DOCSLIB.ORG

Representing Environmental Risk in the Landscapes of US Militarization

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Representing Environmental Risk in the Landscapes of US Militarization )&2$&3&./-.4'5.6-$".7&./18')-39'-.'/:&'*1.03%12&3'";'(!'<-8-/1$-=1/-". Hsuan Hsu This virtual exhibition curated by literary scholar Hsuan Hsu examines the environmental impact of US military activities worldwide and how activists have used art and other forms of representational media to convey the harmful effects of militarization on the local population and landscape. Text by Hsuan Hsu (2014) under a CC BY-NC-SA 4.0 International license. This refers only to the text and does not include any image rights; images are licensed individually. For copyright information on the above images, please click here. http://www.environmentandsociety.org/exhibitions/risk-and-militarization/copyright-information >"?'/"'%-/&+' Hsu, Hsuan. “Representing environmental risk in the landscapes of US militarization.” Environment & Society Portal, !"#$%&'()*+","$"-./ 2014, no. 1. Rachel Carson Center for Environment and Society. doi.org/10.5282/rcc/6058. ISSN 2198-7696 Environment & Society Portal, Virtual Exhibitions !"#$%&'()*+ http://www.environmentandsociety.org/node/6058 PDF created on+ 22 February 2021 12:15:58 56*+%-%"&-&7"262%2*3 T6/"%+M6/L/.%82'"/7+-"%62O%7/99+-+'.%92-3"%29%-+,-+"+'.&./2'%6&1+%L++'%#"+7%.2%/'94#+'8+%,#L4/8%,+-8+,./2'"%29 +'1/-2'3+'.&4%6&-3%&""28/&.+7%O/.6%:;%3/4/.&-@%L&"+"%&'7%&8./1/./+"%O2-47O/7+(%U'".+&7%29%&..+3,./'0%& 823,-+6+'"/1+%"#-1+@%29%&44%.6+%/3&0+"$%32'#3+'."$%&'7%'&--&./1+"%.6&.%6&1+%L++'%7+12.+7%.2%.6+"+ +'1/-2'3+'.&4%/3,&8."$%U%6&1+%928#"+7%2'%"/0'/9/8&'.%327+"%29%-+,-+"+'.&./2'%/'84#7/'0%3&,"$%9/43"$%4/.+-&.#-+$ ,62.20-&,6"$%&'7%32'#3+'."(%V6+-+1+-%,2""/L4+$%U%"+4+8.+7%1/"#&4%+M&3,4+"%.6&.%+M+3,4/9@%62O%&%,&-./8#4&- 3+7/#3%8&'%6+4,%#"%,+-8+/1+%&'7%9-&3+%+'1/-2'3+'.&4%-/"5"(%U%&..+3,.+7%.2%/'84#7+%/3&0+"%"62O/'0%L2.6%62O .6+%:;%W+,&-.3+'.%29%W+9+'"+%72O',4&@"%+'1/-2'3+'.&4%/3,&8."%&'7%62O%&8./1/"."%&'7%&-./"."%6&1+%32L/4/<+7 -+,-+"+'.&./2'&4%,-&8./8+"%.2%82'1+@%.6+%"8&4+%&'7%4/1+7%+M,+-/+'8+%29%+'1/-2'3+'.&4%6&-3%O-2#06.%L@ 3/4/.&-/<&./2'(%U%6&1+%/'84#7+7%L2.6%/'.+-'&./2'&4%&'7%723+"./8%+M&3,4+"%.2%82'1+@%.6+%0+20-&,6/8&4%"82,+%29%:; 3/4/.&-/<&./2'(%V6/4+%3&'@%&-./"."%0+'+-2#"4@%0-&'.+7%,+-3/""/2'%.2%-+,-27#8+%.6+/-%O2-5"%2'4/'+$%&.%./3+"%.6+ +M6/L/.X"%"+4+8./2'"%6&1+%L++'%4/3/.+7%.2%/3&0+"%&1&/4&L4+%/'%.6+%,#L4/8%723&/'( 5,83*9:&4;<&3%= T6&'5"%.2%*#".@%Y&-.+4"%92-%-+"+&-86%&""/".&'8+$%.2%Z&-++3%;6/6&L%92-%,-27#8/'0%8#".23%3&,"%92-%.6/"%,-2[+8.$ &'7%.2%.6+%:F%W&1/"%\+442'%*+"+&-86%U'/./&./1+%/'%>'1/-2'3+'."%&'7%;28/+./+"%92-%,-21/7/'0%9-+]#+'. 2,,2-.#'/./+"%.2%.6/'5%8244+8./1+4@%&L2#.%3&'@%29%.6+%/""#+"%821+-+7%6+-+(%R2-%,+-3/""/2'%.2%-+,-27#8+%.6+/- &-.O2-5$%U%&3%0-&.+9#4%.2%^-+0%^/-&-7$%_(%A(%F&'7+4/+-$%_26'%^/&'1/.2$%_&85%`/+7+'.6&4$%+4/'%2X!&-&%"4&1/85$%F-&/0 ;&'.2"%A+-+<$%a++%F-&5+-$%&'7%*/86&-7%\/"-&86( >*9-%*-,2%& !"#$%!"#&'(%)*+,-+"+'./'0%+'1/-2'3+'.&4%-/"5%/'%.6+%4&'7"8&,+"%29%:;%3/4/.&-/<&./2'(=%>'1/-2'3+'.%?%;28/+.@ A2-.&4$%!"#$%&'/()*"+"$",-.%BCDE$%'2(%D(%*&86+4%F&-"2'%F+'.+-%92-%>'1/-2'3+'.%&'7%;28/+.@( 6..,NGGOOO(+'1/-2'3+'.&'7"28/+.@(2-0G'27+GJBPQ( U;;`%BDPIbSJPJ%>'1/-2'3+'.%?%;28/+.@%A2-.&4$%c/-.#&4%>M6/L/./2'" %%BCDE%!"#&'%!"# 0*"./#121#./,-'3/$,/$*1/$1)$/&-4/4,1./-,$/"-5'%41/&-3/"6&71/#"7*$.8/9'1&.1/5'"5:/,-/&-/"6&71/$,/;"1</"$./"-4";"4%&' #"7*$./.$&$%.8 ?&6=2%&=-:238&4-23-%"2=-%&7%( d 6..,NGGOOO(+'1/-2'3+'.&'7"28/+.@(2-0G+M6/L/./2'"G-/"5b&'7b3/4/.&-/<&./2' !"#$%!"#&'(%)*+,-+"+'./'0%+'1/-2'3+'.&4%-/"5%/'%.6+%4&'7"8&,+"%29%:;%3/4/.&-/<&./2'(=%>'1/-2'3+'.%?%;28/+.@%A2-.&4$%!"#$%&' ()*"+"$",-.%BCDE$%'2(%D(%*&86+4%F&-"2'%F+'.+-%92-%>'1/-2'3+'.%&'7%;28/+.@(%72/(2-0GDC(HBIBG-88GJCHI( !"#$%&'(%KL2#.%.6+%+M6/L/./2' )*+',&-./0(%6..,NGGOOO(+'1/-2'3+'.&'7"28/+.@(2-0G'27+GJBPQ PDF created on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created on(%BB%O+P-#&-@%BCBD%DBLDJLCD ]&,%"62M/'0%.6+%+"./3&.+7%1&4#+%29%:;%Y+,&-.3+'.%29%Y+9+'"+%".-#8.#-+"%,+-%82#'.-@%_A4&'.%*+,4&8+3+'.%`&4#+a$%BCDb F-+&.+7%P@%^&-++3%;6/6&P%_BCDba %Q6/"%M2-5%/"%4/8+'"+7%#'7+-%&%F-+&./1+%F2332'"%X..-/P#./2'cd2'F233+-8/&4c;6&-+X4/5+%b(C%:',2-.+7%e/8+'"+%( /".01&-21$*31'&-2.4&53.1,617819"'"$&#":&$",-%P+0/'"%M/.6%6/".2-/8&4%21+-1/+M"%29%3/4/.&-/<+7%428&./2'"%"#86%&" P&"+"$%.+"./'0%&'7%.-&/'/'0%"/.+"$%&'7%92-3+-%M&-%<2'+"%".-+.86/'0%&8-2""%.6+%042P+(%Q6+"+%428&./2'"%0-&,6/8&44@ 7+32'".-&.+%M&-R"%+'1/-2'3+'.&4%+'.&'04+3+'."$%,&-./8#4&-4@%/'%-+8+'.%7+8&7+"%&"%3/4/.&-@%.&-0+./'0%6&"%"6/9.+7 9-23%+'+3@%P27/+"%.2%/'9-&".-#8.#-+%&'7%+'1/-2'3+'.%_]P+3P+%BCCbf%;42.+-7/Z5%BCCNa(%K'%&77/./2'%.2%7+.&/4/'0 .6+%"82,+%29%3/4/.&-/<&./2'%&'7%"23+%29%.6+%6+&4.6%+99+8."%"#99+-+7%/'%.6+%,-+"+'8+%&'7%&9.+-3&.6%29%P&"+"$%3/4/.&-@ +T+-8/"+"$%&'7%M&-$%.6/"%+T6/P/.%2#.4/'+"%-+",2'"+"%P@%428&4%&'./c3/4/.&-/<&./2'%321+3+'."(%Q6+"+%321+3+'."%&-+ '2.&P4@%7/1+-"+$%P-/'0/'0%.20+.6+-%9/-".c./3+%,-2.+".2-"$%+T,+-/+'8+7%2-0&'/<+-"$%&8./1/"."%-+,-+"+'./'0%&%-&'0+%29 /'.+-+"."$%&'7%,+2,4+%9-23%7/99+-+'.%"28/&4%84&""+"$%+.6'/8%0-2#,"$%&'7%0+20-&,6/8&4%428&./2'"%_!&-7.%BCDBa(%;23+ &'./c3/4/.&-/<&./2'%".-#004+"%6&1+%+1+'%)0+'+-&.+7%'+M%,-&8./8+"%29%7+328-&./8%,24/./8&4%2-0&'/</'0$%4/'5+7%.2 2.6+-%428&4%"28/&4%321+3+'."=%_!&-7.%BCDB$%IBJa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created on(%BB%O+P-#&-@%BCBD%DBLDJLCD 9/43"$%'21+4"$%,62.20-&,6"$%&'7%"/.+c",+8/9/8%,+-92-3&'8+"%.2%82'1+@%.6+%"28/&4$%,"@862420/8&4$%&'7%P/2420/8&4 +99+8."%29%4/1/'0%/'%3/4/.&-/<+7%,4&8+"(%K'%&77/./2'%.2%,-21/7/'0%&'%21+-1/+M%29%62M%+'1/-2'3+'.&4%&'7%&'./c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
Load more

Recommended publications
  • Life and Death of Kowloon Walled City Antonín Brinda
    Life and Death of Kowloon Walled City Antonín Brinda The text you are about to read speaks about the island of Hong Kong which is by itself an exceptional place with a very specific history. There is (or maybe better to say was) nevertheless an arguably even more interesting island located within the territory of Hong Kong: Chinese enclave called Kowloon Walled City (KWC). What surrounded this 'island' was not water but „larger territory whose inhabitants are culturally or ethnically distinct“ (Oxford Dictionary's definition of enclave). Though in this case, the situation is somewhat more complicated, as KWC – officially part of China – was at the time surrounded by another piece of land formerly also belonging to China – British Hong Kong. Therefore one might say that a part of China was surrounded by another part of China, but that would be a quite a simplification. Decades of British domination had a significant impact on Hong Kong as well as unexpected juridical implications strongly influenced the nature of KWC. It is then legitimate to talk about KWC and Hong Kong as two entities, quite distinct from both each other and Mainland China, the smaller one strangely inserted into the body of its bigger neighbor. Let us explore together this unique 'island' and its 'waters'. The paper aims to shortly introduce the history of an urbanistic phenomenon of Kowloon Walled City (KWC) which until 1993 had been located in the territory currently known as Hong Kong (Hong Kong Special Administrative Region of the People's Republic of China). In the four parts of the article, I will look upon (1) the establishment and development of Kowloon City (Sung Dynasty - 1847), (2) the birth of the Walled City within the Kowloon City area (1847-1945), (3) the post-Second World War period during which the City received its reputation and the nickname 'City of Darkness' (1945-1993), and (4) the concurrent afterlife following the City's demolition in 1993 (1993-now).
    [Show full text]
  • Greg Girard HKPM
    1606 Chai Wan Industrial City, Phase 1 60 Wing Tai Road, Chai Wan, Hong Kong www.bluelotus-gallery.com ! [email protected] www.bluelotus-gallery.com T: +852 6100 1295 PRESS RELEASE #Photography #Exhibition #New Photobook #HongKong #70's #WanChai #Vintage #Nightlife HK:PM [ Hong Kong Nightlife 1974-1989 ] by Greg Girard A photographic exhibition organized by Blue Lotus Gallery at PMQ (room 507s) from 27 October to 12 November 2017 coinciding with a new photo book release of the same title EXHIBITION OPENING: 27 October 2017, 6–8pm EXHIBITION RUNS UNTIL 12 November 2017 VENUE: PMQ: Room 507s, 35 Aberdeen Street, Central, HK OPENING HOURS: daily including Saturday & Sunday 11am to 7pm CONTACT: Press & Inquiries (English): Christina Jensen: [email protected] Sarah Greene [email protected] Press & Inquiries (Chinese): Eunice Lam : [email protected] Greg Girard’s representative HK: www.bluelotus-gallery.com Event Page Link here. Book available online here Publisher: www.asiaone.com.hk Greg Girard’s official website: www.greggirard.com Press Kit with detailed info on book, exhibition and images here. www.bluelotus-gallery.com www.bluelotus-consultancy.com Page !1 of !4 1606 Chai Wan Industrial City, Phase 1 60 Wing Tai Road, Chai Wan, Hong Kong www.bluelotus-gallery.com ! [email protected] www.bluelotus-gallery.com T: +852 6100 1295 ABOUT THE EXHIBITION SHORT VERSION: HK:PM is an exhibition of photographs of Greg Girard's nocturnal wanderings in Hong Kong made between 1974 and 1989. The exhibition also marks the release of the book of the same title, published by Asia One.
    [Show full text]
  • ANNUAL REPORT October 1, 2016 – September 30, 2017 MESSAGE from the CHAIR
    ANNUAL REPORT October 1, 2016 – September 30, 2017 MESSAGE FROM THE CHAIR In March 2016, the Audain Art Museum officially opened its doors and welcomed the CONTENTS first visitors. Since that day, the Museum has focused on its mission to provide the public with an opportunity to immerse themselves in British Columbia’s rich artistic heritage. Visitors to Whistler have been given a unique cultural opportunity through their interaction with our diverse permanent collection and special exhibitions. Our 03 MESSAGE FROM THE CHAIR award-winning Museum is located in a forested setting at the foot of majestic coastal 04 MESSAGE FROM THE ACTING DIRECTOR mountains – an environment that has inspired art for thousands of years. To date, the Museum has drawn tens of thousands of visitors from around the world to 06 SPECIAL EXHIBITIONS experience the art of British Columbia in an unparalleled, authentic way. In 2017, the Museum shared two pieces from our collection with three important 12 COLLECTIONS exhibitions, two of those Canadian and one international. As the permanent collection reaches out globally, it also continues to expand through promised gifts 16 EDUCATION AND PUBLIC PROGRAMS and purchases by the Audain Foundation and generous donors. 21 SUPPORT The viability of the Museum depends on the support of visitors, sponsors and government. In 2015, the Museum committed to 25 FINANCIAL STATEMENTS creating a $25 million endowment to help support the Museum into the future. In November 2017, founder Michael Audain, Chair of the Audain Art Museum Foundation, announced the initial goal had nearly been reached and the target for the endowment 38 BOARD OF TRUSTEES fund was raised to $50 million.
    [Show full text]
  • Greg Girard Benefit Print Edition
    Greg Girard Benefit Print Edition The Richmond Art Gallery is delighted to announce that artist Greg Girard has produced a limited edition archi- val pigment print to benefit the Gallery. Girard’s work will be the subject of a solo exhibition, Greg Girard: Richmond/Kowloon, at the Gallery from April 18 – June 28, 2015. Organized by Curator, Nan Capogna, the exhibition comprises previously created work documenting Hong Kong’s renowned Kowloon Walled City and premieres a new body of photographic images of Richmond, BC and its residents. Children on Rooftop is from Girard’s Kowloon Walled City photographs. A singular Hong Kong phenomenon, Greg Girard the Walled City housed up to 35,000 people living in Kowloon Walled City, Children on Rooftop, 1989 over 300 interconnected high-rise buildings covering 11 x 14 inches one square city block in a densely populated neigh- archival pigment print bourhood forming a “city within a city”. Though de- limited edition of 20 molished 20 years ago in 1993, interest in the Kowloon Price: $420 framed Walled City continues, fuelled in part by urban legends that persist about this extraordinary community. Prints can be purchased in person at the Richmond Art Greg Girard is a Vancouver-based Canadian photogra- Gallery and online at: http://www.richmondartgallery. pher who has spent nearly 30 years living and working org/fundraising/benefit-print-editions. For more in Asia, mostly in Shanghai and Hong Kong. His work information, contact [email protected] or 604-247- examines the social and physical transformations in 8363. Shipping available upon request at an additional Asia, especially in its largest cities.
    [Show full text]
  • Monte Clark Gallery
    Monte Clark Gallery Dynamic Results Greg Girard Year Type Reset (http://www.monteclarkgallery.com/archive) March 23, 2021 Greg Girard, MAS Context, Nocturnal Landscapes in Photography (https://www.mascontext.com/observations/nocturnal-landscapes-in-photography- greg-girard/) October 8, 2020 Greg Girard, Fitchburg Art Museum (https://tchburgartmuseum.org/the-big- picture/). June 11, 2019 Greg Girard, designboom (https://www.designboom.com/art/tokyo-in-the-1970s- pre-blade-runner-city-photos-by-greg-girard-06-10-2019/) June 5, 2019 Greg Girard, British Journal of Photography. (https://www.bjp- online.com/2019/06/1970s-tokyo-revisited/) April 20, 2019 Greg Girard, The Georgia Straight (https://www.straight.com/arts/1229286/girard- photographs-cities-undergoing-rapid-redevelopment), April 17 2019. March 30, 2019 Greg Girard, Capitalist Realism, Thessaloniki Photo Biennale (https://www.photobiennale-greece.gr/en/?exhibition=capitalist-realism-future- perfect), Greece. MNoovnemteb erCl a1r1k, 2G0a1l7lery Greg Girard, South China Morning Post (http://www.scmp.com/news/hong- kong/community/article/2119362/dive-bars-neon-lights-look-underside-side-hong- kongs), November 11, 2017 October 10, 2017 Greg Girard, HK:PM, Blue Lotus Gallery, Hong Kong, October 27 to November 12, 2017. June 11, 2017 Greg Girard, Splendour Without Diminishment (http://themainlander.com/2017/06/11/splendour-without-diminishment/), The Mainlander June 3, 2017 Greg Girard, Pictures from Here (https://www.theglobeandmail.com/arts/art-and- architecture/vancouver-art-gallery-exhibit-shows-a-more-contemporary-picture-of- life-inbc/article35181264/), Globe and Mail, June 1 2017. May 14, 2017 Greg Girard, CBC News (http://www.cbc.ca/news/canada/british-columbia/greg- girard-vancouver-photographs-1.4114262), by Clare Hennig.
    [Show full text]
  • Human Perspectives on the GLOBAL WATER CRISIS
    Human perspectives ON THE GLOBAL WATER CRISIS WaterViews TABLE OF CONTENTS INTRODUCTION BY PETER SWINBURN 3 FOREWARD BY JASON MORRISON 4 OVERVIEW 5 CANADA 6 CHINA 8 INDIA 10 MEXICO 12 RUSSIA 14 UNITED KINGDOM 16 THIS PAGE: Approximately 63 billion tons of wastewater flow into China’s rivers every year. Aquifers in UNITED STATES 18 nearly 90 percent of Chinese cities are polluted. More than three-quarters of river water in urban areas is unfit for drinking or fishing. © 2009 Greg Girard/Contact Press Images for Circle of Blue. ACROSS THE GLOBE 20 COVER PHOTO: A seven-year-old boy waits his turn to collect water outside his home in Sanjay Colony, ABOUT THE PHOTOGRAPHERS 21 a slum area in North West Delhi, India. With no drainage system to serve the community, sewage and rainwater mix on the streets of the neighborhood. © 2009 Anita Khemka/Photoink/Contact Press CONCLUSION 22 Images for Circle of Blue. 2 “Critical to our future” A GLOBAL CHALLENGE THAT MERITS OUR FULL ATTENTION Of all the Earth’s water, less than three percent is fresh and most of what the world’s largest beer companies to responsibly manage its water supply also constitutes fresh water is locked in glacial ice or soil. That leaves less than one influence citizens around the world to secure their fresh water resources. percent available for human use. Compounding the problem is global climate change, which contributes to droughts, storms and flooding, and affects water Molson Coors’ commitment to water is based on our heritage and brewing quality in ways we are only starting to understand.
    [Show full text]
  • Greg Girard Richmond/Kowloon April 18 – June 28, 2015
    Greg Girard Richmond/Kowloon April 18 – June 28, 2015 Richmond Art Gallery is pleased to present Greg Girard: Richmond/Kowloon by Vancouver-based artist Greg Girard. Organized by Richmond Art Gallery Curator, Nan Capogna, the exhibition comprises of previously created work document- ing Hong Kong’s renowned Kowloon Walled City and premieres a new body of photographic im- ages of Richmond, BC and its residents. Greg Girard: Richmond/Kowloon is a participating exhi- bition in the Capture Photography Festival. A singular Hong Kong phenomenon, the Walled City housed up to 35,000 people living in over 300 interconnected high-rise buildings covering one square city block in a densely populated neigh- bourhood forming a “city within a city”. Though demolished 20 years ago in 1993, interest in the Kowloon Walled City continues, fuelled in part by urban legends that persist about this ex- traordinary community. The Kowloon images, published in book form, have never before been exhibited. In the past 25 years the City of Richmond has undergone profound physical and demographic changes, a process of urbanization and immigration, much of it from Hong Kong and China, as well as other cities. Recording the city, homes, shops and businesses where Richmond residents live and work, Girard’s new body of work reflects a city in transition, impacted by migrations of people seeking better opportunities in a new country. This exhibition links the two communities, Richmond and Kowloon, both of them lesser-known (and formerly rural, working class) entities within the better-known cities of Vancouver and Hong Kong. The resulting images will serve to document the social fabric and physical development of Richmond in the second decade of the twenty-first century.
    [Show full text]
  • Foreword for Greg Girard Half the Surface of the World Catalogue, Clark & Faria Gallery, Toronto 2009
    Foreword for Greg Girard Half the Surface of the World catalogue, Clark & Faria Gallery, Toronto 2009 Greg Roy Arden When Greg Girard asked me if I could write this foreword, I deduced he didn't want a prosaic description of his new project Half the Surface of the World - that would be well enough accomplished by a press release. What I have to offer instead is insight into his beginnings and personal development. And so I find myself now writing about an artist, and for the first time, referring to him by his given name. When I met Greg in Vancouver around 1982, he was living downtown in the Lotus Hotel where he showed me his stash of Ektachrome slides of his previous years spent in Japan and other parts of the Far East. Greg started in photography during high school, when for a class assignment he checked into a skid row hotel and documented the junkie life of Hastings Street for a few months. After school he went to the Orient, travelling around and creating mostly personal and poetic images of sailors, prostitutes, and vivid urban scenes. Most of these images were shot at night, Greg had already developed a taste for the lurid, liquid colours that come from the combination of Ektachrome film and artificial light sources. He would go on to develop that taste into the mature style that most significantly resulted in his 2007 book Phantom Shanghai – an instant classic, and one of the greatest photo-portraits of a city ever made. The soundtrack of the early Eighties for two young photographers such as ourselves was the stark minimalism of Iggy Pop's The Passenger and post-Punk bands like Joy Division and Young Marble Giants .
    [Show full text]
  • UCCA Edge Opens with “City on the Edge: Art and Shanghai at the Turn of the Millennium” Released May 21, 2021
    UCCA Edge Opens with “City on the Edge: Art and Shanghai at the Turn of the Millennium” Released May 21, 2021 The opening exhibition at UCCA Edge looks back at the moment Chinese Exhibition Period: contemporary art entered into global dialogue and the transforming urban fabric of 2021.5.22 –2021.7.11 Shanghai at the turn of the millennium. SHANGHAI, China — UCCA Edge opens in Shanghai with the inaugural exhibition Exhibition Location: “City on the Edge: Art and Shanghai at the Turn of the Millennium,” on view May UCCA Edge 22, 2021 to July 11, 2021. This exhibition looks to the city UCCA Edge calls home at 2F, No. 88 Xizang Bei Lu the juncture when China’s art world came to envision itself as part of a global Jing’an District, Shanghai contemporary, bringing together new and important works by 26 major Chinese China and international artists, many with deep connections to UCCA and the development of contemporary art in China. Participating artists include Matthew Barney, Birdhead, Ding Yi, Fang Fang, Greg Girard, Andreas Gursky, He Media Contact: Yunchang, Hu Jieming, Huang Yong Ping, William Kentridge, Lee Bul, Liang Yue, Laura Xue Ni Jun, Shi Yong, Xu Zhen, Yan Lei, Yang Fudong, Yang Zhenzhong, Yu Youhan, Media Relations Manager Zhang Enli, Zhang Peili, Yung Ho Chang, Zhao Bandi, Zheng Guogu, Zhou Tiehai, +86 21 6628 6861 Zhou Xiaohu. “City on the Edge: Art and Shanghai at the Turn of the Millennium” is +86 15010858162 curated by UCCA Director Philip Tinari. [email protected] In and around the year 2000, amidst emerging markets, reforming institutions, and artist-led organizations, a slate of exhibitions occurred that would expand the range of possibilities for experimental art in a city on the verge of a new international centrality.
    [Show full text]
  • Greg Girard Accelerated Ruins Greg Girard Ruine Accélérée Amish Morrell
    Document generated on 09/30/2021 2:20 p.m. Ciel variable Art, photo, médias, culture Greg Girard Accelerated Ruins Greg Girard Ruine accélérée Amish Morrell Made in China Number 81, Spring 2009 URI: https://id.erudit.org/iderudit/547ac See table of contents Publisher(s) Les Productions Ciel variable ISSN 1711-7682 (print) 1923-8932 (digital) Explore this journal Cite this article Morrell, A. (2009). Greg Girard: Accelerated Ruins / Greg Girard : ruine accélérée. Ciel variable, (81), 14–21. Tous droits réservés © Les Productions Ciel variable, 2009 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Justa sthes e imagescaptur e Shanghai inth etwiligh t ofth e twentieth century,the yar etake n inth edus k ofearl yevening , or just beforedawn . ... Thistempora l stagingevoke sth ethreshol d betweendrea man dawakening . The problem for many theorists, including the French philosopher Gilles Deleuze, is that time can be seen only as an indirect image. Empirical descriptions of time do not allow us to see time itself unfold, raising the problem of how to give it visual expression.' The camera freezes movement, which can be made visible only through the juxtaposition of visual ele­ ments.
    [Show full text]
  • Permanence and Change, East Asian Housing Policies After Fifty Years
    International Housing Conference in Hong Kong 2 - 4 February 2004 “Housing in the 21st Century: Challenges and Commitments” PERMANENCE AND CHANGE, EAST ASIAN HOUSING POLICIES AFTER FIFTY YEARS. By Bertrand Renaud, Ph.D Renaud Advisors, Inc., USA (Conference draft. Copyright ©Renaud Advisors, Inc., USA. All right reserved. No part of this paper may be reproduced, published, or transmitted without prior permission.) I. INTRODUCTION This conference celebrates the 30th anniversary of the Hong Kong Housing Authority and the 50th anniversary of public housing in Hong Kong. As every one who is here knows well, the history of public housing in Hong Kong began as a Christmas tale. On Christmas Eve 1953, the disastrous fire that devastated the Shek Kip Mei squatter Living conditions were harsh for many. Hong Kong was being swamped by a flood of refugees from the Chinese mainland who were struggling to survive “on borrowed time, in a borrowed place.” The Shek Kip Mei disaster catalyzed a growing public awareness that the housing situation was running out of control in Hong Kong. The stories of the period tell us that the government reacted quickly in a very emotional atmosphere. There was no preset plan to follow, but out of the solutions that were adopted grew a housing policy that went far beyond the initial goal of a resettlement program, and kept growing with time until Hong Kong had become an impressive high-income economy after 50 years... only to face very different housing challenges after 1997 with the Asian financial crisis, the reconnection of the Hong Kong metropolis with its regional hinterland and a shared new future with booming mainland Chinese cities.
    [Show full text]
  • Greg Girard: Richmond/Kowloon
    Greg Girard: Richmond/Kowloon April 18 – June 28, 2015 Greg Girard, Mall Tai Chi, 2014, Archival Pigment Print School Art Program Teacher’s Guide Richmond Art Gallery School Art Program 7700 Minoru Gate, Richmond, BC, V6Y 1R9 Phone: 604-247-8300 Fax: 604-247-8301 www.richmondartgallery.org DEAR TEACHERS: This guide has been developed for teachers to use as a classroom resource in relation to the Greg Girard: Richmond/Kowloon exhibition, which can be visited at the Gallery from April 18 – June 28, 2015. This guide contains information about the exhibition and activities that will help you to prepare for and follow‐up your visit to the Richmond Art Gallery. Engaging in the activities before and after your visit will reinforce ideas and processes explored in the exhibition, and provide continuity between the gallery visit and classroom. To ensure accessibility, the activities require a minimum of materials and are adaptable to the needs of different grade levels. The guide also contains vocabulary and resource links. The tour of the exhibition has three main goals: to introduce students to the work of Greg Girard and his artistic practice to explore the artist’s individual photographs within their particular contexts to consider the meaning of and questions that arise from the artist’s works. Richmond Art Gallery School Art Program 7700 Minoru Gate, Richmond, BC, V6Y 1R9 Phone: 604-247-8300 Fax: 604-247-8301 www.richmondartgallery.org About the Exhibition Greg Girard: Richmond/Kowloon Greg Girard: Richmond/Kowloon includes previously created but never exhibited work documenting Kowloon Walled City by Vancouver-based Canadian photographer Greg Girard, as well as a new body of photographic work documenting Richmond, BC.
    [Show full text]