65, 71 Sabau, Luninita (ed.). The Promise of Photography – The DG Bank Collection, Prestel Verlag, Munich and New York 1997 DeMarinis, Rick, “On the Lam”, Zoetrope All Story, Fall, pp.29, 32, 33 Archer, Michael. Art Since 1960, pp. 75/76, 78, 81 1996 Morgan, Robert C., Art Into Ideas, Essays on Conceptual Art, Cambridge University Press, New York RESIDENCIES “Robert Barry, 69/96, Avant Gardes et Fin de Siecle, Le Contexte de l’Art/l’Art du Contexte”, Art Press, (Special Edition, Number 17) Stockinger Andreas, “Robert Barry”, Noema Art Journal, February Forgacs, Eva. “Robert Barry, Douglas Huebler, Sol LeWitt, Art Issues, number 42, March/April. Frankfurter Kunstverein, foto text text foto: Synthese von Photographie und Text der Gegenwartskunst,pp. 43 – 45 1995 Mollet-Vieville, Ghislain. “Art Minimal and Conceptuel,” Editions d’Art Albert Skira, S.A. Geneva. 1994 Altshuler, Bruce. The Avant-Garde in Exhibition, New Art in the 20th Century; Harry N.Abrams, Inc. Publishers. Donovan, Molly, “Minimal to Conceptual, The Dorothy and Herbert Vogel Collec- tion,” American Art Review, October-November. Gillick, Liam. “Wall to Wall” (interview with Robert Barry) Audio Arts Magazine, Vol. 14, No.2 Hofleitner, Johanna (translated from German by Shaun Whiteside), ‘Robert Barry at Steinek, Vienna,” (review), Flash Art, January/February, p. 71 1994 Holger, Weh. “Robert Barry, Die Einladung als Medium,” (Interview with Robert Barry) Kunstforum, January, February. Morgan, Robert C. Conceptual Art: An American Perspective, Rowlands, Penelope. “Robert Barry at Yvon Lambert,” (review), Art News, Summer, p. 189. Welish, Marjorie. “Word into Image” (interview with Robert Barry), Bomb, Spring. 1993 Goodrow, Gerard A. “Robert Barry at Gallery Bugdhan and Kaimer,” (review), Art News, February, pp.123, 124. Zevi, Adachiara, “Robert Barry: From Meaningful Absence to Meaningless Word” L’Architettura, November. 1992 Jocks, Heinz-Norbert. “Robert Barry at Galerie Bugdahn und Kaimer,” (review), Kunstforum, No. 120 Nickas, Robert. “Robert Barry” (interview), Journal of Contemporary Art, Spring, pp. 5-15 Noise, No. 17 (Project made for the publication), Maeght Editeur, Paris, 1992 Welish, Marjorie. “Robert Barry at Holly Solomon,” (review), Tema Celeste, January – March, p. 115. 1991 Avgikos, Jan. “Robert Barry at Holly Solomon Gallery,” (review) Artforum, November, pp.129-130. Johnson, Ken. “Robert Barry at Holly Solomon,” (review), Art in America, December, pp. 109 – 110. Morgan, Robert C. “Word, Document, Installation: Recent Developments in Concep- tual Art,” Arts, May, pp. 65 –69. Renton, Andrew, “Robert Barry, Word Project,” (interview), Flash Art, May-June. 1990 Atkins, Robert. Artspeak, Abbeville Press, New York, p.63. Chiodi, Stefano. “Robert Barry/Galleria Ugo Ferranti” (review), Tema Celeste, Janua- ry-March, pp. 69-70. Denizot, Rene. “Robert Barry, Black and Blue,” Galeries Magazine, April-May. Fuchs, Rudi and Kaizer, Franz. Robert Barry, Words, Space, Sound, Time…, Haags Gemeentemuseum, The Hague (exhibition catalogue) 1989 Cotter, Holland. “Robert Barry,” Arts, May, 86. Fehlau, Fred. “Robert Barry at Roy Boyd,” (review), Art Issues, Summer, p. 27 Foray, Jean Michel, “Art Conceptuel: Une Possibilite de Rien,” Artstudio, Winter. “Goings on About Town,” The New Yorker,April 9, p.16 Gres, Pierrette. “Hausse/Baisse,” Beaux Arts,October, p.46. Jinker-Iloyd, Amy. “Books (review),” Arts, May, p.126 Kimmelman, Michael. “Review,” The New York Times, January 31, p.C 27. Levin, Kim. “Artwalk,” (review) The Village Voice, January 31, p.85. Mahoney, Robert. “Une Contree Inexploree: Le Logos dans L’Espace Literal,” Artstudio,Winter. Morgan, Robert C. “The Situation of Conceptual Art,” “Four Interviews (1969),” “The Return of Arthur R. Rose,” Arts, February, pp. 40-50. Paparoni, Demetrio and Castello, Michelangelo, editors. “Specchi Ustori,” Tema Celeste Editions, Siracusa, Italy. 1988 Duroux, Xavier and Denizot, Rene. “Les Termes de la Denuclearisation,” Plus, 3 / 4, May. Morgan, Robert C. “Robert Barry’s Return to the Visible,” Arts, April, pp. 68-73. Sandler, Irving. American Art of the 1960’s, Harper and Row, Publishers, New York. Stanizewski, Mary Anne. “Conceptual Art,” Flash Art, November / December. 1986 Welshman, John C. “Image and Language: Syllables and Charisma,” in A Selected History of Contemporary Art, Museum of Contemporary Art, Los Angeles, (exhibi- tion catalogue) Franz, Erich, ed. Robert Barry (Karl Kerber, publisher, Bielefeld, Germany) with essay and discussion by Robert C.Morgan. “3 Radiations,” a project, White Walls, # 12, Autumn. McEvilley, Thomas. “I Think Therefore I Art,” Artforum, Summer. 1984 Robins, Corinne. The Pluralist Era, American Art 1968-1981 (New York: Harper &Row). 1983 Sauer, Christel. Die Sammlung FER, Gerd de Vries, Cologne. 1981 Denizot, Rene. It’s About Time, Il Est Temps (Yvon Lambert, publisher, Paris). Girard, Xavier. “Review,” Artforum, Summer. Morgan, Robert C. “Conceptual Art and Photographic Installations,” Afterimage, December. O’Doherty, Brian. “The Gallery As Gesture,” Artforum, December. Paul Maenz Köln 1970-1980-1990, an Avant-Garde Gallery and the art of our time, Dumont Buchverlag Köln Paoletti, John T (ed.), text by Shriver, Stephen L. “No Title, The Collection of Sol Lewitt,” Wesleyan University, Middletown, Connecticut Smith, Roberta. “Conceptual Art,” Concepts of Modern Art, Harper & Row, New York 1979 Ehrlich, Robbie, “Robert Barry and Carole Gallagher at Leo Castelli,” (review), Arts, May. 1976 Marioni, Tom, editor. Vision, (a project), November, (Publisher: Kathan Brown, Crown Point Press). 1975 “25 Words and 5 Blank Pages 1975,” (a project), November, (Publisher: Kathan Brown, Crown Point Press). 1974 Burnham, Jack. Great Western Salt Works, Publisher: George Braziller, New York. 1972 Meyer, Ursula. Conceptual Art, E.P. Dutton & Co., Inc., New York City. 1971 Bougeaud, Bernard. “Reports and Reviews, Paris,” Arts, March. Bowles, Jerry G. and Russell, Tony, editors. This Book is a Movie, Dell Publishing Co, Inc., New York. Celant, Germano. “Book as Artwork 1960 –1970,” Data,September. Honnef, Klaus. Concept Art, Phaidon Verlag, Cologne, Germany. 1970 Goldsmith, Barbara. “Where is the Art?” Harpers Bazaar, May. Honneff, Klaus. “Concept Art,” Magazin Kunst, No. 38, Spring. Lippard, Lucy R. “Groups,” Studio International, March. 1969 Battock, Gregory. “Painting is Obsolete,” New York Free Press, January 23. Burton, Scott. “Time On Their Hands,” Art News, Summer. 1968 Brown, Gordon. “The Dematerialization of the Object,” Arts, September/October. 1966 Alloway, Lawrence. “Background to Systemic,” Art News, October. Goossen, E.C. “Distillation: A Joint Showing,” Artforum, November. Schejdahl, Peter. “Another Season,” The Village Voice, September 15. 1964 Stevens, Elizabeth. “Robert Barry at Westerly Gallery,” (review). Art News, November.