DOCSLIB.ORG

Duveen Brothers Stock Documentation from the Dealer's Library, 1829-1965

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Duveen Brothers Stock Documentation from the Dealer's Library, 1829-1965 http://oac.cdlib.org/findaid/ark:/13030/c83j3dsc Online items available Finding aid for the Duveen Brothers stock documentation from the dealer's library, 1829-1965 Finding aid prepared by Arsineh Zargarian, Emmabeth Nanol, and Karen Meyer-Roux 2007.D.1 1 Descriptive Summary Title: Duveen Brothers stock documentation from the dealer's library, Date (inclusive): 1829-1965 Number: 2007.D.1 Creator/Collector: Duveen Brothers Physical Description: 755 Linear Feet Physical Description: (740 boxes, 10 flatfiles, 2 rolls) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 reference@getty.edu URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: These records from the art dealer Duveen Brothers formed part of the firm's library holdings that were purchased in 1965 by The Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. They document the Duveen Brothers' cataloging, research, exhibition work, and publication of works of art and collections. They consist of brochures, photographs, collectors' files, scrapbooks, correspondence and authentication records from art experts, notably Bernard Berenson. Also included in these records are the papers of Italian Renaissance art historian R. (Robert) Langton Douglas. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note The Duveen Brothers was a firm of influential art dealers active from the late nineteenth to the mid-twentieth centuries with offices in London, Paris, and New York. Under the guidance of Joseph Duveen (1869-1939), and assisted by art experts, most notably Bernard Berenson (1865-1959), Duveen Brothers played a prominent role in the transfer of works of art from Europe to the United States. The firm helped form important private collections that later became the nuclei of museums such as the National Gallery of Art, the Huntington Art Collections, and the Frick Collection. Joel Joseph (1843-1908) and Henry Duveen (1854-1919), the founders of Duveen Brothers were originally from Meppel, Holland. In 1866, Joel Joseph moved to England, first to the city of Hull and then to London, where he began importing delftware, porcelain and other objets d'art from Holland. In 1877, Henry moved to Boston and then New York, where he would become associated with the affluent American collectors J. P. Morgan, Benjamin Altman, Collis P. Huntington, P. A. B. Widener and George J. Gould. Joseph Duveen, the eldest son of Joseph Joel and the principal personage behind the firm's peak from 1907 to 1939 joined the business under his father's mentorship in the London branch in 1887. In 1905-1908, Sir (later Lord) Joseph Duveen made the decisive purchases in Paris of the Rodolfe Kann and Maurice Kann collections and in Berlin of the Hainauer collection. The firm's operation involved a network of runners, scholars, librarians, writers, and photographers. Its access to the vast financial resources of its clientele of international bankers provided it with the capital necessary to make major purchases. The firm achieved major sales to collectors, such as Samuel Kress, Andrew Mellon, Henry Clay Frick, Joseph E. Widener, Mr. and Mrs. Henry E. Huntington and Philip Lehman. In 1939, after Lord Duveen's death, his nephew, Armand Lowengard and Edward Fowles assumed leadership of the firms in Paris, New York and London. When Lowengard passed away in 1943, Fowles took over the presidency of Duveen Brothers until 1964, when he sold the firm to Norton Simon with most of its remaining stock. Access Open for use by qualified researchers, except for Series III. Scrapbooks. Contact the repository for information regarding access of Series III. Publication Rights Contact Library Reproductions and Permissions . Preferred Citation 2007.D.1 2 Duveen Brothers stock documentation from the dealer's library, 1829-1965, The Getty Research Institute, Los Angeles, Accession no. 2007.D.1. http://hdl.handle.net/10020/cifa2007d1 Acquisition Information On deposit at the Getty Research Institute from the Sterling and Francine Clark Art Institute, 2006-2016. Processing History Clare Denk registered the archive. Under the supervision of Jocelyn Gibbs and then Andra Darlington, Arsineh Zargarian unpacked and rehoused the bulk of the archive from 2007 to 2009. Teresa Morales completed the processing of Series VII and its container list in 2009 and 2010. Under the supervision of Karen Meyer-Roux, intern Sarah Mooney processed series VI, Jan Bender assisted with the processing of Series VII, and Emmabeth Nanol completed the processing of the archive and prepared the archive for digitization. Digitized Material The collection was digitized between 2011-2014 under the auspices of the Kress Foundation: http://hdl.handle.net/10020/2007d1 Related Archival Materials Duveen Brothers Records, 1876-1981 (Accession no. 960015). Connect to finding aid: http://hdl.handle.net/10020/cifa960015 Scope and Content of Collection The stock documentation formed part of the library of the Duveen Brothers that was purchased in 1965 by The Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. It was not included in the business records that were deeded in 1968 by Edward Fowles to the Metropolitan Museum and in turn donated to the Getty Research Institute in 1996 (Accession No. 960015). After the Clark Institute integrated the published books, sales catalogs and periodicals from the Duveen Brothers' Library into the institute's general collections, there remained a significant archive, comprised of photograph albums, drafts and published catalogs, brochures, clippings arranged in scrapbooks, photographs of the firm's stock, architectural plans, and art expertise documentation. This portion of the art dealer's records documents the firm's exhibition work, cataloging, research, and publication of works of art and collections. It includes collectors' files and authentication records from art experts, notably Bernard Berenson. The archive was placed on deposit in 2006 at the Getty Research Institute for processing, cataloging, conservation and microfilming. The archive is primarily visual in nature, as its largest series consists of the photographic reference files maintained by Duveen Brothers personnel. Also included are albums of photographs that record the most important works of art in the firm's stock and albums of photographs that illustrate collections of the firm's clients, including Jules Bache, Anna Dodge Dillman, Andrew Mellon and Samuel Kress. Although the bulk of the firm's correspondence forms part of the related archive at the Getty Research Institute, the Duveen Brothers records (Accession No. 960015), the archive includes some correspondence with Bernard Berenson, R. (Robert) Langton Douglas, Georg Swarzenski, Wilhelm von Bode, W. (Wilhelm Rheinhold Otto) Valentiner and Max Friedländer. Art expertive includes Bernard Berenson's X books and certificates of authenticity in the form of typed statements and signed photographs. Clippings and scrapbooks document advertising campaigns orchestrated by the firm and court trials occasioned by attribution disputes and claims of tax frauds. Personal aspects of Lord Joseph Duveen's career and benefactions are documented in scrapbooks, drawings, and photographs. The daily activities of the firm appear in callers' books that include notes on customers' visits and on works seen. Plans, drawings, and fabric swatches document the firm's role as decorator for its clients's estates. Also included are the papers of Italian Renaissance art historian R. (Robert) Langton Douglas (8.0 linear feet (9 boxes)), whose widow later married the firm's last president, Edward Fowles. Arrangement Arranged in fourteen series: Series I. Albums of photographs, 1871-1956; Series II. Exhibition catalogs, pamphlets and posters, 1907-1964; Series III. Scrapbooks, 1869-1962; Series IV. Brochures, 1910-1962; Series V. Collectors' files, 1877-1956; Series VI. Articles, 1829-1963; Series VII. Photographs, 1898-circa 1960; Series VIII. Business records, 1910-circa 1960; Series IX. Robert Langton Douglas papers, 1916-1951; Series X. Lord Joseph Duveen, 1919-1933; Series XI. Photographs and inventories related to the Duveen Brothers' showrooms, 1920s; Series XII. Designs and architectural plans, undated; Series XIII. Library index cards, bibliographies and reference lists, undated; Subjects - Names Morgan, J. P. (John Pierpont), 1867-1943 2007.D.1 3 Ringling, John, 1866-1936 Kress, Samuel H. (Samuel Henry), 1863-1955 Mellon, Andrew W. (Andrew William), 1855-1937 Benson, Robert, 1850-1929 Bache, Jules S. (Jules Semon), 1861-1944 Duveen, Joseph Duveen, Baron Huntington, Henry Edwards, 1850-1927 Getty, J. Paul (Jean Paul), 1892-1976 Subjects - Topics Art -- Provenance Art -- Private collections Decorative arts -- Collectors and collecting Collectors and collecting Art dealers -- Great Britain Art dealers -- France Art -- Expertising Art dealers -- United States Painting, European -- Collectors and collecting Contributors Duveen Brothers Series I. Photograph albums, 1871-1956 Physical Description: 105 Linear Feet Physical Description: (77 boxes) Scope and Content Note Series I contains photograph albums of artworks that were acquired or sold by Duveen Brothers, albums documenting the collections of the firm's important clients, and albums unrelated
Load more

Recommended publications
  • Photographs of Paintings on Sale
    THE METROPOLITAN MUSEUM OF ART PHOTOGRAPHS OF PAINTINGS ON SALE NEW YORK 1928 The photographs listed in this pamphlet are on sale as follows: UNMOUNTED MOUNTED Sheet Dull or Dull or Size Glossy Gray Sepia Glossy Gray Sepia $. 15 $. 15 $. 20 4X 5 IO $. 8x 6o Io .40 . 50 . 50 . Mailing charges, 4x5, unmounted, $. o5, mounted, $. so; 8x Io, unmounted, $. Io, mounted, $. 15. ENLARGEMENTS ENLARGEMENTS UNMOUNTED MOUNTED ON MUSLIN Sheet Size Gray Sepia Gray Sepia IIX 14 $1.50 2.00 2.25 $2.75 14x17 3.00 3.50 4.00 4.50 18X zz 4.00 5.00 5.50 6.5o 20 X 24 5.00 6. oo 7.00 8.00 Mailing charges on enlargements vary according to size of enlargement and distance. The following symbols are used in the text: *pas- tel, **=water-color. Orders should be addressed to the Secretary of the Museum, and accompanied by post-office order or check drawn to The Metropolitan Museum of Art. Stamps are acceptable with small orders. H. W. KENT, Secretary PHOTOGRAPHS OF PAINTINGS Arranged Alphabetically according to Schools AMERICAN ABBEY, EDWIN A. BLAKELOCK, R. A. Dirge of Three Queens- Indian Encampment King Lear Pipe Dance ALEXANDER, JOHN BLASHFIELD, E. H. Ring Carry On Study in Black and Green BLUM, ROBERT Walt Whitman Ameya ALLSTON, WASHINGTON Street Scene, Ikao Deluge BOGERT, GEORGE Spanish Girl Chile Church, Isle of Wight AMERICAN SCHOOL October Moonlight Sarah Cornell Clarkson BOGGS, FRANK Miss Foote On the Thames Col. Marinus Willett BOHM, MAX AMES, JOSEPH Evening Meal James Topham Brady Nature and Imagination BAKER, GEORGE BRIDGES, CHARLES John F.
    [Show full text]
  • The Toilet of Venus Circle of Veronese
    THE TOILET OF VENUS CIRCLE OF VERONESE THE COURTAULD INSTITUTE OF ART RESEARCH FORUM: CONSERVATION AND ART HISTORICAL ANALYSIS WORKS FROM THE COURTAULD GALLERY By Sarah Bayliss and Alexandra Fliege 1 TABLE OF CONTENTS Table of Contents......................................................................................................................................... 2 Introduction................................................................................................................................................... 3 Iconography................................................................................................................................................... 3 Composition................................................................................................................................................... 6 Provenance..................................................................................................................................................... 9 Materials and Techniques........................................................................................................................ 10 Conclusion...................................................................................................................................................... 13 Bibliography.................................................................................................................................................. 15 Illustrations...................................................................................................................................................
    [Show full text]
  • A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans
    DOCUMENT RESUME ED 112 438 CS 202 298 AUTHOR Smith, Ron TITLE A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans. PUB DATE 75 NOTE 40p.; Prepared at Utah State University; Not available in hard copy due to marginal legibility of original document !DRS PRICE MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTORS *Art; *Bibliographies; Greek Literature; Higher Education; Latin Literature; *Literature; Literature Guides; *Music; *Mythology ABSTRACT The approximately 650 works listed in this guide have as their focus the myths cf the Greeks and Romans. Titles were chosen as being (1)interesting treatments of the subject matter, (2) representative of a variety of types, styles, and time periods, and (3) available in some way. Entries are listed in one of four categories - -art, literature, music, and bibliography of secondary sources--and an introduction to the guide provides information on the use and organization of the guide.(JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2009
    SUMMER 2009 • . BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstengaIleries.com Olive Brown and Coral Pink Persian Set * for a Changing World They're Preparing to Change the 'I'Mi P i MISS HALL'S SCHOOL what girls have in mind 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: info@misshalls.org m Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " "Hot is the WOrdfor this show. —The New York Times Museum of Fine Arts, Boston March 15-August 16, 2009 Tickets: 800-440-6975 or www.mfa.ore BOSTON The exhibition is organized the Museum by The exhibition is PIONEER of Fine Arts, Boston and the Musee du sponsored £UniCredit Group by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937.1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D.
    [Show full text]
  • Robert Kaye Greville (1794-1866)
    ROBERT KAYE GREVILLE (1794-1866) Mark Lawley email: mrbryology@gmail.com This is one in a series about prominent British and Irish field-bryologists of the past. The author would be very pleased to learn of any information which supplements its content. A Social and Biographical History of British and Irish Field-bryologists is also available on-line at http://britishbryologicalsociety.org.uk/ Botanical career Much of Greville’s time in the field was spent in the Scottish Highlands, and his huge collection of plants today forms a core of the herbarium at the Botanic Garden in Edinburgh. Together with W.J. Hooker and G.A. Walker Arnott, Greville found a number of mosses new to Britain as they jointly explored the Scottish Highlands, including Blindia caespiticia, Campylophyllum halleri, Cirriphyllum cirrosum and Heterocladium dimorphum on Ben Lawers. Greville also added to the known Scottish bryoflora the liverworts Anastrophyllum saxicola, Cephalozia lunulifolia, Frullania microphylla, F. teneriffae, Gymnomitrion corallioides, Jungermannia gracillima, Marchesinia mackaii, Mastigophora woodsii, Metzgeria conjugata, M. leptoneura, Plagiochila carringtonii, Reboulia hemisphaerica and Riccia fluitans. As well as collecting insects and molluscs, Greville also studied diatoms with G.A. Walker Arnott, and in addition collaborated with the Reverend David Landsborough. Greville’s most important contribution to bryological literature was his illustrated Scottish Cryptogamic Flora (1822-28). Family background Several of Greville’s ancestors were of great prominence, and taken together they comprise an impressively eclectic sweep through English social history. Robert’s father, also Robert (1759-1830), was rector of Edlaston and Wyaston in Derbyshire, and son of Caleb Greville, gent., of London.
    [Show full text]
  • Robert Lehman Papers
    Robert Lehman papers Finding aid prepared by Larry Weimer The Robert Lehman Collection Archival Project was generously funded by the Robert Lehman Foundation, Inc. This finding aid was generated using Archivists' Toolkit on September 24, 2014 Robert Lehman Collection The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 lehmanpapers@metmuseum.org Robert Lehman papers Table of Contents Summary Information .......................................................................................................3 Biographical/Historical note................................................................................................4 Scope and Contents note...................................................................................................34 Arrangement note.............................................................................................................. 36 Administrative Information ............................................................................................ 37 Related Materials ............................................................................................................ 39 Controlled Access Headings............................................................................................. 41 Bibliography...................................................................................................................... 40 Collection Inventory..........................................................................................................43 Series I. General
    [Show full text]
  • The Cawdor Estates in South-West Wales in the Nineteenth Century
    _________________________________________________________________________Swansea University E-Theses The Cawdor estates in south-west Wales in the nineteenth century. Davies, John Edward How to cite: _________________________________________________________________________ Davies, John Edward (2008) The Cawdor estates in south-west Wales in the nineteenth century.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42270 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ The Cawdor estates in south-west Wales in the nineteenth century. A thesis submitted to the University of Wales for the degree of Philosophiae Doctor by John Edward Davies B.A., D.A.A. December 2008. ProQuest Number: 10797978 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Center 34 National Gallery of Art Center for Advanced Study in the Visual Arts Center34
    CENTER 34 CENTER34 NATIONAL GALLERY OF ART CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS NATIONAL GALLERY OF ART CENTER FOR IN STUDY THE ADVANCED VISUAL ARTS CENTER34 CENTER34 NATIONAL GALLERY OF ART CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Record of Activities and Research Reports June 2013 – May 2014 Washington, 2014 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, DC Mailing address: 2000B South Club Drive, Landover, Maryland 20785 Telephone: (202) 842-6480 Fax: (202) 842-6733 E-mail: casva@nga.gov Website: www.nga.gov/casva Copyright © 2014 Board of Trustees, National Gallery of Art, Washington. All rights reserved. This book may not be reproduced, in whole or in part (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law, and except by reviewers from the public press), without written permission from the publishers. Produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington ISSN 1557-198x (print) ISSN 1557-1998 (online) Editor in Chief, Judy Metro Deputy Publisher and Production Manager, Chris Vogel Series Editor, Peter M. Lukehart Center Report Coordinator, Hayley Plack Managing Editor, Cynthia Ware Design Manager, Wendy Schleicher Assistant Production Manager, John Long Assistant Editor, Lisa Wainwright Designed by Patricia Inglis, typeset in Monotype Sabon and Helvetica Neue by BW&A Books, Inc., and printed on McCoy Silk by C&R Printing, Chantilly, Virginia Frontispiece: Members of Center, December 17, 2013
    [Show full text]
  • Summary for Bellini, Giovanni, C. 1430/1435-1516
    KRESS COLLECTION DIGITAL ARCHIVE Bellini, Giovanni, c. 1430/1435-1516 IDENTIFIER NAM0107 NATIONALITY Venetian BIRTH DATE 1425 DEATH DATE 1516 EXTERNAL LINKS UNION LIST OF ARTIST NAMES RECORD http://vocab.getty.edu/page/ulan/500019244 VIRTUAL INTERNATIONAL AUTHORITY FILE RECORD http://viaf.org/viaf/100161245 LIBRARY OF CONGRESS NAME AUTHORITY FILE RECORD http://id.loc.gov/authorities/names/n50007140 WIKIPEDIA https://en.wikipedia.org/wiki/Giovanni_Bellini 18 RELATED ART OBJECTS K1080 Alvise Vivarini Portrait of a Man K357 Vincenzo Catena Portrait of Giambattista Memmo NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 1 KRESS COLLECTION DIGITAL ARCHIVE K594 Venetian 16th Century Pagan Rite, A K1628 Giovanni Bellini An Episode from the Life of Publius Cornelius Scipio K413 Attributed to Giovanni Bellini Giovanni Emo K1077 Giovanni Bellini Madonna and Child K479 Workshop of Giovanni Bellini Madonna and Child in a Landscape NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 2 KRESS COLLECTION DIGITAL ARCHIVE K1244 Follower of Giovanni Bellini Madonna and Child with Saints K467 Giovanni Bellini Portrait of a Venetian Gentleman K331 Giovanni Bellini Portrait of a Young Man K406 Giovanni Bellini Saint Jerome Reading K1659 Giovanni Bellini The Infant Bacchus NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 3 KRESS COLLECTION DIGITAL ARCHIVE K1212 Follower of Giovanni Bellini Madonna and Child in a Landscape K1710 Attributed to Giovanni Bellini Bearded Man, A K1904 Giovanni Bellini and Vincenzo Catena Madonna and Child with Saint John the Baptist and Saint Peter K1905 Giovanni Bellini Madonna and Child K2188 Giovanni Bellini Madonna and Child NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 4 KRESS COLLECTION DIGITAL ARCHIVE K389 Giovanni Bellini Saint Luke and Saint Albert of Sicily RECORD LINK https://kress.nga.gov/Detail/entities/NAM0107 NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 5.
    [Show full text]
  • A Study of Unusual Black and Dark Grey Pigments Used by Artists in the Sixteenth Century
    National Gallery Technical Bulletin Volume 24, 2003 National Gallery Company London Distributed by Yale University Press This volume of the Technical Bulletin is published with the generous support of the Samuel H. Kress Foundation and the American Friends of the National Gallery, London, Inc. Series editor Ashok Roy © National Gallery Company Limited 2003 All rights reserved. No part of this publication may be transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without the prior permission in writing of the publisher. First published in Great Britain in 2003 by National Gallery Company Limited St Vincent House, 30 Orange Street London wc2h 7hh www.nationalgallery.co.uk British Library Cataloguing in Publication Data A catalogue record for this journal is available from the British Library isbn 1 85709 997 4 issn 0140 7430 525043 Publisher Kate Bell Project manager Jan Green Editor Diana Davies Designer Tim Harvey Picture research Xenia Corcoran and Kim Klehmet Production Jane Hyne and Penny Le Tissier Printed in Italy by Conti Tipocolor front cover Georges Seurat, Bathers at Asnières (NG 3908), detail of plate 4, page 7 title page Giulio Romano, The Birth of Jupiter (NG 624), detail of plate 1, page 38 ‘Black Earths’: A Study of Unusual Black and Dark Grey Pigments used by Artists in the Sixteenth Century marika spring, rachel grout and raymond white n his Lives of the Artists, Vasari describes ‘an beautiful for all lights and all shadows, and espe- Iastounding piece of painting’ by Sebastiano del cially if it is the one from Venice, which comes in Piombo, a portrait of Pietro Aretino in which there little balls’.8 A terra nera di campana (black earth of may be seen ‘five or six different kinds of black in bells) is mentioned by Vasari, Armenini, Lomazzo, the clothes that he is wearing – velvet, satin, Borghini and Baldinucci.
    [Show full text]
  • Klassische Philologie. Byzantinistik. Mittellateinische Und Neugriechische Philologie
    Regensburger Verbundklassifikation 6 Klassische Philologie. Byzantinistik. Mittellateinische und Neugriechische Philologie. Neulatein (F) Stand: März 2017 Universitätsbibliothek Regensburg INHALTSVERZEICHNIS Inhaltsverzeichnis Schlüssel zur Ordnung der Primär- und Sekundärliteratur bei Autoren und Anonyma – P1F 3 Schlüssel zur Ordnung der Primär- und Sekundärliteratur bei lateinischen Autoren und Anonyma der Antike – P2F 4 Schlüssel zur Ordnung der Primär- und Sekundärliteratur bei neulateinischen Autoren und Anonyma – P3F 5 Schlüssel zur Ordnung der Primär- und Sekundärliteratur – P4F 6 Personenschlüssel – P5F 7 Zeitschriften 8 Klassische Philologie 8 Altertumskunde 11 Klassische Sprachen i.a. (Griechisch und Latein umfassende Arbeiten) 15 Klassische Literaturen i.a. (Griechisch und Latein umfassende Arbeiten) 16 Griechische Philologie (Gräzistik) 17 Neugriechisch 21 Griechische Literaturwissenschaft und -geschichte 23 Christliche Literatur in griechischer Sprache 28 Neugriechische Literaturwissenschaften und -geschichte 31 Griechische Autoren und Anonyma 34 Byzantinische Literatur 100 Neugriechische Literatur 146 Lateinische Philologie (Latinistik) 163 Vulgärlatein 165 Kirchenlatein 166 Mittellatein 166 Neulatein 168 Lateinische Literaturwissenschaft und -geschichte - Antike 170 Lateinische Literaturwissenschaft und -geschichte - Mittelalter 177 Lateinische Literaturwissenschaft und -geschichte, Humanismus bis Gegenwart 180 Lateinische Autoren und Inschriften der Antike 182 Lateinische Autoren und Anonyma des Mittelalters 257 Neulateinische
    [Show full text]
  • Lives of the Most Eminent Painters Sculptors and Architects
    Lives of the Most Eminent Painters Sculptors and Architects Giorgio Vasari Lives of the Most Eminent Painters Sculptors and Architects Table of Contents Lives of the Most Eminent Painters Sculptors and Architects.......................................................................1 Giorgio Vasari..........................................................................................................................................2 LIFE OF FILIPPO LIPPI, CALLED FILIPPINO...................................................................................9 BERNARDINO PINTURICCHIO........................................................................................................13 LIFE OF BERNARDINO PINTURICCHIO.........................................................................................14 FRANCESCO FRANCIA.....................................................................................................................17 LIFE OF FRANCESCO FRANCIA......................................................................................................18 PIETRO PERUGINO............................................................................................................................22 LIFE OF PIETRO PERUGINO.............................................................................................................23 VITTORE SCARPACCIA (CARPACCIO), AND OTHER VENETIAN AND LOMBARD PAINTERS...........................................................................................................................................31
    [Show full text]