Fall Fine Art and Antique Auction Saturday, October 1, 2011 9:30 Am EST
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Una Mirada a La Inmigración Española De 1939-40 En Santo Domingo
Una mirada a la inmigración española de 1939-40 en Santo Domingo Disertaciones presentadas en la Universidad APEC Semanas de España en la República Dominicana 2015 Santo Domingo, R.D. Octubre 2016 Una mirada a la inmigración española de 1939-40 en Santo Domingo : disertaciones presentadas en la Universidad APEC : Semanas de España en la República Dominicana 2015 / José del Castillo Pichardo ...[et al.] ; Jaime Lacadena, introducción. – Santo Domingo : Universidad APEC, 2016 168 p. : il. ISBN: 978-9945-423-39-6 1. Emigración - Española 2. Inmigración - República Dominicana 2. España - Historia - Guerra civil, 1936-1939 3. Exilio - España 4. República Dominicana - Influencias españolas 3. Arte dominicano - Influencias españolas 5. España - Vida intelectual - República Dominicana. I. Castillo Pichardo, José del. II. González Tejera, Natalia. III. Vega, Bernardo. IV. Gil Fiallo, Laura. V. Mateo, Andrés L. VI. Céspedes, Diógenes. VII. Lacadena, Jaime, introd. 304.8 I57e CE/UNAPEC Título de la obra: Una mirada a la inmigración española de 1939-40 en Santo Domingo Disertaciones presentadas en la Universidad APEC Semanas de España en la República Dominicana 2015 Primera edición: Octubre 2016 Gestión editorial: Oficina de Publicaciones Vicerrectoría de Investigación, Innovación y Relaciones Internacionales Composición, diagramación y diseño de cubierta: Departamento de Comunicación y Mercadeo Institucional Impresión: Editora Búho ISBN: 978-9945-423-39-6 Impreso en República Dominicana Printed in Dominican Republic JUNTA DE DIRECTORES DE LA UNIVERSIDAD APEC Lic. Opinio Álvarez Betancourt Presidente Lic. Fernando Langa Ferreira Vicepresidente Lic. Pilar Haché Tesorera Dra. Cristina Aguiar Secretaria Lic. Álvaro Sousa Sevilla Miembro Lic. Peter A. Croes Miembro Lic. Isabel Morillo Miembro Lic. -
2018-19 Annual Report Donor Roll Mr
McCLUNG MUSEUM 2018-2019 ANNUAL REPORT director As I write this, the museum is preparing for the arrival of the new director, Claudio Gómez, the first to serve as the Jefferson Chapman vision Executive Director. As announced in our newsletter, Claudio has been The McClung Museum of Natural History and Culture will be one of the top university museums in the country. the director of the National Museum of Natural History in Santiago, Chile. A highlight of this transition for me was a retirement fund– raising dinner at Cherokee Country Club in June. I have been truly mission honored and moved by wonderful letters, poems, and pictures that The McClung Museum of Natural History and Culture complements and embraces the mission of the University of Tennessee, Knoxville. have been generated by my retirement. The McClung Museum of Natural History and Culture seeks to advance understanding and appreciation of the earth and its natural Exhibitions this year—a history of mind-altering drugs, visual culture wonders, its peoples and societies, their cultural and scientific achievements, and the boundless diversity of the human experience. of the Civil Rights movement, art from indigenous communities in The museum is committed to excellence in teaching, scholarship, community service, and professional practice. India, and recent acquisitions—reflect both our broad educational mission and the talents of our staff. Concomitant with our exhibits, both temporary and long term, were strong education programs attendance comprising experiences for PreK-12, families, the community, and The museum continues to serve visitors from Knoxville and nearby communities, tourists, and university students, and faculty. -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private -
Tennessee Blue Book 1995-1996 Bicentennial Edition (1796-1996)
State of Tennessee Department of State Tennessee State Library and Archives 403 Seventh Avenue North Nashville, Tennessee 37243-0312 TENNESSEE BLUE BOOK 1995-1996 BICENTENNIAL EDITION (1796-1996) SLIDES USED IN THE PRODUCTION OF THE HISTORY OF TENNESSEE SECTION (PP. 322-420) RECORD GROUP 238 Processed by: David R. Sowell Archival Technical Services TENNESSEE STATE LIBRARY AND ARCHIVES Date completed: 4/22/1997 INTRODUCTION This collection consists of photograph slides, some of which were used as illustrations in the publication of the History of Tennessee section of the Bicentennial Edition of the Tennessee Blue Book. Most of the images in these slides were from the collections of the Tennessee State Library and Archives, but other institutions furnished materials for this undertaking. These were: Tennessee Photographic Services; the Tennessean and Nashville Banner newspapers; the Vanderbilt University Jean and Alexander Heard Library Special Collections and University Archives; the University of Tennessee- Knoxville, Hoskins Library, Special Collections; the Tennessee State Museum; Fisk University; the Kansas State Historical Society. These slides will be available for reference purposes. Patrons should consult an archivist and the photographer of the Tennessee State Library and Archives on producing copies of any images in this collection. The following container list will serve as a guide to the subject content of this slide collection. Patrons using these photograph slides in published works should procure permission and proper attribution phrasing from the repositories holding these images. CONTAINER LIST SLIDE NUMBER (ORIGINAL) SUBJECT NUMBER (NEW) 1-25 Iron Works at Chattanooga (engraving). (Harper’s New Monthly Magazine, No. XCIX, Aug. 1858, Vol. -
Impressionist & Modern
Impressionist & Modern Art New York | November 17, 2020 Impressionist & Modern Art New York | Tuesday November 17, 2020 at 5pm EST BONHAMS INQUIRIES BIDS COVID-19 SAFETY STANDARDS 580 Madison Avenue New York Register to bid online by visiting Bonhams’ galleries are currently New York, New York 10022 Molly Ott Ambler www.bonhams.com/26154 subject to government restrictions bonhams.com +1 (917) 206 1636 and arrangements may be subject Bonded pursuant to California [email protected] Alternatively, contact our Client to change. Civil Code Sec. 1812.600; Services department at: Bond No. 57BSBGL0808 Preeya Franklin [email protected] Preview: Lots will be made +1 (917) 206 1617 +1 (212) 644 9001 available for in-person viewing by appointment only. Please [email protected] SALE NUMBER: contact the specialist department IMPORTANT NOTICES 26154 Emily Wilson on impressionist.us@bonhams. Please note that all customers, Lots 1 - 48 +1 (917) 683 9699 com +1 917-206-1696 to arrange irrespective of any previous activity an appointment before visiting [email protected] with Bonhams, are required to have AUCTIONEER our galleries. proof of identity when submitting Ralph Taylor - 2063659-DCA Olivia Grabowsky In accordance with Covid-19 bids. Failure to do this may result in +1 (917) 717 2752 guidelines, it is mandatory that Bonhams & Butterfields your bid not being processed. you wear a face mask and Auctioneers Corp. [email protected] For absentee and telephone bids observe social distancing at all 2077070-DCA times. Additional lot information Los Angeles we require a completed Bidder Registration Form in advance of the and photographs are available Kathy Wong CATALOG: $35 sale. -
Documentary Introduction to the Ángel Ramos and Tina Hills Donation for a Young Institution Like the Museo De Arte De Puerto Ri
Documentary Introduction to the Ángel Ramos and Tina Hills Donation For a young institution like the Museo de Arte de Puerto Rico (MAPR), the bequest of thirty artworks donated by Ángel Ramos and Tina Hills represents both a responsibility and a commitment, a commitment that binds the Museum to continue the visionary, nation-building work done by these two exemplary philanthropists for so many years. Ángel Ramos was a pioneer of modern media communications in Puerto Rico. From a family of few resources and little formal education, he began as a proofreader and layout man at El Mundo newspaper and went on to hold several management positions until, in 1946, he became its editor and owner. His professional career almost literally skyrocketed. Along the way he created publications such as Puerto Rico Ilustrado and Puerto Rico World Journal, owned radio stations, and pioneered television in Puerto Rico. To these accomplishments he added the creation of the Ángel Ramos Foundation in 1958, a philanthropic organization unparalleled in the history of Puerto Rico. Ángel Ramos was also a person of great aesthetic sensitivity, which led him to become a patron of outstanding artists and an exemplary collector. Tina (Argentina S.) Hills took on the responsibilities of the El Mundo family of businesses on the death of her husband, Ángel Ramos, and in 1966 she achieved his dream of completing the establishment of the Foundation that bears his name. Today, after a long career in newspapers, radio, television, and philanthropy, she is the president of the Ángel Ramos Foundation and has also continued, with untiring enthusiasm, to collect works of art from Puerto Rico and abroad. -
Fine Modern Art Sale
PRESS RELEASE For Immediate Release July 19, 2012 Shawna Brickley +1-212-497-9700 ext. 162 [email protected] Eric Winkler +1-212-497-9700 ext. 144 [email protected] artnet Auctions presents the Fine Modern Art sale artnet Auctions is pleased to offer a special sale of Fine Modern Art, including paintings, drawings, prints, and sculptures, featuring Crucifixion (1946), the striking painting by Milton Avery (American, 1885-1965). Milton Avery Crucifixion, 1946 Oil on canvas Signed, titled, and dated in oil 44 x 34 in. Est. US$500,000−700,000 New York / Berlin / Paris, July 17, 2012—artnet Auctions presents the Fine Modern Art sale, a selection of over 30 important 20th century works by luminaries such as Milton Avery, Joan Miró, Alexander Calder, Marc Chagall, Angel Botello, Raoul Dufy, Jean Dubuffet, Pablo Picasso, and Henry Moore. Featured in the sale is Crucifixion (est. US$500,000–700,000), an oil on canvas by the American Modern master Milton Avery. The work was completed during a painting trip Avery took to Mexico in 1946. During his time in Mexico, he visited Frida Kahlo (Mexican, 1907–1954) and Diego Rivera (Mexican, 1886–1957), among other notable artists, and was inspired by the colors and shapes of the country’s landscape. Focusing on simple compositions and the profound role of object placement, these canvases were “infused with a great deal of poetry,” according to Avery’s wife Sally, who accompanied him on the trip. Crucifixion is a masterful example of Avery’s work at what is perhaps the most interesting stylistic stage of his career. -
WELCOME to MUSIC CITY! Come Early and Stay Late! Experience for Yourself What Makes Nashville Special During the Summer Months
WELCOME TO MUSIC CITY! Come early and stay late! Experience for yourself what makes Nashville special during the summer months. It’s a city that resonates with life and vibrates to the beat of every kind of song. It’s a wonderland of American music, Southern hospitality, unbelievable cuisine, and a boundless spectrum of nightlife. Come join us and together we will keep the music playing! SAVE THE DATE | AUGUST 10-12, 2021 | HTTPS://CONVENTION.NCBA.ORG/ GAYLORD OPRYLAND RESORT & CONVENTION CENTER TOP TEN THINGS TO DO IN NASHVILLE SUMMER Hit The Hall — Kick off your Nashville Take A Timeless Journey — The Ryman experience with a day at the Country Music Auditorium, also called the “Mother Church of Hall of Fame® and Museum. The world’s Country Music,” has had artists as diverse as largest popular music museum offers ever- Elvis Costello and Patsy Cline perform on its changing exhibits featuring the legends of legendary stage since 1892. You can take a country music past and today’s hottest stars. backstage tour and record your own song in Grab a bite to eat inside the museum at 222 the Ryman studio. The stars of the Grand Ole Eatery, a full-service restaurant serving Southern favorites, or at Bajo Opry take the stage every Tuesday, Friday, and Saturday night (at the Sexto, an authentic Mexican taqueria. Then take some time to explore Ryman Auditorium November-January; at the Grand Ole Opry House the museum’s retail stores offering locally-made gifts, clothing, and a February-October) with guest appearances by the biggest names in comprehensive selection of books and music. -
Kh09summernewsfinal LOREZ.Pdf
QUARTERLY SUMMER 2009 KNOX HERITAGE WORKS TO PRESERVE STRUCTURES AND PLACES WITH HISTORIC OR CULTURAL SIGNIFICANCE. THE “GREEN HOUSE” AT WORLD’S FAIR 2009 ART & ARCHITECTURE TOUR PARK WILL PRESERVE HISTORY AND SEPTEMBER 4, 6:00 P.M. PRODUCE SOLAR ENERGY The Art & Architecture Tour returns for the third year, Knox Heritage is embarking and this time the featured neighborhood is historic Fort on its next restoration project! Sanders. The tour will be held on Friday, September 4. Together with Knoxville’s Cardinal Development and Kinsey Tour attendees will begin the evening at a reception Probasco Hays of Chattanooga, with food and wine upstairs at the Knoxville Knox Heritage announced in Museum of Art, and then take a tour through late May the final phase of the the Fort Sanders neighborhood led by local restoration of the Victorian-era author and historian Jack Neely and longtime Fort houses at the World’s Fair Park Sanders resident and architect Randall De Ford. in the Historic Fort Sanders neighborhood. As part of that Like last year’s event, the 2009 Art & Architecture plan, the development firms Tour will feature winners of a photography contest donated a circa 1880s house organized by Knox Heritage. Local photographers to Knox Heritage. submitted images of Fort Sanders buildings to be judged by a panel of local artists, art educators, and This generous donation marks executives in the fine arts. The winning entries will several important milestones form the route for this year’s tour, and these works for Knox Heritage. It launches will also be displayed at the Knoxville Museum of Art for the month of September. -
The Parthenon: Yesterday, Today, and Tomorrow
The Parthenon: Yesterday, Today, and Tomorrow The Parthenon: Yesterday, Today, and Tomorrow Luke Howard Judkins Abstract One of the world’s most beautiful and iconic structures, the Parthenon, the temple of the Virgin goddess Athena, boldly displays the culmination of culture and civilization upon the Acropolis in Athens, Greece and in Centennial Park in Nashville, Tennessee. I have attempted to research the history, architecture, and sculpture of the magnificent marble edifice by analyzing the key themes and elements that compose the great work: culture, civilization, and rebirth. Using a musical sonata form to display my research, I wished to convey a digestible analysis of how the Parthenon and its connotations transcend time through rebirth in Nashville, Tennessee. Known as the “Athens of the South,” Nashville continues the culture displayed in Ancient Greece and symbolizes this through the city’s scale replication of the Parthenon within Centennial Park. In the first century A.D., Plutarch wrote Greek history so that the Greeks could recall the history that was gradually fading from their memories. As Plutarch did with his readers, I am attempting to re-educate Nashvillians, as well as the world, about the rich history and inheritance of the Athenian culture within ourselves. Middle Tennessee State University 71 Scientia et Humanitas: A Journal of Student Research Introduction n various ways, every world civilization has attempted to explore Iand improve the quality of life, promote communal well-being, and further the education and the creative abilities of its people. One of the most successful civilizations in these endeavors was that of the ancient Greeks. -
National Register of Historic Places Continuation Sheet Name of Property
NPS Form 10-900-a (Rev. 8/2002) 0MB No. 1024-0018 (Expires 1 -31 -2009) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Name of Property County and State Section number ____ Page ____ Name of multiple property listing (if applicable) SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 08000689 Date Listed: 7/15/08 Property Name: Centennial Park County: Davidson State: TN This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. Signature of tb6 Keeper Date of Action Amended Items in Nomination: SectionS: Category of Property This large-scale, multi-component park is best categorized as a district; the nomination is hereby amended to categorize the property as a District. The Tennessee State Historic Preservation Office was notified of this amendment. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NPS Form 10-900 (Oct. 1990) 2280 United States Department of the Interior National Park Service JUN 0 4 2008 National Register of Historic Places NAT> "ESS** OF H|STORIC PUCES Registration Form NAT-ONAt PARK SERVICE This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking V in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. -
A History of Tennessee.Indd
352 TENNESSEE BLUE BOOK A HISTORY OF TENNESSEE 353 SECTION VI Tennessee 354 TENNESSEE BLUE BOOK A HISTORY OF TENNESSEE 355 A HISTORY OF TENNESSEE The Land and Native People Tennessee’s great diversity in land, climate, rivers, and plant and animal life is mirrored by a rich and colorful past. For all but the last 200 years of the 12,000 years or so that this country has been inhabited, the story of Tennessee is the story of its native peoples. The fact that Tennessee and many of the places in it still carry Indian names serves as a lasting reminder of the significance of its native inhabit- ants. Since much of Tennessee’s appeal for her ancient people as well as for later pioneer settlers lay with the richness and beauty of the land, it seems fitting to begin by considering some of the state’s generous natural gifts. Tennessee divides naturally into three “grand divisions”—upland, often moun- tainous, East Tennessee, Middle Tennessee with its foothills and basin, and the low plain of West Tennessee. Travelers coming to the state from the east encounter first the lofty Unaka and Smoky Mountains, flanked on their western slope by the Great Valley of East Tennessee. Moving across the Valley floor, they next face the Cumberland Plateau, which historically attracted little settlement and presented a barrier to westward migration. West of the Plateau, one descends into the Cen- tral Basin of Middle Tennessee—a rolling, fertile countryside that drew hunters and settlers alike. The Central Basin is surrounded on all sides by the Highland Rim, the western ridge of which drops into the Tennessee River Valley.