National Theatre December 2019 – June 2020

Total Page:16

File Type:pdf, Size:1020Kb

National Theatre December 2019 – June 2020 15 November 2019 National Theatre December 2019 – June 2020 Announced today: • NT Associate Simon Godwin directs ROMEO & JULIET with Josh O’Connor and Jessie Buckley as the star-crossed lovers and Fisayo Akinade as Mercutio • SEA SICK written and performed by Alanna Mitchell will play in the Dorfman Theatre following a Canadian tour and sold-out run at the Edinburgh Festival Fringe earlier this year • HAMLET reimagined for younger audiences by Jude Christian and directed by Tinuke Craig will tour to state schools across London, before performances in the Dorfman Theatre in March • Gary Owen’s new play ROMEO AND JULIE, a co-production with Sherman Theatre, with Callum Scott Howells and Rosie Sheehy as Romeo and Julie, will tour to four Theatre Nation Partnership venues across the UK, before performances in the Dorfman Theatre and the Sherman Theatre in Cardiff • NT Live broadcasts in 2020 to include CYRANO DE BERGERAC with James McAvoy from the Playhouse Theatre, and THE WELKIN, JACK ABSOLUTE FLIES AGAIN and ROMEO & JULIET from the NT Updates on previously announced productions: • Laurie Davidson and Natalie Simpson will play Jack Absolute and Lydia Languish with Caroline Quentin as Mrs Malaprop and Richard Fleeshman as Dudley Scunthorpe in JACK ABSOLUTE FLIES AGAIN, Richard Bean and Oliver Chris’s new play directed by Thea Sharrock • Daneka Etchells, Jenny Galloway, Haydn Gwynne, Zainab Hasan, June Watson, Laurence Ubong Williams, Shaofan Wilson and Hara Yannas join the company of Lucy Kirkwood’s new play THE WELKIN, which also includes Maxine Peake and Ria Zmitrowicz • Jason Barnett, Joseph Mydell, Sara Kestelman and Nicholas Woodeson join Lesley Manville and Hugo Weaving in the company of THE VISIT or THE OLD LADY COMES TO CALL • Chris Anderson, Bryan Dick, Francesca Mills and Wanda Opalinska join the cast of ALL OF US alongside Francesca Martinez in her debut play • Michele Austin and David Hargreaves join Nancy Carroll and Ben Daniels in the cast of MANOR, a new play by Moira Buffini, directed by Fiona Buffini Rufus Norris, Director, says: “I am pleased to announce four new productions coming to the National Theatre next year. In the Dorfman we have Alanna Mitchell’s remarkable one-woman show about the state of the ocean, SEA SICK, opening in April. Following its sell-out run in Edinburgh earlier this year the production tells the story of the science behind our seas and could not be more important as we all look to find ways to tackle the climate emergency. Shakespeare has been reimagined for younger audiences by Jude Christian in her energetic re-telling of HAMLET directed by Tinuke Craig. Created for 8-12 year olds, this production will tour directly into schools across London before performances in the Dorfman in April 2020. Also in the Dorfman, Rachel O’Riordan directs Gary Owen’s new play ROMEO AND JULIE which takes inspiration from Shakespeare’s play to create a funny and poignant look at the hope and heartbreak of two working class teenagers. A co-production with Sherman Theatre, we’re delighted to be able to tour this production to four of the brilliant Theatre Nation Partnership venues that we have been working closely with to build audiences over the last three years. It’s also wonderful to be welcoming Simon Godwin back to the NT to direct Shakespeare’s ROMEO & JULIET in the Olivier. Combining Simon’s impeccable classical credentials with the brightest young actors, this is sure to be an unmissable production. These productions are announced today, alongside the news that Francesca Martinez’s new play ALL OF US, Moira Buffini’s MANOR and Richard Bean and Oliver Chris’ JACK ABSOLUTE FLIES AGAIN, will all go on sale this December.” For new show artwork, click here. Just announced: Simon Godwin returns to the National Theatre to direct Shakespeare’s ROMEO & JULIET following his critically-acclaimed productions of Antony and Cleopatra and Twelfth Night in the Olivier Theatre. Set in modern Italy in a world where Catholic and secular values clash, Jessie Buckley (Wild Rose, Judy) and Josh O’Connor (The Crown, God’s Own Country) play the two young lovers who strive to transcend a world of violence and corruption. Fisayo Akinade (The Antipodes, Barber Shop Chronicles) is cast as Mercutio. The production will open in the Olivier Theatre in August 2020. Set and costume design by Soutra Gilmour, lighting design by Lucy Carter, composition by Michael Bruce and sound design by Christopher Shutt. -- Following a sold-out run at the Edinburgh Festival Fringe and a Canadian tour, the Theatre Centre’s critically acclaimed production SEA SICK about the state of the global ocean, written and performed by Alanna Mitchell, comes to the National Theatre. In this powerful story, Mitchell uses science and wit to tell us about her journey to the bottom of the ocean, the demons she discovered there, and her hope for the future. Mitchell is an award-winning Canadian journalist and author who writes about science and social trends specialising in investigative reporting. SEA SICK is inspired by her international bestseller and award-winning book of the same name, and is directed by Franco Boni and Ravi Jain. In the Dorfman 22 April – 7 May. Tickets available to the public from the 6th December. -- Jude Christian (Lyric Hammersmith’s othellomacbeth) has reimagined HAMLET for younger audiences. Running in the Dorfman from 30 March – 9 April this energetic and engaging re- telling of Shakespeare’s most well-known tragedy is suitable for ages 8-12. The production will also tour to state primary schools across Greater London from 10 February, collectively reaching over 6,000 pupils during the run as part of the NT’s commitment to introducing children and young people to theatre. Directed by Tinuke Craig with set and costume design by Frankie Bradshaw, lighting design by Paul Knott, music by Sarah Taylor Ellis, sound design by Clark Henry-Brown and movement direction by Morgan Runacre-Temple. The National Theatre's Partner for Learning is Bank of America Primary schools touring is supported by: The Mohn Westlake Foundation, The Garfield Weston Foundation, The Ingram Trust, The Hearn Foundation, Archie Sherman Charitable Trust, The Behrens Foundation, Cleopatra Trust, The Dorset Foundation, Jill and David Leuw, Mulberry Trust, Newcomen Collett Foundation, St Olave's Foundation Fund, and The Topinambour Trust. -- Inspired by Shakespeare's romantic tragedy, writer Gary Owen and director Rachel O'Riordan reunite (Iphigenia in Splott, Killology) to deliver ROMEO AND JULIE a powerful, funny and poignant new play about the hope and heartbreak of two young people in the 21st century. Callum Scott Howells and Rosie Sheehy will play Romeo and Julie, with Anita Reynolds as Kath. Romeo is a teenage single dad hanging on tight. Julie is fighting to follow her dream of studying at Cambridge. Two working-class eighteen-year-olds raised a few streets apart, but from entirely different worlds, the pair crash headlong into first love, physics and dirty nappies. But at this crossroads to the rest of their lives, both families fear the worst in a world of unequal opportunity. A co-production with Sherman Theatre the production will open at The Lowry, Salford (5 -10 June), before touring to Cast, Doncaster (16 – 20 June); Queen's Theatre, Hornchurch (23 –27 June); and Theatre Royal, Wakefield (30 June – 4 July), four of the Theatre Nation Partners the NT has been working closely with for the past three years on a nationwide project to broaden and grow local audiences for drama in England. Romeo and Julie will then play in the Dorfman at the National Theatre (14 July – 29 August), before closing at the Sherman Theatre, Cardiff (16 September – 3 October). Set and costume design by Hayley Grindle, lighting design by Jack Knowles, sound design by Gregory Clarke and puppetry design and direction by Finn Caldwell. Theatre Nation Partnerships is generously supported by Arts Council England’s Strategic Touring Fund and Garfield Weston Foundation. National Theatre UK Touring is supported by The Thompson Family Charitable Trust, The Royal National Theatre Foundation and Jacqueline and Richard Worswick. Productions on sale to the public Friday 6 December: Olivier Theatre JACK ABSOLUTE FLIES AGAIN by Richard Bean and Oliver Chris based on Richard Brinsley Sheridan’s The Rivals In repertoire from April 15, press night 28 April with further dates to be announced July 1940. After an aerial dog fight, Pilot Officer Jack Absolute flies home to his intrepid young Hurricane squadron at RAF Fontwell (formerly Malaprop Hall, East Sussex). Back on British soil, Jack is shocked to find his old flame, Lydia, on the base. Setting his sights on winning her heart, Jack’s advances turn to anarchy when the young heiress demands to be loved on her own terms. Laurie Davidson and Natalie Simpson will play Jack Absolute and Lydia Languish with Caroline Quentin as Mrs Malaprop and Richard Fleeshman as Dudley Scunthorpe. The cast will also include James Corrigan, Jordan Metcalfe and Helena Wilson. Staged during the 80th anniversary of the Battle of Britain, Thea Sharrock (After The Dance) directs a riotous and comedic new version of Sheridan’s The Rivals, co-written by Richard Bean (One Man, Two Guvnors) and Oliver Chris. Set and costume design by Mark Thompson, lighting design by Bruno Poet, sound design by Paul Arditti, music by Adrian Johnston and video design by Jeff Sugg. Production supported by Juliet de Baubigny Lyttelton Theatre MANOR a new play by Moira Buffini Playing from 7 April, press night 15 April with further performances to be announced A violent storm sweeps the coast. Diana Stuckley and her daughter are struggling to keep the roof on their run-down manor house, when neighbours and strangers begin to appear on their doorstep, seeking shelter from the floods.
Recommended publications
  • Albion Full Cast Announced
    Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts.
    [Show full text]
  • THE 42Nd COMPARATIVE DRAMA CONFERENCE the Comparative Drama Conference Is an International, Interdisciplinary Event Devoted to All Aspects of Theatre Scholarship
    THE 42nd COMPARATIVE DRAMA CONFERENCE The Comparative Drama Conference is an international, interdisciplinary event devoted to all aspects of theatre scholarship. It welcomes papers presenting original investigation on, or critical analysis of, research and developments in the fields of drama, theatre, and performance. Papers may be comparative across disciplines, periods, or nationalities, may deal with any issue in dramatic theory and criticism, or any method of historiography, translation, or production. Every year over 170 scholars from both the Humanities and the Arts are invited to present and discuss their work. Conference participants have come from over 35 countries and all fifty states. A keynote speaker whose recent work is relevant to the conference is also invited to address the participants in a plenary session. The Comparative Drama Conference was founded by Dr. Karelisa Hartigan at the University of Florida in 1977. From 2000 to 2004 the conference was held at The Ohio State University. In 2005 the conference was held at California State University, Northridge. From 2006 to 2011 the conference was held at Loyola Marymount University. Stevenson University was the conference’s host from 2012 through 2016. Rollins College has hosted the conference since 2017. The Conference Board Jose Badenes (Loyola Marymount University), William C. Boles (Rollins College), Miriam M. Chirico (Eastern Connecticut State University), Stratos E. Constantinidis (The Ohio State University), Ellen Dolgin (Dominican College of Blauvelt), Verna Foster (Loyola University, Chicago), Yoshiko Fukushima (University of Hawai'i at Hilo), Kiki Gounaridou (Smith College), Jan Lüder Hagens (Yale University), Karelisa Hartigan (University of Florida), Graley Herren (Xavier University), William Hutchings (University of Alabama at Birmingham), Baron Kelly (University of Louisville), Jeffrey Loomis (Northwest Missouri State University), Andrew Ian MacDonald (Dickinson College), Jay Malarcher (West Virginia University), Amy Muse (University of St.
    [Show full text]
  • National-Theatre-Rep-Brochure-May-Oct-2019.Pdf
    May – Oct 19 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances. Hansard ‘Master Harold’… The Secret River Playing from 22 Aug and the boys 22 Aug – 7 Sep Day Tickets Playing from 21 Sep £18/£15 tickets available in person on the day of the performance. No booking fee online or in person. A £3 fee per Access symbols used in this brochure transaction for phone bookings. If you choose to have your CAP Captioned Relaxed Performance tickets sent by post, a £1.50 fee applies per transaction. TT Touch Tour Postage costs may vary for group and overseas bookings. AD Audio-Described The National Theatre The National Theatre in partnership with in partnership with Mr Gum and Jellyfish Translations the Dancing Bear – 5 – 16 July Playing from 15 Oct the Musical! 25 July – 31 Aug Partner for Innovation Partner for Learning Founding corporate Outdoor Media Partner supporter for Public Acts Official Airline Partner Official Hotel Partner Official Transport Provider International Hotel Partner Small Island Rutherford and Son Peter Gynt Your carrier to the USA and beyond Playing until 10 Aug 16 May – 3 Aug 27 June – 8 Oct Supporter for new writing Official Sound Partner of Cloud Services Partner Pouring Partner the Olivier Theatre Sponsor of NT Live in the UK Follies Top Girls River Stage Playing until 11 May Playing until 20 July 5 July – 3 Aug 2 3 A UGUST Thu 22 7.30 Fri 23 7.30 Sat 24 7.30 Hansard Mon 26 7.30 Tue 27 7.30 a new play by Simon Woods Wed 28 7.30 Thu 29 7.30 Fri 30 7.30 Sat 31 7.30 SEPTEMBER Mon 2 7.30 Tue 3 7.00 Wed 4 7.30 Wed 11 7.30 Thu 12 7.30 Cast includes Hansard; noun Fri 13 7.30 Lindsay Duncan The official report of all parliamentary debates.
    [Show full text]
  • June 17 – Jan 18 How to Book the Plays
    June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation.
    [Show full text]
  • Samantha Saltzman Resume
    3569 Broadway, Apt 4E, New York, NY 10031 - (781) 354-0402 - [email protected] www.samanthasaltzman.com Broadway/Off-Broadway/Touring The King & I Directed by Shelley Butler 2nd National Tour Assistant Director Based on original direction by Bartlett Sher • Participated in character conversations with new principals and taught blocking in preparation for rehearsals with the director • Assisted in the recreation of original staging and dramaturgy from prompt book and documentation • Coached child actors on acting intention, review of blocking, and accent reinforcement • Trained understudies and stand-by principals and ran their rehearsals and put-ins • Sent out at regular intervals to check on and maintain the production and performances Lady in the Dark Directed by Ted Sperling New York City Center Associate Director • Oversaw and advised on Tech process and implementation, including scheduling and prioritizing creative needs in limited time frame • Responsible for taking and distributing notes to creative team and actors • Advised script adaptation and oversaw collation and implementation of changes Matilda the Musical Directed by Matthew Warchus 1st National Tour Resident Director • Traveled with the show for six months • Trained over 40 understudies and new cast members and ran rehearsals and put-ins for new cast • Regularly maintained child cast with notes and brush up rehearsals • Responsible for show coverage, including Matildas’ pre-show warm-ups and delivery of notes between shows and in rehearsals to full company Assistant
    [Show full text]
  • HAMLET: PRESS RESPONSES Almeida & West End (2017) Shakespeare
    HAMLET: PRESS RESPONSES Almeida & West End (2017) Shakespeare www.roberticke.com FINANCIAL TIMES Ian Shuttleworth ★★★★★ I have been privileged to see several first-class Hamlets this century: Simon Russell Beale, Samuel West, David Tennant, Rory Kinnear, Maxine Peake, arguably Lars Eidinger. Andrew Scott is at least as outstanding as any of those, and right now I’m inclined to rank him in front. His Prince is almost always self-aware, but not self-understanding; on the contrary, his keynote is a kind of bemused wonder at goings-on both within and beyond his skin. The great soliloquies seem new-minted, every word a separate question. The playfulness at which Scott so excels (most notably as Moriarty in BBC-TV’s Sherlock) is here kept under a rigorously tight rein. I did not see this production when it opened at the Almeida a few months ago, but my impression is that neither Scott’s nor anyone else’s performance has been ramped up for a venue two and half times the size; the consequent occasional intelligibility problems are far outweighed by the sense of human scale. For this is the glory of Robert Icke’s production. It does not consist of a superlative Prince Hamlet, a clutch of fine supporting performances and a number of sharp directorial ideas stitched together into a plausible fabric; rather, it is whole and entire of itself. Angus Wright’s cool, disciplined Claudius, Juliet Stevenson’s besotted-then-horrified Gertrude, Jessica Brown Findlay’s Ophelia (at first at sea like Hamlet, finally psychologically shattered in a wheelchair), David Rintoul’s doubling of the Ghost and the Player King .
    [Show full text]
  • Thursday 17 January 2019 National Theatre: February
    Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.
    [Show full text]
  • Daniel Evans
    www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard
    [Show full text]
  • The Curious Incident of the Dog in the Night-Time Embarks on a Third Uk and Ireland Tour This Autumn
    3 March 2020 THE NATIONAL THEATRE’S INTERNATIONALLY-ACCLAIMED PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME EMBARKS ON A THIRD UK AND IRELAND TOUR THIS AUTUMN • TOUR INCLUDES A LIMITED SEVEN WEEK RUN AT THE TROUBADOUR WEMBLEY PARK THEATRE FROM WEDNESDAY 18 NOVEMBER 2020 Back by popular demand, the Olivier and Tony Award®-winning production of The Curious Incident of the Dog in the Night-Time will tour the UK and Ireland this Autumn. Launching at The Lowry, Salford, Curious Incident will then go on to visit to Sunderland, Bristol, Birmingham, Plymouth, Southampton, Liverpool, Edinburgh, Dublin, Belfast, Nottingham and Oxford, with further venues to be announced. Curious Incident will also play for a limited run in London at Troubadour Wembley Park Theatre in Brent - London Borough of Culture 2020 - following the acclaimed run of War Horse in 2019. Curious Incident has been seen by more than five million people worldwide, including two UK tours, two West End runs, a Broadway transfer, tours to the Netherlands, Canada, Hong Kong, Singapore, China, Australia and 30 cities across the USA. Curious Incident is the winner of seven Olivier Awards including Best New Play, Best Director, Best Design, Best Lighting Design and Best Sound Design. Following its New York premiere in September 2014, it became the longest-running play on Broadway in over a decade, winning five Tony Awards® including Best Play, six Drama Desk Awards including Outstanding Play, five Outer Critics Circle Awards including Outstanding New Broadway Play and the Drama League Award for Outstanding Production of a Broadway or Off Broadway Play.
    [Show full text]
  • Fra Fee Photo: Ruth Crafer
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Fra Fee Photo: Ruth Crafer Location: London, United Kingdom Appearance: White Height: 5'8" (172cm) Eye Colour: Brown Weight: 10st. 8lb. (67kg) Hair Colour: Dark Brown Playing Age: 21 - 30 years Hair Length: Mid Length Film 2018, Feature Film, Jim, Animals, Sarah Brocklehurst Productions, Sophie Hyde 2014, Feature Film, Kieran, Monochrome, Electric Flix, Tom Lawes 2012, Feature Film, Courfeyrac, Les Miserables, Working Title Films, Tom Hooper Stage 2017, Stage, Michael Carney, Ferryman, Royal Court Theatre & West End, Sam Mendes 2016, Stage, Mole, THE WIND IN THE WILLOWS, Jamie Hendry Productions, Rachel Kavanaugh 2016, Stage, Cal Chandler, THE FIX, Union Theatre, Michael Strassen 2016, Stage, Amiens, As You Like It, National Theatre, Polly Findlay 2015, Stage, Man 2, PUTTING IT TOGETHER, Lyric Theatre, Belfast, Stephen Whitson 2015, Stage, Jamie, The Last Five Years, Lyric Theatre, Belfast, Stephen Whitson 2015, Stage, Romeo, Romeo & Juliet, Gate Theatre, Dublin, Wayne Jordan 2014, Stage, Philip, My Cousin Rachel, Gate Theatre Dublin / Spoleto Festival, Toby Frow 2013, Stage, Candide, Candide, Menier Chocolate Factory, Matthew White 2013, Stage, Robbie, A MAN OF NO IMPORTANCE, Salisbury Playhouse, Gareth Machin 2013, Stage, Young Buddy, FOLLIES, Opéra de Toulon, Olivier Bénézech / David Charles Abell 2012, Stage, Florizel, Howard Goodall's A WINTER'S TALE, Landor Theatre, Andrew Keates 2011, Stage, 1st cover Marius/2nd cover
    [Show full text]
  • C O M U N E D I G U a S T a L
    Piazza Mazzini, 1 C O M U N E D I G U A S T A L L A 42016 GUASTALLA Provincia di Reggio Emilia Tel. (0522) 839711 Fax (0522) 824834 Ufficio Stampa: Città sostenibile delle Bambine e dei Bambini tel. 0522839762 – fax 0522824834 1° Premio Anno 2000 [email protected] Guastalla, 12 luglio 2014 COMUNICATO0 STAMPA LUNEDÌ 14 LUGLIO IL MUSICAL FILM LES MISERABLES AL CINEMA ESTIVO DI GUASTALLA Fino al 27 agosto proiezioni ogni lunedì e mercoledì sera nel cortile delle scuole elementari (via Costa) Come secondo appuntamento della rassegna “Film sotto le stelle”, lunedì 14 luglio alle ore 21.30 presso il cortile delle scuole elementari (via Costa), sarà proiettato LES MISÉRABLES, adattamento cinematografico di uno dei musical di maggior successo di tutto i tempi, tratto dal celebre romanzo di Victor Hugo. In particolare, Les Misérables è l'adattamento cinematografico del musical scritto nel 1980 da Claude-Michel Schönberg (musiche) e Alain Boublil (testi) Siamo nella Francia della prima metà dell'Ottocento. Protagonista della storia è Jean Valjean, appena uscito di prigione in cerca di redenzione. Sotto falso nome, diventa un fortunato imprenditore e sindaco di una città della provincia francese. Perseguitato dall'ispettore Javert, è costretto a fuggire nuovamente, portando con sé la piccola orfana Cosette, che alleva come una figlia. Fedele al musical di partenza e con il valore aggiunto del canto dal vivo, in particolare quello di Hugh Jackman e Anne Hathaway, il film acquista anche valore cinematografico. DATA USCITA: 31 gennaio
    [Show full text]
  • Read the 2015/2016 Financial Statement
    ANNUAL REPORT 2015-16 National Theatre Page 1 of 87 PUBLIC BENEFIT STATEMENT In developing the objectives for the year, and in planning activities, the Trustees have considered the Charity Commission’s guidance on public benefit and fee charging. The repertoire is planned so that across a full year it will cover the widest range of world class theatre that entertains, inspires and challenges the broadest possible audience. Particular regard is given to ticket-pricing, affordability, access and audience development, both through the Travelex season and more generally in the provision of lower price tickets for all performances. Geographical reach is achieved through touring and NT Live broadcasts to cinemas in the UK and overseas. The NT’s Learning programme seeks to introduce children and young people to theatre and offers participation opportunities both on-site and across the country. Through a programme of talks, exhibitions, publishing and digital content the NT inspires and challenges audiences of all ages. The Annual Report is available to download at www.nationaltheatre.org.uk/annualreport If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Board Secretary at the National Theatre. Registered Office & Principal Place of Business: The Royal National Theatre, Upper Ground, London. SE1 9PX +44 (0)20 7452 3333 Company registration number 749504. Registered charity number 224223. Registered in England. Page 2 of 87 CONTENTS Public Benefit Statement 2 Current Board Members 4 Structure, Governance and Management 5 Strategic Report 8 Trustees and Directors Report 36 Independent Auditors’ Report 45 Financial Statements 48 Notes to the Financial Statements 52 Reference and Administrative Details of the Charity, Trustees and Advisors 86 In this document The Royal National Theatre is referred to as “the NT”, “the National”, and “the National Theatre”.
    [Show full text]