03-24-1874 Harry Houdini.Indd
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The Old and the New Magic
E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Rare Posters
Public Auction #009 Rare Posters Conjuring, Circus, and Allied Arts For sale at public auction March 26 2011 at 11:00 am Exhibition March 22 - 25 Potter & Potter Auctions, Inc. 3729 N. Ravenswood Ave. -Suite 116- Chicago, IL 60613 Thank you for downloading the digital edition of this catalog. Hard copies can be purhased at our website, www.potterauctions.com. To view detailed, color images of each lot and to place bids online for items in this catalog, please visit our partner website, www.liveauctioneers.com. Introduction Magic is the oldest of the theatrical arts. Its earliest origins was frequently shown with diminutive red devils or imps were in Shamanism and the priesthood. By the time of ancient perched on his shoulder or whispering (presumably arcane Egypt, clever conjurors were using many of the same tricks secrets) in his ear. Some of these portraits include a background performed by magicians today to convince the masses of their which suggests that the person pictured is a magician or the supernatural power. In the thousands of years since its earliest portrait itself is stylized in such a manner as to suggest that recorded beginnings, magic moved from the temples of ancient the person is a mystery worker or, at the very least, an exotic times to the street corners and fairs of the Middle Ages, then personality. Notable in this regard are the portrait lithographs into taverns and drawing rooms and, finally, onto the stage and of Chung Ling Soo, Alexander, and Cater. Also in this category television. are some posters which only vaguely suggest an illusion being When the art of conjuring split from its religious and performed, such as the poster for The Great Rameses. -
Haversat Ewing
haversat &Ewing Galleries, LLC. 2014 Magic Collectibles Auction November 15, 2014 Haversat & Ewing Galleries, LLC. Magic Collectibles Auction AUCTION Active bidding on Saturday,all lots begin November at 11:00 15, AM 2014 EST- -11:00 Sat. November AM 15, 2014 SignFirst-up lot to bidcloses at: www.haversatewing.comat 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO BOX 1078 - YARDLEY, PA 19067-3434 WWW.HAVERSATEWING.COM ~1~ ~2~ ~3~ ~4~ Books, Catalogs & Periodicals 1. Abbott, David. Behind the Scenes with the Mediums. Omaha: The Open Court Publishing Co., 1908 Second edition. Mint condition. $75-125 ~5~ 2. The Art of Conjuring Made Easy; or, Instructions For Performing The Most 4. Brewster, David. Letters on Natural Magic. Astonishing Sleight-of-Hand Feats, With London: John Murry, 1834. Lovely rebinding of Directions for Making Fireworks. 12 pages. this classic text with leather spine and corners and Small 12mo. Woodcut pictorial wrappers, with old buckram covers. New end papers. Fine condition. tape on spine. Circa 1840's. $200-250 $75-$100 3. Black Art!, Or Magic Made Easy. All Kinds 5. Conjurers’ Monthly Magazine. Harry of Sleight-of Hand Tricks. Conjuring by Cards and Houdini. V1 N1 (Sept. 1906) - V2 N12 (Aug. 1908). Coins. 64 pages. 16mo. Copyright 1869, Frederic Complete file. Bound in blue cloth with lettered Brady. First Edition. $200-$250 cloth spines, as issued by Houdini. Overall in fair condition. $450-$700 November 2014 - Haversat & Ewing Galleries • 3 ~7~ ~9~ ~8~ 8. Encyclopedia of Self Working Card Tricks & Second Encyclopedia of Card Tricks. -
Download This Issue (PDF)
On behalf of the working people of Erie, IUPAT District Council 57 endorses: JOE BIDEN JOSH SHAPIRO KRISTY GNIBUS For President For Attorney General For Congress THESE CANDIDATES SHARE WORKING PEOPLE’S VALUES: FOR WORKERS’ FOR AFFORDABLE FOR FUNDING RIGHTS HEALTHCARE PUBLIC EDUCATION President Trump has • BROKEN HIS PROMISE ON INFRASTRUCTURE • PLANNED TO DEFUND HEALTHCARE • TAKEN THE CONSTITUTIONAL RIGHT OF COLLECTIVE BARGAINING AWAY FROM WORKERS • GIVEN TAX BREAKS TO LARGE CORPORATIONS DURING A PANDEMIC, WHILE OUR MOM AND POP SHOPS CONTINUE TO SUFFER Your livelihood for the next 4 years is on the line. Vote for candidates who will choose helping your family over fattening their wallets. WE CAN BE THE CHANGE Paid for by the IUPAT Political Action Together Political Committee, Hanover, MD CONTENTS From the Editors The only local voice for news, arts, and culture. OCTOBER 21, 2020 On keeping our heads on On behalf of the working people of Erie, Editors-in-Chief y most accounts, Erie-born magician Brian Graham & Adam Welsh Harry Kellar had an exceptionally good Managing Editor IUPAT District Council 57 endorses: Nick Warren What We’re Voting For – 5 Bhead on his shoulders. Throughout his standard-setting career, he demonstrated sav- Copy Editor Erie County and the soul of America Matt Swanseger vy, dignity, and class, while never forgetting where he came from. But despite his fami- Contributing Editors Still Making an Impression – 6 Ben Speggen ly-friendly reputation, he wasn’t above a lit- Jim Wertz Dafmark Dance Theater celebrates 30 years in tle shock value. For instance, detaching that Contributors Erie distinguished dome of his in front of a paying Liz Allen crowd of men, women, and children of all ages. -
By Tom Ewing
Magical Treasures of Philadelphia by Tom Ewing n behalf of the vibrant magic community Hosting this national convention is also noth- in Philadelphia, welcome to the many ing new to the city as we have done so on Onational convention attendees to our city. four other occasions—1931, 1968, 1972, and We have a rich political history as the site of 1976. We can also boast five National S.A.M. the First and Second Continental Congresses Presidents and two Deans of the Society with during the American Revolution. It was here, close ties to the city. too, that the Declaration of Independence was drafted and adopted, and from 1790- In mid-1700s, Philadelphian Jacob Meyer be- 1800 we served as the nation’s capital. It was gan performing magic and eventually adopt- also the home of Benjamin Franklin, Betsy ed the stage name Philadelphus Philadelphia Ross, and other notables. and rose to fame here and abroad. He trav- eled extensively throughout Europe and per- We have a rich magic history stretching back formed before the Empress Catharine and Sultan to those early colonial days up to the present. Mustapha the Third at Constantinople. Also in the late 1700s, conjurors such as should be more on theaters and buildings or Hymen Saunders, Signor Falconi, and John people. Since people are far more interesting, Rannie performed at local taverns and public I went with human treasures. Of course, I had houses in the city. to throw in some buildings and theaters, too. It was also here that Von Kempelen’s chess- Magic Shops playing automaton, “The Turk,” spent its final and last days. -
The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol
Cybaris® Volume 6 | Issue 1 Article 2 2015 The ffecE ts of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law Jared R. Sherlock Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sherlock, Jared R. (2015) "The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol. 6: Iss. 1, Article 2. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Sherlock: The Effects of Exposure on the Ecology of the Magic Industry: Pre Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 2 THE EFFECTS OF EXPOSURE ON THE ECOLOGY OF THE MAGIC INDUSTRY: PRESERVING MAGIC IN THE ABSENCE OF LAW JARED R. SHERLOCK † I. Introduction ................................................................................. 3 II. BackGround of Intellectual Property in the Magic Industry .................................................................................... 4 A. Brief History ...................................................................... 4 B. The -
Flash Paper Feb 2020 (Pdf)
The Flash Paper February, 2020 Bob Gehringer, Editor Presidential Ponderings Introduction: The Effect Our own member, Theron Christensen's first book “To produce a magical effect, of original conception, is Plotting Astonishment has just a work of high art.” --Nevil Maskelyne been published and is now Dear reader, I hold my breath as you turn the available on Amazon. It was pages of this book for the first time. I was hesitant to add good for me to read it. I plan to this work to the vast cacophony of magic literature. I am read it again. I believe the not well-known among magicians, nor do I pretend to be insights he shares has the power any sort of expert; and to publish your knowledge and to raise your own performances opinion is to invite the scorn and rebuttal of many. But to yet another level. With his permission, I share a too many of my close friends and the nudge of my portion of the book's introduction with you. conscience have pushed me to produce the work which you hold in your hands. To start out, I would like to explain my intentions. When Maskelyne and Devant published Our Magic in 1911, they urged magicians to recognize the importance of being original in magic. “Without originality,” they said, “no man can become a great artist.” Their efforts paid off. Today, magicians almost universally accept the importance of originality. Just as Maskelyne observed over one hundred years ago, magicians tend to seek after originality in one of three ways. -
Revelations Devoted to the Interest of the Magician
McManus The John J. and Hanna M. and Morris N. and Chesley V. Young Collection exidBRis BRIDGGS — REVELATIONS f ; Devoted to the Interest of the Magician. Harry C. Schreck, Publisher, 406 North Side Station, PITTSBURGH, PA. Copy 5c. JULY, 1919. Year 50c. s m A little Magic now and then Is relished by the best of men. THIS MAGAZINE IS READ BY SHOWMEN, MAGICIANS, ESCAPE ARTISTS, OPPORTUNITY SEEKERS, MAIL DEALERS AND THOSE WHO EB ARE AMBITIOUS. (Page 2.) The Philosophy of Life..^ Did it ever occur to you that a man's life is full of temptations ? He comes into the world without his consent and goes out against his will and the trip between is exceedingly rocky. The rule of contraries is one of the features of this trip. When he is little, the big girls kiss him; when he is big, the little girls kiss him. If he is poor, he is a bad manager; if he is rich, he is dishonest. If he needs credit, he can't get it; if he is prosperous, everyone wants to do him a If he is in politics, it is a graft; if he is out of politics, he is no good to his country. If he doesn't give to charity, he is a stingy cuss; if he does, it's for show. If he is actively religious, he is a hypocrite; if he takes no interest in religion, he is a hardened sinner. If he gives affection, he is a soft specimen; if he cares for no one, he is cold-blooded. -
Harry Houdini and Howard Thurston Were So Popular That the Era Became Known As the Golden Age of Magic
Illusions The Art of Magic Large Print Exhibition Text This exhibition is organized by the McCord Museum in Montreal. All of the framed posters on view are from the McCord’s Allan Slaight Collection. Lead La Fondation Emmanuelle Gattuso Supporters The Slaight Foundation Exhibition Overview There are 9 sections in this exhibition, including a retail shop. Visitors will enter Section 1, upon turning right, after passing through the entrance. Enter / Exit Section 1 Content: Exhibition title wall with 1 photograph and partnership recognition, and 2 posters on the wall. Environment: shared thoroughfare with exhibition exit. Section 2 Content: 9 posters on the wall, 1 projected film with ambient audio, and 1 table case containing 4 objects Environment: darkened gallery setting with no seating. Section 3 Content: 9 posters on the wall. Environment: standard gallery setting with no seating. Section 4 Content: 9 posters on the wall. Environment: standard gallery setting with bench seating. Section 5 Content: 8 posters on the wall, 1 short film with ambient audio, 1 table case containing 9 objects, and an interactive activity station with seating. Environment: standard gallery setting with no seating. Section 6 Content: 7 posters on the wall. Environment: standard gallery setting with no seating. Section 7 Content: 6 posters on the wall. Environment: standard gallery setting with no seating. Section 8 Content: 7 posters on the wall, 2 projected silent films, 1 table case containing 15 objects, and a free-standing object. Environment: standard gallery setting with dim lighting. No available seating. Section 9 (Retail Shop) Visitors must enter through the retail shop to exit the exhibition. -
1932-04-03 [P
of the magician from being made public. getting the description through and generous in helping the mdgician KIINETY per cent of the audience that bother ^ ThUr fs not,a Reactionary measure. No the Patent Office. In short, patenting a keep the mystery of magic. Many edi- crowded, the house for Mr. Powell’s for and it I believe that their readers are one realy wants to know how ,he has trick releases It publication, tors, find, performance was made up of practic^ig been fooled. His amusement comes from then becomes valueless for the stage. annoyed to discover the means by which magicians. Slany who, in Order to at- mystification, and once he knows the they are fooled, just as they are annoyed tend, had had to cancel their own per- OMETIMES of time and thou- mechanism he is no longer amused. C years when a critic discloses a feeling of hatred formances, came on the evening trains ^ for a trick The society includes also ardent stu- sands of dollars are spent between the hero and the heroine of a and returned to Boston, Chicago, Balti- a moment to dents of magic who are amateurs. Many which takes but perform. successful romantic play. Audiences en- more and a hundred other places on the It to and a star of the theater can tell of having has be designed redesigned, joy their illusions and feel disgruntled midnight. made and unmade. The must when the illusions are shattered. run away from home as a boy to travel magician When the lights went out and the be with the “master of mystery,” the “pro- not fail and a trick must mystifying The safeguarding of illusions is thus house grew quiet, Dean Powell walked The trick of one fessor of thaumaturgy,” or the “world’s to every observer. -
The Magic Gang’ Unit to Deceive German Field Marshal Rommel with Fake Tanks, Railway Lines Etc
In WW II, A British Illusionist Formed ‘The Magic Gang’ Unit To Deceive German Field Marshal Rommel With Fake Tanks, Railway Lines Etc. National Magic Day each year on October 31st recognizes the thrill of seeing the performance art. It takes place during National Magic Week. One of the most renowned magicians was Harry Houdini. Known for his *escapology, Houdini had developed a range of stage magic tricks and made full use of the variety of conjuring techniques, including fake equipment and collusion with individuals in the audience. His show business savvy was as exceptional as his showmanship. Magic Day started with a “Houdini Day”, the first of which took place in the summer of 1927, less than one year after the famous magician’s death. His wife presented a trophy in honour of him on that day. Houdini died at 1:26pm on October 31st, 1926. The Houdini Museum is located in Scranton, Pennsylvania. Some magic categories: Stage illusions –a kind of large scale performance on a stage. Parlor magic – a performance before a medium scale audience such as an auditorium. Micromagic – performed close up using coins, cards, and other small items. It’s also known as close-up or table magic. This type of performance occurs in an intimate setting. Escapology – In this type of performance, the artist escapes from a dangerous situation such as being submerged underwater while handcuffed or dangling from a burning rope. Pickpocket magic – A distraction type of performance, the artist, makes watches, jewelry, wallets, and more disappear through misdirection. The audience witnesses the entire event.