PICKED 2 CLICK Group to Win Picked to Click Since It Began the 23Rd Installment of Picked to Click, Or When the Rappers Took Over in 1991
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Melissa Jefferson V. Justin Raisen Et
Case 2:19-cv-09107-DMG-MAA Document 79 Filed 04/27/21 Page 1 of 7 Page ID #:489 UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA CIVIL MINUTES—GENERAL Case No. CV 19-9107-DMG (MAAx) Date April 27, 2021 Title Melissa Jefferson v. Justin Raisen, et al. Page 1 of 7 Present: The Honorable DOLLY M. GEE, UNITED STATES DISTRICT JUDGE KANE TIEN NOT REPORTED Deputy Clerk Court Reporter Attorneys Present for Plaintiff(s) Attorneys Present for Defendant(s) None Present None Present Proceedings: IN CHAMBERS—ORDER RE PLAINTIFF/COUNTER-DEFENDANT’S MOTION TO DISMISS DEFENDANTS/COUNTERCLAIMANTS’ FIRST AMENDED COUNTERCLAIM [60] On August 14, 2020, the Court granted Plaintiff Melissa Jefferson’s (known professionally as Lizzo) motion to dismiss Defendants Justin Raisen, Jeremiah Raisen, Yves Rothman, and Heavy Duty Music Publishing’s Counterclaims for failure to state a claim, with leave to amend. [Doc. # 57 (“first MTD Order” or “MTD1 Order”).] On September 3, 2020, Counterclaimants filed their First Amended Answer (“FAA”), which contains counterclaims for: (1) a judicial declaration that they are joint authors and co-owners of Truth Hurts; (2) an accounting of revenues from the use of Healthy in Truth Hurts; (3) “further relief” under 28 U.S.C. § 2202; (4) an accounting of revenues from Truth Hurts enjoyed by all Counter-defendants, or by Lizzo and Jesse St. John Geller (“St. John”); and (5) a constructive trust. [Doc. # 58.] On September 24, 2020, Lizzo filed a second motion to dismiss (“MTD”) the first, third, fourth, and fifth amended counterclaims. [Doc. # 60.] The motion has since been fully briefed. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100 -
Ed Sheeran Scores Biggest Debut of 2017
FOR IMMEDIATE RELEASE MARCH 12, 2017 ED SHEERAN SCORES BIGGEST DEBUT OF 2017 “÷” ENTERS BILLBOARD 200 AT #1 WITH LARGEST SALES WEEK OF THE YEAR EXCEEDING 451,000 UNITS MULTIPLE GRAMMY WINNER’S THIRD STUDIO ALBUM HAS SOLD 4 MILLION UNITS WORLDWIDE WITH FIGURES STILL COMING IN #1 ON iTUNES CHART IN 102 COUNTRIES AROUND THE WORLD LEAD SINGLE “SHAPE OF YOU” BREAKS THE ALL TIME RECORDS FOR MOST PLAYED SONG IN A SINGLE WEEK ON BOTH TOP 40 AND HOT AC RADIO RIAA 2X PLATINUM CERTIFIED TRACK CONTINUES TO DOMINATE THE CHARTS, HOLDING AT #1 ON BILLBOARD’S “HOT 100,” TOP 40 AND HOT AC RADIO, iTUNES’ “TOP SONGS,” AND SPOTIFY’S “TOP 50” PRESALE FOR THE NORTH AMERICAN ARENA TOUR BEGINS TODAY "÷" AVAILABLE NOW DOWNLOAD/STREAM “÷” HERE ALL PRESS ASSETS AVAILABLE HERE Global superstar Ed Sheeran has made history once again, scoring the biggest debut of the year with first week sales equivalents of his album “÷” (pronounced “divide”) exceeding 451,000 units. The multiple-GRAMMY winner enters the Billboard 200 at #1 for the second time, doubling the first week sales of his previous album, 2014’s “x” (pronounced “multiply”), which debuted at the top of the chart with 209,000 units. “÷” is also a global phenomenon, selling 4 million units worldwide even with first week figures still coming in. Likewise, the landmark album has gone to #1 on iTunes in 102 countries around the world, and shattered the record for the highest first week Spotify streams ever, logging more than 375 million streams over the full week. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Brother Ali Hip-Hop Artist / Activist Brother Ali Is a Highly Respected Hip Hop Artist, Speaker and Activist from Minneapolis, MN
Brother Ali Hip-Hop Artist / Activist Brother Ali is a highly respected Hip Hop artist, speaker and activist from Minneapolis, MN. His decade long resume includes six critically acclaimed albums, mentorships with Iconic Hip Hop legends Chuck D and Rakim and Previous Speaking Engagements: performances on late night talk shows with Conan O Brien and Jimmy Fallon. He’s been the subject of Al-Jazeera and NPR pieces and was a keynote speaker at this year’s Nobel Peace Prize Forum. He’s landed coveted press features such Keynote presenter - Nobel Peace as Rolling Stone’s 40th anniversary “Artist to Watch” and Source Magazine’s “Hip Prize forum, Topic: Hip Hop, Islam and Hop Quotables”. Global Politics Ali has won the hearts and minds of Hip Hop fans world wide with his intimate song writing, captivating live performances and outspoken stance on issues Featured performer/presenter - of Justice and Human Dignity. In 2007, Ali was flagged by The US Department Chicago University with Dr. Cornel of Homeland Security for his controversial critique of America’s human rights West, Amy Goodman of Democracy violations in his song/video “Uncle Sam Goddamn”. In the summer of 2012, Ali was Now and Tavis Smiley, Topic: Poverty arrested in an act of civil disobedience as an organizer of Minnesota’s Occupy in America. Homes movement to defend Twin Cities homeowners from unjust foreclosures. Brother Ali’s latest album, Mourning in America and Dreaming in Color is his Solo lecturer - Stanford University, manifesto on the political, socioeconomic and cultural suffering in modern hosted by Jeff Chang, Topic: Activism, American life, as well as a declaration of hope and possibility for a brighter future. -
2020 C'nergy Band Song List
Song List Song Title Artist 1999 Prince 6:A.M. J Balvin 24k Magic Bruno Mars 70's Medley/ I Will Survive Gloria 70's Medley/Bad Girls Donna Summers 70's Medley/Celebration Kool And The Gang 70's Medley/Give It To Me Baby Rick James A A Song For You Michael Bublé A Thousands Years Christina Perri Ft Steve Kazee Adventures Of Lifetime Coldplay Ain't It Fun Paramore Ain't No Mountain High Enough Michael McDonald (Version) Ain't Nobody Chaka Khan Ain't Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Of Me John Legend American Boy Estelle and Kanye Applause Lady Gaga Ascension Maxwell At Last Ella Fitzgerald Attention Charlie Puth B Banana Pancakes Jack Johnson Best Part Daniel Caesar (Feat. H.E.R) Bettet Together Jack Johnson Beyond Leon Bridges Black Or White Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey Break Free Ariana Grande Brick House The Commodores Brown Eyed Girl Van Morisson Butterfly Kisses Bob Carisle C Cake By The Ocean DNCE California Gurl Katie Perry Call Me Maybe Carly Rae Jespen Can't Feel My Face The Weekend Can't Help Falling In Love Haley Reinhart Version Can't Hold Us (ft. Ray Dalton) Macklemore & Ryan Lewis Can't Stop The Feeling Justin Timberlake Can't Get Enough of You Love Babe Barry White Coming Home Leon Bridges Con Calma Daddy Yankee Closer (feat. Halsey) The Chainsmokers Chicken Fried Zac Brown Band Cool Kids Echosmith Could You Be Loved Bob Marley Counting Stars One Republic Country Girl Shake It For Me Girl Luke Bryan Crazy in Love Beyoncé Crazy Love Van Morisson D Daddy's Angel T Carter Music Dancing In The Street Martha Reeves And The Vandellas Dancing Queen ABBA Danza Kuduro Don Omar Dark Horse Katy Perry Despasito Luis Fonsi Feat. -
Dessa & Jocelyn Hagen
Look Out Above Dessa & Jocelyn Hagen pdf download $1.50 GP-D026 printed $3.00 SATB, a cappella COLLABORATION Dessa & Jocelyn Hagen Look Out Above for a cappella SATB choir, soloists, body percussion, opt. movement Commissioned by & dedicated to the Macalester College Choirs with special thanks to Dr. Michael McGaghie, conductor www.graphitepublishing.com GP-D026 Commissioned by & Dedicated to the Macalester College Choirs pdf download $1.50 with special thanks to Dr. Michael McGaghie, conductor (2017) Look Out Above for SATB a cappella choir, soloists, body percussion & optional movement Text: IPA Guide: We can’t be stopped [ɑ] - car they can’t catch us - sitting just like midnight on the clock: [ɪ] Text by: Dessa Dessa & Jocelyn Hagen it’s all hands up-- [ʌ] - cup, luck with help from the Macalester College Choir Students before tick goes toc, [ɔ] - call, saw it’s just the dust we kick up, so - boat [o] INSTRUCTIONS: Resembling a clock, conductor sweeps look out, look out, look out [u] - who left arm from left to right, like the arm of a clock. Choir look out above members create their ticking sound loudest when the arm cause we’re coming up is directly pointed at them. There should be gradual overlap look about above between sections. there’s no stopping us We can’t be stopped…. Presto = 166-170 q - Dessa pwhispering: P Left 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ã 4 Ó ∑ ∑ Ó From the Composers: tI tI tI tI tI tI tI-kʌ-tI-kʌ-tI-kʌ-tI-kʌ - tI-kʌ-tI - kʌ whispering: p P Some vocal works ask to be delivered by a perfect blend of instructions for its performance, but I am asking you to Middle 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ voices: a finely tuned, powerful, unified sound. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
POS Chill, Dummy Mp3, Flac
P.O.S. Chill, Dummy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Chill, Dummy Country: US Released: 2017 Style: Conscious MP3 version RAR size: 1367 mb FLAC version RAR size: 1908 mb WMA version RAR size: 1742 mb Rating: 4.3 Votes: 315 Other Formats: AA AIFF AU MMF MP3 MP4 TTA Tracklist Hide Credits Born A Snake 1 2:32 Backing Vocals – GeraldGuitar – Jeremy YlvisakerProducer – P.O.S. Wearing A Bear 2 2:41 Producer – Lazerbeak Bully 3 3:29 Featuring – Moncelas Boston, Rapper HooksProducer – Makr Faded 4 3:51 Featuring – Justin Vernon, Lady MidnightProducer – P.O.S. Pieces/Ruins 5 5:21 Featuring – Busdriver, Dwynell RolandProducer – Cory Grindberg Get Ate 6 1:25 Featuring – GeraldProducer – P.O.S. Roddy Piper 7 4:20 Featuring – Moncelas BostonProducer – Lazerbeak, Ryan Olson Thieves/Kings 8 2:44 Backing Vocals – Lady MidnightProducer – Cory Grindberg Infinite Scroll 9 Backing Vocals – Lady MidnightBass – James BuckleyFeaturing – Manchita*, Open Mike 4:02 EagleProducer – Cory Grindberg Lanes 10 1:50 Producer – P.O.S. Gravedigger 11 Backing Vocals – Lady MidnightBass – James BuckleyFeaturing – AngelenahProducer – 4:17 Cory GrindbergScratches [Cuts] – DJ Abilities Sleepdrone/Superposition 12 Drums – Joe MabbottFeaturing – Allan Kingdom, Astronautalis, Eric Mayson, Hard_R, 8:48 Kathleen Hanna, Lizzo, Lydia Liza, Nicholas L. PerezProducer – P.O.S. Companies, etc. Manufactured By – www.copycatsmedia.com – 6236-CD-0041 Credits Engineer – Joe Mabbott Executive-Producer – Lazerbeak, P.O.S. Mastered By – Bruce Templeton Mixed By – BJ Burton (tracks: 2), Joe Mabbott Photography, Design – Brian Hart Recorded By – BJ Burton (tracks: 2), Joe Mabbott, P.O.S. Notes Gatefold style packaging. -
Download Working Glossary of Organizing Terms
WORKING GLOSSARY OF ORGANIZING TERMS CAMPAIGNS: Sustained, time-bound, organizing fights, with a target (someone who can give you what ABELISM: 1) Oppression, prejudice, stereotyping, or you want) to win concrete policy and institutional discrimination against disabled people on the basis change on issues that impact your constituency. of actual or presumed disability; 2) the belief that (SONG) people are superior or inferior, have better quality of life, or have lives more valuable or worth living on the CAPITALISM: An economic system in which the basis of acutal or percieved disability means of production, access to goods, and the value (autistichoya.com) of goods are controlled by private individuals and corporations. Racial Capitalism, as theorized by ABOLITION: As defined by Critical Resistance, a Cedric Robinson, argues that this system was built and long term political vision with the goal of eliminating flourished through the exploitation of people through imprisonment, policing, and surveillance, and creating slavery, imperialism, and genocide. Neoliberalism lasting alternatives to punishment and imprisonment is a model of capitalism that operates through the privitaization of public goods, deregulation of ACTIVISM: ‘People who take action on behalf trade, diminshment of social services and emphasis of things we care about. Activists attend rallies, on individual freedoms. – Charlene Carruthers, make phone calls, write letters and speak out Unapologetic against injustice. But not all activists are community organizers.’ Charlene Carruthers, Unapologetic (p. 89) COLONIALISM: Colonialism is a practice of domination, which involves the subjugation of ADVOCACY: Literally, the act of pleading or arguing one people to another. One of the difficulties in in favor of something publicly. -
“THEY WASN't MAKIN' MY KINDA MUSIC”: HIP-HOP, SCHOOLING, and MUSIC EDUCATION by Adam J. Kruse a DISSERTATION Submitted T
“THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2014 ABSTRACT “THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse With the ambition of informing place consciousness in music education by better understanding the social contexts of hip-hop music education and illuminating potential applications of hip-hop to school music settings, the purpose of this research is to explore the sociocultural aspects of hip-hop musicians’ experiences in music education and music schooling. In particular, this study is informed by the following questions: 1. How do sociocultural contexts (particularly issues of race, space, place, and class) impact hip-hop musicians and their music? 2. What are hip-hop musicians’ perceptions of school and schooling? 3. Where, when, how, and with whom do hip-hop musicians develop and explore their musical skills and understandings? The use of an emergent design in this work allowed for the application of ethnographic techniques within the framework of a multiple case study. One case is an amateur hip-hop musician named Terrence (pseudonym), and the other is myself (previously inexperienced as a hip-hop musician) acting as participant observer. By placing Terrence and myself within our various contexts and exploring these contexts’ influences on our roles as hip-hop musicians, it is possible to understand better who we are, where and when our musical experiences exist(ed), and the complex relationships between our contexts, our experiences, and our perceptions. -
October 15, 2013 5% DISCOUNT on New Release Items Through Oct 22
OCTOBER NEW RELEASE GUIDE STREET DATE: October 15, 2013 5% DISCOUNT on New Release Items through Oct 22 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Oct 2013 (503) 231-0876 / www.bdcdistribution.com 2 Oct 2013 Welcome!!BDC Welcome!! New Releases Augie Meyers - often imitated; never duplicated. A legend whose 50+ year career has resulted in Sean Chambers has not been in a hurry - he knows that patience is a virtue, good things come to those who wait, you can’t hurry love and a half-dozen other aphorisms. He spent five years with Grammys, chart hits and 17 solo albums. Here is the latest; a Texas-centric Country album with Hubert Sumlin before going solo and has only now released his fifth album in a decade and a nods toward Harlan Howard and Lefty Frizell. He is one of a kind. half; a patient man who records music he wishes to instead of dropping some kind of a new Recess Monkey is from Seattle but known nationally with great press, exposure on SiriusXM Kids album every other year just to tour behind. The Rock House Sessions is more than worth the wait. Place Live due to member Jack Forman’s daily program and their tenth(!) release. And check out In the last couple of years, Burnside has reached an affinity with Minneapolis bands; be it The these new ones by Quiet Life (on tour with The Head and The Heart), Modern Kin, Vikesh Kapoor, Shouting Matches, Polica, Solid Gold, The Ocean Blue or Davina and the Vagabonds, we’ve been Field Study, Patrick Park and Son of Stan.