Detroit's Renaissance Center

Total Page:16

File Type:pdf, Size:1020Kb

Detroit's Renaissance Center .--...The OFFICIAL PUBLICATION OF THE BARBERSHOP HARMONY SOCIETY JANUARYIFEBRUARY DETROIT'S RENAISSANCE CENTER z « o<t: :E: Z • Z •• ~ I>: WI­ </) :t: </) w Z 1-:>:0 1>:«1­ \JJ-,z tIl ::> or'" « I>: N I- THE JOHN P. BRAUN AGENCY, INC. 625 - 57th Street, Suite 800 Kenosha, Wisconsin 53140 414-657-3193 (3194) in conjunction with THE MARYLAND CASUALTY COMPANY Baltimore, Maryland is proud to provide the I nsurance needs for The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. For over twelve years it has been our privilege to service your chapters with public liability and surety bond insurance; we have also provided the International Office with fire, theft, and auto insurance. Let us together, continue to have a friendly and harmonious business relationship in the future. May you continue to find our insurance service the best that is available. John P. Braun Barry Kennedy David P. Braun Peter J. Braun Glenn Braun Pat Blank (fJ/armonizerThe JANUARY/FEBRUARY 1981 VOL. XLI No.1 A BI-MONTHLY MAGAZINE PUBLISHED FOR AND ABOUT MEMBERS OF SPEBSQSA. INC.• IN THE INTERESTS OF BARBERSHOP HARMONY. The HARMON IZE R {[SSN 0017-78491 is the official publication of the Society for tho Preservation and Encouragement of Barber Shop Quartet Singing In America. Inc. (S.P.E.B.S.Q.S.A.l. It Is pub· IIshed In the months of January. March, May. July. September and November at 6316 - 3rd Avonue, Box 575, Konosha, Wisconsin 53141. Second-class postage paid at Kenosha, WisconsIn. Editorial and Advertising offices are at the International Office. AdvertIsing rates avalleblo upon request. Publisher assumes no responsibility for return of unsolicited manuscripts or art\'IIork. Notice of change of address should be submitted to the editorial offices of THE HARMONIZER, 6315 - THI AD AVE., Box 575. KENOSHA, WISCONSIN 53141. at least thirty days before tho next publication date. Subscription price to non-members Is $3.50 yearly or $ 1 an issue. Copyright, 1979, by the Society for the Preservation and Encouragement of Barber Shop Quartet SingIng In America, Inc. Features Comment 4 WE'RE HAVING A PARTY! An in­ 2 THINKING ALOUD vitation from our Detroit hosts to join them this summer. 10 THE PRESIDENT SPEAKS 8 ANOTHER "GOTCHA" FOR THE Departments "DUKES" AT S. L. C. Enthusiasm 3 LETTERS and desire were important to Scar­ borough as they won their second 22 NEW MUSIC NOTES chorus crown. 24 HISTORICAL NOTES 12 THE UNCOMMON BOSTON COM­ MON. The story behind a unique champion quartet. Miscellaneous 28 LOGOPEDICS CONTRIBUTIONS - Contact: 14 THE COPYRIGHT LAW AND YOU! NEW CHAPTERS BARGAIN Spence Graves Bob Johnson explains in simple BASEMENT 132 S.Carousel terms how to live within the copy­ Anaheim, Ca. 92806 right law. (714) 630-7276 16 1980 DISTRICT QUARTET CHAMPS. Pictures and personnel in the new district champion quartets. 18 A "HOORAY" SONG BORN OF SADNESS AND GLOOM. An inter­ Contributors esting account of how a famous song Burt Huish. Hugh Ingraham . was written. Bob Johnson ... John Lents. III . Ruth Perry .. Jim Smith Dean 26 MEET FRANKLIN SHERMAN. Snyder ... "Stasch" Sperl ... Dave "B.B_O.T.Y." The story of an un­ Stevens usual Barbershopper and his many accomplishments. r------------------------, KEN GUNDERSON JIM CURTIS Convention Calendar Tenor Bari INTERNATIONAL DENNIS EVANS VANCE HARRIS lead Bass 1981 Detroit. Mich. July 5-12 w:~£ 1982 Pittsburgh. Pa. June 27-July 4 1983 Seattle. Wash. July 3-10 ~zzurunce 1984 SI. Louis. Mo. July 1-8 "ounn MIDWINTER 1980 NED CHAMPS 1981 San Diego. Cal. Jan 28-31 1982 Tucson, Ariz. Jan. 27-30 CONTACT JIM CURTIS 203·600-1810 1983 Sarasota, Fla. Jan. 26-29 29 TAYLOR ST. WINDSOR. CT 06095 THE HARMONIZER/JANUARY·FEBRUARY/1981 International Officers President, Burt HuIsh, P.O. Box 1925. Twin Falls, Idaho 83301 Immediate Past PresIdent, Leslie HeSketh, Jr., Thinking 7467 Clifton Road, Clifton, VirgInIa 22024 Vice President, Merrltt F. Auman, 604 Sher­ wood St., Shillington, Pennsylvania 19607 VIce President. Dr, Hank Vomacka, 18Bl Rose Street, Sarasota, Florida 33579 VIce PresIdent-Treasurer, John T. Gillespie, Aloud 712 Newgate Rd., Kalamazoo. Michigan • • • 49007 Board Members In November I attended the annual about S.P.E.B.S.Q.S.A., what it does and Cardinal, Robert Christie, 1890 Midway, convention of the Public Relations Soc­ what it means. His brother-in·law is in Columbus, Indiana 47201 Central States, Jerry Easter, 2426 W. 7th. iety of America, of which I've been a Europe with Time·Life-Fortune. Then Waterloo, Iowa 50702 member for some years. One morning there's Don Reid of Arlington Heights, Dixie, Ralph Delano, P.O. Box 9, Benson, North Carolina 27504 when I was getting on the elevator for who was talking to a fellow investment Evergreen, Harry Neuwirth, 1109 Maple St., by Silverton, Oregon 97381 that day's ses!\iol1s, I was greeted the counselor who knew someone, who Far Western, Andy 0111. 4004 Galbrath, N. president of one of the largest public re­ knew someone else on Fortune. And Highlands, California 95660 IUlnois, JIm Vliet, B07 W. Springfield, Ur· lations agencies in the country. "Con­ Dick Bansal from Montclair, N.J., who bana, Illinois 61801 gratulations on the fine article on the pursued the story in the Mid-Atlantic Johnny Appleseed, Darryl Flinn. 7975 Cleve· land Ave. N.W., North Canton. Ohio 44720 Society in Fortune magazine," he said. District. As did Dale Thomas. And many Land O'Lakes, Don Challman, 916 West G Rd., And then he proceeded to introduce me others. G2, St. Paul, Minnesota 55112 Mid-Atlantic, William Park, Box 470G, RD 1. to another member of his firm. He, too, The result was a great story in the Chadds Ford, Pennsylvania 19317 Northeastern, Ronnie Menard, 50 Tufts Drive, had read the article and offered his con­ December 1, 1980 issue. The point of all Nashua, New HampshIre 03060 gratulations for the great public relations this, however, is that the 8arbershopper Ontario, Roy CunnIngham, 369 Painted Post Dr., Scarborough, Ontario M1G 2M6 job for the Society. These were the first at the local level should always be aware Pioneer, Doran McTaggart. 890 Buckingham, of a number of pats on the back for us of the public relations potential of bar· Windsor, Ontario, Canada NBS 2C8 Rocky Mountain. Jack Smith, 700 ValencIa for finding ourselves on the pages of one bershop harmony. We are unique. Never Drlve N.E., Albuquerque, New Mexico of the nation's most prestigious maga­ 87108 be afraid to tell our story. Your seat· Seneca Land, Keith Clark. 2 Blvd. Parkway. zines. To say I was proud is putting it mate on the plane may be a magazine Rochester. New York 14612 Southwestern, Kent Cornwell. P.O. Box 7235, mildly. (Taking accolades on good public feature writer. Or a TV editor. Who Tulsa, Oklahoma 74105 relations when you're attending the p.r. kn,ows? And when you do latch onto Sunshine, Steward Nichols, 617 DeSoto Lane, Indian Harbour Beach, Florlda 32937 society's annual convention isn't ex­ such a contact, be sure to let Burt actly hard to take.1 Schindler know, so he can help follow up And Past International Presidents Then I got to thinking about how on your efforts. Samuel Aramlan, 7202 W. LIbby Ave., PeorIa, that article came into being. Sure, the Arizona 85345 You want another example of good Roger Thomas. 3720 St. Andrews Blvd., International Office helped. Soc. Comm. public relations at work? Anyone see the Racine. WisconsIn 53405 Ernie Hills. Box 66, Medford, Oklahoma Oir. Burt Schindler orchestrated much of great bit on the two-time international 73759 the comings and goings. The Society's champion "Vocal Majority" Chorus on Bob Johnson was interviewed. But "P.M. Magazine"? Well, it came about International Office mostly the article came about because of because a new member of the Dallas Executive Director Barbershoppers who had sufficient inter· Metro Chapter was so excited about HUGH A. INGRAHAM est to push their Society at the right time barbershopping t.hat he told his station Music Education and Services with the right people. The moment I start about it. (His name's Nick Alexander and ROBERT D. JOHNSON, Director JOE E. LILES, Assistant naming names I'm going to be in trouble, he's production manager of a TV station Music Services Assistants because so many people contributed over in Dallas.) First thing you know the DAVE L. LABAR a considerable length of time. The article chorus is on the Dallas segment of "P.M, LYLE E. PETTIGREW took many months to dE!velop. And on a Magazine," and then the segment is DAVID M. STEVENS Communications number of fronts. picked up to be presented nationally on BURT SCHINDLER, Director Here are some of the people who Thanksgiving Day. Whalla' break I Communications Assistant were involved. Don McAvoy of San National stories developed by local ROBe OLLETT Diego, who told his brother·in·law all Barbershoppers. We sure 'ppreciatc that. Editor LEO W. FOBAnT Administrator, Field Services D. WILLIAM FITZGERALD Field Representatives TOM P.COGAN RON ROCKWELL PAT WARREN Finance and Administration DALLAS A. LEMMEN, Director Accounting & Membership Services FRANK E. SANTARELLl,Manager Telephone: (414) 654·9111 Office Hours: 8 a.m. - 5 p.m. Monday - Friday (Contral Time) 2 THE HARMONIZER/JANUARY·FEBRUARY/1981 steadily since the early '50s. Enough zinc blanketed his bed. My role was mes­ young men do not exist to replace mem­ senger to the printers with copy, and I bers who quit or die. also served as copy reader. Letters Second. There are increases in num­ Those were the days that make happy bers by birth or immigrations of some (Editor's Note: From time to timo we receivo memories.
Recommended publications
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • Coronet 1956-1962
    AUSTRALIAN RECORD LABELS THE CORONET LABEL 1956–1962 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 CORONET, 1956–1962 THE CORONET LABEL MADE ITS DEBUT IN JANUARY 1956. PRIOR TO ITS ACQUISITION BY A.R.C., TITLES FROM THE U.S. COLUMBIA CATALOGUE WERE RELEASED IN AUSTRALIA THROUGH PHILIPS RECORDS. CORONET KLC CLASSICAL 12” AND KGC 7” EP’S ARE NOT LISTED HERE CORONET KP SERIES 78’S KP-001 BIBLE TELLS ME SO / SATISFIED MIND MAHALIA JACKSON 2.56 KP-002 OOH BANG JIGGILY JANG / JIMMY UNKNOWN DORIS DAY 1.56 KP-003 MAYBELLINE / THIS BROKEN HEART OF MINE MARTY ROBBINS 1.56 KP-004 I WISH I WAS A CAR / REMEMB'RING PETER LIND HAYES 4.56 KP-005 BONNIE BLUE GAL / BEL SANTE MITCH MILLER AND HIS ORCHESTRA 3.56 KP-006 SIXTEEN TONS / WALKING THE NIGHT AWAY FRANKIE LAINE 1.56 KP-007 PIZZICATO WALTZ / SKIDDLES GEORGE LIBERACE & HIS ORCHESTRA 2.56 KP-008 HEY THERE! / WAKE ME ROSEMARY CLOONEY KP-009 HEY THERE! / HERNANDO'S HIDEAWAY JOHNNIE RAY KP-010 BAND OF GOLD / RUMBLE BOOGIE DON CHERRY 3.56 KP-011 MEMORIES OF YOU / IT'S BAD FOR ME ROSEMARY CLOONEY KP-012 LEARNING TO LOVE / SONG OF SEVENTEEN PEGGY KING KP-013 TELL ME THAT YOU LOVE ME / HOW CAN I REPLACE YOU TONY BENNETT 2.56 KP-014 TOUCH OF LOVE / WITH ALL MY HEART VAL VALENTE 1.56 KP-015 WHO'S SORRY NOW? / A HEART COMES IN HANDY JOHNNIE RAY 2.56 KP-016 TAKE MY HAND / HAPPINESS IS A THING CALLED JOE JERRI ADAMS 6.56 KP-017 JOHNNIE'S COMIN' HOME / LOVE, LOVE, LOVE JOHNNIE RAY 1.56 KP-018 LET IT RING / LOVE'S LITTLE ISLAND DORIS DAY KP-019 LAND OF THE PHARAOHS / THE WORLD IS MINE PERCY FAITH AND HIS ORCHESTRA
    [Show full text]
  • DECEMBER 29 Stackner Cabaret
    OCTOBER 25 – DECEMBER 29 Stackner Cabaret Written by Stuart Ross | Arrangements by James Raitt Directed by JC Clementz | Sally Manegold, Executive Producer Milwaukee Repertory Theater presents Forever Plaid PLAY GUIDE • Play Guide written by Neal Easterling Education Associate With Contributions by Lindsey Hoel-Neds Education Assistant • Play Guide edited by October 25 – December 29 Jenny Kostreva Stackner Cabaret Education Director Written by Stuart Ross Leda Hoffmann Arrangements by James Raitt Literary Coordinator Directed by JC Clementz Lindsey Hoel-Neds Sally Manegold, Executive Producer Education Assistant Lisa Fulton Director of Marketing & MARK’S TAKE Communications “Forever Plaid is a show that might as well have been written for the Stackner Cabaret—it’s the kind of thing • that we do best in that wonderfully close space. It’s en- Graphic Design by tertaining, it’s funny, it’s moving, and with its great songs Eric Reda in the style of the male harmony groups of the 1950s, it’s the perfect holiday season family outing to enjoy after dinner and over a cocktail!” -Mark Clements, Artistic Director TABLE OF CONTENTS Author’s Note................................................................................................ 3 About the Author .......................................................................................... 3 Mark Clements Artistic Director Interview With The Director ......................................................................... 4 Chad Bauman The Characters ...........................................................................................
    [Show full text]
  • Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
    1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series (
    [Show full text]
  • HISTORY of BARBERSHOP Compiled by David Wright Lesson 6: TRANSFORMATION
    HISTORY OF BARBERSHOP compiled by David Wright Lesson 6: TRANSFORMATION Smooth harmony groups of the 1950's. Some of the old professional quartet men from the early 1900s later formed studio back up groups like the Revelers as the thirties style came into vogue. These groups evolved and adopted the harmonies of the era, and through the forties developed a style which can be viewed as a first cousin of the barbershop style. These smooth singing groups are typified by the arranging of Gene Puerling and his quartet, the Hi Lo's. This style achieved its zenith in popularity in the '50s with another group, the Four Freshmen, who had begun singing together as young boys, harmonizing in the barbershop style. Other groups that would spring forth: The Four Coins ("Shangri-La"), The Ames Brothers ("Sentimental Me"), The Modernaires ("The Lamplighter's Serenade"), The Four Aces ("Love Is A Many Splendored Thing"), The Four Lads ("Standing On The Corner"), The Brothers Four ("Green Fields"), The Kingston Trio ("Tom Dooley"), The Andrews Sisters ("In Apple Blossom Time"), The King Sisters ("Imagination"), and The Chordettes ("Mr. Sandman"). Gospel quartet style. Another type of singing which has as its foundation the old quartet style is the gospel quartet, both white and black. In the country churches and backwoods of the United States there developed in the '30's and '40's a gospel quartet tradition which reached fruition in the fifties as a professional style. Probably the first and most of the early white gospel quartets was the Blackwood Brothers Quartet. These quartets stayed with traditional harmonies, for the most part, and the songs they wrote have all the harmonic content typical of the barbershop style.
    [Show full text]
  • •Œwhy Did Constantinople Get the Works?
    Brooklyn Journal of International Law Volume 44 Article 6 Issue 2 07/01/2019 7-1-2019 “Why Did Constantinople Get the Works? That’s Nobody’s Business but the Turks.” A New Approach to Cultural Property Claims and Geographic Renaming Under the 1970 UNESCO Convention Kasey Theresa Mahoney Follow this and additional works at: https://brooklynworks.brooklaw.edu/bjil Part of the Comparative and Foreign Law Commons, Entertainment, Arts, and Sports Law Commons, International Law Commons, Law and Society Commons, Nonprofit Organizations Law Commons, Other Law Commons, Property Law and Real Estate Commons, and the Transnational Law Commons Recommended Citation Kasey T. Mahoney, “Why Did Constantinople Get the Works? That’s Nobody’s Business but the Turks.” A New Approach to Cultural Property Claims and Geographic Renaming Under the 1970 UNESCO Convention, 44 Brook. J. Int'l L. 762 (). Available at: https://brooklynworks.brooklaw.edu/bjil/vol44/iss2/6 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Journal of International Law by an authorized editor of BrooklynWorks. WHY DID CONSTANTINOPLE GET THE WORKS THAT’S NOBODY’S BUSINESS BUT THE TURKS.1A NEW APPROACH TO CULTURAL PROPERTY CLAIMS AND GEOGRAPHIC RENAMING UNDER THE 1970 UNESCO CONVENTION INTRODUCTION n spite of the forty-one years of intermittent display at the IMetropolitan Museum of Art,2 an impressive provenance of famous art collectors, and documented ownership by the Merrin Gallery,3 on April 27, 2017, the Republic of Turkey began the process to reclaim the Anatolian Marble Female Idol of Kiliya Type or Guennol Stargazer (“the Stargazer”)4 from Christie’s 1.
    [Show full text]
  • Heritage of Harmony
    Heritage of Harmony ,Edited by Val Hicks ' oaie', for 'qe Preaervaiion and . Inaouragemeni of l ar~er ' qOp t uarie' ' inging in l meriaa Heritage of Harmony Edited by Val Hicks ~ooie'J ,for ibe ~relervaUon and Inoouragemeni Qf ~arber ~bo, tuariei ~inging in imerioa Harmony Hall, Kenosha, Wisconsin Heritage of Harmony Copyright 1988, S.P.E.B.S.Q.S.A" Inc. International Ollice 6315 Third Avenue Kenosha, Wisconsin 53140 First Edition June 1988 All Rights Reserved Publishing Services, New Past Press, Inc., Friendship, Wisconsin 53934. Cover Design, Sandhill Studio, Green Lake, Wisconsin 54941. Printing, Action Printing, Fond du Lac, Wisconsin 54935. PRINTED IN THE UNITED STATES OF AMERICA Library oj Congress Cataloging in Publication Data Heritage oj Harmony. Discography, p. Bibliography, p. Includes Index. 1. Society jor the Preservation and Encouragement oj Barber Shop Quartet Singing in America-History. 1. Hicks, Val, 1933· II. Society jor the Preservation and Encouragement oj Barber Shop Quartet Singing in America. M127.U5S664 1988 784.5 88·17928 ISBN 0·938627·04·X (pbk.) ii Contents Introduction: Heritage of Harmony v Preface: Only in America vi Chapter 1 The Golden Age of Quartets (1890 - 1920) 1 Chapter 2 Jazzin' It Up (1920s - 1930s) 8 Chapter 3 The Dream of 0. C. Cash (1940s) 14 Chapter 4 Here Come the Judges 28 Chapter 5 The Teen Years (1950s) 38 Chapter 6 Coming of Age (1960s) 57 Chapter 7 Growing Sophistication (1970s - 1980s) 69 Chapter 8 The Second Half-Century 80 Editor's Epilogue 87 Historical Material and References 89 District Boundaries Through the Years 90 Logopedics Contributions 91 Membership Growth: Statistics and Graphs 92 Conventions Through the Years 94 International Presidents 102 International Secretaries and Executive Directors 103 Brief Histories of B.A.B.S.
    [Show full text]
  • Forever Plaid
    TEACHER PREPARATION GUIDE Written and originally directed & choreographed by STUART ROSS Music continuity supervision & arrangements by JAMES RAITT Originally produced by GENE WOLSK Directed by VICTORIA BUSSERT ן TEACHER PREPARATION GUIDE: FOREVER PLAID TABLE OF CONTENTS Dear Educator ………………………………………………………………………..... 3 A Note to Students: What to Expect at the Theater…………………………………… 4 GLT: Our History, Our Future…………………………………………………………... 5 Author’s Note .......................…………………………………………………………. 6 Synopsis …..….………………………………………………………………………… 7 Musical Numbers ………………………………………………………………………. 8 Lake Tahoe Shakespeare Festival’s Production of Forever Plaid …………………… 10 Scenic Design...………………………………………………………………………… 12 If You Have One Day to Prepare ………………………………………………………. 13 Vocalists of the 50s and 60s ……………………………………………………………. 15 Activities and Writing Prompts ……………………………………………………….. 16 A Brief Glossary of Theater Terms …………………………………………………….. 18 How to Write a Review ………………………………………………………………… 20 A Sample Review Written by a Student ……………………………………………….. 21 Questions for Discussion After Attending the Performance …………………………… 22 Generous Support …………………………………………………………………….... 23 About Great Lakes Theater ………….…………………………………………………. 24 2 ן TEACHER PREPARATION GUIDE: FOREVER PLAID Spring 2017 Dear Educator, Thank you for your student matinee ticket order to Great Lakes Theater’s production Forever Plaid by Stuard Ross, which will be performed in the beautiful Hanna Theatre at Playhouse Square from May 5—21, 2017. On one stormy night in the 1960s, four eager singers known as The Plaids met their untimely ends in a cherry red, 1954 Mercury on the way to their first big gig. In 2017, this quartet of comic crooners gets one last chance to return from the afterlife to do the show they never got to perform. The Plaids deliver delightfully with playful patter and angelic voices in an unforgettable show that will have audiences rolling in the aisles when they’re not humming along to the great nostalgic pop hits of the 1950s.
    [Show full text]
  • The 50S Flame
    Women’s Health CLINIC FEBRUARY 2017 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE Back to the 50’s For Music and Fun! I WAS BORN IN 1950 SO THE SIGHTS AND SOUNDS OF THOSE EXCITING FORMATIVE YEARS HAD A LARGE PART IN CREATING THE PERSON AND ARTIST I AM TODAY. THE 1950’S WAS A DECADE LIKE NO OTHER. THE U.S. WAS ENJOYING A BOOMING ECONOMY – THE STRONGEST IN OUR HISTORY. THE DECADE WAS FILLED WITH TURMOIL – THE KOREAN WAR AND THE BEGINNING OF THE CIVIL RIGHTS MOVEMENT. BUT IT WAS ALSO FILLED WITH FADS AND SILLINESS LIKE COONSKIN CAPS, SOCK HOPS, POODLE SKIRTS, FRISBEES, SPUD GUNS, AND HULA HOOPS. The 1950’s were also a time of great change Fats Domino, Little Richard, James Brown, in popular music. People always think of Buddy Holly, Jerry Lee Lewis, Bobby Darin, the 50’s as the decade of rock and roll and Ritchie Valens, Connie Francis, and Ricky nothing else, and our past 50’s shows were Nelson. In the mid-50s, Elvis Presley became predominantly filled with 50’s rock. But the the leading figure of the newly popular rock & 1950’s had more different kinds of popular roll sound with a series of network television music than any other decade in history – appearances and chart-topping records. Our classic pop, jazz, folk music, doo wop, and new band show is going to include all that much more. The decade started out with such great music from the entire ten years from classic musical stars as Frank Sinatra, Tony 1950 to 1960.
    [Show full text]
  • The Four Lads Why Should I Love You? / Skokiaan Mp3, Flac, Wma
    The Four Lads Why Should I Love You? / Skokiaan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Why Should I Love You? / Skokiaan Country: Netherlands Released: 1954 Style: Vocal MP3 version RAR size: 1522 mb FLAC version RAR size: 1852 mb WMA version RAR size: 1853 mb Rating: 4.4 Votes: 170 Other Formats: WMA AU TTA AC3 MP4 ASF AUD Tracklist Hide Credits Why Should I Love You? A Written-By – Barlow* Skokiaan (South African Song) B Written-By – Msarurgwa*, Glazer* Credits Conductor – Neal Hefti Notes Label nr B 21402 H indicates end 1954 start 1955. Probably 1954. Barcode and Other Identifiers Rights Society: M.C.P.S. Other versions Category Artist Title (Format) Label Category Country Year The Four Skokiaan (Shellac, 10", 40306 Columbia 40306 US 1954 Lads Single) The Four 300 507 PF Skokiaan (7", Single, Mono) Philips 300 507 PF Germany 1955 Lads The Four Skokiaan / Why Should I Love 300 507 PF Philips 300 507 PF Germany Unknown Lads You (7") The Four Skokiaan / Why Should I Love B 21402 H Philips B 21402 H Germany 1954 Lads You ? (Shellac, 10", Etch) The Four Why Should I Love You? / 4-40306 Columbia 4-40306 US 1954 Lads Skokiaan (7", Single) Related Music albums to Why Should I Love You? / Skokiaan by The Four Lads Frankie Laine - Sixteen Tons / I Heard The Angels Singing Paul Anka - Wondrous Are The Ways Of Love / Skokiaan Ivo Robić - Skokiaan / I Need You Now Johnnie Ray & The Four Lads - Cry / The Little White Cloud That Cried Louis Armstrong And His All-Stars - Basin Street Blues / Otch-tchor-ni-ya James, Jill & Jackson - Skokiaan Four Lads Orchestra Normand Leyden, The - Istanbul Ray Anthony & His Orchestra - Skokiaan / Say Hey The Four Lads - Skokiaan / Why Should I Love You ? Louis Armstrong - Skokiaan.
    [Show full text]
  • "Popular* Favourites More — the De John Sisters — Popular Favourites No
    B07763 R B 07763 R Popular favourites No. 9 Popular favourites No. 9 Make yourself comfortable - - Peggy King —, No "Popular* favourites more — The De John Sisters — Popular favourites No. 5 B 07694 R This ole house — Rosemary Clooney —, The high Side 1 : Side 2: and the mighty —Harry James —,If I give my heart to you - - Doris Day —, Papa loves mambo - Johnnie Ray —, Rain, rain, rain -— Frankie Laine —, SIXTEEN TONS MACK THE KNIFE I need you now — Ken Griffin —, In the chapel in Frankie Laine and The Mellomen with Louis Armstrong and his All-Stars, vocal the moonlight — The Mariners —, Mambo No. 8 — orchestra under the direction of Buddy by Louis Armstrong Xavier Cugat —. Cole ** HERNANDO'S HIDEAWAY Popular favourites No. 4 B 07674 R LISBON ANTIQUA Skokiaan — The Four Lads —, Oh baby mine — Johnnie Ray with orchestra under the Mitch Miller and his orchestra and Ken Griffin —, My friend — Frankie Laine —, I direction of Joe Reisman understand just how you feel —• Sandy Stewart —, chorus, Buddy Weed - harpsichord Three coins in the fountain — Harry James —, The ARRIVEDERCI, DARLING MEMORIES ARE MADE OF THIS little shoemaker — Rosemary Clooney —, Cinnamon sinner — Tony Bennett —, Thank you for calling — Mindy Carson with Ray Conniff and his Jo Stafford with Paul Weston and his Jo Stafford —. orchestra and chorus orchestra Popular favourites No. 3 B 07661 R BAND OF GOLD MEMORIES OF YOU Sippin' soda — Guy Mitchell —, Make love to me — T-he Four Coins with orchestra under the Don Cherry with Ray Conniff and his Jo Stafford —, Answer me — Frankie Laine — direction of Don Costa orchestra Moonlight in Vermont — Jerri Adams —, Somebody stole my gal — Johnnie Ray —, Do you know what lips are for — Jill Corey —, Serenata — Harry James —, Down by the riverside — The Four Lads —.
    [Show full text]
  • Forever Plaid the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
    Insights A Study Guide to the Utah Shakespeare Festival Forever Plaid The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Aaron Galligan-Stierle in Forever Plaid, 2004. Contents ForeverInformation on Plaidthe Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play Forever Nostalgia 7 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: Forever Plaid In the l950s, guys across the country banded together to sing in the basement for fun. If things worked out, they might be hired to sing at weddings, conventions, proms and country club socials. Inspired by the success of recording stars, they made plans to zoom into careers of fame and for- tune.
    [Show full text]