Virgil Finlay Centennial Exhibition
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2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
New Pulp-Related Books and Periodicals Available from Michael Chomko for July 2008
New pulp-related books and periodicals available from Michael Chomko for July 2008 In just two short weeks, the Dayton Convention Center will be hosting Pulpcon 37. It will begin on Thursday, July 31 and run through Sunday, August 3. This year’s convention will focus on Jack Williamson and the 70 th anniversary of John Campbell’s ascension to the editorship of Astounding. There will be two guests-of-honor, science-fiction writers Larry Niven and Jerry Pournelle. Another highlight will be this year’s auction. It will feature many items from the estate of Ed Kessell, one of the guiding lights of the first Pulpcon. Included will be letters signed by Walter Gibson, E. Hoffmann Price, Walter Baumhofer, and others, as well as a wide variety of pulp magazines. For further information about Pulpcon 37, please visit the convention’s website at http://www.pulpcon.org/ Another highlight of Pulpcon is Tony Davis’ program book and fanzine, The Pulpster . As usual, I’ll be picking up copies of the issue for those of you who are unable to attend the convention. If you’d like me to acquire a copy for you, please drop me an email or letter as soon as possible. My addresses are listed below. Most likely, the issue will cost about seven dollars plus postage. For those who have been concerned, John Gunnison of Adventure House will be attending Pulpcon. If you plan to be at Pulpcon and would like me to bring along any books that I am holding for you, please let me know by Friday, July 25. -
Discussion About Edwardian/Pulp Era Science Fiction
Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World. -
Farmerfan Volume 1 | Issue 1 |July 2018
FarmerFan Volume 1 | Issue 1 |July 2018 FarmerCon 100 / PulpFest 2018 Debut Issue Parables in Parabolas: The Role of Mainstream Fiction in the Wold Newton Mythos by Sean Lee Levin The Wold Newton Family is best known for its crimefighters, detectives, and explorers, but less attention has been given to the characters from mainstream fiction Farmer included in his groundbreaking genealogical research. The Swordsmen of Khokarsa by Jason Scott Aiken An in-depth examination of the numatenu from Farmer’s Ancient Opar series, including speculations on their origins. The Dark Heart of Tiznak by William H. Emmons The extraterrestrial origin of Philip José Farmer's Magic Filing Cabinet revealed. Philip José Farmer Bingo Card by William H. Emmons Philip José Farmer Pulp Magazine Bibliography by Jason Scott Aiken About the Fans/Writers Visit us online at FarmerFan.com FarmerFan is a fanzine only All articles and material are copyright 2018 their respective authors. Cover photo by Zacharias L.A. Nuninga (October 8, 2002) (Source: Wikimedia Commons) Parables in Parabolas The Role of Mainstream Fiction in the Wold Newton Mythos By Sean Lee Levin The covers to the 2006 edition of Tarzan: Alive and the 2013 edition of Doc Savage: His Apocalyptic Life Parables travel in parabolas. And thus present us with our theme, which is that science fiction and fantasy not only may be as valuable as the so-called mainstream of literature but may even do things that are forbidden to it. –Philip José Farmer, “White Whales, Raintrees, Flying Saucers” Of all the magnificent concepts put to paper by Philip José Farmer, few are as ambitious as his writings about the Wold Newton Family. -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
NIGHTLIFE 88 Phyllis Eisenstein SHORT STORIES
v Including VENTURE SCIENCE FICTION FEBRUARY • 33rd Year of Publication NOVELETS THE HEALER'S TOUCH 56 Susan C. Petrey NIGHTLIFE 88 Phyllis Eisenstein SHORT STORIES UNDERSTANDING HUMAN BEHAVIOR 4 Thomas M. Disch SERGEANT PEPPER VARIATIONS 22 Howard Roller and Parke Godwin MASCOTS 38 Stanley Schmidt BLACKMAIL 78 Georse Florance-Guthridse ALMOST HEAVEN 120 Garry Kilworth HIGH STEEL 142 Jack C. Haldeman II and Jack Dann DEPARTMENTS BOOKS 31 John Clute STAR STORIES (Verse) 76 Sonya Dorman FILMS: The Crowbar in the Concrete 85 Baird Searles SCIENCE: The Circle of the Earth 130 Isaac Asimov CARTOONS: JOSEPH FARRIS (119), HENRY MARTIN (141) COVER BY DAVID HARDY FOR "HIGH STEEL" EDWARD L. FERMAN, Editor & Publisher ISAAC ASIMOV. Science Columnist DALE FARRELL, Circulation Manager AUDREY FERMAN, Business Manager Assistant Editors: ANNE JORDAN, EVAN PHILLIPS. BECKY WILLIAMS The Magazine of fantasy and Science fiction (ISSN: 0024-9MX), Volume 62, No. 2, Whole No. 369; february 1982. Published monthly by Mercury Pre55, Inc at S1.50 per copy Annual subscription $15.00; S17.00 outside of the U.S. (Canadian subscribers: please remit in U.S. dollars or add 15%.) Postmaster: send form 3579 to Fantasy and Science fiction, Box 56, Cornwall, Conn. 06753. Publication office, Box 56, Cornwall, Conn. 06753. Second cla55 postage paid at Cornwall, Conn. 06753 and at additional matlin1offices. Printed in U.S.A. Copyright© 1981 by Mercury Pre55, Inc. All ri&hts, includina translations into other lanauaaes. reserved. Submis~ions must be accompanied by stamped, self addressed envelope. The publisher assumes no responsibility for return of unsolicited manuscripts. The idea of having a go at a second chance at life is a fairly familiar one in sf, but there is nothing old-hat in this fresh and ironic vision from Thomas M. -
The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI
The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI Spring 2015 • From the Editor Do you think fictional characters need to be likable? In this issue, by coincidence, two of our contributors explore this topic. Molly Backes in her Writer’s Tip says: “Personally, I’m in favor of unlikable characters. We are writing about teenagers, after all! They’re not the most likable creatures in the universe. Lovable, sure. But not always likable.” Juliet Bond, in her review of Blake Snyder’s book Save the Cat: The Last Book on Screenwriting You’ll Ever Need for the Writer’s Bookshelf, says, “I’m personally drawn to characters that are a bit prickly, rebellious, and less than charming. But they have to be likable.” See what you think. In our previous issue Lisa Bierman said goodbye. In this issue our new co-regional advisor Deborah Topolski introduces herself: “I’m a prepublished member, still learning how to make inroads in my career . I’m on this journey to publication with you.” Another change in this issue is in the format of our Illustrator in the Spotlight column. A panel of Illinois illustrators has compiled a set of questions that each issue’s featured illustrator will answer. This time it’s Theresa Brandon, answering such questions as “Do you ever tuck little personal homages or details in your illustrations?” and “What gets in the way of your creativity?” Our Tale from the Front, the story of a first-time author, comes from Stefanie Lyons, author of Dating Down. Stefanie has a curious tale to tell: “My first book that my agent liked but thought should be my second book while I was working on my second-supposed-to-be-first book with her turned out to be my first book anyway.” Check out Season’s Crop, compiled by Tina Stoval and Natalie Ziarnik, for a list of ten books coming out this spring by Illinois authors. -
Sf Commentary 76
SF COMMENTARY 76 30TH ANNIVERSARY EDITION October 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION SF COMMENTARY No. 76 THIRTIETH ANNIVERSARY EDITION OCTOBER 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION COVER GRAPHICS Ditmar (Dick Jenssen) Introductions 3 GEORGE TURNER: THE UNRELENTING GAZE Bruce Gillespie 4 GEORGE TURNER: CRITIC AND NOVELIST John Foyster 6 NOT TAKING IT ALL TOO SERIOUSLY: THE PROFESSION OF SCIENCE FICTION No. 27 12 SOME UNRECEIVED WISDOM Famous First Words 16 THE DOUBLE STANDARD: THE SHORT LOOK, AND THE LONG HARD LOOK 20 ON WRITING ABOUT SCIENCE FICTION 25 The Reviews 31 GOLDEN AGE, PAPER AGE or, WHERE DID ALL THE CLASSICS GO? 34 JOHN W. CAMPBELL: WRITER, EDITOR, LEGEND 38 BACK TO THE CACTUS: THE CURRENT SCENE, 1970 George and Australian Science Fiction 45 SCIENCE FICTION IN AUSTRALIA: A SURVEY 1892–1980 George’s Favourite SF Writers URSULA K. LE GUIN: 56 PARADIGM AND PATTERN: FORM AND MEANING IN ‘THE DISPOSSESSED’ 64 FROM PARIS TO ANARRES: ‘The Wind’s Twelve Quarters’ THOMAS M. DISCH: 67 TOMORROW IS STILL WITH US: ‘334’ 70 THE BEST SHORT STORIES OF THOMAS M. DISCH GENE WOLFE: 71 TRAPS: ‘The Fifth Head of Cerberus’ 73 THE REMEMBRANCE OF THINGS PRESENT: ‘Peace’ George Disagrees . 76 FREDERIK POHL AS A CREATOR OF FUTURE SOCIETIES 85 PHILIP K. DICK: BRILLIANCE, SLAPDASH AND SLIPSHOD: ‘Flow My Tears, the Policeman Said’ 89 LETTERS TO THE EDITOR: ‘New Dimensions I’ 93 PLUMBERS OF THE COSMOS: THE AUSSIECON DEBATE Peter Nicholls and George Turner George and the Community of Writers 100 A MURMURATION OF STARLING OR AN EXALTATION OF LARK?: 1977 Monash Writers’ Workshop Illustrations by Chris Johnston 107 GLIMPSES OF THE GREAT: SEACON (WORLD CONVENTION, BRIGHTON) AND GLASGOW, 1979 George Tells A Bit About Himself 111 HOME SWEET HOME: HOW I MET MELBA 114 JUDITH BUCKRICH IN CONVERSATION WITH GEORGE TURNER: The Last Interview 2 SF COMMENTARY, No. -
2256 Inventory 4.Pdf
The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol. -
Science Fiction's Inception in Interwar Pulp Magazines
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-6-2021 Amazing Stories: Science Fiction’s Inception in Interwar Pulp Magazines Zachary Doe CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/760 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Amazing Stories: Science Fiction’s Inception in Interwar Pulp Magazines By Zachary Doe Submitted in Partial Fulfillment of the requirements for the degree of Master of Arts (English), Hunter College, The City University of New York 2021 04/17/2021 Professor Jeff Allred Thesis Sponsor 04/17/2021 Professor Alan Vardy Second Reader 2 The approach to the imaginary locality, or localized daydream, practiced by the genre of [Science Fiction] is a supposedly factual one. Columbus’ (technically or genealogically non-fictional) letter on the Eden he glimpsed beyond the Orinoco mouth, and Swift’s (technically non-factual) voyage to ‘Laputa, Balnibarbi, Glubbdubdrib, Luggnagg and Japan,’ stand at the opposite ends of a ban between imaginary and factual possibilities. Thus, SF takes off from a fictional (‘Literary’) hypothesis and develops it with extrapolating and totalizing (‘scientific’) rigor– in genre, Columbus and Swift are more alike than different. –Darko Suvin, “On the Poetics of the Science Fiction Genre” Science Fiction is not about the future; it uses the future as a narrative convention to present significant distortions of the present. -
An Evening to Honor Gene Wolfe
AN EVENING TO HONOR GENE WOLFE Program 4:00 p.m. Open tour of the Sanfilippo Collection 5:30 p.m. Fuller Award Ceremony Welcome and introduction: Gary K. Wolfe, Master of Ceremonies Presentation of the Fuller Award to Gene Wolfe: Neil Gaiman Acceptance speech: Gene Wolfe Audio play of Gene Wolfe’s “The Toy Theater,” adapted by Lawrence Santoro, accompanied by R. Jelani Eddington, performed by Terra Mysterium Organ performance: R. Jelani Eddington Closing comments: Gary K. Wolfe Shuttle to the Carousel Pavilion for guests with dinner tickets 8:00 p.m Dinner Opening comments: Peter Sagal, Toastmaster Speeches and toasts by special guests, family, and friends Following the dinner program, guests are invited to explore the collection in the Carousel Pavilion and enjoy the dessert table, coffee station and specialty cordials. 1 AN EVENING TO HONOR GENE WOLFE By Valya Dudycz Lupescu A Gene Wolfe story seduces and challenges its readers. It lures them into landscapes authentic in detail and populated with all manner of rich characters, only to shatter the readers’ expectations and leave them questioning their perceptions. A Gene Wolfe story embeds stories within stories, dreams within memories, and truths within lies. It coaxes its readers into a safe place with familiar faces, then leads them to the edge of an abyss and disappears with the whisper of a promise. Often classified as Science Fiction or Fantasy, a Gene Wolfe story is as likely to dip into science as it is to make a literary allusion or religious metaphor. A Gene Wolfe story is fantastic in all senses of the word. -
Asfacts Oct19.Pub
doon in 2008. His final story, “Save Yourself,” will be published by BBC Books later this year. SF writers in- Winners for the Hugo Awards and for the John W. cluding Charlie Jane Anders, Paul Cornell, and Neil Campbell Award for Best New Writer were announced Gaiman have cited his books as an important influence. August 18 by Dublin 2019, the 77th Worldcon, in Dub- Dicks also wrote over 150 titles for children, including lin, Ireland. They include a couple of Bubonicon friends the Star Quest trilogy, The Baker Street Irregulars series, – Mary Robinette Kowal, Charles Vess, Gardner Dozois, and The Unexplained series, plus children’s non-fiction. and Becky Chambers. The list follows: Terrance William Dicks was born April 14, 1935, in BEST NOVEL: The Calculating Stars by Mary Robi- East Ham, London. He studied at Downing College, nette Kowal, BEST NOVELLA: Artificial Condition by Cambridge and joined the Royal Fusiliers after gradua- Martha Wells, BEST NOVELETTE: “If at First You Don’t tion. He worked as an advertising copywriter until his Succeed, Try, Try Again” by Zen Cho, BEST SHORT STO- mentor Malcolm Hulke brought him in to write for The RY: “A Witch’s Guide to Escape: A Practical Compendi- Avengers in the ’60s, and he wrote for radio and TV be- um of Portal Fantasies” by Alix E. Harrow, BEST SERIES: fore joining the Doctor Who team in the late ’60s. He Wayfarers by Becky Chambers, BEST GRAPHIC STORY: also worked as a producer on various BBC programs. He Monstress, Vol 3: Haven by Marjorie Liu and illustrated is survived by wife Elsa Germaney (married 1963), three by Sana Takeda, sons, and two granddaughters.