Helsinki International Artist Programme

Total Page:16

File Type:pdf, Size:1020Kb

Helsinki International Artist Programme HIAPHelsinki International Artist Programme 2015 The second annual publication of HIAP - Helsinki International Artist Programme Cover: Anne Ferran, Conquest, 2015-2016 HIAP 2015 Residencies Frontiers in Retreat Events & Exhibitions 6 Introduction: 20 Jaroslav Andel 96 Introduction: 136 Interpreting the The Ingredients 22 Paola Anziché Multidisciplinary Frame: Reflecting on of a Great Artist 24 Boshko Boskovic Approaches Interpreting the Frame Residency? 30 Jasper Bruijns to Ecology in Exhibition 32 Juhyun Choi Contemporary Art 138 Axel Straschnoy: 10 HIAP Gallery Augusta, 34 Teresa Dillon 98 Adaptations Utö: Neomylodon Listai HIAP Project Space & 36 Branislav Dimitrijević Narrative and Sensory Ameghino Office 40 Anne Ferran Enquiries into Island 11 Suomenlinna Studios 42 Renée Green 142 HELSINKI GROUP Ecology & Guest Rooms 44 Hanna Husberg 146 Jesse Auersalo: Hold 100 Deep Time Séance: 12 Cable Factory Studios 46 Angela Jerardi Me in Your Arms (and Embodied Enquiries 48 Alevtina Kakhidze Never Let Me Go) 14 Residency 52 Heidi Kilpeläinen into Geohistory and Programmes 2015 56 Barbara Knezevic Planetary Futures 148 Human Interference Task Force (HITF): 58 Karel Koplimets 110 Excavations: Insulation (Mounting 164 Residencies 60 Jenny Marketou Explorations into Layers) 166 Residency Exchanges 62 Meadow, Meadow, Interdependencies 166 Curator Residencies Meadow 150 Tonight: We are 116 Zooetics 167 Workshops, Retreats 64 Katrín Ólína together, trapped & Performance 66 Georgios Papadopoulos 118 Sylvia Grace Borda on an island and 168 HIAP Programme 70 Alexis Rodolphe 120 Carl Giffney becoming fragile Partners & 72 Jenna Sutela & Martti 124 Tuomas A. Laitinen 154 Learning Village 2015 Collaborators Kalliala 128 Mirko Nikolić 169 HIAP Board & 74 Danae Valenza 132 Tracey Warr 156 Tokamak: The Idleness Members 2015 78 Triin Valvas Academy: Where Art 169 HIAP Staff 82 Jana Vasiljević Sleeps…with One Eye 170 Funders 84 Disa Wallander Open 88 Ruth Waller 90 Elizabeth Willing 158 The Safe Haven Helsinki? Symposium INTRODUCTION: THE INGREDIENTS OF A GREAT ARTIST RESIDENCY? As an introduction to the HIAP 2015 publica- of the important keywords at HIAP is hospi- the superficial level. Fortunately there is a great alize upon (or even to pin down and describe). tion, here are a few thoughts about what are tality - generosity and sensitivity towards other diversity in the interests of the resident artists, One great opportunity to get an overview of some of the essential features of a great artist fellow beings. and for many of them key sites are located far how artist residency practice has evolved over residency, and how HIAP strives to provide One big change in the composition of the beyond the perimeter of our tiny island. Many the past years is the upcoming Residencies re- these. residency community in 2015 was an increased of the resident artists head up north to Lapland, flected symposium on 16-18 November 2016, emphasis on curator residencies. Amongst the or develop projects in the nearby cities of Tal- organised by HIAP in collaboration with Uni- Freedom, freedom and freedom 10–15 residency artists, we now usually have linn, Stockholm or St Petersburg. versity of the Arts Helsinki / Academy of Fine one or two curators in residence. The residen- Arts and Frame Contemporary Art Finland. During a residency at HIAP, artists have the cy community also grew in size – we had more Thematic discourse freedom to decide how they want to spend their group residencies and collaborations with the And finally, a few words about this publication: time. This basic traditional quality of artist res- local art scene than ever before. Alongside the open-ended residency activi- idencies has to be emphasised and defended at ty, which is built around emerging new topics, This is the second edition of the annual HIAP times, when creative freedom is too often limit- An inspiring location HIAP also engages in a long term thematic re- publication. With 174 pages it’s more extensive ed by the pre-defined goals set by funders and search and exploration. than the first one, but still does not cover all our other institutions. HIAP has the fortune of being located in two The current important themes include glob- activities. This publication introduces 27 res- Our experience has been that emphasising very special locations – the Cable Factory cul- al ecological changes and their local impacts idencies (approximately a quarter of the total the artists’ freedom is one of the best ways to tural complex and Suomenlinna island, a Une- on European natural environments (Frontiers 92 residencies) and 9 events (a limited selection make the residencies both very focused and sco World Heritage site. in Retreat, 2013-2018), freedom of artistic ex- of the total 76 events realised/co-realised by productive. While Cable Factory is closely attached to pression in times of increasing censorship and HIAP). Nevertheless, we hope that it can give a the contemporary cultural life of Helsinki, repression of artists (Nordic Fresh Air, 2014- good general overview of all the diverse activi- An inspiring residency community Suomenlinna gives an opportunity to connect to 2016) and learning & education (HIAP Osmo- ties that took place at HIAP during 2015. the tumultuous history of the region. The island sis, 2015-2016). I would like to send warm thanks to all the One thing that is clearly beyond the control of is also a great site to experience the strength of We have now reached the midpoint of our contributors of this publication, and especially HIAP staff is the inner dynamics of the HIAP the four seasons, amplified by the winds coming biggest current undertaking - the Frontiers in Jasmin Islamovic & Salla Lahtinen for the ex- residency community. We can do our best to from the open Baltic Sea. And finally – it is an Retreat project - and have included a special cellent design. create a good platform for exchange and dia- island, an isolated miniature society, which can section dedicated to this project in this publi- Also big thanks to our multi-talented and logue, but at the end of the day, the spirit, ener- encourage utopian (or dystopian) thinking and cation. diligent staff, our wonderfully supportive board gy and aspirations of the residency community actions. and all the collaborators, supporters and funders are constantly in a state of flux. Being situated in such inspiration-abundant The above list is by no means a definitive list for an intense and fruitful year 2015! Artists residencies are not only about pro- locations, it is essential for HIAP to maintain a of what all artist residencies can or should be. fessional exchange – it is also important to en- culture of critical dialogue so that the residency Many artist residencies have their own idiosyn- Juha Huuskonen counter your peers as individual persons. One artist can explore the site-specific issues beyond cratic features, which can be difficult to gener- Director, HIAP 6 HIAP 7 HIAP HIAP 2015 HIAP Gallery Augusta, HIAP Suomenlinna HIAP Project Space & Studios & Guest Rooms Office HIAP, located on Susisaari island in Suomenlin- adaptable art space. Both the gallery and proj- HIAP Suomenlinna Studios is a two-story, red na, provides two dynamic event spaces: HIAP ect space function as diverse and flexible venues brick barracks, originally built in the 18th cen- Gallery Augusta and HIAP Project Space. promoting the growth and understanding of tury. The complex is comprised of nine resi- HIAP Gallery Augusta, a non-proft exhibition art through open and varied exchanges. Each dential units, five artists’ studios and four guest space, hosts numerous exhibitions, performanc- space, adjacent to HIAP’s offce and situated rooms. Studios occupy 80-120 sq metres and es and other events throughout the year. HIAP near the island’s residency studios, is available are divided between a downstairs work space Project Space operates as a versatile event space for use to current residents as well as the local and a separate loft-style living space. housing workshops, seminars, and lectures. community. Each guest room occupies approximately 30 Originally built as a barrack in the 19th cen- sq metres and can house up to two persons at tury, both areas have been beautifully renovat- a time. The guest rooms are mainly offered to ed allowing HIAP Gallery Augusta 175 sq me- artists, curators, writers, researchers and critics ‘HIAP Open Studios’ with Elizabet Willing, tres and HIAP Project Space 130 sq metres of Photo: Tuomas Laasanen from visual arts field. Summer 2015. Photo: Salla Lahtinen 10 HIAP 11 HIAP HIAP Cable Factory Studios The Cable Factory, situated on the western wa- HIAP Cable Factory Studios are located on terfront of the city, was used to manufacture the fourth foor of the Cable Factory cultural cable and telephone equipment by Nokia from centre. The three studios, each 60 sq metres, 1940 until the mid-1980’s. With over five hect- are fully equipped for independent living and ares of floor space, Cable Factory is the largest working. cultural structure in Helsinki. Dozens of studios for artists, architects, designers and musicians, as well as museums, art schools, non-proft or- ganisations, commercial enterprises, dance and publishing companies and other cultural insti- tutions inhabit the complex. The Cable Factory is the daily workplace for over seven hundred JENNA SUTELA & MARTTI KALLIALA, ‘Disruption professionals in every feld of art and creative Begins at Home: The Loft’, HIAP Gable Factory Studios, 2015. business. Photos: Paavo Lehtonen 12 HIAP 13 HIAP Residency Programmes 2015 HIAP Residency Programme Helsinki International Curatorial CUNE Comics-in-Residence Programme Dance – Theatre – Performance HIAP Residency Programme is HIAP’s main Programme CUNE Programme gives comic artists and oth- HIAP collaborates with several noted organisa- programme, which has welcomed artists to Hel- The programme offers residencies in Helsin- er professionals a chance to explore the culture, tions and professionals to offer accommodation sinki since year 1998.
Recommended publications
  • What Determines the Area of Impact Around Campsites? a Case Study in a Finnish National Park
    For. Snow Landsc. Res. 81, 1/2: 139–150 (2007) 139 What determines the area of impact around campsites? A case study in a Finnish national park Katja Kangas1,5, Pekka Sulkava2, Pilvi Koivuniemi3, Anne Tolvanen4, Pirkko Siikamäki5 and Yrjö Norokorpi6 1 Department of Biology, P.O.Box 3000, FIN-90014 University of Oulu, Finland. [email protected] 2 Metsähallitus, Natural Heritage Services, Peuratie 15, FIN-99400 Enontekiö, Finland. [email protected] 3 Purrankatu 15, FIN-37150 Nokia, Finland. [email protected] 4 Finnish Forest Research Institute, Muhos Research Unit, Kirkkosalmentie 7, FIN-91500 Muhos, Finland. [email protected] 5 Oulanka Research Station, Liikasenvaarantie 134, FIN-93999 Kuusamo, Finland. [email protected] 6 Metsähallitus, Natural Heritage Services, P.O.Box 8016, FIN-96101 Rovaniemi, Finland. [email protected] Abstract This study investigates the impacts of tourism on vegetation and soil on campsites in Pallas- Yllästunturi National Park, Northern Finland. Altogether, 19 campsites were surveyed to estimate the current condition of campsites and to specify factors affecting the amount of disturbance. Our results indicate that the location of campsite structures is the most important factor determining the size of disturbed area on campsites. Distance between wilderness huts and campfire sites explained the size of disturbed area, whereas the age of the campsite and number of visitors had no impact. The total disturbed area on campsites varied between different vegetation types, moun- tain biotopes being the most sensitive. Our results suggest that the disturbed area can be mini- mized by locating campsites in trampling tolerant environments and by building the structures compactly within each campsite.
    [Show full text]
  • P2-Aug 00 IJW V6.2
    INTERNATIONAL Journal of Wilderness AUGUST 2000 VOLUME 6, NUMBER 2 FEATURES Future Roles 23 The Social Value of Wilderness 3 Editorial Perspectives A Forest Service Perspective Issues in the Quality of U.S. Wilderness BY KEN CORDELL AND JERRY STOKES Management 25 Of What Avail Are Forty Freedoms? BY PERRY BROWN, WITH AN INTRODUCTION BY The Significance of Wilderness in the 21st Century JOHN HENDEE, EDITOR-IN-CHIEF BY DANIEL L. DUSTIN AND LEO H. MCAVOY 5 Soul of the Wilderness STEWARDSHIP Natural, Wild, Uncrowded, or Free? BY DAVID N. COLE 27 The Eagle Cap Wilderness Permit System A Visitor Education Tool BY TOM CARLSON SPECIAL SECTION 9 COMPILED BY ALAN EWERT Wilderness in the 21st Century: SCIENCE AND RESEARCH Visitors, Activities and Technology, 29 Encounter Norms for Backcountry and Future Roles Trout Anglers in New Zealand BY CARL WALROND 9 INTRODUCTION BY ALAN EWERT Visitors 34 Perspectives from the Aldo Leopold 10 Wilderness Visitors in the 21st Century Diversity, Day-Use, Perceptions, and Preferences Wilderness Research Institute BY DEBORAH J. CHAVEZ Science for Wilderness, Wilderness for Science BY DAVID J. PARSONS 12 Wilderness Use in the Next 100 Years BY WILLIAM E. HAMMITT AND RUDY M. SCHUSTER 14 Meanings of Wilderness Experiences INTERNATIONAL PERSPECTIVE in the 21st Century 35 Issues Surrounding Entrance Fees as a BY JOSEPH W. ROGGENBUCK Suitable Mechanism for Activities and Technology Financing Natural Areas in Australia 17 Gearheads and Golems: Technology and BY GAMINI HERATH Wilderness Recreation in the 21st Century BY JOHN SHULTIS WILDERNESS DIGEST 19 Wilderness Activities in the 21st Century A Commentary 40 Announcements & Wilderness Calendar BY LES WADZINSKI 44 Letters to the Editor 20 Technology and Wilderness in the 21st Century 46 Book Reviews BY DOUG KNAPP Front cover photo of pink Lady Slipper orchids and inset photo of Kahshahpiwi A More Pristine Wilderness 21 Lake, Quetico, Ontario, Canada, both © 2000 by Kevin Proescholdt.
    [Show full text]
  • 1 BYGONE BELIEFS BEING a SERIES of EXCURSIONS in the BYWAYS of THOUGHT by H. STANLEY REDGROVE Presented By
    BYGONE BELIEFS BEING A SERIES OF EXCURSIONS IN THE BYWAYS OF THOUGHT BY H. STANLEY REDGROVE Presented by: www.semantikon.com 1 _Alle Erfahrung ist Magic, und nur magisch erklarbar_. NOVALIS (Friedrich von Hardenberg). Everything possible to be believ'd is an image of truth. WILLIAM BLAKE. 2 TO MY WIFE PREFACE THESE Excursions in the Byways of Thought were undertaken at different times and on different occasions; consequently, the reader may be able to detect in them inequalities of treatment. He may feel that I have lingered too long in some byways and hurried too rapidly through others, taking, as it were, but a general view of the road in the latter case, whilst examining everything that could be seen in the former with, perhaps, undue care. As a matter of fact, how ever, all these excursions have been undertaken with one and the same object in view, that, namely, of understanding aright and appreciating at their true worth some of the more curious byways along which human thought has travelled. It is easy for the superficial thinker to dismiss much of the thought of the past (and, indeed, of the present) as _mere_ superstition, not worth the trouble of investigation: but it is not scientific. There is a reason for every belief, even the most fantastic, and it should be our object to discover this reason. How far, if at all, the reason in any case justifies us in holding a similar belief is, of course, another question. Some of the beliefs I have dealt with I have treated at greater length than others, because it seems to me that the truths of which they are the images-- vague and distorted in many cases though they be--are truths which we have either forgotten nowadays, or are in danger of forgetting.
    [Show full text]
  • Explored Countless Lab- Oratories, Interviewed a Myriad of Scientists, and Prepared Thousands of News Releases, Feature Articles, Web Sites, and Multimedia Packages
    Explaining Research This page intentionally left blank Explaining Research How to Reach Key Audiences to Advance Your Work Dennis Meredith 1 2010 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2010 by Dennis Meredith Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Meredith, Dennis. Explaining research : how to reach key audiences to advance your work / Dennis Meredith. p. cm. Includes bibliographical references and index. ISBN 978-0-19-973205-0 (pbk.) 1. Communication in science. 2. Research. I. Title. Q223.M399 2010 507.2–dc22 2009031328 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper To my mother, Mary Gurvis Meredith. She gave me the words. This page intentionally left blank You do not really understand something unless you can explain it to your grandmother.
    [Show full text]
  • 2007 Shuswap Trails Strategy
    PO Box 1930 Salmon Arm, BC V1E 4P9 Phone: 250-804-1964 The Shuswap Hut & Trail Alliance Email: [email protected] www.shuswaptrails.com/huttohut.htm The Shuswap Trail Business Plan 2007 Prepared by: Phil McIntyre-Paul for the Shuswap Hut and Trail Alliance Society In Consultation with: Thompson Rivers University Centre for Tourism Research Rob Hood PhD Jon Heshka, MA, MEd Gordon Borgstrom, MA “We need more wild lands, wildlife, wildlife corridors, mixed-use zones, wild and scenic rivers, and, even urban wilderness. But above all, we need people who know in their bones that these things are important because they are the substrate of our humanity and an anchor for our sanity.” (David W. Orr, The Nature of Design, 2002, p. 197) Table of Contents Executive Summary.............................................................................................................................................3 The Product ..........................................................................................................................................................4 The Trail Experience .........................................................................................................................................4 Shuswap First Nations Territory ........................................................................................................................5 Signature Trail Routes.......................................................................................................................................5 The
    [Show full text]
  • Thesis.Pdf (1.658Mb)
    Faculty of Humanities, Social Science and Education Symbolic and Embodied Involvements in a Landscape A Ski Ethnography of Käsivarsi, Finnish Lapland — Tiia Helena Grøn Master thesis in Visual Cultural Studies May 2016 i ii Symbolic and Embodied Involvements in a Landscape: A ski Ethnography of Käsivarsi, Finnish Lapland By Tiia Helena Grøn Master of Philosophy in Visual Cultural Studies Department of Archeology and Social Anthropology Faculty of Humanities, Social Sciences and Education University of Tromsø, The Arctic University of Norway SVF-3903 From Fieldwork Experience to Ethnographic film and text Spring 2016 Supervised by associate professor Bjørn Arntsen iii iv Abstract This thesis is about a wilderness-area in Finnish Lapland, people that dwell there and how they perceive the place. The idea of ‘wilderness’ in the socio-cultural context of this research does not exclude human-involvement and one might get surprised by how much social life that includes. The area is used by many tourists and some locals for recreation. At the same time the Saami have their reindeer’s pastures in the area. I did my fieldwork in the middle of the wilderness-area by one of the small huts that provide shelter for the hikers. Through participant observation and film I followed the life of this place with the focus on the group of skiers. The huts are important meeting-places as the skiers create a symbolic community among them. In the hut, people can share experiences, stories and advices with each other. The topics of discussion concern almost exclusively Lapland and hiking. In these social situations, images about the place are produced and reproduced.
    [Show full text]
  • Aam Aadmi 12 Dr
    MORPARIA’S PAGE E-mail: [email protected] Contents FEBRUARY 2014 VOL.17/7 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ THEME: Morparia’s page 2 The Comman Man The Common Man Speaks 5 V Gangadhar The Common Man is surging 6 Managing editor Prof. Yogesh Atal Mrs. Sucharita R. Hegde The ubiquitous ‘Common Man’ of India 8 P. Radhakrishnan Editor R.K Laxman: An Uncommon Common Man 10 Anuradha Dhareshwar V. Gangadhar The rise of the Aam Aadmi 12 Dr. Bhalchandra K. Kango Sub editor Right to Information – path to Swaraj 14 Sonam Saigal Shailesh Gandhi Aam Aadmi crusaders Design 6 Baba Amte 16 H. V. Shiv Shankar Adv. Varsha Deshpande 18 Rajendra Singh 19 Marketing Dr. Anil Joshi 20 Mahesh Kanojia Adv. M. C. Mehta 21 Anna Hazare 22 OIOP Clubs Know India Better Vaibhav Palkar How Beautiful is My Valley 23 Gustasp and Jeroo Irani Face to face: Shashi Deshpande 36 Subscription Features Nagesh Bangera Youth Voice - Urvish Mehta 40 Will Aam Aadmi Party survive as a National Party? 41 Prof. P M Kamath Advisory board 23 M V Kamath Khobragade episode triggers a much needed Sucharita Hegde correction 43 Justice S Radhakrishnan Dr. B. Ramesh Babu Venkat R Chary A memorable day 46 Lt. General Vijay Oberoi Printed & Published by Cultural Kaleidoscope 48 Mrs. Sucharita R. Hegde for Navigation in ancient India and social taboo One India One People Foundation, against overseas travel 50 Mahalaxmi Chambers, 4th floor, B.M.N. Murthy 22, Bhulabhai Desai Road, Columns 52 Mumbai - 400 026 Nature watch : Bittu Sahgal Tel: 022-2353 4400 Infocus : C. V. Aravind Fax: 022-2351 7544 36 Young India 54 e-mail: [email protected] / Shashi Deshpande Great Indians 56 [email protected] Printed at: Graphtone (India) Pvt.
    [Show full text]
  • Century American Allegory
    UNLV Retrospective Theses & Dissertations 1-1-1999 The art of truth: The architecture of 19th -century American allegory Gary Brian Bennett University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Bennett, Gary Brian, "The art of truth: The architecture of 19th -century American allegory" (1999). UNLV Retrospective Theses & Dissertations. 3092. http://dx.doi.org/10.25669/4a8r-dftp This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been raproducad from the microfilm master. UMI films the text directly from the original or copy sulsmitted. Thus, some thesis and dissertation copies are in typewriter face, while othersbe frommay any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print t)leedthrough, substandard margins, and improper alignment can adversely affect reproduction. In ttie unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Macbeth in the Dark 132 Devin Byker
    Face-to-Face in Shakespearean Drama 66053_Smith053_Smith & LLupton.inddupton.indd i 110/05/190/05/19 12:5012:50 PMPM 66053_Smith053_Smith & LLupton.inddupton.indd iiii 110/05/190/05/19 12:5012:50 PMPM Face-to-Face in Shakespearean Drama Ethics, Performance, Philosophy Edited by Matthew James Smith and Julia Reinhard Lupton 66053_Smith053_Smith & LLupton.inddupton.indd iiiiii 110/05/190/05/19 12:5012:50 PMPM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © editorial matter and organisation Matthew James Smith and Julia Reinhard Lupton, 2019 © the chapters their several authors, 2019 Edinburgh University Press Ltd The Tun – Holyrood Road 12(2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Adobe Sabon by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 3568 0 (hardback) ISBN 978 1 4744 3570 3 (webready PDF) ISBN 978 1 4744 3571 0 (epub) The right of the contributors to be identifi ed as the authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66053_Smith053_Smith & LLupton.inddupton.indd iviv 110/05/190/05/19 12:5012:50 PMPM Contents List of Illustrations vii Acknowledgements viii Introduction 1 Matthew James Smith and Julia Reinhard Lupton Part I: Foundational Face Work 1.
    [Show full text]
  • Science in Song
    NO. 86: JUNE 2008 ISSN: 1751-8261 Contents Science in song Main feature 1 Science in song Melanie Keene considers the yield of the Outreach and Education BSHS grants report 4 project on songs that reflect, satirise and celebrate science. A reception study? 5 Reports of Meetings 6 ‘Oh! have you heard the news of late, reach and Education Committee has been About our great original state; collecting examples of scientific songs from BSHS Postgrad Conference If you have not, I will relate the past two hundred years. Ranging across BSLS The grand Darwinian theory…’ historical periods, geographic locations, musi- Imperial & Colonial Medicine cal and lyrical genres, disciplinary divisions, Wrexham Science Festival How did you first come to hear about the and degrees of expertise, many different theory of evolution? For many children at the cultures have embraced the choral possibili- Reviews 9 end of the 19th century it was through The ties of the natural and technological worlds. ‘Undead controversies’ 10 Scottish Students’ Songbook and John Young’s Encompassing everything from 17th-century scientific song ‘The Grand Darwinian Theory’. ballads on fen drainage to Jingle Bells rewrit- The questionnaire 10 But why was a member of the Perthshire ten as a carol celebrating lipid biochemistry, BSHS news 12 Society of Natural Science writing such lyrics? this diverse array of tunes and lyrics was What is the history of science in song? composed by figures from the well-known News 14 Over the last few months the BSHS Out- Irving Berlin to the rather more mysteriously- Listings 15 BJHS, Viewpoint details 16 Editorial This issue is again kicked off with an excel- lent leading article, this time by Melanie Keene on ‘scientific’ songs.
    [Show full text]
  • 1 HOUSE in the WILDERNESS 13Th Shelter International Architectural
    1 HOUSE IN THE WILDERNESS 13 th Shelter International Architectural Design Competition Wilderness is a way and tradition in its own right. If we are willing to be still and open enough to listen, wilderness itself will teach us. 1 INTRODUCTION Throughout history the authentic experience of wilderness has served as a precondition for periods of deep reflection, personal renewal and spiritual awakening. The ritual process as it has been documented by early peoples and the last vestige of contemporary tribal groups point to the necessity of the wilderness as the stage in which humanity has direct and unhindered access to both the powers of the cosmos and the limitless expanse of the unconscious. A direct engagement with the natural environment and its causalities affects the whole person on levels psychological and biological, aligning ones inner rhythms and biological constitution with the patterns found in the natural world. This, as has been documented, results in a superior mode of functioning for the human inhabitant; conversely, the typical urban inhabitant unknowingly resides in an environment that perpetuates increasingly high risks toward the development of psychosis. 2 When removed from the natural environment - our species native home - we suffer the effects of an arguably inhumane isolation from the larger life-giving environment. The reintroduction of wilderness experiences into our contemporary milieu has been met with both positive affirmation as well as prejudicial criticism. However, when studying the work carried out by wilderness practitioners in fields of study such as eco-psychology and deep-ecology the enormous benefits of prolonged exposure to the natural environment cannot be ignored.
    [Show full text]
  • DAVA SOBEL Contents
    LONGITUDE The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time DAVA SOBEL Contents 1. Imaginary Lines 2. The Sea Before Time 3. Adrift in a Clockwork Universe 4. Time in a Bottle 5. Powder of Sympathy 6. The Prize 7. Cogmaker’s Journal 8. The Grasshopper Goes to Sea 9. Hands on Heaven’s Clock 10. The Diamond Timekeeper 11. Trial by Fire and Water 12. A Tale of Two Portraits 13. The Second Voyage of Captain James Cook 14. The Mass Production of Genius 15. In the Meridian Courtyard Acknowledgments Sources For my mother, Betty Gruber Sobel, a four-star navigator who can sail by the heavens but always drives by way of Canarsie. 1. Imaginary Lines When I’m playful I use the meridians of longitude and parallels of latitude for a seine, drag the Atlantic Ocean for whales. —MARK TWAIN, Life on the Mississippi Once on a Wednesday excursion when I was a little girl, my father bought me a beaded wire ball that I loved. At a touch, I could collapse the toy into a flat coil between my palms, or pop it open to make a hollow sphere. Rounded out, it resembled a tiny Earth, because its hinged wires traced the same pattern of intersecting circles that I had seen on the globe in my schoolroom— the thin black lines of latitude and longitude. The few colored beads slid along the wire paths haphazardly, like ships on the high seas. My father strode up Fifth Avenue to Rockefeller Center with me on his shoulders, and we stopped to stare at the statue of Atlas, carrying Heaven and Earth on his.
    [Show full text]