Report to the Asor Board of Trustees from the Officer’S Nominations Committee – Spring 2013
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2006 Annual Conference Program Sessions
24 CAA Conference Information 2006 ARTspace is a conference within the Conference, tailored to the interests and needs of practicing artists, but open to all. It includes a large audience session space and a section devoted to the video lounge. UNLESS OTHERWISE NOTED. ALL ARTSPACE EVENTS ARE IN THE HYNES CONVENTION GENTER, THIRD LEVEl, ROOM 312. WEDNESDAY, FEBRUARY 22 ------------------- 7:30 AM-9:00 AM MORNING COFFEE, TEA, AND JUICE 9:30 AM-NOON SlOPART.COM BRIAN REEVES AND ADRIANE HERMAN Slop Art corporate representatives will share popular new product distribution and expression-formatting strategies they've developed to address mounting consumer expectation for increasing affordability, portability, familiar formatting, and validating brand recognition. New franchise opportunities, including the Slop Brand Shippable Showroom™, will be outlined. Certified Masterworks™ and product submission guidelines FREE to all attendees. 12:30 PM-2:00 PM RECENT WORK FROM THE MIT MEDIA LAB Christopher Csikszelltlnihalyi, a visual artist on the faculty at the MIT Media Lab, coordinates a presentation featuring recent faculty work from the MIT Media Lab; see http;llwww.media.mit.edu/about! academics.htm!. 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII PAINTING Chairs; Alfredo Gisholl, Brandeis University; John G. Walker, Boston University Panelists to be announced. BOSTON 25 THURSDAY, FEBRUARY 23 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII 7:30 AM-9:00 AM PRINTERLY PAINTERLY: THE INTERRELATIONSHIP OF PAINTING AND PRINTMAKING MORNING COFFEE, TEA, AND JUICE Chair: Nona Hershey, Massachusetts College of Art Clillord Ackley, Museum of Fine Arts, Boston 9:00 AM-5:30 PM Michael Mazur, independent artist James Stroud, independent artist, Center Street Studio, Milton Village, VIDEO lOUNGE: EXPANDED CINEMA FOR THE DIGITAL AGE Massachusetts A video screening curated by leslie Raymond and Antony Flackett Expanded Cinema emerged in the 19605 with aspirations to explore expanded consciousness through the technology of the moving image. -
2017-2018 Report
The Society of Fellows in the Humanities Annual Report 2017–2018 Society of Fellows Mail Code 5700 Columbia University 2960 Broadway New York, NY 10027 Phone: (212) 854-8443 Fax: (212) 662-7289 [email protected] www.societyoffellows.columbia.edu By FedEx or UPS: Society of Fellows 74 Morningside Drive Heyman Center, First Floor East Campus Residential Center Columbia University New York, NY 10027 Posters courtesy of designers Amelia Saul and Sean Boggs Contents Report From The Chair 5 Special Events 33 • New Books in the Society of Fellows 36 Members of the 2017–2018 Governing Board 8 • Explorations in the Forty-Third Annual Fellowship Competition 9 Medical Humanities 38 Fellows in Residence 2017–2018 11 Heyman Center Events 43 • Joelle M. Abi-Rached 12 • Event Highlights 44 • Christopher M. Florio 13 • Public Humanities Initiative 52 • David Gutkin 14 • Heyman Center Series and Workshops 54 • Heidi Hausse 15 Politics of the Present 54 • Arden Hegele 16 Uprising 13/13 Seminar Series 55 • Lauren Kopajtic 17 New Books in the Arts and Sciences 55 • Whitney Laemmli 18 • María González Pendás 19 Heyman Center Fellows 2017–2018 59 • Carmel Raz 20 Alumni Fellows News 63 Thursday Lectures Series 21 In Memoriam 65 • Fall 2017: Fellows’ Talks 23 Alumni Fellows Directory 67 • Spring 2018: “Supernatural” 26 2017–2018 Fellows at the annual year-end Spring gathering (from left): Heidi Hausse (2016–2018), Arden Hegele (2016–2019), Lauren Kopajtic (2017–2018), Whitney Laemmli (2016–2019), Christopher Florio (2016–2019), Carmel Raz (2015–2018), David Gutkin (2015–2017), and Joelle M. Abi-Rached (2017–2019). -
2004-2005 Newsletter
GRADUATE PROGRAM IN THE HISTORY OF ART Williams College/Clark Art Institute Summer-Fall 2005 NEWSLETTER The Class of 2005 at its Hooding Ceremony. From left: Marc Simpson (Associate Director), Yoko Hara, Matt Levy, Christine Paglia, Cara Starke, Charles (Mark) Haxthausen (Director), Dan Cohen, Bryan Frank, Sasha Suda, Jessica Fripp, Andrea McKeever, Jamie Franklin, Rebecca Uchill, Viktoria Villanyi, Betsy Athens, and Diana Kurkovsky Letter from the Director Charles W. (Mark) Haxthausen Faison-Pierson-Stoddard Professor of Art History, Director of the Graduate Program The 2004-2005 academic year was an especially gratifying one for the Graduate Program on many levels. We had yet another banner recruiting year: of seventy-three applicants (the highest number since 1993) we admitted nineteen, of whom twelve accepted. The spring symposium was especially strong—one paper has already been published and a second has been accepted by a major scholarly journal. By the end of the summer we had succeeded in placing almost all fourteen members of our graduating class into doctoral programs, internships, or other positions related to the profession (see pages 16 and 17 for details). Happily, such good news has long been the norm in the Graduate Program. But on another front, the 2004-2005 academic year was a watershed: it marked a definitive turning point in the program’s financial health. For not only did we finish the year with our largest-ever operating surplus, we have now, through the slow but steady growth of our endowment, begun to put the program on a solid fiscal foundation that will help to ensure its quality in future years.