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Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
Living Well with Disabilities Name:______April 11, 2015 Title:______
Event Registration Living Well With Disabilities Name: _______________________________________ April 11, 2015 Title: ________________________________________ Agency: ______________________________________ 8:30 am – 8:55 am Registration with Continental Breakfast Address: ______________________________________ 8:55 am – 9:00 am Welcome City, State, Zip: _________________________________ Charles Walczak, CEO, EHCA Phone: _______________________________________ 9:00 am – 10:00 am Caring for the Caregiver Email Address: _________________________________ Karen Morahan, RN, PhD, Edinboro University Robert Gulick, MFA, BCBA, Director, Behavior Analytic Services, Mail Registration to: Achievement Center Mary Jo Fulton 10:00 am – 11:00 am Living with a Disability EHCA Josh Blue 226 East 27th Street Erie, PA 16504 11:00 am – 12 Noon Emotional & Sexual Needs of the Individual with Disabilities Amy Tobolski, BA, Behavioral Health Specialist, Milestones, Inc. Cost - $35.00 (Includes continental breakfast and a 12 Noon – 1:00 pm Boxed Lunch boxed lunch) 1:00 pm – 2:00 pm Accessing Community Resources Panel: Registration closes April 3, 2014. Valerie Benjamin, BA, Assistant Director Community Services, EHCA Karen Schnaekel, BS, LDN, Nutritionist, Regional Cancer Center & EHCA For more information, please call Mary Jo Fulton, Shelley Hecker, ID Supervisor, Erie County Care Management, Inc. 814-315-1823 at Erie Homes for Children and Adults. 2:00 pm – 2:15 pm EVALUATION Directions The Frank G. Pogue Student Center is located at 405 Program Objectives: Scotland Road, Edinboro University, Edinboro, PA 16444 and can be accessed from Rt. 6-N at the Scotland 1. Develop a greater understanding of the issues individuals with disabilities face on a day-to-day basis. Road (Stadium) entrance. The Pogue Center is the next 2. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Look at the People on Being Entertaining by Larry Wilder
Volume 30 • Number 4 INSIDE THIS ISSUE! July • August The Circle of Fifths Unleased The Express Needs You Sound Advice 2010 Off Key Jammers Bluegrass Expresswww.oregonbluegrass.org Look at the People “I did not know that the On being entertaining technical aspects are far by Larry Wilder outweighed by a show’s personal touches” bluegrass genre. Listen to the Josh and Jake comedy and the relaxed interplay between all the Foggy Mountain Boys. The evolution of an entertainer I was no natural. When I began playing banjo and guitar in the 60’s, I could not sing, talk, smile or look at the audience. I was pathetically nervous and embarrassed to be on stage. When I finally began to speak on stage, I thought I had to use contrived or cute elocution. That didn’t work. I did not know that the technical Larry Wilder & the Stumptown Stars aspects are far outweighed by a show’s personal touches. As my real persona arry Wilder is a singer, national yodel audience. Bill would also invite ladies began to come out, the audiences champion, multi-instrumentalist and master from the audience to dance with him L reacted positively. They began to tell of ceremonies. Whether he’s performing in a onstage. They lined up. me how comfortable they would feel. packed concert hall or to five shoppers at a farmer’s Acts such as Reno & Smiley and Flatt & This was a breakthrough for me: I market, Larry fully engages his listeners. The Scruggs took it further with their family- realized that my relaxed, yet focused Express asked Larry to talk about entertainment – approach worked. -
Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday. -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
The Free Press Vol. 40, Issue No. 21, 04-27-2009
University of Southern Maine USM Digital Commons Free Press, The, 1971- Student Newspapers 4-27-2009 The Free Press Vol. 40, Issue No. 21, 04-27-2009 Matt Dodge University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/free_press Recommended Citation Dodge, Matt, "The Free Press Vol. 40, Issue No. 21, 04-27-2009" (2009). Free Press, The, 1971-. 51. https://digitalcommons.usm.maine.edu/free_press/51 This Book is brought to you for free and open access by the Student Newspapers at USM Digital Commons. It has been accepted for inclusion in Free Press, The, 1971- by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. the free pressVolume 40, Issue No. 21 April 27, 2009 U S M Botman begins Selma Botman becomes tenth president of USM in formal inaugural ceremony Daniel MacLeod history of the modern Middle News Editor East and more broadly, helped define social history in modern Last Saturday afternoon, Selma times,” she said. Botman marched down Bedford The investiture was replete Street in Portland to the tune of with musical performances by a bagpiper. USM students before, during and After nearly one year as presi- after the ceremony, as well as the dent of USM, Botman was sworn reading of a poem specially writ- in at a formal ceremony attended ten for the occasion by Dr. Annie Finch, the director of Stonecoast by about 300 people. The event B MK / P E began as a processional lead by MFA. bagpiper and music education UMaine System Chancellor Bagpiper Steven Lemiuex leads the processional along Bedford Street at last week’s inauguration. -
Strong Show from First Year Art Graduates
2A Thursday, May 24,1984 Daily Nexus ORCHID BOWL Strong Show from First Year Art Graduates By MATTHIAS • • ROSENTHAL Usually, exhibitions of EVERY OTHER contemporary modem art just bore me out of my mind, BMME FREE and I find myself looking at Moidiy, May 21st tfen Momorlal Dayl pretty women looking at Oror Rowllni «fen Lams avrMrMr ugly artifacts, musing about how much superior nature’s OPEN 24 H O URS products of beauty are to the Take a Bowling Breakl arbitrary attempts at meaning of some modem O R C H ID BO W L - GALLEO N R O O M art. The course of modem art, it seems, has been the 5925 Calle Real - Goleta • • • Ph. 967-0128 elimination of three things: beauty, pleasure and artistic skills. Don’t get me wrong: this exhibition is different. The 1984 WÆ.B. DU BO IS UCSB Art Department’s first year graduate students W8ITKVG aW ftfiBS are now presenting a small but exciting selection from their recent work. Louise Fowler-Smith, Victoria Palrick Bernard gesticulates in front of his piece, L a s t Tango Taylor-Gore, Patrick Deadline is this Friday, 5/25 Bernard, Sharon Coughran, Jerusalem.” MITCH VICINO/Nwus Michael Drury and Joyce Flager feature pre and post- frustrating them, as is so often the case in contemporary apocalyptic issues, which are, as a matter of fact, artistic art. beautifications of imminent and immanent psychological Fowler-Smith’s preoccupation with her Australian origin, Please submit your essays, and historical (or should I say: post-historical?) horror. is obvious. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson).