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An Interview with Robert Anton Wilson

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An Interview with Robert Anton Wilson Illuminating Discord: An interview with Robert Anton Wilson Various Authors 1976 Robert Anton Wilson, who along with Robert Shea wrote the Illuminatus trilogy, is the creator of yet another cult. The really neat part is that this is a cult of hard-core libertarian-anarchist- occult-mind expansionists whose demand for the Illuminatus books is making SF retail history. Walk into your corner bookstore and chances are excellent the books have been back-ordered. Borrow a copy or wait in line if you must — it’s worth it. The trilogy is truly mind-boggling, outrageous, and curiously familiar. With this in mind we set out to interview one of its authors, Robert Anton Wilson (hereafter R.A.W.) Interviewing him by mail was an exciting, albeit frustrating job. His provocative answers trig- gered seemingly never-ending digressions. We had to more or less learn to limit our responses. Several of the questions in the following interview appear to be asked by R.A.W. himself. These are not misprints — he does give himself questions. To give you some insight into Wilson’s psyche we offer you this tidbit of data — to wit, his return address rubber stamp has his name misspelled “Robert Antoon Wilson.” Make of this what thou wilt. — Jane Talisman and Eric Geislinger (here- after the CRNLA). CRNLA: Tell us a little about your background. RAW: I was born into a working class Irish Catholic family in Brooklyn 44 years ago, at the brutal bottom of the Great Depression. I suppose this early imprinting and conditioning made me a life-long radical. My education was mostly scientific, majoring in electrical engineering and applied math at Brooklyn Tech and Brooklyn Polytech. Those imprints made me a life-long rationalist. I have become increasingly skeptical about, or detached from, the assumption that radicalism and rationalism are the only correct perspectives with which to view life, but they remain my favorite perspectives. CRNLA: What are your favorite novels, movies, TV shows and music? RAW: The novels would be, I suppose, Ulysses, Finnegans Wake, The Magus by Fowles, The Roots of Heaven by Gary, Don Quixote and anything by Mark Twain. Movies: Intolerance, Broken Blossoms and everything else by David Mark Griffith, Citizen Kane, The Trial, King Kong, 2001. TV: Star Trek and Mary Hartman. Music: Beethoven’s Ninth and his late quartets, Bach, Bizet, Carl Orff, Vivaldi, the less popular and more experimental stuff by Stravinsky. CRNLA: What do you think of M*A*S*H, the Freak Brothers, Bob Dylan? RAW: I loved Altman’s film of M*A*S*H but I can’t stand the TV series. The Freak Brothers are funny, but I deplore the lifestyle it celebrates. Of course, Einstein and Michelangelo were sloppy, too, but only because they were too busy with real work to fix their attention on sartorial status games. Hippies generally aren’t busy with anything except feeling sorry for themselves. Dylan seems to me a totally pernicious influence — the nasal whine of death and masochism. Certainly, this would be a more cheerful world if there were no Dylan records in it. But Dylan and his audience mirror each other, and deserve each other; as Marx said, a morbid society creates its own morbid grave-diggers. CRNLA: How about Anderson, LeGuin and Heinlein? RAW: I haven’t taken Anderson seriously since 1968, when he wrote an account of the police- riot at the Chicago Convention which was totally false, according to my observations on the scene. I decided Poul loved the Vietnam War so much, that he could actually watch a cop hit an old lady and remember it as a young communist hitting the cop. I haven’t bothered keeping up with Anderson’s hallucinations since then. LeGuin is great already, and getting better book by book. Heinlein has been an idol to me for more than 20 years. He can do no wrong, no matter how much he loves wars and hates pacifists. (I’m the kind of anarchist whose chief objection to the State is that it kills so many people. Government is the epitome of the deathist philosophy I reject.) CRNLA: Are you a pacifist? RAW: Hell, no. I like pacifists, as a rule, and people who have a heavy emotional identification with deathism and war would probably call me a pacifist, but I am a non-invasivist rather thana non-violentist. That is, I believe that an invaded people have the right to defend themselves “by any means necessary” as the expression goes. This includes putting ground glass or poison inthe invaders’ food, shooting at them from ambush, sabotage, the general strike, armed revolution, all forms of Gandhian civil disobedience, etc. It’s up to the invaded to decide which of these tech- niques they will use. It’s not up to some moralist to tell them which techniques are permissible. As Tucker said, “There is nothing sacred in the life of an invader.” CRNLA: What magazines and newspapers do you read? RAW: I read everything, including the labels on canned food. I’m a hopeless print addict, a condition alleviated only by daily meditation which breaks the linear-Aristotelian trance. (Most 2 rationalistic libertarians would do well to try the same circuit breaker, or LSD.) National Lam- poon, Scientific American and Green Egg are what I read most obsessively. I also read at least one periodical every month by a political group I dislike — to keep some sense of balance. The over- whelming stupidity of political movements is caused by the fact that political types never read anything but their own gang’s agit-prop. CRNLA: Any more artistic opinions? RAW: If I must. James Joyce is more important than Jesus, Buddha and Shakespeare put to- gether. Pound is the greatest poet in English. Thorne Smith should be reprinted immediately, and would be enormously popular with the current generation, I wager. The novels that get praised in the NY Review of Books aren’t worth reading. Ninety-seven percent of science fiction is adolescent rubbish, but good science fiction is the best (and only) literature of our times. Allof these opinions are pompous and aggressive, of course, but questions like this bring out the worst in me. Artistic judgments are silly if expressed as dogmas, at least until we get an “artometer” which can measure objectively how many micro-michelangelos or kilo-homers of genius a given artifact has in it. Do you know that at UC-Berkeley, Dr. Paul Segall has a lab full of rats who are twice the age at which rats normally die of senility? And these rats are not only alive but still re- producing. This may be the most important fact I know. Dr. Segal hopes to have a life-extension formula for humans ready in the early 1980s. CRNLA: Has Dr. Segall published any papers on his research? If so, where? RAW: A good, non-technical article by Dr. Segall on his own work and on other approaches to longevity, is in the new issue of Spit in the Ocean, edited by Dr. Timothy Leary and published by Ken Kesey. That issue, incidentally, is also worth reading for Sirag and Sarfatti onquantum consciousness, and Leary himself on higher intelligence. CRNLA: Speaking of Ken Kesey, What did you think of Cuckoo’s Nest, and where can Iget a copy of Spit in the Ocean? RAW: One Flew Over the Cuckoo’s Nest is certainly one of my favorite recent novels, but I like Kesey’s Sometimes a Great Notion even better. In fact, a great deal of the structural rhythms of Illuminatus, especially the space-time warps, were suggested by Kesey’s similar techniques in Sometimes a Great Notion. The way the producers of the movie of Cuckoo’s Nest swindled Kesey is entirely typical of the way producers and publishers rob writers — it’s perfectly normal Capitalist ethics and typically mammalian. The last I heard, Kesey was supposed to have thenew Spit in the Ocean out by mid-Summer. (Write: 85829 Ridgway Road, Pleasant Hill, OR 97401). CRNLA: What route did you travel to get to libertarianism? RAW: Arlen, my wife, discovered Kropotkin’s article on anarchism in the Britannica and it immediately convinced us both (1961). We were both highly cynical about the alleged values of Capitalism and State Socialism already, and happy to find an alternative. CRNLA: What is your present involvement in “movement” activities? RAW: I’m more involved in space migration, intelligence increase and life extension which seems to me more important than any mammalian politics. What energy I have for terrestrial brawling goes into Wavy Gravy’s Nobody for President campaign, the Firesign Theatre’s Papoon for President campaign, and the Linda Lovelace for President (which I invented myself, since we ought to have a good-looking cocksucker in the White House for once.) I think these campaigns have some satirical-educational function, and, at minimum, they relieve the tedium of contem- plating the “real” candidates, a more-than-usual uninspiring lot this year. Voting wouldn’t excite 3 me unless it included electing the directors of the big banks and corporations, who make the real decisions that affect our lives. It’s hard to get excited about the trained seals in Washington. Of course, if voting could change the system, it would be illegal. Teachers would be handling out pamphlets for children to take home proving that voting machines cause chromosome damage, and Art Linkletter would claim that a ballot box drove his daughter to suicide. CRNLA: There’s another Vote for Nobody Campaign being run by Malibu.
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