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Bibliography Surface, surface, surface… Postmodernism and American Performance Culture Lecturer: Univ.-Prof. Dr. Stefan L. Brandt Room and Time: SR 34 D2 · Friday, 16:30-18:00 Summer Term 2014 Selected Bibliography Abt, Vicki and Leonard Mustazza. Coming After Oprah: Cultural Fallout in the Age of the TV Talk Show. Bowling Green: Bowling Green State University Popular Press, 1997. Aston, Elaine and Geraldine Harris, eds. Feminist Futures? Theatre, Performance, Theory. New York: Palgrave Macmillan, 2006. Auslander, Philip. “Just Be Yourself: Logocentrism and Difference in Performance Theory”. Acting (Re)Considered: Theories and Practices, ed. Phillip B. Zarilli. London, New York: Routledge, 1994. Austerlitz, Saul. Money For Nothing: A History of the Music Video from the Beatles to the White Stripes. New York: Continuum, 2007. Austin, Thomas and Martin Baker, eds. Contemporary Hollywood Stardom. New York: Oxford University Press, 2003. Batchen, Geoffrey, ed. Photography Degree Zero: Reflection on Roland Barthes’s Camera Lucida. Cambridge: MIT Press, 2009. Barthes, Roland. The Fashion System. Trans. Richard Howard and Matthew Ward. Berkeley: University of California Press, 1990. ---. Empire of Signs. Trans. Richard Howard. New York: Hill and Wang, 1983. ---. S/Z: An Essay. Trans. Richard Howard and Richard Miller. New York: Hill and Wang, 1975. ---. Image Music Text. Trans. Stephen Heath. New York: Hill and Wang, 1978. ---. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1982. Bayley, Amanda, ed. Recorded Music: Performance, Culture and Technology. Cambridge, UK and New York: Cambrdige University Press, 2010. Beath, Warren Newton. The Death of James Dean. London: Sidgwick & Jackson, 1986. bell, hooks. We Real Cool: Black Men and Masculinity. New York: Routledge, 2004. Bell, Vikki. Culture and Performance: The Challenge of Ethics, Politics and Feminist Theory. Oxford and New York: Berg, 2007. ---, ed. Performativity and Belonging. London: Sage, 1999. Benjamin, Walter. Das Kunstwerk im Zeitalter seiner Technischen Reproduzierbarkeit. Frankfurt am Main: Edition Suhrkamp, 1974. Bennett, James. Television Personalities: Stardom and the Small Screen. London and New York: Routledge, 2011. Bial, Henry, ed. The Performance Studies Reader. New York: Routledge, 2007. Blessing, Jennifer. Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York: Guggenheim Museum, 1997. Boyle, David. Authenticity: Brands, Fakes, Spin and the Lust for Real Life. London: Harper Perennial, 2004. Brandt, Stefan L. “Performanz und Selbstermächtigung: Zur Ästhetik des Körperlichen bei James Dean.” James Dean lebt! Jugendkultur und Starkult in Film und Musik, 1950-2000. Ed. by Werner Kremp. Trier: WVT, 2006, 11-52. ---. “‘Surface, Surface, Surface’: Image Creation, Commodity Fetishism, and the Fragmentation of the Postmodern Subject.” Worlds in the Making: Constructivism and Postmodern Knowledge. Eds. E. Lorek-Jezinska, T. Siek-Piskozub, and K. Wiêckowska. Torun: Nicolaus Copernicus UP, 2006. 315-23. Brook, Vincent. Something Isn’t Kosher Here: The Rise of the “Jewish” Sitcom. New Brunswick: Rutgers University Press, 2003. Brooks, Laurie. Brave No World: Community, Identity, Stand-Up Comedy. Woodstock: Dramatic Pub, 2007. Buchbinder, David. “Enter The Schlemiel: The Emergence of Inadequate or Incompetent Masculinities in Recent Film and Television”. Canadian Review of American Studies 38.2 (2008): 227-245. Buckley, Cara Louise, Brian L. Leverette and Brian L. Ott, eds. It’s Not TV: Watching HBO in the Post-Television Era. London and New York: Routledge, 2008. Budge, Belinda and Diane Hamer, eds. The Good, the Bad and the Gorgeous: Popular Culture’s Romance with Lesbianism. London: Pandora, 1994. Buikema, Rosemarie and Iris van der Tuin, eds. Doing Gender in Media, Art and Culture. London and New York: Routledge, 2009. Bull, Stephen. Photography. London and New York: Routledge, 2010. Buskin, Richard. Blonde Heat: The Sizzling Screen Career of Marilyn Monroe. New York: Billboard Books, 2001. Butler, Jeremy G. Television Style. New York: Routledge, 2010. Butler, Judith. Gender Trouble. Feminism and the Subversion of Identity. New York and London: Routledge, 1990. ---. Giving an Account of Oneself. New York: Fordham University Press, 2005. ---. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Performing Feminisms. Ed. by Sue-Ellen Case. Baltimore: Johns Hopkins Univ. Press, 1990: 270-282. ---. Bodies that Matter. On the Discursive Limits of ›Sex‹. New York and London: Routledge, 1993. ---. “Critically Queer.” GLQ 1.1 (1993): 17-31. ---. Excitable Speech. A Politics of the Performative. New York and London: Routledge, 1997. Campbell, Duncan A. and Kimberly R. Moffitt, eds. The 1980s: A Critical and Transitional Decade. Lanham: Lexington Books, 2011. Carlson, Marvin. Performance. A Critical Introduction. London and New York: Routledge, 1998. Carr, Cynthia. On Edge: Performance at the End of the Twentieth Century. Hanover: Wesleyan UP, 1993. Castiglia, Christopher. “’Ah, Yes, I Remember it Well’: Memory and Queer Culture in Will and Grace”. Cultural Critique 56 (Winter 2004): 158-188. Cavett, Dick. Talk Show: Confrontations, Pointed Commentary, and Off-screen Secrets. New York: Time Books, 2010. Chambers, Samuel Allen. The Queer Politics of Television. London and New York: I.B. Tauris, 2009. Churchwell, Sarah Bartlett. The Many Lives of Marilyn Monroe. London: Granta, 2004. Cohan, Stephen. “Masquerading as the American Male in the Fifties: PICNIC, William Holden and the Spectacle of Masculinity in Hollywood Film.” Male Trouble. Ed. by Constanze Penley and Sharon Willis. Minneapolis and London: Univ. of Minnesota Press, 1993, 203-233. Cordova, Richard de. “Genre and Performance: An Overview.” Film Genre Reader. Ed. by Barry Keith Grant. Austin: Univ. of Texas Press, 1986: 129-139. Cornea, Christine, ed. Genre and Performance. Manchester: Manchester University Press, 2010. Counsell, Colin. Signs of Performance. An Introduction to Twentieth-Century Theatre. London and New York: Routledge, 1996. Dalton, Mary M. and Laura R. Linder. The Sitcom Reader: America Viewed and Scewed. Albany: State University of New York, 2005. Davis, Tracy C, ed. The Cambridge Companion to Performance Studies. Cambridge: Cambridge University Press, 2008. DeAngelis, Michael. Gay Fandom and Crossover Stardom: James Dean, Mel Gibson, and Keanu Reeves. Durham: Duke University Press, 2001. Diamond, Elin. Unmaking Mimesis. Essays on feminism and theater. London and New York: Routledge, 1997. ---, ed. Performance and Cultural Politics. London and New York: Routledge, 1996. Doty, Alexander. Making Things Perfectly Queer. Interpreting Mass Culture. Minneapolis, London: Univ. of Minnesota Press, 1993. Double, Oliver. Getting The Joke: The Inner Workings of Stand-Up Comedy. London: Methuen, 2005. Drukman, Steven. “The Gay Gaze. Or Why I Want My MTV.” A Queer Romance. Lesbians, Gay Men and Popular Culture. Ed. by Paul Burston and Colin Richardson. London and New York: Routledge, 1995, 81-95. Dunphy, Graeme and Rainer Emig, eds. Hybrid Humour: Comedy in Transcultural Perspectives. Amsterdam: Rodopi, 2010. Ellis, Bret Easton. American Psycho. London: Continuum, 2001. ---. Glamorama. New York: A. Knopf, distributed by Random House, 1999. ---. Imperial Bedrooms. New York: Alfred A. Knopf, 2010. ---. The Informers. New York: Alfred A. Knopf, 1994. ---. Less than Zero. New York: Penguin Books, 1986. ---. Lunar Park. New York: Knopf, 2005. ---. The Rules of Attraction New York: Simon & Schuster, 1987. Elliott, Anthony. Concepts of the Self. Malden: Blackwell Publishers, 2001. Elkins, James, ed. Photography Theory. New York: Routledge 2007. Epstein, Debbie. “Life in the Bleep-Cycle: Inventing Id-TV on the Jerry Springer Show.” Discourse 25.3 (2003): 90-114. Evans, Caroline, and Lorraine Gamman. “The Gaze Revisited, Or Reviewing Queer Viewing.” A Queer Romance. Lesbians, gay men and popular culture. Ed. by Paul Burston and Colin Richardson. London and New York: Routledge, 1995: 13-56. Ewing, William A. The Body. Photographs of the Human Form. San Francisco: Chronicle Books, 1994. Featherstone, Mike. Consumer Culture and Postmodernism. Los Angeles: SAGE Publications, 2007. Fleetwood, Nicole R. Troubling Vision: Performance, Visuality, and Blackness. Chicago: The University Press of Chicago Press, 2011. Freccero, Carla. “Unruly Bodies: Popular Culture Challenges to the Regime of Body Backlash. Two Live Crew and Madonna.” Visual Anthropological Review 9.1 (Spring 1993): 74-81. ---. “Historical Violence, Censorship, and the Serial Killer. The Case of American Psycho.” diacritics 27.2 (Summer 1997): 44-58. Fouz-Hernández, Santiago and Freya Jarman-Ivens, eds. Madonna’s Drowned Worlds: New Approaches to her Cultural Transformations. Burlington: Ashgate, 2004. Gamson, Joshua. Freaks Talk Back: Tabloid Talk Shows and Sexual Nonconformity. Chicago: University of Chicago Press, 1998. Garber, Frederick. Repositionings: Readings of Contemporary Poetry, Photography, and Performance Art. University Park: Pennsylvania State University Press, 1995. Garcia, Erin C. Photography as Fiction. Los Angeles: J. Paul Getty Museum, 2010. Gay, Leslie C. and René T. A. Lysloff, eds. Music and Technoculture. Middletown: Weslyan University Press, 2003. Gertmenian, Donald. “Remembering and Rereading ‘Howl’”. Ploughshares, 2.4 (1975): 151-163. Gillian, Rose. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Farnham, UK and Burlington, VT: Ashgate,
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