DOCSLIB.ORG

Star Wars Catalogue Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 COMPLETE CATALOGUE OF THE MUSICAL THEMES OF STAR WARS CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ in progress ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by J. Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix A. Criteria, Conventions, and Cue Lists B. Bibliography and Acknowledgements This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts University This catalogue is continually revised and updated. Stable link here: franklehman.com/starwars Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS ORIGINAL T RILOGY (1) EPISODE IV: A N EW HOPE (1977) Initial Motif Melodic Reduction Uses Statement I II III MAIN IV V VI IV [0:00:28] 1a THEME 1 "Main Title" (A Section) VII VIII IX (R1P2) R S I Main Theme IV V VI IV [1:28:41] 1b "Main Title" (B Section) IX (R1P2) (II) III IV [0:02:06] REBEL IV V VI "Imperial Attack 1 2 2 FANFARE VII VIII IX [The War]" (R1P3) R S I II III IV [0:04:53] IV V VI "Imperial Attack 1 3 FORCE3 VII VIII IX [The War]" (R1P3) R III IV [0:05:07] IV V VI "Imperial Attack 1 4 LEIA VII VIII IX [The War]" (R1P3) R (S) IV [0:06:40] IV "Imperial Attack 2 5 Imperials [Escape Hatch]" (R1P4) R S Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS ORIGINAL T RILOGY (2) EPISODE IV: A N EW HOPE (1977) Initial Motif Melodic Reduction Uses Statement IV [0:08:48] IV VI "Imperial Attack 2 6 Death Star4 VII VIII [Escape Hatch]" (R1P4-R2P1) R S IV IV [0:12:58] 7 Jawas "The Little People" (R2P3) TIE Fighter IV VI IV [1:34:34] 8 5 "TIE Fighter Attack" Attack VIII (R10P2) S Throne IV VI IV [1:59:24] 9 "Throne Room" Room (R12P2) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS ORIGINAL T RILOGY (3) EPISODE V: THE EMPIRE STRIKES BACK(1980) Initial Motif Melodic Reduction Uses Statement I II III DARTH VADER/ V VI V [0:01:55] 10a IMPERIAL "Imperial Probe" MARCH VII VIII IX (1m2) 6 (Theme) R S Darth Vader/ Imperial V VI VI [0:02:40] 10b "Approaching the March IX Death Star" (1m3) (Bridge)7 R 5 V [0:03:32] HAN & LEIA V VI 11a 8 "Imperial Probe" (A Section) VII VIII IX (1m2) Han & Leia V V [2:01:24] 11b "Finale" (B Section) (12m3) I II III V [0:49:43] YODA V VI "Yoda Appears" 12a (A Section) VIII IX (5m2) V [0:56:10] Yoda V "Yoda's Entrance" 12b (B Section) IX (5m3) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS ORIGINAL T RILOGY (4) EPISODE V: THE EMPIRE STRIKES BACK(1980) Initial Motif Melodic Reduction Uses Statement V V [0:06:44] 13 Droids9 "Imperial Probe" (1m2) S V V [1:06:13] 14 Boba Fett "Attack Position" (7m2) V V [1:21:31] 15 Cloud City "Lando's Palace" (8m3) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS ORIGINAL T RILOGY (5) EPISODE VI: RETURN OF THE JEDI (1983) Initial Motif Melodic Reduction Uses Statement I IV [0:52:44] Jabba IV VI "The Big Thaw" 16a (A-Section) (Tracked from ROTJ, 3m2) IV [0:53:35] Jabba IV VI "Jabba’s Prisoners" 16b (B-Section) (Tracked from ROTJ, R2P5) I II III VI VI [0:38:17] 17 EMPEROR "The Emperor" VII IX (4m5) Ewok Parade VI VI [1:03:50] 18a "Enter the Ewok" (A Section) (7m2) Ewok Parade VI VI [1:28:54] 18b "Heroic Ewok" (B Section) (10m1) Ewok Horn VI VI [1:05:50] 19 "Enter the Ewok" Call (7m2) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS ORIGINAL T RILOGY (6) EPISODE VI: RETURN OF THE JEDI (1983) Initial Motif Melodic Reduction Uses Statement VI VI [1:20:24] 20 Luke & Leia "Brother and Sister" VII IX (9m2) Victory VI VI [0:35:39] 21 "Jabba’s End” Fanfare (R4P4) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS PREQUEL T RILOGY (1) EPISODE I: THE PHANTOM MENACE (1999) Initial Motif Melodic Reduction Uses Statement I II III Droid March I [0:10:11] 22a "Droid Invasion" (Form 1) (1m6) I III Droid March I [1:49:16] 22b "Armies Face Off" (Form 2) (6m1) I I [0:27:43] 23 Darth Maul "Enter Darth Maul" (2m4) I I [0:28:55] 24 Jar Jar "Jar Jar Binks" (1m7) I II III I [0:32:41] YOUNG 25 1 "I’m a Pilot, You ANAKIN Know" (2m7) I I [1:11:08] 26 Qui Gon "Anakin is Free" (4m5) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS PREQUEL T RILOGY (2) EPISODE I: THE PHANTOM MENACE (1999) Initial Motif Melodic Reduction Uses Statement I II (III) I [1:15:00] 27 Shmi2 "Anakin is Free" (4m5) I II III Duel of I [1:46:36] 28a the Fates "Lazer Fight” (Theme) 3 (6m2) S I II III Duel of I [1:50:18] 28b the Fates "The Fight Begins" (Chorus)4 (IX) (6m4) S I II III Duel of I [1:50:30] 28c the Fates "The Fight Begins" (Ostinato) (6m4) I III I [2:07:17] 29 Funeral "Qui-Gon’s Funeral” (7m1) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS PREQUEL T RILOGY (3) EPISODE II: ATTACK OF THE CLONES (2002) Initial Motif Melodic Reduction Uses Statement II II [0:04:21] 30 Conspiracy "Thwarted Attempt" (1m3) II III II [0:09:50] Gloomy "She Hardly 31 Courtship Recognized Me" (1m5) II II [0:47:48] Pastoral "The Meadow 32 5 Courtship Scene" (3m5) II III ANAKIN & PADME II [0:29:06] 33a [Across "Palpatine's the Stars] Plotting" (2m2) (A Section) II Anakin & II [1:43:18] 33b Padme "Love Pledge" (B Section) (6m1) II II [0:34:45] 34 Mystery "Library Scene" IX (2m5) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS PREQUEL T RILOGY (4) EPISODE III: REVENGE OF THE SITH (2005) Initial Motif Melodic Reduction Uses Statement III General III [0:08:18] 35 "Grievous Travels Grievous to Palpatine" (2m5) III Battle of III [1:47:53] 36a the Heroes "Heroes Collide" (A Section)6 VIII (6m4) III Battle of III [1:51:08] 36b the Heroes "Heroes Collide" (B Section)7 (6m4) III Battle of III [1:51:42] 36c the Heroes "Heroes Collide" (Ostinato) (6m4) II III II [0:54:22] 8 "The Dinner 37 Descent Scene" (3m7) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS SEQUEL TRILOGY (1) EPISODE VII: THE FORCE AWAKENS (2015) Initial Motif Melodic Reduction Uses Statement VII [0:06:11] YLO EN K R 1 "The Arrival of 38a 1 (Aggressive) VII VIII IX Kylo Ren" (1m3) Kylo Ren 1.5 IX [0:11:20] 38b "Rey Trains" (Redeemed) VIII IX (1m20) VII [0:28:25] KYLO REN 2 39 "Finn's Trek" (Hesitant) VII VIII IX (2m16) Kylo Ren 3 VII [1:30:31] 40 "Jedi Mind Trick" (Menacing) VII VIII (6m55) VII [0:09:32] 41 First Order2 "Kill Them All" VII (1m4) VII [0:51:50] 42 Snoke "Snoke" VII VIII (3m29) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS SEQUEL TRILOGY (2) EPISODE VII: THE FORCE AWAKENS (2015) Initial Motif Melodic Reduction Uses Statement VII [0:12:16] REY 1 43a "The Scavenger" (Theme) VII VIII IX (1m5) Rey 1.5 VII [1:09:05] 43b "I Have To Get (Sweeping) VII IX Back" Rey 2 VII [0:11:38] 44 "The Scavenger" (Chimes) VII VIII IX (1m5) Rey 3 VII [0:11:48] 45 "The Scavenger" (Galop) VII VIII IX (1m5) MARCH VII [1:15:27] OF THE 46a "The Resistance" RESISTANCE VII VIII IX (5m47) (A Section) 3 S March of the VII [0:58:27] "I've Found the 46b Resistance VII VIII IX Droid" (B Section) (4m34) Compiled by Frank Lehman, [email protected]. Updated August 22, 2020 LEITMOTIFS SEQUEL TRILOGY (3) EPISODE VII: THE FORCE AWAKENS (2015) Initial Motif Melodic Reduction Uses Statement VII [0:02:40] "Starry Night/ 47 Map4 The Invasion of VII VIII the Village" (1m1A) VII [0:21:53] "I Can Fly 48 POE VII VIII IX Anything" (2m14) VII [0:30:00] 49 Pursuit5 "Follow Me" VII (VIII) (2m18) VII [1:43:50] "Shoot-Out/ 50 Tension VII VIII IX On the Inside" (7m62) VII [2:05:10] "Climbing the 51 Jedi Steps VII VIII IX Mountain" (8m74) Compiled by Frank Lehman, [email protected].
Recommended publications
  • Complete Catalogue of the Musical Themes Of

    Complete Catalogue of the Musical Themes Of

    COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts
  • Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)

    Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)

    RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y.
  • Star Wars: Legends -Timeline Checklist

    Star Wars: Legends -Timeline Checklist

    Star Wars: Legends - Timeline Checklist Time Title Media Read Own Notes - Version 11.0 - September 17th, 2020 - New Legends and Canon Timelines - As of April 25th, 2014, it was announced that the old Expanded Universe was no longer the official story line of the Star Wars universe. Old EU stories were now to be branded "Legends" and future stories were to become new official "Canon" stories. All stories within this timeline are considered to be Legends stories. This timeline has essentially ended, unless new Legends stories are produced. As of September, 2014, all stories will be considered Canon stories and can be found on the Canon Timeline, unless specifically denoted as "Legends". This timeline will continue to be improved and refined with older material, but only stories after September, 2014 that are specifically stated as Legends will be added. - Abbreviations and Obscure Source Descriptions- DH Star Wars - Stories from the original Dark Horse Star Wars comic line SW Tales - Stories that were compiled in the Star Wars Tales comic series TFJP - Tales from Jabba's Palace TFTMEC - Tales from the Mos Eisley Canina TFTNR - Tales from the New Republic TOTBH - Tales of the Bounty Hunters Wizards - RPG material from the Wizards of the coast website - www.wizards.com/starwars - Media Categories - Compilation Sourcebooks, Galaxy Magazine, Adventure Journal, RPG Book, Universe, Gamer, etc. Trade Paperback Dark Horse Trade Paperbacks or Digest size comics Hyperspace ____ Hyperspace Stories, Hyperspace Source Articles, and Non-Hyperspace Starwars.com materials Any story (comic, movie, etc.) found online beside at Starwars.com (See below in Online _____ Online Content ) Classic SW Marvel Comics and Marvel Reprints Movie/ Cartoon/ Radio Any movies, cartoons, or radio programs Insider Stories found in Star Wars Insider Novel Stories released in paperback or hardcover.
  • Star Wars: Episode VI: Return of the Jedi PDF Book

    Star Wars: Episode VI: Return of the Jedi PDF Book

    STAR WARS: EPISODE VI: RETURN OF THE JEDI PDF, EPUB, EBOOK Archie Goodwin,Al Williamson,Carlos Garzon | 112 pages | 10 Nov 2015 | Marvel Comics | 9780785193692 | English | New York, United States Star Wars: Episode VI: Return of the Jedi PDF Book In fact, the decision was made to make Luke's blade contrast with the blue sky of Tatooine and make it more visible during the skirmish at Carkoon. Contact the seller - opens in a new window or tab and request a postage method to your location. However, as he does this, the Emperor continues to shoot force lightning, which enters Vader's organic remains, striking Vader's life support system and his respirator, mortally wounding him. Listed in category:. Best Supporting Actor. Incidentally, Joel and Nash Edgerton , Owen's portrayer and Ewan McGregor 's stunt double, respectively, in the prequel trilogy , are brothers in real life. On January 27 , a few months before the movie released, Lucas announced that the film would be titled Return of the Jedi. Learn more - opens in a new window or tab. While the Sarlacc battle sequence, the speeder bike chase, the space battle, and Luke's duel against Vader are all well-regarded, the battle between Ewoks and stormtroopers remains controversial. Archived from the original on May 12, Meanwhile, R2-D2 launches Luke's recently built lightsaber from a hidden panel in his housing, and Luke catches it and begins to kill his captors. Archived from the original on November 27, KickassFacts X-Men A. Retrieved March 6, Fandom may earn an affiliate commission on sales made from links on this page.
  • Rpggamer.Org (Characters D6 / Droopy Mccool) Printer Friendly

    Rpggamer.Org (Characters D6 / Droopy Mccool) Printer Friendly

    Characters D6 / Droopy McCool Name: Droopy McCool Homeworld: Kirdo III Species: Kitonak Gender: Male Height: 1.58 meters Mass: 82 kilograms DEXTERITY 2D+2 Blaster: 3D+2 Brawling Parry: 4D Dodge: 4D+2 KNOWLEDGE 2D Bureaucracy: 2D+2 Business: 3D Intimidation: 4D+1 Languages: 2D+2 Streetwise: 4D+2 Value: 4D+2 Willpower: 6D PERCEPTION 3D Bargain: 3D+1 Con 3D+2 Persuasion: 3D+2 Performance (musical instrument): 5D Search: 4D+1 STRENGTH 3D+2 Brawling: 5D+1 MECHANICAL 2D Repulsorlift Operation: 3D TECHNICAL 2D Computer Programming/Repair: 2D+2 Droid Programming/Repair: 3D Equipment: Musical Instrument, Concealed Blaster Pistol (4D), Street Clothes, 100 credits FORCE SENSITIVE - N FORCE POINTS 2 DARK SIDE POINTS 0 CHARACTER POINTS 4 Move: 10 Description: Droopy McCool, once known by the alias Snit, was a Kitonak member of the Max Rebo Band. McCool's true name was a series of whistles which was incomprehensible to most non-Kitonaks. He was from the planet Kirdo III, and played a flute made from a hollow chidinkalu plant from his home planet. It was unclear how Droopy left Kirdo III, but he reached Orvax IV with a slaver company. A melancholic Kitonak, he longed for the companionship of others of his species. It was on Orvax IV that Droopy, under the name Snit, was bought by Evar Orbus. Orbus was the lead voice of a music group, Evar Orbus and His Galactic Jizz-Wailers, also featuring Max Rebo and Sy Snootles. However, Orbus would rather say that he "hired" Snit instead of buying him. Snit's belly was big enough to hide his legs, and partner Rebo was envious of what he considered a great feeding.
  • Burn, Boil & Eat : an Intersection Analysis of Stereotypes in the Most

    Burn, Boil & Eat : an Intersection Analysis of Stereotypes in the Most

    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Burn, boil & eat : an intersection analysis of stereotypes in the most influential films of all time Roslyn M. Satchel Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Mass Communication Commons Recommended Citation Satchel, Roslyn M., "Burn, boil & eat : an intersection analysis of stereotypes in the most influential films of all time" (2013). LSU Doctoral Dissertations. 2334. https://digitalcommons.lsu.edu/gradschool_dissertations/2334 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BURN, BOIL & EAT: AN INTERSECTIONAL ANALYSIS OF STEREOTYPES IN THE MOST INFLUENTIAL FILMS OF ALL TIME A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Manship School of Mass Communication by Roslyn M. Satchel B.A. Howard University, 1995 M.Div. Emory University, 2000 J.D. Emory University, 2000 August 2013 ©Copyright 2013 Roslyn M. Satchel All rights reserved ii I dedicate this dissertation to my son, parents, sister, and above all, the Divine Sources that are our sustenance—for, faith in God through Jesus Christ, the Holy Spirit, and my forebears enlivens everything I do. To my son, Satchel Augustine, I give my all as a legacy on which he can build.
  • Jedi Jake's Checklist

    Jedi Jake's Checklist

    4LOMKUSS.COM 1 The Power of the Force (POTF2 - green cards) Kenner (Hasbro) 1997-1998 Updated May 23, 2013 Basic Figures Collection 1 o Ben (Obi-Wan) Kenobi (with Lightsaber and Removable Cloak) o Bespin Han Solo (with Heavy Assault Rifle and Blaster) o C-3PO (with Realistic Metalized Body) o Chewbacca (with Bowcaster and Heavy Blaster Rifle) o Greedo (with Blaster Pistol) o Han Solo (with Heavy Assault Rifle and Blaster) o Han Solo in Carbonite (with Carbonite Block)** o Han Solo in Endor Gear (with Blaster Pistol) o Hoth Rebel Soldier (with Survival Backpack and Blaster Rifle)** o Jedi Knight Luke Skywalker (with Lightsaber and Removable Cloak)** o Lando Calrissian as Skiff Guard (with Skiff Guard Force Pike) o Leia in Boushh Disguise (with Blaster Rifle and Bounty Hunter Helmet) o Luke Skywalker in Ceremonial Outfit (with Medal of Valor and Blaster Pistol)** o Luke Skywalker in Hoth Gear (with Blaster Pistol and Lightsaber)** o Luke Skywalker in Stormtrooper Disguise (with Imperial Issue Blaster)** o Luke Skywalker in X-Wing Fighter Pilot Gear (with Lightsaber and Blaster Pistol) o Princess Leia Organa (with “Laser” Pistol and Assault Rifle) o Princess Leia Organa as Jabba's Prisoner o R2-D2 (with Light-Pipe Eye Port and Retractable Leg) o Rebel Fleet Trooper (with Blaster Pistol and Rifle)** o Yoda (with Jedi Trainer Backpack and Gimer Stick)** Collection 2 o 2-1B Medic Droid (with Medical Diagnostic Computer) o 4-LOM (with Blaster Pistol and Blaster Rifle) o Admiral Ackbar (with Comlink Wrist Blaster) o ASP-7 Droid (with Spaceport
  • Jabba's Palace Light Side Spoiler List

    Jabba's Palace Light Side Spoiler List

    Star Wars™ Customizable Card Game™ JABBA’S PALACE LIGHT SIDE SPOILER LIST •8D8 Clarification 5 •••Baragwin 3 •Droopy McCool 3 Lore: Starship maintenance droid. Sold into the service of Jabba. Lore: Hunchbacked scavengers. Found in separate groups throughout the Lore: Kitonak musician. Lead jizz wailer. Searching for other Kitonak Sympathetic to the droids and aliens it is forced to torture. Hates EV-9D9. galaxy. Good at finding missing items. Make excellent gun runners. Some rumored to be living on Tatooine. Rarely uses his real name, Snit. CHARACTER-DROID [Jabba’s Palace] [R] work with the rebellion. CHARACTER-ALIEN [Jabba’s Palace] [R] POWER: 1 MAINTENANCE DROID CHARACTER-ALIEN [Jabba’s Palace] [C] POWER: 1 ABILITY: 1 Text: May cancel Torture, Aiiii! Aaa! Aggggggggggggg! or Sonic POWER: 1 ABILITY: 2 Text: Power +2 at any desert or Tatooine site. Immune to Gravel Storm, Bombardment targeting a character at same site. Once during each of Text: Once per turn, if the top card of your Lost Pile is a weapon, device or Sandwhirl and desert landspeed requirements. While at Audience your turns, if with any imprisoned captive, may draw destiny: if destiny > 3, transport vehicle, may use 1 Force to retrieve it. During your control phase, Chamber, all your other Kitonaks are forfeit +2. Immune to attrition < randomly select one captive there to be released. may exchange one card in hand for one weapon or device in your Lost Pile. number of your musicians on table. DEPLOY: 1 FORFEIT: 3 DEPLOY: 2 FORFEIT: 3 DEPLOY: 2 FORFEIT: 3 Icons: Warrior •A Gift 4 •Dune Sea Sabacc 5 Lore: "As a token of my good will, I present to you a gift: these two droids.
  • Game Narrative Review

    Game Narrative Review

    Game Narrative Review ==================== Your name (one name, please): Erica Kleinman Your school: Northeastern University Your email: [email protected] Month/Year you submitted this review: 12/17 ==================== Game Title: Nier: Automata Platform: Playstation 4/PC Genre: Action Role Playing Release Date: March 7, 2017 Developer: Platinum Games Publisher: Square Enix Game Writer/Creative Director/Narrative Designer: Yoko Taro Overview Nier: Automata, a sequel to the 2010 game Nier and a spinoff of the Drakengard series, details the events of the 14th machine war in the year 11945 AD. Some time prior to the beginning of the story, aliens arrived at, and attempted to conquer, the Earth with an army of machine life forms. The last of humanity fled to the moon and counterattacked with an army of androids. The two sides have been fighting this proxy war ever since. The story focuses on three specific members of the android organization, YoRHa, 2B, 9S and A2, as they seek answers and meaning in a seemingly meaningless world. Automata features 26 endings (5 main endings and 21 “joke” endings) and requires the player to replay the game multiple times in order to progress through the entire story. Between these play-throughs, a reframing will occur that grants the player access to insights and information they previously did not have, bringing new light to the true impact of the characters’ (and their own) actions. This format, along with a tendency to lean on the fourth wall, allows the game to deconstruct and reflect on the roles of the hero and the player.
  • ALEXANDER-THESIS-2017.Pdf (1.075Mb)

    ALEXANDER-THESIS-2017.Pdf (1.075Mb)

    Copyright by Benjamin Keith Alexander 2017 The Thesis Committee for Benjamin Keith Alexander Certifies that this is the approved version of the following thesis: Procedural Identification: Algorithmic Role-Playing in Video Games APPROVED BY SUPERVISING COMMITTEE: Supervisor: Suzanne Scott Lalitha Gopalan Procedural Identification: Algorithmic Role-Playing in Video Games by Benjamin Keith Alexander, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2017 Dedication This thesis is dedicated to my mother, Jennifer. Without your love, nothing in my life would be possible. Acknowledgements First, I would like to thank my loving parents for never failing to encourage and support me down any path I chose. Despite our many differences, I knew I could always count on both of you. Thanks to my best and oldest friend, Kevin Ellis. Your compassion, advice and humor helped keep me sane through the many months spent writing this project. Thanks to Randy Bernhoft for introducing me to tabletop games, half of this project never would have happened without your help and friendship. Thanks to the many wonderful friends I made in Austin, particularly Misa Mascovich, Hannah Whitman, Ryan Wen, Ilse García, Nathan Rossi, and Kiwi Lanier. My deep appreciation to Lalitha Gopalan for joining this project and helping me cultivate a deft understanding of formal analysis. Lalitha’s guidance helped shape this project conceptually and opened entirely new avenues of thought and approach. She gave me the support and encouragement necessary to challenge myself to look at everything in entirely new or different ways.
  • Star Wars: Rescue from Jabbas Palace Kindle

    Star Wars: Rescue from Jabbas Palace Kindle

    STAR WARS: RESCUE FROM JABBAS PALACE PDF, EPUB, EBOOK Lucasfilm Ltd | 32 pages | 23 Mar 2016 | Egmont UK Ltd | 9781405277839 | English | London, United Kingdom Star Wars: Rescue from Jabbas Palace PDF Book Bane Malar Species: unknown male Homeworld: Kessel? This fully-illustrated level 2 reader retells the classic scenes from Return of the Jedi where Luke visits Jabba's Palace and fights to rescue his friends. Diana rated it liked it Jan 22, Stream the best stories. Build them once this is done into a hovering platform. Whether it's Luke getting his lightsaber, or Leia chasing Imperial troopers through the forest of She secretly hoped to leave Jabba's Palace and join a band. Keep me logged in on this device Forgot your username or password? Sitting out of sight near the back of the room, behind the platform directly to the right. Use the Astromech Panel to extend the bridge, then build the Protocol Panel to enter the next area. He was on Jabba's sail barge during the battle over the Great Pit of Carkoon. Extra: piloted a skiff full of Jabba's skiff guards. Force this platform into place and stand on it, you can see you can Force something on the wall. Community Reviews. It's a race against time as the rebels fight to destroy the Empire's greatest weapon--the Death Star. He was later killed by Luke Skywalker. Keep me logged in on this device. To get to the one in the middle, build the pieces directly in front into a small platform, and use it to jump up.

  • 30Th Anniversary Checklist

    Jedi TempleArchives A COLLECTOR’ S VISUAL GUIDE STAR WARS: 30TH ANNIVERSARY CHECKLIST (LOOSE) 3¾” SCALE Wave 7 - Return of the Jedi 43 Ewoks 2-pack Basic Figures with Coins 44 A-Wing Pilot 30th Anniversary Coin Album 45 Spirit of Anakin Skywalker (Hayden Head) 01 Darth Vader 46 R2-D2 (With Cargo Net) 47 Han Solo (McQuarrie Signature Series) Wave 1 – Revenge of the Sith Wave 7.5 02 Galactic Marine 03 Mustafar Lava Miner 48 Holographic Darth Vader 04 R2-D2 (Invisible Hand) 49 Clone Trooper (Episode III – Brown) 05 Obi-Wan Kenobi 50 Clone Trooper (Clone Wars) – With Poncho 06 Mace Windu 51 R2-B1 07 Airborne Trooper 52 Naboo Soldier (Red Gear) 08 Super Battle Droid (Invisible Hand) 53 Rebel Vanguard Trooper (BF Video Game) 09 Concept Stormtrooper (R. McQuarrie Concept) 54 Pax Bonkik Wave 2 – Battle of Yavin Wave 8 - Attack of the Clones 10 Rebel Sentry Honor Guard 55 Clone Trooper (Training Gear) 11 Han Solo (Falcon Gunner) 56 Padmé Amidala 12 Luke Skywalker (Ceremony) 57 Jango Fett 13 Biggs Darklighter (X-Wing Pilot) 58 Voolvif Monn 14 Death Star Trooper 59 Destroyer Droid 15 Boba Fett (R. McQuarrie Concept) 60 Rebel Trooper (R. McQuarrie Concept) Wave 3 – A New Hope 2008 Wave 1 – Revenge of the Sith 16 Darth Vader 08-01 Obi-Wan Kenobi 17 Biggs Darklighter 08-02 Darth Vader 18 Luke Skywalker (with Moisture Vaporator) 08-03 Clone Commander Gree 19 Jawa & LIN-V8M 08-04 Kashyyyk Trooper 20 Stormtrooper (Removable Helmet) 08-05 Tri-Droid 21 Chewbacca (R. McQuarrie Concept) 08-06 2-1B (Surgical Droid) 08-07 Po Nudo (Aqualish Seperatist) Wave 4 – Jabba's Palace 08-08 Mustafar Panning Droid 22 M'iiyoom Onith (Cantina) 2008 Wave 2 – The Force Unleashed 23 Elis Helrot (Cantina) 08-09 Imperial Evo Trooper 24 Boba Fett (Animated) 08-10 Imperial Jump Trooper 25 Luke Skywalker (Jedi Knight) 08-11 Maris Brood 26 CZ-3 08-12 Darth Vader (Battle Ravenged) 27 Umpass-Stay 08-13 Rahm Kota 28 Darth Vader (R.