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Review of Somewhere in the Night
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2005 Review of Somewhere in the Night Michael Adams City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/156 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Somewhere in the Night (Fox Home Entertainment, 9.6.2005) Unlike the other two recent entries in Fox’s film noir series, The House on 92nd Street and Whirlpool, Somewhere in the Night is unequivocally the real thing. With Norbert Brodine’s atmospheric lighting, rain-slicked streets (though set in Los Angeles), a swanky nightclub, a sultry torch singer, a villain with a foreign accent, a muscle-bound lug, and moral ambiguity to burn, Somewhere in the Night is a terrific example of the genre. George Taylor (John Hodiak) wakes up in a military field hospital in the Pacific with no memory of who he is. Returning to Los Angeles, Taylor, who instinctively knows this is not his real name, finds an old letter from his friend Larry Cravat and tries to track down Cravat to find out who he really his. With the help of singer Christy Smith (Nancy Guild), nightclub owner Mel Phillips (Richard Conte), and cop Lt. Donald Kendall (Lloyd Nolan), Taylor learns that Cravat and another man were involved in stealing $2 million in loot shipped to the United States by a Nazi officer. -
Film Screenings at the Old Fire Station, 84 Mayton Street, N7 6QT
iU3A Classic Film Group 2017-18 Winter Programme: January-March 2018: "Classic Curios" All film screenings at The Old Fire Station, 84 Mayton Street, N7 6QT Plot Summaries and Reviews courtesy of The Internet Movie Database Date/Time: Tuesday, 9th January 10.30 and 14.00; Wednesday, 10th January 13.30 Title: The Night of The Hunter (USA, 1955, 89 minutes, English HOH Subtitles) Director and Cast: Charles Laughton; Robert Mitcham, Shelley Winters, Lillian Gish Plot Summary: A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real father hid $10,000 that he'd stolen in a robbery. Reviews: "Part fairy tale and part bogeyman thriller -- a juicy allegory of evil, greed and innocence, told with an eerie visual poetry."(San Francisco Chronicle) "It’s the most haunted and dreamlike of all American films, a gothic backwoods ramble with the Devil at its heels." (Time out London) "An enduring masterpiece - dark, deep, beautiful, aglow."(Chicago Reader) Date: Tuesday, 23rd January 10.30 and 14.00; No Wednesday, 24th Jan screening Title: La Muerte de Un Burócrata /Death of A Bureaucrat (Cuba, 1966, 85 minutes, Spanish with English Subtitles) Director and Cast: Tomás Gutiérrez Alea; Salvador Wood, Silvia Planas, Manuel Estanillo Plot Summary: A young man attempts to fight the system in an entertaining account of the tyranny of red tape and of bureaucracy run amok. Reviews: "A mucho funny black comedy about the horrors of institutionalized red tape. It plays as an homage to silent screen comics such as Buster Keaton and Harold Lloyd, the more recent ones such as Laurel and Hardy, and all those who, in one way or another, have taken part in the film industry since the days of Lumiére." (Ozu's World Moview Reviews) "Gutiérrez Alea's pitch-black satire is witty, sarcastic and eternally relevant." (filmreporter.de) Date: Tuesday, 6th February 10.30 and 14.00; Wednesday, 7th February 13.30 Title: Leave Her To Heaven (USA, 1945, 105 minutes, English HOH subtitles) Director and Cast: John M. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
1942-01-09 [P 10]
Radio DA IS OFFICERS OUT OUR WAY By J. B. Williams OUR BOARDING HOUSE .. with . Major HooPie Today’s Programs i-*" ^ ' r kuow whut yo’re im stiffVs N/well ,x don't M WE WANT TO TIP YEAH, WHEN ¥THANKS— A- LAUGH IU’ AT / DLL ADMIT Y TIME, COWBOSSI BLAME THE YOu'<^f IET PROMOTIONS TIMERS! JULIET—THERE'S H, HE'S BROKE ¥ ALWAYS BEEN AN V WMFD 1400 KC X LOOK LIKE A HOG I SPENT TWO OLD OFF, ^ Wilmington HERDER MONTHS IM IITHIMKI’D A WILD ANIMAL IN THE M HE SETS EASY TARGET Dance. AM’I’M A-GOIM’ ) </( TOR Mjf FRIDAY, JAN. 9 3:30—Let’s AW SOOWER 3:55—Transradio News. T’STAY THETAWAY, TILL /TH1 BRUSH / j HOUSE/—IF JAKE HITS A BEAR <6?TOUCH/— MUST BE A Majors Martin, Kendall Ad- TWO CAYS LOOK LIKE ^ jjp 7:30—Family Altar, Rev. J. A. Sulli- 4:00—Club Matinee. COWBOYS SPEWD MORE \ / YOU FOR A SILLY STREAKT van. 4:15—Monitor Views the News. TIME IU TH’ BRESH IW TOWU— / A REAL- LOAN,PRETENdXtRAPFOR }| w-fH 5V. Lee. vanced To Rank Of \ 7:45—Red, White and Blue Network. 4:30—Piano Ramblings—H. TRYIN)’ TO BE COWBOVS NIOVJ IE YOU SECTIOM HAWD YOU'RE HARD OF HEAR- MEN, INHERITED FROM News 4:45—Club Matinee—A. P. News. | j J[ 8:00—European Roundup. THAW IN) CABARETS I SIT OUE O' THAW A AND START TALKING ) WOMEN fA 8:10— News from our 5:00—Adventure Stories. Lieutenant-Colonel |NG GRANDPA,WHO jHWq Capital. -
Judy Garland (1922-1969)
1/22 Data Judy Garland (1922-1969) Pays : États-Unis Sexe : Féminin Naissance : Grand-Rapid (S. D.), 10-06-1922 Mort : Londres, 22-01-1969 Note : Chanteuse et actrice américaine Autre forme du nom : Frances Gumm (1922-1969) ISNI : ISNI 0000 0000 8380 6106 (Informations sur l'ISNI) Judy Garland (1922-1969) : œuvres (255 ressources dans data.bnf.fr) Œuvres audiovisuelles (y compris radio) (45) "Un enfant attend. - [2]" "Un enfant attend. - [2]" (2016) (2016) de Ernest Gold et autre(s) de Ernest Gold et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "Le magicien d'Oz" "Le magicien d'Oz" (2013) (2013) de Victor Fleming et autre(s) de Victor Fleming et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "La jolie fermière" "Till the clouds roll by" (2013) (2012) de George Wells et autre(s) de Richard Whorf et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "Le chant du Missouri" "Meet me in St. Louis. - Vincente Minnelli, réal.. - [2]" (2012) (2012) de Vincente Minnelli et autre(s) de Vincente Minnelli et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "Le chant du Missouri" "La pluie qui chante. - Richard Whorf, réal.. - [2]" (2011) (2010) de Vincente Minnelli et autre(s) de George Wells et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur data.bnf.fr 2/22 Data "Le chant du Missouri" "Le magicien d'Oz" (2009) (2009) de Vincente Minnelli et autre(s) de Victor Fleming et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "The pirate" "La danseuse des Folies Ziegfeld" (2008) (2007) de Vincente Minnelli et autre(s) de Sonya Levien et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "Parade de printemps" "Un enfant attend. -
Pictures Afraid You Have Your Dalys Mixed Up
What's New SUSAN HAYWARD from Coast to Coast exciting (Continued from page 10) really sisters. Their ages are: Christine, 25, Dorothy, 23, and Phyllis, 22.... Miss A. Y., Milwaukee, Wisconsin: Johnny Des- mond is on a two -month leave of absence new from the Breakfast Club program, so he can make personal appearances. He is due back on the show October 23.... Miss J. F., San Antonio, Texas: Yes, John Daly is married, and has been for many years. I'm pictures afraid you have your Dalys mixed up. In- JEFF HUNTER cidentally, John recently signed a long- term contract with the American Broad- casting Company as a vice -president in of charge of news. He will continue to be Off-Guard Candids Your the emcee on What's My Line? however. To all of the readers who wrote about Frank Dane, who played Knap Drewer on Favorite Movie Stars the Hawkins Falls show: Frank is no longer on the program because the part of Drewer is no longer in the script. Knap chartered All the selective skill of our ace a private plane to fly from London to the * Isle of Man, in the story, and was killed cameramen went into the making when the plane crashed into the Irish of these startling, 4 x 5, quality DORIS DAY Sea. glossy prints. What ever Happened To . ? John Beal, the movie actor, who used to appear on the Freedom Rings TV show? Since leaving this show, John hasn't been * New poses and names are con- on any regular program, but has been stantly added. -
Aster of Suspense: Alfred Hitchcock
Visual arts example A IB DIPLOMA- VISUAL ARTS EXTENDED ESSAY aster of Suspense: Alfred Hitchcock How does Alfred Hitchcock visually guide viewers as he creates suspense in films such as ''The Pleasure Garden,''''The Lodger,'' ''Strangers on a Train'' and 'Psycho''? Candidate Number: Word Count: 3780 IMAGES: Please note that until copyright has been confirmed, all images have been removed. Apologies for the inconvenience. Extended essay 1 Visual arts example A IB VISUAL ARTS - EXTENDED ESSAY Contents INTRODUCTION ...................................................................................................................... 3 THE BEGINNING OF FILM .................................................................................................... 4 BACKGROUND OF ALFRED HITCHCOCK ......................................................................... 5 EARLY SILENT FILMS ............................................................................................................ 6 THE AMERICAN FILMS FROM THE 1950s ONWARDS ................................................... 11 Strangers on a Train (1951) .............................................................................................................. 11 Pyscho (1963) .................................................................................................................................... 13 INFLUENCE ON CONTEMPORARYFILMS ...................................................................... 17 CONCLUSION ....................................................................................................................... -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
The Wooster Voice (Wooster, OH), 1951-10-19
The College of Wooster Open Works The oV ice: 1951-1960 "The oV ice" Student Newspaper Collection 10-19-1951 The oW oster Voice (Wooster, OH), 1951-10-19 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1951-1960 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1951-10-19" (1951). The Voice: 1951-1960. 15. https://openworks.wooster.edu/voice1951-1960/15 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1951-1960 by an authorized administrator of Open Works. For more information, please contact [email protected]. Hoot Mon! Fish Fry Saturday Published By the Students of the College of Woosler LXVI Volume WOOSTER, OHIO, FRIDAY, OCTOBER 19. 1951 Number 5 Compton Pinch Hits flj a 2 For Oppenheimer booster m a u w u u M In Symposium National attention will be fo- 1 Gala Weekend Features cused on Wooster next week end when a five-ma- n symposium on Royalty, "Twentieth Century Concepts of Varied Program Homecoming festivities on Man" will be held in Memorial the Wooster campus will gather momentum tonight and tomorrow as Chapel. hundreds of alumni and visitors return for a weekend packed with special events in their honor. Many departments and organizations, including Robert Oppenheimer has been the sections and local clubs, Dr. J. have planned a variety of entertainment features to welcome the forced to cancel his engagement to crowd. -
Miami News Record Wright- Sister In-Law of Café.” Les, Adoptive Mother/ Son Haynes, Ensemble; Call 918-540-2425
WEEKEND EDITION MIAMIOK.COM Have a great day! KETCHUM TRIPS UP Thanks for supporting OWLS IN OVERTIME your local paper! SPORTS, PAGE B1 6 54708 10125 7 MIAMI NEWS-RECORD Serving Miami and the surrounding communities since 1903. Friday, December 4, 2020 | Vol. 116 No. 97 | $1.25 Kris Kringle to make an early stop in Miami Jim Ellis Saturday’s matinee will not so much about Santa [email protected] give those in attendance a Claus. It’s really about chance to catch the Miami having faith and the belief MIAMI — “Miracle Christmas Parade, which in people,” Rarick said. on 34th Street” gives the begins at 6 p.m. and will In the play, Kris Kringle audience a chance to run north on Main Street becomes perturbed that escape for a couple hours, from B.J. Tunnell to the the man who had been said Charlie Rarick, who Market Square Shopping assigned to play Santa portrays Kris Kringle in Center. in the annual Macy’s the holiday classic that Based on a story by Val- Thanksgiving Day Parade is being presented by the entine Davies, “Miracle was drunk. Miami Little Theatre. on 34th Street” became He complains to event “It’s an opportunity for a holiday classic follow- director Doris Walker us to take the focus off all ing the 1947 movie that and she encourages Kris the worries and the issues starred Maurine O’Hara, to pinch-hit. He does so and to focus on believing John Payne, Natalie Wood well that he’s hired to play in something and take our and Edmund Gwenn. -
COLIN LIVINGSTONE TAPLEY 1909 to 1995 Colin Livingstone Tapley Was the Third Son of Harold Livingstone Tapley (1875-1932) and Jean Brodie Tapley Nee Burt
COLIN LIVINGSTONE TAPLEY 1909 to 1995 Colin Livingstone Tapley was the third son of Harold Livingstone Tapley (1875-1932) and Jean Brodie Tapley nee Burt. He was born 7-5-1909 in Dunedin, one of 6 children, 5 sons followed by a daughter. Colin was educated in NZ and in the 1930s won a contest of which the prize was a Hollywood audition. He went on to be a supporting actor in several Metro Goldwyn Mayer and Paramount films during the 1930s but joined the air force in Canada when WW2 broke out, later moving to Britain where he was in a non fighting role. He had taken up flying before the war. He returned to NZ to Wanaka for a short time but then resumed his acting career, appearing in “the Dam Busters,” 1954. In England he married socialite Patsie Lyon nee Hambro. He retired from Acting in 1983 and they lived in the village of Coates in Gloucestershire. He died on 23-11-1995 and is buried at Wanaka beside the body of his second son, Martin, who died of Leukemia in 1947 Filmography from Wikipedia In the cinema American period (1934-1949) • 1934 : Double Door of Charles Vidor : Dr. John Lucas • 1934 : Wagon Wheels by Charles Barton : mountain • 1934 : Rhymes of love ( Murder at the Vanities ) by Mitchell Leisen : director • 1935 : The Crusades ( The Crusades ) of Cecil B. DeMille : foreign messenger • 1935 : Intelligence Service ( The Last Outpost ) by Charles Barton and Louis J. Gasnier : Lieutenant Prescott • 1935 : Henry Hathaway's Three Lancers of Bengal ( The Lives of a Bengal Lancer ) : Lieutenant Barrett • 1935 : Baron Gregor ( The Black Room ) by Roy William Neill : Lieutenant Hassel • 1935 : Becky Sharp of Rouben Mamoulian and Lowell Sherman : William Dobbin • 1935 : My Marriage of George Archainbaud : Sir Philip Burleigh • 1935 : Peter Ibbetson of Henry Hathaway : official • 1936 : Too Many Parents (en) by Robert F.