Endi Poskovic

Total Page:16

File Type:pdf, Size:1020Kb

Endi Poskovic October 2019 Endi Poskovic [email protected] EDUCATION 1991-1993 M.F.A., Visual Practice with emphasis on printmaking and drawing State University of New York, Buffalo, New York primary advisors Harvey Breverman, Adele Henderson, Walter Prochownik 1990-1991 Post Graduate Study Certificate, Norwegian cultural and language immersion studies Nordmore Folke-Hog Skole, Surnadal, Norway graduate studies in painting with Jon Arne Mogstad, Trondheim Academy of the Arts 1986-1990 B.F.A., Fine and Applied Graphic Arts Academy of Fine Arts, University of Sarajevo, Bosnia and Herzegovina primary advisors Dzevad Hozo, Salim Obralic, Zoja Finci, Nada Pivac 1982-1986 Diploma, Applied Graphics and Design School of Applied Arts, Sarajevo, Bosnia and Herzegovina primary advisors Hasan Suceska and Lora Levy 1982-1986 Diploma, Instrument and Theory Studies Sarajevo School of Music Education, Sarajevo, Bosnia and Herzegovina ACADEMIC APPOINTMENTS 2008-present Professor of Art and Design with tenure, Penny W. Stamps School of Art and Design Affilated Faculty,Center for Russian, East European and Eurasian Studies Affilated Faculty,Center for European Studies Affilated Faculty,Center for Japanese Studies Affilated Faculty,Copernicus Centar for Polish Studies Affilated Faculty,Weiser Center for Emerging Democracies The University of Michigan, Ann Arbor, Michigan 2015-2016 Fulbright Senior Scholar-Visiting Professor Jan Matejko Academy of Fine Arts, Krakow, Poland 1997-2008 Associate Professor of Art with tenure Department of Art and Art History, Whittier College, Whittier, California 2005 (spring) Associate Professor/Printmedia Area Faculty Chair Columbia College Chicago, Chicago, Illinois 2004 (spring) Visiting Faculty/Artist-in-Residence University of North Carolina, Chapel Hill 2002 (fall) Adjunct Associate Professor California State University, Long Beach, California 1995-1997 Assistant Professor of Art Ball State University, Muncie, Indiana 1994-1995 Lecturer Daemen College, Amherst, New York 1993-1995 Lecturer State University of New York, Buffalo, New York 1 CURRICULUM VITA ENDI POSKOVIC EXTERNAL GRANTS, FELLOWSHIPS AND RESEARCH RESIDENCIES 2018 MI-LAB Mokuhanga Advanced Artist Residency Program 5-week artist residency at Kawaguchiko, Japan 2017 Xiaoxiang Distinguished International Artist Residency, Changsha, China Fully funded one-month artist residency at Xiaoxiang International Printmaking Center MI-LAB Mokuhanga Innovation Residency Artist Laboratory CfSHE Arts Chiyoda two-week artist residency at CfSHE Arts Chiyoda, Tokyo, Japan 2015-2016 J. William Fulbright Senior Research Fellowship to Poland Year-long academic research post at Jan Matejko Academy, Krakow, Poland 2013 Ministry of Flemish Community Residency Fellowship, Kasterlee, Belgium Fully funded 6-week production residency at Centrum voor Grafiek Frans Masereel 2012 Anchor Graphics at Columbia College Chicago’s Artist-In-Residence, Chicago, Illinois, 3-week production residency (declined due to scheduling conflict) Ministry of Flemish Community Residency Fellowship, Kasterlee, Belgium Fully funded 6-week production residency at Centrum voor Grafiek Frans Masereel 2011-12 John Simon Guggenheim Memorial Foundation Fellowship, New York, New York Financial support for pursuit of creative work during 2011-2012 year Ministry of Flemish Community Residency Fellowship, Kasterlee, Belgium Fully funded 3-week production residency at Centrum voor Grafiek Frans Masereel 2010 John D. Rockefeller Foundation-Bellagio Center Fellow, New York, NY Fully funded 4-week residency at Bellagio Study Center at Lake Como, Italy Blue Mountain Center Residency Fellowship, Blue Mountain Lake, New York Fully funded 4-week residency 2009 Open Studio, Toronto, Canada Fully funded 8-week production residency and production grant 2008 Durfee Foundation Grant, Santa Monica, California Financial support to present a traveling exhibition in Belgium Ministry of Flemish Community Residency Fellowship, Kasterlee, Belgium Fully funded 5-week production residency at Centrum voor Grafiek Frans Masereel 2007 McColl Center for Visual Arts Fellowship, Charlotte, North Carolina Fully funded 3-month residency with stipend Bemis Center for Contemporary Visiting Artist Residency, Omaha, Nebraska Fully funded 5-week residency 2006 Can Serrat International Art Center Fellowship, Barcelona, Spain Fully funded 1-month residency United States Artists Nominee, Los Angeles, California and New York, New York One of 50 visual artists from throughout the US nominated for the $50,000 grant 2 CURRICULUM VITA ENDI POSKOVIC Ministry of Flemish Community Residency Fellowship, Kasterlee, Belgium Fully funded 3-week production residency at Centrum voor Grafiek Frans Masereel 2005 Irvine Foundation-Armory Center for the Arts Artist-in-Residence, Pasadena, California Non-consecutive 6-month residency fellowship 2004 Bemis Center for Contemporary Art Residency Fellowship, Omaha, Nebraska Fully funded 3-month residency with monthly stipend Ministry of Flemish Community Residency Fellowship, Kasterlee, Belgium Fully funded 3-week production residency at Centrum voor Grafiek Frans Masereel 2003 Virginia Center for the Creative Arts, Mt. San Angelo, Sweet Briar, Virginia Fully funded 5-week residency 2002 Kala Art Institute Residency Fellowship, Berkeley, California Non-consecutive 6-month residency with stipend 2001 Ministry of Flemish Community Residency Fellowship, Kasterlee, Belgium Fully funded 3-week production residency at Centrum voor Grafiek Frans Masereel Jerome Foundation Printmaking Residency, St. Paul, Minnesota Fully funded 2-week residency at Plains Art Museum Hannaher’s Print Studio 2000 Fundación Valparaiso Residency Fellowship, Mojacar, Spain Fully funded 4-week residency Blue Mountain Center Residency Fellowship, Blue Mountain Lake, New York Fully funded 4-week residency 1999 Pollock-Krasner Foundation Grant, New York, New York Financial support for pursuit of creative work during 1999-2000 year Ministry of Flemish Community Residency Fellowship, Kasterlee, Belgium Fully funded 3-week production residency at Centrum voor Grafiek Frans Masereel MacDowell Residency Fellowship, Peterborough, New Hampshire Fully funded 4-week residency Robert Maxwell and MacDowell Board of Directors Fellowship, Peterborough, New Hampshire endowed fellowship to attend MacDowell Colony 1998 Camargo Foundation Residency Fellowship, Cassis, France Fully funded 5-month residency 1997 Indiana Arts Commission-Connection Fellowship in Visual Arts, Indianapolis, Indiana Fully funded summer residency Hambidge Center Residency Fellowship, Rabun Gap, Georgia Fully funded residency (declined due to scheduling conflict) 1996 Blue Mountain Center Residency Fellowship, Blue Mountain Lake, New York Fully funded 4-week residency Mary Anderson Center for the Arts- Residency Fellowship, New Albany, Indiana Fully funded 4-week residency 3 CURRICULUM VITA ENDI POSKOVIC Millay Colony, Austerlitz, New York Fully funded residency (declined to time conflict) 1995 New York State Council on the Arts-Western New York Residency Fellowship, Wayne County, New York Fully funded 4-week residency Art Matters Foundation Grant, New York, New York Financial support for pursuit of creative work during 1995-96 year Massachusetts Contemporary Artists Center Residency Fellowship, North Adams, Massachusetts Fully funded summer residency 1994 Vermont Studio Center Residency Fellowship, Johnson, Vermont 1990-91 Norwegian Government Fellowship - Memorial Foundation, Oslo, Norway 12 months full residency fellowship with lodging, studio space and monthly stipend 1989 Artist Colony Sava Residency Fellowship, Slavonski Brod, Croatia Summer residency with studio space, lodging and stipend provided International Artist Colony Pocitelj Residency Fellowship, Pocitelj, Bosnia Fully funded one-month residency SELECTED EXTERNAL AWARDS 2016 Mid-America Print Council Best-in-Show Juror’s Prize 2016 MAPC Exhibition - New Albany Art Museum 2015 Honorable Mention Award , 2015 International Print Biennial Lodz, Poland Mid-America Print Council Juror’s Main Prize 2015 MAPC Exhibition - Wayne State University Craig-Hall purchase prize, 2015 International Okanagan Print Triennial 2009 Juror’s Merit Cash Award, 32nd Bradley International Print and Drawing Biennial Hiromi Papers Merit Prize for Printmaking, 19th National Los Angeles Print Biennial 2008 Merit Award, 2008 Minnesota National Print Biennial Third Prize, Xylon 14. Triennale internationale de l’impression artistique en relief 2007 Merit Award, 2007 Boston Printmakers National Print Exhibition Cash Award, ARTLINK Contemporary Art 27th Annual National Print Exhibition 2006 Phil and Flo Jones Juror’s Merit Award, 2006 Delta National Small Prints Exhibition 2005 Springfield Art Museum Juror’s Cash Award, Prints U.S.A. 2005 Richard E. Brandes Memorial Cash Prize for Printmaking 18th National Los Angeles Print Biennial Juror’s Selection Honorable Mention in Printmaking, 30th Bradley University International Print and Drawing Biennial Merit Award, ARTLINK Contemporary Art 25th Annual National Print Exhibition 4 CURRICULUM VITA ENDI POSKOVIC 2004 Mary Ellen and Dr. Robert Warner Purchase Prize 2004 Delta National Small Prints Exhibition University of Wisconsin, Kenosha Purchase Award 18th Parkside National Small Print Exhibition 2003 Cash Award, Le coup de Coeur de maire de Trois-Rivieres-Biennale internationale d’estampe contemporaine de Trois-Rivie´res, Trois-Rivie´res, Quebec, Canada Springfield Art Museum Juror’s Cash Award, Prints U.S.A. 2003 Leonard Edmondson
Recommended publications
  • Una Mirada a La Inmigración Española De 1939-40 En Santo Domingo
    Una mirada a la inmigración española de 1939-40 en Santo Domingo Disertaciones presentadas en la Universidad APEC Semanas de España en la República Dominicana 2015 Santo Domingo, R.D. Octubre 2016 Una mirada a la inmigración española de 1939-40 en Santo Domingo : disertaciones presentadas en la Universidad APEC : Semanas de España en la República Dominicana 2015 / José del Castillo Pichardo ...[et al.] ; Jaime Lacadena, introducción. – Santo Domingo : Universidad APEC, 2016 168 p. : il. ISBN: 978-9945-423-39-6 1. Emigración - Española 2. Inmigración - República Dominicana 2. España - Historia - Guerra civil, 1936-1939 3. Exilio - España 4. República Dominicana - Influencias españolas 3. Arte dominicano - Influencias españolas 5. España - Vida intelectual - República Dominicana. I. Castillo Pichardo, José del. II. González Tejera, Natalia. III. Vega, Bernardo. IV. Gil Fiallo, Laura. V. Mateo, Andrés L. VI. Céspedes, Diógenes. VII. Lacadena, Jaime, introd. 304.8 I57e CE/UNAPEC Título de la obra: Una mirada a la inmigración española de 1939-40 en Santo Domingo Disertaciones presentadas en la Universidad APEC Semanas de España en la República Dominicana 2015 Primera edición: Octubre 2016 Gestión editorial: Oficina de Publicaciones Vicerrectoría de Investigación, Innovación y Relaciones Internacionales Composición, diagramación y diseño de cubierta: Departamento de Comunicación y Mercadeo Institucional Impresión: Editora Búho ISBN: 978-9945-423-39-6 Impreso en República Dominicana Printed in Dominican Republic JUNTA DE DIRECTORES DE LA UNIVERSIDAD APEC Lic. Opinio Álvarez Betancourt Presidente Lic. Fernando Langa Ferreira Vicepresidente Lic. Pilar Haché Tesorera Dra. Cristina Aguiar Secretaria Lic. Álvaro Sousa Sevilla Miembro Lic. Peter A. Croes Miembro Lic. Isabel Morillo Miembro Lic.
    [Show full text]
  • Download Lot Listing
    IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private
    [Show full text]
  • Janmatejko Folder
    Collector’s Coins Collector’s Coins National Bank of Poland Collector’sCollector’s CoinsCoins face value 20 z∏ face value 2 z∏ metal 925/1000 Ag and paints: metal CuAl5Zn5Sn1 alloy red, yellow, green and blue finish standard finish proof diameter 27.00 mm dimensions length: 40.00 mm weight 8.15 g width: 28,00 mm mintage 700,000 pcs weight 28.28 g mintage 57,000 pcs Obverse: An image of the Eagle as the state Emblem of the Republic of Poland, on the left side a palette and two Obverse: Stylised image of Jan Matejko’s picture "Staƒczyk" paintbrushes. Below an inscription: 2 Z¸, at the top in ("Staƒczyk during a ball at the queen Bona’s court after having a semicircular inscription: RZECZPOSPOLITA POLSKA 2002. Under m heard about the loss of Smoleƒsk"). In the right angle below an the left talon of the Eagle, the Mint mark:––w . image of the Eagle as the state Emblem of the Republic of On 11 December, 2002 the National Poland. Around the Eagle, an inscription: RZECZPOSPOLITA Reverse: Jan Matejko’s self-portrait, higher up, on the left side Staƒczyk from the painting "Ho∏d pruski" („The ceremony of Bank of Poland puts into circulation POLSKA and 20 z∏. Under the left talon of the Eagle, the Mint collectors’ coins depicting a person- m the Grand Master of the Teutonic Order swearing allegiance to mark:––w . age of Jan Matejko, of the following King Sigismund the Old of Poland"). Above in a rim an face values: inscription: JAN MATEJKO, below in a rim dates: 1838-1893.
    [Show full text]
  • Impressionist & Modern
    Impressionist & Modern Art New York | November 17, 2020 Impressionist & Modern Art New York | Tuesday November 17, 2020 at 5pm EST BONHAMS INQUIRIES BIDS COVID-19 SAFETY STANDARDS 580 Madison Avenue New York Register to bid online by visiting Bonhams’ galleries are currently New York, New York 10022 Molly Ott Ambler www.bonhams.com/26154 subject to government restrictions bonhams.com +1 (917) 206 1636 and arrangements may be subject Bonded pursuant to California [email protected] Alternatively, contact our Client to change. Civil Code Sec. 1812.600; Services department at: Bond No. 57BSBGL0808 Preeya Franklin [email protected] Preview: Lots will be made +1 (917) 206 1617 +1 (212) 644 9001 available for in-person viewing by appointment only. Please [email protected] SALE NUMBER: contact the specialist department IMPORTANT NOTICES 26154 Emily Wilson on impressionist.us@bonhams. Please note that all customers, Lots 1 - 48 +1 (917) 683 9699 com +1 917-206-1696 to arrange irrespective of any previous activity an appointment before visiting [email protected] with Bonhams, are required to have AUCTIONEER our galleries. proof of identity when submitting Ralph Taylor - 2063659-DCA Olivia Grabowsky In accordance with Covid-19 bids. Failure to do this may result in +1 (917) 717 2752 guidelines, it is mandatory that Bonhams & Butterfields your bid not being processed. you wear a face mask and Auctioneers Corp. [email protected] For absentee and telephone bids observe social distancing at all 2077070-DCA times. Additional lot information Los Angeles we require a completed Bidder Registration Form in advance of the and photographs are available Kathy Wong CATALOG: $35 sale.
    [Show full text]
  • Matejko, Jan Jan Alojzy Matejko (1848–1893) Was a Polish Painter, Draughtsman, Portraitist, and Representa- Tive of Historicism and Academism in European Painting
    47 Mastema 48 Matejko, Jan Jan Alojzy Matejko (1848–1893) was a Polish painter, draughtsman, portraitist, and representa- tive of historicism and academism in European painting. He created numerous religious and sacred paintings, and was the originator of the national Polish school of historical painting. Matejko initially wanted to become a religious painter and considered sacred painting his calling. However, after the defeat of the Polish January Up- rising (1863/4), he turned more towards historical painting – a move significantly influenced by Józef Szujski, co-founder of the so-called Kraków School of History. Matejko made numerous artistic journeys, visit- ing the following art centers in Europe: Paris (in 1867, 1870, 1878, 1880), Vienna (in 1866, 1867, 1870, 1872, 1873, 1882, 1888), Istanbul/I˙stanbul (1872), Prague and Budapest (1873), and Venice, Rome, and Florence (1878/1879 and 1883). He suc- cessfully exhibited his paintings many times at pub- lic exhibitions outside Poland, in major cities of Eu- rope, including Paris, Vienna, Berlin, London, Prague, Budapest, and St. Petersburg. Matejko’s “religious” paintings can be divided into three groups. Firstly, he composed several dozen historical paintings (including large format Encyclopedia of the Bible and Its Reception vol. 18 Marek Mariusz Tytko - 10.1515/ebr.matejkojan © WalterDownloaded de Gruyter, from Berlin/Boston, De Gruyter Online 2020 at 10/05/2020 10:54:34AM by [email protected] via Gary Helft 49 Matejko, Jan 50 paintings) with interwoven historical and philo-
    [Show full text]
  • Documentary Introduction to the Ángel Ramos and Tina Hills Donation for a Young Institution Like the Museo De Arte De Puerto Ri
    Documentary Introduction to the Ángel Ramos and Tina Hills Donation For a young institution like the Museo de Arte de Puerto Rico (MAPR), the bequest of thirty artworks donated by Ángel Ramos and Tina Hills represents both a responsibility and a commitment, a commitment that binds the Museum to continue the visionary, nation-building work done by these two exemplary philanthropists for so many years. Ángel Ramos was a pioneer of modern media communications in Puerto Rico. From a family of few resources and little formal education, he began as a proofreader and layout man at El Mundo newspaper and went on to hold several management positions until, in 1946, he became its editor and owner. His professional career almost literally skyrocketed. Along the way he created publications such as Puerto Rico Ilustrado and Puerto Rico World Journal, owned radio stations, and pioneered television in Puerto Rico. To these accomplishments he added the creation of the Ángel Ramos Foundation in 1958, a philanthropic organization unparalleled in the history of Puerto Rico. Ángel Ramos was also a person of great aesthetic sensitivity, which led him to become a patron of outstanding artists and an exemplary collector. Tina (Argentina S.) Hills took on the responsibilities of the El Mundo family of businesses on the death of her husband, Ángel Ramos, and in 1966 she achieved his dream of completing the establishment of the Foundation that bears his name. Today, after a long career in newspapers, radio, television, and philanthropy, she is the president of the Ángel Ramos Foundation and has also continued, with untiring enthusiasm, to collect works of art from Puerto Rico and abroad.
    [Show full text]
  • Fine Modern Art Sale
    PRESS RELEASE For Immediate Release July 19, 2012 Shawna Brickley +1-212-497-9700 ext. 162 [email protected] Eric Winkler +1-212-497-9700 ext. 144 [email protected] artnet Auctions presents the Fine Modern Art sale artnet Auctions is pleased to offer a special sale of Fine Modern Art, including paintings, drawings, prints, and sculptures, featuring Crucifixion (1946), the striking painting by Milton Avery (American, 1885-1965). Milton Avery Crucifixion, 1946 Oil on canvas Signed, titled, and dated in oil 44 x 34 in. Est. US$500,000−700,000 New York / Berlin / Paris, July 17, 2012—artnet Auctions presents the Fine Modern Art sale, a selection of over 30 important 20th century works by luminaries such as Milton Avery, Joan Miró, Alexander Calder, Marc Chagall, Angel Botello, Raoul Dufy, Jean Dubuffet, Pablo Picasso, and Henry Moore. Featured in the sale is Crucifixion (est. US$500,000–700,000), an oil on canvas by the American Modern master Milton Avery. The work was completed during a painting trip Avery took to Mexico in 1946. During his time in Mexico, he visited Frida Kahlo (Mexican, 1907–1954) and Diego Rivera (Mexican, 1886–1957), among other notable artists, and was inspired by the colors and shapes of the country’s landscape. Focusing on simple compositions and the profound role of object placement, these canvases were “infused with a great deal of poetry,” according to Avery’s wife Sally, who accompanied him on the trip. Crucifixion is a masterful example of Avery’s work at what is perhaps the most interesting stylistic stage of his career.
    [Show full text]
  • The Album Polish Art and the Writing of Modernist Art History of Polish 19Th-Century Painting
    Anna Brzyski Constructing the Canon: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting Nineteenth-Century Art Worldwide 3, no. 1 (Spring 2004) Citation: Anna Brzyski, “Constructing the Canon: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting,” Nineteenth-Century Art Worldwide 3, no. 1 (Spring 2004), http://www.19thc-artworldwide.org/spring04/284-constructing-the- canon-the-album-polish-art-and-the-writing-of-modernist-art-history-of-polish-19th-century- painting. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2004 Nineteenth-Century Art Worldwide Brzyski: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting Nineteenth-Century Art Worldwide 3, no. 1 (Spring 2004) Constructing the Canon: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting by Anna Brzyski In November 1903, the first issue of a new serial album, entitled Polish Art (Sztuka Polska), appeared in the bookstores of major cities of the partitioned Poland. Printed in a relatively small edition of seven thousand copies by the firm of W.L. Anczyc & Co., one of the oldest and most respected Polish language publishers, and distributed to all three partitions by the bookstores of H. Altenberg in Lvov (the album's publisher) and E. Wende & Co. in Warsaw, the album was a ground-breaking achievement. It was edited by Feliks Jasieński and Adam Łada Cybulski, two art critics with well-established reputations as supporters and promoters of modern art.
    [Show full text]
  • Central Europe Beautiful and Monumental Painting from Poland and Czechoslovakia
    Jan Matejko (1838-1893) Rejtan, or the Fall of Poland 1866 oil on canvas 282 cm × 487 cm (111 in × 192 in) Royal Castle, Warsaw Jan Matejko (1838-1893) Jan Matejko (1838-1893) Astronomer Copernicus: Conversation with God 1872 oil on canvas 221 × 315 cm (87 × 124 in), Museum of the Jagiellonian University, Kraków The figure on the far right is thought to be Pukirev. Masters of Central Europe Beautiful and Monumental Painting from Poland and Czechoslovakia Americans who lived during the Cold its notable buildings and edifices: castles, Polish and Czech artists of great skill attained War may remember the countries of Central palaces, houses, bridges, and great libraries. international renown. 1 Europe primarily as the satellite buffer Warsaw and its memory would be obliterated states dominated by the Soviet Union, their from the face of the earth. After the sudden unraveling of the Soviet Jan Matejko (1838-1893) Sigismund Augustus and Barbara people living behind the “Iron Curtain” under Union in 1991, many of the former Soviet at the Radziwiłł Court in Vilnius 1867 the oppression of totalitarian governments. Over many centuries, the Slavic regions of satellites gained national sovereignty for the oil on canvas 127 cm (50 in). Width: 107 cm (42.1 in). We also remember the Soviet repression Central Europe were repeatedly overrun by first time in centuries and formed democratic [143 x 122,5 x 5] cm of the Hungarian Revolution of 1956 and their stronger neighbors. They continually governments. As these regions opened up to National Museum in Warsaw its invasion of Czechoslovakia in 1968 to struggled to affirm their ethnic and greater freedom of travel and the influence suppress attempts to reform the hard-line cultural identities and gain political self- of the Internet, we of the West gained greater Communist regime.
    [Show full text]
  • Academy of Fine Arts in Kraków Pl
    Academy of Fine Arts in Kraków pl. Jana Matejki 13, Main Building • Rector’s Office, Administration • International Office • Dean’s Offices, Departments and Studios of the Faculties of Painting and Sculpture • Studios of the Faculty of Graphic Arts (Department of Drawing and Painting) • Museum • Archive • Galleries of the Jan Matejko Academy of Fine Arts in Krakow ul. Karmelicka 16 • Studios of the Faculty of Graphic Arts (Department of Animation, Photography and Digital Media) • Studios of the Faculty of Conservation and Restoration of Works of Art (Department of Conservation and Restoration of Sculpture - Conservation and Restoration of Stone Sculpture, Ceramics and Stucco Studio) ul. Smoleńsk 9 • Dean’s Office, Departments and Studios of the Faculty of Industrial Design • Gallery of the Faculty of Industrial Design (Stairs Gallery) • Studios of the Faculty of Graphic Arts (Department of Graphic Design) • Studios of the Faculty of Conservation and Restoration of Works of Art (Department of Conservation and Restoration of Easel Paintings, Department of Conservation and Restoration of Sculpture - Conservation and Restoration of Wooden Polychrome Sculpture Studio) • Main Library ul. Marszałka Józefa Piłsudskiego 38/3 • Dean’s Office, Departments and Studios of the Faculty of Intermedia • Gallery of the Faculty of Intermedia ul. Humberta 3 • Dean’s Office, Departments and Studios of the Faculty of Graphic Arts • Dean’s Office, Departments and Studios of the Faculty of Interior Design • Galleries of the Faculties of Graphic Arts and Interior
    [Show full text]
  • Polish Painting Between Historicism and Modernism
    Originalveröffentlichung in: Wasilewska, Joanna (Hrsg.): Poland - China : art and cultural heritage, Kraków 2011, S. 73-77 Maria Poprzgcka University of Warsaw Polish Painting between Historicism and Modernism In order to understand the specificity of the Polish art of the nineteenth century, it is worth recalling a few historical facts. Key among these is that throughout the nine­ teenth century Poland did not exist as an independent state. In the course of successive Partitions in the late eighteenth century, the Polish lands had been divided among Russia, Prussia and Austria. The three partitioning powers then proceeded, with vary­ ing degrees of severity, to denationalize their newly-gained territories. It was this lack of statehood in the nineteenth century that gave Polish art the exalted status of an upholder of national consciousness with the mission to consolidate the nation divided between three hostile states. In the words of a poet, artists were to exercise a “reign of souls” over the enslaved nation. The great prestige enjoyed by the towering Romantic Poets of the first half of the nineteenth century led to art being treated as a national religion and a path toward moral and national revival. The great hopes that accompanied the emergence of national painting stemmed from the belief thatthe medium was uniquely qualified to rouse and promote patriotic sentiment. National art obviously needed to be based on subjects taken from history. Historical painting was conceived as a sort of visual Bible of national consciousness. Hie growing hopes for a “Polish epic in painting were the most serious challenge with wruch the generation of artists coming of age around the mid-1800s had to contend, Sensational historicalromances devoid of any moral dimension popular in Western European painting of the time were inappropriate for such a purpose.
    [Show full text]
  • Clars Auction Gallery Sale Results March 12
    Clars Auction Gallery Sale Results March 12 ‐ 13, 2011 Lot Description Price Chinese dark wood carving, featuring Jiang Tai Gong fashioned with a strong bearded face and seated on a 4000 tall rocky plinth while holding a rod suspending a fish, 8.5''h $200 Chinese gilt accented metal Guanyin, cast with an aristocratic face with hair piled into a neat topknot fronted by a diadem accented by the Amituo Fo (Amitabha Buddha), the bodhisattva further adorned in princely garments and seated in the position of royal ease with the hands resting on the left knee, all on a lotus 4002 pedestal, 7.6''h $90 Chinese rootwood figural study, carved as a troop of monkeys, the largest dancing and holding the others 4003 emerging from a convoluted cluster, 12''h $140 Chinese bamboo carving of an immortal, the figure fashioned with an aristocratic face and seated in royal 4004 ease with his hands wrapped around the knee, the flowing robes rendered with rhythmic folds, 4.5''h $80 East Indian figural ivory carving, the beauty fashioned in a dancing pose with windswept robes, her head 4005 surmounted by a diadem and hair plaited into a long braid cascading down one side, 6''h; with wooden stand $250 Chinese ivory carving of Budai, with a plump face and characteristic large body seated in royal ease with both hands lifted above his head, with facial features, robe and base with pigment accents, with wooden 4006 stand, ivory: 6.25''h, overall: 7.6''h $375 Chinese polychrome enamel decorated figure of Guanyin, the bodhisattva seated in a pose of 'royal ease' on
    [Show full text]