An Interview with Robert Anton Wilson
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The Entourage Effect at Finnegans Wake 1
The Entourage Effect At Finnegans Wake 1 The Entourage Effect At Finnegans Wake The Entourage Effect At Finnegans Wake. Steven James Pratt 2 The Entourage Effect At Finnegans Wake FORE WORDS Cannabis and Finnegans Wake are two of my favourite things, and I’ve been engaging with both for over twenty years. This paper pulls from, and pushes upon my experiences, and attempts to roll-it-all-up into a practical guide-cone. Not only a theoretical series of “what ifs,” but also a helpful introduction to the book and to the flower, “seedsmanchap” (FW, 221.) with luck enhancing the experience of reading and the positive effects of cannabis. If you’re already bored, scroll to the bottom and follow some of the links. Finnegans Wake (FW) for me, serves up the perfect antidote for those who do not read much these days. FW is the book for you, today. Get stuck in, light up, lighten up, there’s no right or wrong way to speak it aloud just try and make it new, explore your accents, keep it fresh. Use it as a doorstop, just go get a copy and let it grow on you. In the post-truth era of corporate-state controlled news’ media outlets, we might all use a lil’ linguistic and semantical earthquake, to shake loose the lies and dislodge the tantalizing deceits, and to rattle the vacuous gossip columns to pieces. Finnegans Wake, mixed with cannabis is my best bet, my offering, for a universal toolkit to help break on through to the other side with enough laughs and some shrieks of joy to prevent you crying yourself to sleep in depression at the state of the planet. -
Principia Discordia.Pdf
RAW Intro | Omar Intro | Title Page | Index | Version Notes | INTRODUCTION You hold in your hands one of the Great Books of our century fnord. Some Great Books are recognized at once with a fusillade of critical huzzahs and gonfolons, like Joyce’s Ulysses. Others appear almost furtively and are only discovered 50 years later, like Moby Dick or Mendel’s great essay on genetics. The Principia Discordia entered our space-time continuum almost as unobtrusively as a cat-burglar creeping over a windowsill. In 1968, virtually nobody had heard of this wonderful book. In 1970, hundreds of people from coast to coast were talking about it and asking the identity of the mysterious author, Malaclypse the Younger. Rumors swept across the continent, from New York to Los Angeles, from Seattle to St. Joe. Malaclypse was actually Alan Watts, one heard. No, said another legend – the Principia was actually the work of the Sufi Order. A third, very intriguing myth held that Malaclypse was a pen-name for Richard M. Nixon, who had allegedly composed the Principia during a few moments of lucidity. I enjoyed each of these yarns and did my part to help spread them. I was also careful never to contradict the occasional rumors that I had actually written the whole thing myself during an acid trip. The legendry, the mystery, the cult grew very slowly. By the mid- 1970’s, thousands of people, some as far off as Hong Kong and Australia, were talking about the Principia, and since the original was out of print by then, xerox copies were beginning to circulate here and there. -
Democratic Citizenship in the Heart of Empire Dissertation Presented In
POLITICAL ECONOMY OF AMERICAN EDUCATION: Democratic Citizenship in the Heart of Empire Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University Thomas Michael Falk B.A., M.A. Graduate Program in Education The Ohio State University Summer, 2012 Committee Members: Bryan Warnick (Chair), Phil Smith, Ann Allen Copyright by Thomas Michael Falk 2012 ABSTRACT Chief among the goals of American education is the cultivation of democratic citizens. Contrary to State catechism delivered through our schools, America was not born a democracy; rather it emerged as a republic with a distinct bias against democracy. Nonetheless we inherit a great demotic heritage. Abolition, the labor struggle, women’s suffrage, and Civil Rights, for example, struck mighty blows against the established political and economic power of the State. State political economies, whether capitalist, socialist, or communist, each express characteristics of a slave society. All feature oppression, exploitation, starvation, and destitution as constitutive elements. In order to survive in our capitalist society, the average person must sell the contents of her life in exchange for a wage. Fundamentally, I challenge the equation of State schooling with public and/or democratic education. Our schools have not historically belonged to a democratic public. Rather, they have been created, funded, and managed by an elite class wielding local, state, and federal government as its executive arms. Schools are economic institutions, serving a division of labor in the reproduction of the larger economy. Rather than the school, our workplaces are the chief educational institutions of our lives. -
2. Mondo 2000'S New Media Cool, 1989-1993
UvA-DARE (Digital Academic Repository) The web as exception: The rise of new media publishing cultures Stevenson, M.P. Publication date 2013 Link to publication Citation for published version (APA): Stevenson, M. P. (2013). The web as exception: The rise of new media publishing cultures. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:02 Oct 2021 2. Mondo 2000’s new media cool, 1989-1993 To understand how it was possible for the web to be articulated as an exceptional medium when it surfaced in the 1990s - that is, as a medium that would displace its mass and mainstream predecessors while producing web-native culture - one must see the historical and conceptual ties between web exceptionalism and cyberculture. -
Do You Believe in the Lord and Saviour Cthulhu?
Do you believe in the Lord and Saviour Cthulhu? The application of Lovecraft and his Cthulhu Mythos in Western Esotericism Nadine Eekhout s1526804 M.A. Davidsen 2018-2019 MA Theology and Religious Studies thesis 09-07-2019 1 Table of Contents 1. Introduction ........................................................................................................................... 3 1.1 H.P Lovecraft: Writer or Prophet? .................................................................................... 3 1.2 Introduction to Cthulhu Mythos ...................................................................................... 5 1.3 Introduction Fiction-based Religions ............................................................................... 7 1.4 Lovecraftian Magick: From Fiction to Magick ................................................................ 10 2. Method ................................................................................................................................ 12 3. Analyzing the Man, the Mythos and the Magick ............................................................... 15 3.1 Adaptations of Lovecraftian magick into an existing religious frame….……….……………..15 3.1.1 The Church of Satan: Cthulhu versus Satan .......................................................... 15 3.1.2 Temple of Set ....................................................................................................... 16 3.1.3 Grant’s Typhonian Order ..................................................................................... -
Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0
Colton, David, G (2019) Canned chance - the commodification of aleatory art practice. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/623579/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Canned Chance - The commodification of aleatory art practice. David G Colton A thesis submitted in partial fulfilment of the requirements of Manchester Metropolitan University for the degree of Doctor of Philosophy Manchester School of Art Manchester Metropolitan University 2019 1 | David Colton Abstract: My practice involves re-imagining aleatory art systems and practices to create products that push the user into a direct relationship with chance. Initial research revealed that modernist aleatory practices have largely been recuperated into the canon of contemporary art techniques. It was my intention to re- invigorate these practices by re-imagining them in a new context outside of art practice: to change perspectives, ‘reality tunnels’ and to transcend culture and social conditioning. There are differences between work that has been made using chance in the creative process, and work that pushes the artist or viewer into chance encounters and situations and exploring the differences between them has been an important part of this project. The resulting works situate the user within the chance process, and in effect, make them the subject of their own experimentation and practice. My insights and discoveries develop out of a range of experimental artistic works that critically examine the re-imagining and commodification of chance processes. This thesis documents the development of each work in a series of chapters which also explain the research and developmental processes, in addition to setting the works in a theoretical and contextual framework. -
In the Supreme Court of the United States ______CAROL ANNE BOND, PETITIONER
No. 12-158 In the Supreme Court of the United States ________________ CAROL ANNE BOND, PETITIONER v. UNITED STATES, RESPONDENT _______________ ON WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE THIRD CIRCUIT ________________ BRIEF OF AMICUS CURIAE DAVID BOYLE IN SUPPORT OF RESPONDENT _________________ David Boyle Counsel of Record P.O. Box 15143 Long Beach, CA 90815 [email protected] (734) 904-6132 1 AMICUS CURIAE STATEMENT OF INTEREST The present amicus curiae, David Boyle (herein- after, “Amicus”),1 is respectfully filing this Brief in Support of Respondent in Case 12-158 (“Bond”).2 Amicus wishes to expand on the comments on Bond in his July 1, 2013 amicus brief, see id. at 11-14, supporting Petitioner in Schuette v. BAMN.3 SUMMARY OF ARGUMENT To overturn Missouri v. Holland, 252 U.S. 416 (1920), or to overturn casually the Third Circuit in this case, may fly from reason, any purported “federalism”, “tyranny”, or other arguments notwithstanding. ARGUMENT Amicus is suspicious of extreme federal power, including, e.g., excessive spying on Americans. However, that does not mean all surveillance of Americans is wrong, nor that NSA employees should defect to Russia. Similarly, the specter of possible federal encroachment on States’ power does not imply that the Court should geld the President or Senate, vis-à-vis treaty power or otherwise. In Bond, prosecution of Ms. Bond with a chemi- cal-weapons-related statute (“§ 229”) may arguendo 1 No party or its counsel wrote or helped write this brief, or gave money to its writing or submission, see S. -
Illuminati Rulebook
® THE GAME OF CONSPIRACY Game Design by STEVE JACKSON Basic Rules..........................2 With development by J. DAVID GEORGE Object of the Game ....................... 2 Cover DAVID MARTIN Beginning the Game...................... 2 Card illustrators JOHN GRIGNI, Sequence of Play ........................... 2 SHEA RYAN, DAN SMITH, and The Groups.................................... 3 Alignment .................................. 3 CLIFFORD VANMETER Power ......................................... 3 With additional coloring by Resistance .................................. 4 BYRON TAYLOR Income........................................ 4 Art Director ALAIN H. DAWSON Special Abilities ......................... 4 Production by ALEX FERNANDEZ Actions........................................... 4 Attacks........................................... 4 Print Buyer PHILIP REED Attack to Control ....................... 4 Prepress Checker MONICA STEPHENS Attack to Neutralize................... 6 Illuminati Attack to Destroy....................... 6 and the all-seeing pyramid are registered Interference.................................... 7 trademarks, and the names of all other products published by Calling Off an Attack .................... 7 Steve Jackson Games are trademarks or registered trademarks, Transferring Money....................... 7 of Steve Jackson Games Incorporated, or used under license. Illuminati Moving a Group ............................ 7 is copyright © 1982-2013 by Steve Jackson Free Actions.................................. -
Science Fiction Review 37
SCIENCE FICTION REVIEW $2.00 WINTER 1980 NUMBER 37 SCIENCE FICTION REVIEW (ISSN: 0036-8377) Formerly THE ALIEN CRITZ® P.O. BOX 11408 NOVEMBER 1980 — VOL.9, NO .4 PORTLAND, OR 97211 WHOLE NUMBER 37 PHONE: (503) 282-0381 RICHARD E. GEIS, editor & publisher PAULETTE MINARE', ASSOCIATE EDITOR PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY — $2.00 COVER BY STEPHEN FABIAN SHORT FICTION REVIEWS "PET" ANALOG—PATRICIA MATHEWS.40 ASIMOV'S-ROBERT SABELLA.42 F8SF-RUSSELL ENGEBRETSON.43 ALIEN THOUGHTS DESTINIES-PATRICIA MATHEWS.44 GALAXY-JAFtS J.J, WILSON.44 REVIEWS- BY THE EDITOR.A OTT4I-MARGANA B. ROLAIN.45 PLAYBOY-H.H. EDWARD FORGIE.47 BATTLE BEYOND THE STARS. THE MAN WITH THE COSMIC ORIGINAL ANTHOLOGIES —DAVID A. , _ TTE HUNTER..... TRUESDALE...47 ESCAPE FROM ALCATRAZ. TRIGGERFINGER—an interview with JUST YOU AND Ft, KID. ROBERT ANTON WILSON SMALL PRESS NOTES THE ELECTRIC HORSEMAN. CONDUCTED BY NEAL WILGUS.. .6 BY THE EDITOR.49 THE CHILDREN. THE ORPHAN. ZOMBIE. AND THEN I SAW.... LETTERS.51 THE HILLS HAVE EYES. BY THE EDITOR.10 FROM BUZZ DIXON THE OCTOGON. TOM STAICAR THE BIG BRAWL. MARK J. MCGARRY INTERFACES. "WE'RE COMING THROUGH THE WINDOW" ORSON SCOTT CARD THE EDGE OF RUNNING WATER. ELTON T. ELLIOTT SF WRITER S WORKSHOP I. LETTER, INTRODUCTION AND STORY NEVILLE J. ANGOVE BY BARRY N. MALZBERG.12 AN HOUR WITH HARLAN ELLISON.... JOHN SHIRLEY AN HOUR WITH ISAAC ASIMOV. ROBERT BLOCH CITY.. GENE WOLFE TIC DEAD ZONE. THE VIVISECTOR CHARLES R. SAUNDERS BY DARRELL SCHWEITZER.15 FRANK FRAZETTA, BOOK FOUR.24 ALEXIS GILLILAND Tl-E LAST IMMORTAL.24 ROBERT A.W, LOWNDES DARK IS THE SUN.24 LARRY NIVEN TFC MAN IN THE DARKSUIT.24 INSIDE THE WHALE RONALD R. -
Wanted Dead Or Alive, Or Both
books & arts Wanted dead or alive, or both The Quantum would look (don’t even try to imagine superpositions. On the way they introduce Divide: Why entangled states), it might be better to think complementarity, quantum tunnelling, Schrödinger’s Cat is of a dead and alive cat. This image is neither delayed‑choice experiments and quantum Either Dead or Alive particularly illuminating nor beautiful — teleportation. The physics behind these perhaps even disturbing for cat‑lovers — but quantum phenomena is explained in detail, By Christopher at least it feels tangible. from the workings of beam‑splitters and C. Gerry and Kimberley Writing about quantum mechanics in polarizers to more complex arrangements, M. Bruno scientifically accurate and yet intuitive terms such as the Mach–Zehnder and Hong– is hard. There are countless books on the Ou–Mandel interferometers. And although OXFORD UNIV. PRESS: subject, approaching it from every possible the authors touch on such varied topics, 2013. 197PP. $44.95. angle (for example, How to Teach Quantum they manage to maintain a steady flow Physics to your Dog, Quantum Theory and an overall sense of coherence (no Cannot Hurt You, Quantum: A Guide for the pun intended). uantum mechanics and quantum Perplexed and Who’s Afraid of Schrödinger’s All the discussions eventually lead to the information feature many eccentric Cat?), and it is amazing how many of central theme of The Quantum Divide: the Qcharacters, from the personality‑split these have cats on their covers. But The question of where to draw the line between photon to the omnipresent Alice and Quantum Divide: Why Schrödinger’s Cat is the quantum and classical worlds — if Bob. -
Wilson, Robert Anton Robert Anton Wilson (1932-2007) Was An
D. G. Robertson, “Wilson, Robert Anton” Forthcoming in: E. Asprem (ed.), Dictionary of Contemporary Esotericism Preprint manuscript of: D. G. Robertson, “Wilson, Robert Anton”, Dictionary of Contemporary Esotericism (ed. E. Asprem), Leiden: Brill. Archived at ContERN Repository for Self-Archiving (CRESARCH) https://contern.org/cresarch/cresarch-repository/ Feb. 5, 2019. Wilson, Robert Anton Robert Anton Wilson (1932-2007) was an American writer, known for the Illuminatus! Trilogy (1975, co-written with Robert Shea) and the autobiographical Cosmic Trigger (1977). He had a considerable influence upon the popularisation of “invented” religions, conspiracy theories, and Chaos Magick. Wilson was involved in early Discordianism, a satirical religion invented in 1957 by Greg Hill and Kerry Thornley, two Californian high school friends. It was based upon light-hearted worship of Eris, the Goddess of Chaos, and the philosophical position that all order is illusory, and salvation lies in embracing chaos and silliness. Discordianism developed largely through correspondence with a slowly expanding circle of smart, young, (mostly) white, male atheists, including Wilson. The material developed was compiled by Hill and published as the Principia Discordia in 1969. Wilson’s contributions included some conspiracist material on the Bavarian Illuminati, references to writers HP Lovecraft and James Joyce, and the “23 Enigma”, which states that once you are aware of it, you will start to see the number twenty-three everywhere. Discordianism provided many of the characters and themes of Illuminatus!, which Wilson was writing at the time with Robert Shea. While working as associate editors for Playboy, the two became fascinated by the many letters the magazine received spinning elaborate conspiratorial narratives concerning the Illuminati, the Council on Foreign Relations, the Vatican and the Kennedys. -
The Jams' and the KLF's Invocation of Mu
CHART MYTHOS The JAMs’ and The KLF’s Invocation of Mu [Received August 18th 2016; accepted September 22nd 2016 – DOI: 10.21463/shima.10.2.07] Jon Fitzgerald <[email protected]> Southern Cross UniversitY Philip Hayward <[email protected]> Kagoshima UniversitY Research Center for the Pacific Islands and UniversitY of TechnologY SYdneY ABSTRACT: The JAMs and The KLF, two overlapping popular music ensembles led by British multi-media performers JimmY CautY and Bill Drummond, were notable for both the success theY had with a batch of singles in the late 1980s and early 1990s and the complex mythologY theY constructed and celebrated in song lYrics, music videos, press releases and short films. KeY to their mYthological project was their association with the fictional lost island-continent of Mu (with the band name JAMs being an abbreviation for ‘Justified Ancients of Mu Mu’). The latter identitY was derived from Robert Shea and Robert Anton Wilson’s Illuminatus trilogY of novels in which the aforementioned “ancients” were a secret brotherhood involved in combatting the rival Illuminati, who originated in Atlantis. As the JAMS’ and KLF’s oeuvres progressed, aspects of Mu and Atlantis were synthesised by CautY and Drummond with elements of other actual and fictional islands. The article traces the initial imagination and representation of Mu in esoteric crYpto-historical literature, its rearticulation in Shea and Wilson’s counter-cultural novels and its invocation and function in CautY and Drummond’s work with The JAMs and The KLF. KEY