Organizational Chart (PDF)

Total Page:16

File Type:pdf, Size:1020Kb

Organizational Chart (PDF) SMITHSONIAN INSTITUTION APRIL 2020 Office of the Regents Board of Regents Inspector General General Counsel Secretary Director, Equal Emp. & Supplier Diversity Chief of Staff Assistant Secretary Communications and Assistant Secretary Deputy Secretary External Affairs Advancement and and Chief Operating Officer Chief Marketing Officer Under Secretary Under Secretary Under Secretary Under Secretary for for for for Administration Education Museums and Culture Science and Research Anacostia Community Museum Chief Financial Officer Archives of American Art Human Resources Museum Conservation Institute Fellowships and Internships Arts and Industries Building Information Technology National Museum of Natural History Smithsonian Affiliations and Traveling Asian Pacific American Center Investments National Zoological Park/Smithsonian Exhibition Service Center for Folklife and Cultural Heritage Protection Services Conservation Biology Institute Smithsonian Associates Cooper Hewitt, Smithsonian Design Museum Smithsonian Enterprises Smithsonian Astrophysical Observatory Smithsonian Center for Learning and Digital Freer|Sackler Galleries of Art Smithsonian Facilities Smithsonian Environmental Research Center Access Hirshhorn Museum and Sculpture Garden Smithsonian Organization Audience & Smithsonian Libraries and Archives Smithsonian Science Education Center National Air and Space Museum Research National Museum of African American History Smithsonian Tropical Research Institute and Culture National Museum of African Art National Museum of American History National Museum of the American Indian National Portrait Gallery National Postal Museum Smithsonian American Art Museum Smithsonian Exhibits Smithsonian Latino Center UNDER SECRETARY FOR ADMINISTRATION APRIL 2020 Under Secretary for Acting Deputy Under Administration Secretary Information Chief Financial Officer Access Smithsonian Human Resources Technology Contracting & Personal Property Management Investments Ombuds Protection Services Finance & Accounting Smithsonian Smithsonian Smithsonian Facilities Organization Planning, Enterprises Management & Audience & Research Budget Sponsored Projects UNDER SECRETARY FOR EDUCATION JUNE 2020 Under Secretary for Education Smithsonian Affiliations Smithsonian Center for Fellowships & Smithsonian Science & Traveling Exhibition Smithsonian Associates Learning & Digital Internships Education Center Service Access UNDER SECRETARY FOR MUSEUMS AND CULTURE JUNE 2020 Under Secretary for Museums and Culture Cooper Hewitt, Anacostia Community Archives of American Arts and Industries Asian Pacific Center for Folklife Smithsonian Design Museum Art Building American Center and Cultural Heritage Museum National Museum of Freer|Sackler Hirshhorn Museum & National Air and National Collections National Museum of African American Galleries of Art Sculpture Garden Space Museum Program African Art History and Culture Smithsonian National Museum of National Museum of National Portrait National Postal American Art Smithsonian Exhibits American History the American Indian Gallery Museum Museum Smithsonian Latino Center UNDER SECRETARY FOR SCIENCE AND RESEARCH JUNE 2020 Smithsonian Scientific Diving Program Under Secretary for Science and Research Smithsonian Institution Scholarly Press Museum National Zoological Park/ Office of National Museum of Smithsonian Conservation International Natural History Conservation Biology Institute Institute Relations Smithsonian Smithsonian Smithsonian Smithsonian Tropical Astrophysical Environmental Institution Libraries Research Institute Observatory Research Center and Archives.
Recommended publications
  • Smithsonian Institution Archives (SIA)
    SMITHSONIAN OPPORTUNITIES FOR RESEARCH AND STUDY 2020 Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 2.0 (Updated January 2020) Copyright © 2020 by Smithsonian Institution Table of Contents Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 6 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 7 Cooper-Hewitt,
    [Show full text]
  • National Mall Existing Conditions
    National Park Service U.S. Department of the Interior National Mall and Memorial Parks Washington, D.C. Photographs of Existing Conditions on the National Mall Summer 2009 and Spring 2010 CONTENTS Views and Vistas ............................................................................................................................ 1 Views from the Washington Monument ................................................................................. 1 The Classic Vistas .................................................................................................................... 3 Views from Nearby Areas........................................................................................................8 North-South Views from the Center of the Mall ...................................................................... 9 Union Square............................................................................................................................... 13 The Mall ...................................................................................................................................... 17 Washington Monument and Grounds.......................................................................................... 22 World War II Memorial................................................................................................................. 28 Constitution Gardens................................................................................................................... 34 Vietnam Veterans Memorial........................................................................................................
    [Show full text]
  • African American History & Culture
    IN September 2016 BLACK AMERICAsmithsonian.com ­Smithsonian WITH CONTRIBUTIONS FROM: REP. JOHN LEWIS BLACK TWITTER OPRAH WINFREY A WORLD IN SPIKE LEE CRISIS FINDS ANGELA Y. DAVIS ITS VOICE ISABEL WILKERSON LONNIE G. BUNCH III HEADING NATASHA TRETHEWEY NORTH BERNICE KING THE GREAT ANDREW YOUNG MIGRATION TOURÉ JESMYN WARD CHANGED WENDEL A. WHITE EVERYTHING ILYASAH SHABAZZ MAE JEMISON ESCAPE FROM SHEILA E. BONDAGE JACQUELINE WOODSON A LONG-LOST CHARLES JOHNSON SETTLEMENT JENNA WORTHAM OF RUNAWAY DEBORAH WILLIS SLAVES THOMAS CHATTERTON WILLIAMS SINGING and many more THE BLUES THE SALVATION DEFINING MOMENT OF AMERICA’S ROOTS MUSIC THE NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY & CULTURE OPENS IN WASHINGTON, D.C. SMITHSONIAN.COM SPECIAL�ADVERTISING�SECTION�|�Discover Washington, DC FAMILY GETAWAY TO DC FALL�EVENTS� From outdoor activities to free museums, your AT&T�NATION’S�FOOTBALL� nation’s capital has never looked so cool! CLASSIC�® Sept. 17 Celebrate the passion and tradition of IN�THE� the college football experience as the Howard University Bisons take on the NEIGHBORHOOD Hampton University Pirates. THE�NATIONAL�MALL NATIONAL�MUSEUM�OF� Take a Big Bus Tour around the National AFRICAN�AMERICAN�HISTORY�&� Mall to visit iconic sites including the CULTURE�GRAND�OPENING Washington Monument. Or, explore Sept. 24 on your own to find your own favorite History will be made with the debut of monument; the Martin Luther King, Jr., the National Mall’s newest Smithsonian Lincoln and World War II memorials Ford’s Th eatre in museum, dedicated to the African are great options. American experience. Penn Quarter NATIONAL�BOOK�FESTIVAL� CAPITOL�RIVERFRONT Sept.
    [Show full text]
  • Museum Archivist
    Newsletter of the Museum Archives Section Museum Archivist Summer 2020 Volume 30, Issue 2 Letter From the Chair Fellow MAS and SAA members, To be blunt, we are currently in the midst of a challenging period of historic proportions. On top of a charged atmosphere filled with vitriol, 2020 has witnessed the unfolding of both a global pandemic and racial tensions exacerbated by systemic racism in law enforcement. The combination of this perfect storm has sowed a climate of chaos and uncertainty. It is easy to feel demoralized and discouraged. For your own mental health, allow yourself to feel. Allow yourself to take a breath and acknowledge that you are bearing witness to a uniquely challenging period like few in global history. Yet, there is reason to hope. The trite phrase, “that which does not kill us only makes us stronger” has significance. We adapt, learn, grow and improve. If this all is to be viewed as an incredible challenge, rest assured, we will overcome it. (To use yet another timeless phrase, “this, too, shall pass.”) I am curious to see what new measures, what new policies, what new courses of action we, as professionals in the field(s) of libraries, archives, and museums (LAMs) will implement to further enhance and reinforce the primary goals of our respective professions. One question that keeps coming to mind is how the archives field—specifically as it relates to museums— will survive and adapt in the post-COVID-19 world. People will continue to turn to publicly available research material to learn and educate others.
    [Show full text]
  • Discovering the Contemporary
    of formalist distance upon which modernists had relied for understanding the world. Critics increasingly pointed to a correspondence between the formal properties of 1960s art and the nature of the radically changing world that sur- rounded them. In fact formalism, the commitment to prior- itizing formal qualities of a work of art over its content, was being transformed in these years into a means of discovering content. Leo Steinberg described Rauschenberg’s work as “flat- bed painting,” one of the lasting critical metaphors invented 1 in response to the art of the immediate post-World War II Discovering the Contemporary period.5 The collisions across the surface of Rosenquist’s painting and the collection of materials on Rauschenberg’s surfaces were being viewed as models for a new form of realism, one that captured the relationships between people and things in the world outside the studio. The lesson that formal analysis could lead back into, rather than away from, content, often with very specific social significance, would be central to the creation and reception of late-twentieth- century art. 1.2 Roy Lichtenstein, Golf Ball, 1962. Oil on canvas, 32 32" (81.3 1.1 James Rosenquist, F-111, 1964–65. Oil on canvas with aluminum, 10 86' (3.04 26.21 m). The Museum of Modern Art, New York. 81.3 cm). Courtesy The Estate of Roy Lichtenstein. New Movements and New Metaphors Purchase Gift of Mr. and Mrs. Alex L. Hillman and Lillie P. Bliss Bequest (both by exchange). Acc. n.: 473.1996.a-w. Artists all over the world shared U.S.
    [Show full text]
  • Anacostia Community Museum Archives, Right: Anacostia Community Museum Smithsonian Institution Garden Facilitator Derek Thomas Leads , a Garden Workshop
    •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• •••••••••••••••••••••••••••••• •• •• •• '• '• ••• ..-·· • •• •• •• •• •• •• •• •• •. .• • ''\Ve can love ourselves ' by loving the earth. '' -Wangari Maathai, activist and Nobel Peace Prize Laureate • THE BENEFITS OF GARDENING • Supports healthy lifestyles • Encourages exercise and movement • Helps reduce stress • Promotes dialogue • • Cultivates community • Connects you to nature and to the past • Right: Anacostia Community • Protects the environment Museum educator Zora Martin Felton and students tend the museum's gardens in 1982 as part of a summer science project. 7 Anacostia Community Museum Archives, Right: Anacostia Community Museum Smithsonian Institution garden facilitator Derek Thomas leads , a garden workshop. Anacostia Community Museum Archives, Smithsonian Institution e come tot e Gardens are great! They connect people to their community • and environment. They empower people to grow their own Left: Elementary school students tend the food and live healthy, sustainable lives. They provide a space flower and vegetable gardens at the Anacostia Community Museum as part of a summer for neighbors to nurture existing relationships, create new science
    [Show full text]
  • Fall 201720172017
    2017 2017 2017 2017 Fall Fall Fall Fall This content downloaded from 024.136.113.202 on December 13, 2017 10:53:41 AM All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). American Art SummerFall 2017 2017 • 31/3 • 31/2 University of Chicago Press $20 $20 $20 $20 USA USA USA USA 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T reform reform reform reform cameras cameras cameras cameras “prints” “prints” “prints” “prints” and and and and memory memory memory memory playground playground playground playground of of of Kent’s of Kent’s Kent’s Kent’s guns, guns, guns, guns, abolitionism abolitionism abolitionism abolitionism art art art art and and and and the the the the Rockwell literary Rockwell Rockwell literary literary Rockwell issue literary issue issue issue Group, and Group, and Group, and Group, and in in in in this this this this Homer—dogs, Homer—dogs, Homer—dogs, Place Homer—dogs, Place Place Place In In In In nostalgia Park nostalgia nostalgia Park Park nostalgia Park Duncanson’s Duncanson’s Duncanson’s Duncanson’s Christenberry the Christenberry S. Christenberry the S. the S. Christenberry the S. Winslow Winslow Winslow Winslow with with with with Robert Robert Robert Robert Suvero, Suvero, Suvero, Suvero, William William William William di di di Technological di Technological Technological Technological Hunting Hunting Hunting Hunting Mark Mark Mark Mark Kinetics of Liberation in Mark di Suvero’s Play Sculpture Melissa Ragain Let’s begin with a typical comparison of a wood construction by Mark di Suvero with one of Tony Smith’s solitary cubes (fgs.
    [Show full text]
  • Robert E. Lee
    190 PUBLIC LAW 107-JUNE 29, 1955 [69 ST AT progress of the planning and construction of the building. Upon completion of the building, the Joint Committee shall submit a final report. Appropriation. Post, p. 461. OEC. 5. That there are hereby authorized to be appropriated to the Eegents of the Smithsonian Institution such sums, not to exceed $36,000,000, as may be necessary to carry out the provisions of this Transfer to GSA. Act: Provided, That appropriations for this purpose, except such part as may be necessary for the incidental expenses of the Regents of the Smithsonian Institution in connection with this project, shall be trans­ ferred to the General Services Administration for the performance of the work. Approved June 28, 1955. Public Law 107 CHAPTER 223 June 29. 1955 JOINT RESOLUTION [S. J. Res. 62] Dedicating the Lee Mansion in Arlington National Cemetery as a permanent memorial to Robert E. Lee. Whereas the ninth day of April 1955 is the ninetieth anniversary of the Appomattox cessation of hostilities between our States; and Whereas of the two great figures therein involved, one. General Ulysses S. Grant, has been highly honored by becoming President of the United States, but the other, Robert E. Lee, has never been suitably memorialized by the National Government; and Whereas Robert E. Lee had graduated from West Point, dedicated himself to an Army career, and became a colonel in the United States Army, then the commander of the Confederate forces, attained world renown as a military genius, and after Appomattox fervently devoted himself to peace, to the reuniting of the Nation, and to the advancement of youth education and the welfare and progress of mankind, becoming president of the Washington and Lee University at Lexington, Virginia; and Whereas the desire and hope of Robert E.
    [Show full text]
  • Visit Smithsonianeducation.Org
    Looking for Something? WELCOME For directions and assistance during the event, to Smithsonian Teachers’ Night please ask a volunteer wearing a white National Portrait Gallery Smithsonian Teachers’ Night cap. Smithsonian American Art Museum Listen Friday, September 28, 2012 Enjoy performances throughout the evening by: 7:00–9:30 pm Graham Road Percussion Ensemble Kogod Courtyard, First Floor Refreshments Smithsonian Jazz Masterworks Trio Kogod Courtyard, First Floor Luce Center, Third Floor Great Hall and Luce Center, Third Floor Please note that food and drinks are not Smile! permitted in the exhibition galleries. Check flickr.com/smithsonianeducation for photos taken at this and past events. Please note that attendees may be filmed, photographed, or recorded for educational Door Prizes and promotional uses, which may include posting on the Smithsonian’s and other public Kogod Courtyard, First Floor websites and social media channels. Check your totebag for a certificate to see if you are a winner. Prizes must be claimed by 9:00 pm. Prizes donated by the Smithsonian Center for Education and Museum Studies, Connect the Smithsonian’s education offices, Smithsonian Enterprises, and Target. Join Smithsonian Education on Totebag Distribution Visit SmithsonianEducation.org Kogod Courtyard, First Floor Enrich your classroom throughout the year by Turn in your coupon for your Smithsonian Teachers’ visiting smithsonianeducation.org. You will find Night totebag. Totebags are available for the first more than 2,000 classroom resources, aligned to 3,000 attendees. state and Common Core standards. Museum Stores Thank you First Floor Smithsonian Teachers’ Night is sponsored by Visit the museum store to receive a 10% discount on purchases of $50 or more.
    [Show full text]
  • ^^SOJVIAN 4^ Fc, 3 Smithsonian Center for Folklife Ami Cultural Heritage
    ^^SOJVIAN 4^ fc, 3 Smithsonian Center for Folklife ami Cultural Heritage 750 9th Street NW Suite 4100 Washington, DC 20560-0953 www.folklife.si.edu « 2001 by the Smithsonian Institution ISSN 1056-6805 EDITOR: Carla M. Borden ASSOCIATE EDITOR: Peter Seitel DIRECTOR OF DESIGN: Kristen Femekes GRAPHIC DESIGNER: Caroline Brownell DESIGN ASSISTANT: Michael Bartek Cover image: Gombeys are the masked dancers of Bermuda. Art from photo courtesy the Bermuda Government . mB^th Annual Smithsonian Folklife Festiva On The National Mall, Washington, D.C. June 27 - July 1 a July 4 - July 8, 2001 Bermuda Connection Mew York City amhe Smithsonian' Masters c#!he Building Arts NewYOiK CITY ax THe smiTHSonian The Festiva. This program is produced in collaboration with Mew York's is co-sponsored by __ Center for Traditional Music and Dance and City Lore, the National Park Service. with major funding from the New York City Council, the New York City Department of Cultural Affairs, The Festival is supported by federally Howard P. Milstein, and the New York Stock Exchange. appropriated funds, Smithsonian trust funds, The Leadership Committee is co-chaired by The Honorable contributions from governments, businesses, Daniel Patrick Moynihan and Elizabeth Moynihan and foundations, and individuals, in-kind corporate chairman Howard P. Milstein. assistance, volunteers, food and craft sales, and Friends of the Festival. Major support is provided by Amtrak, Con Edison, the Recording Industries Music Performance Trust Funds, IVIajor in-kind support has been provided by Arthur Pacheco, and the Metropolitan Transportation GoPed and IVIotorola/Nextel. Authority. Major contributors include The New York Community Trust, The Coca-Cola Company, The Durst Foundation, the May £t Samuel Rudin Family Foundation, Leonard Litwin, and Bernard Mendik.
    [Show full text]
  • Theodore Roosevelt Collection, Newspaper Clippings, Circa 1901-1928, 1933, 1936 and 1958
    Theodore Roosevelt Collection, Newspaper Clippings, circa 1901-1928, 1933, 1936 and 1958 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Descriptive Entry.............................................................................................................. 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Theodore Roosevelt Collection, Newspaper Clippings https://siarchives.si.edu/collections/siris_arc_217625 Collection Overview Repository: Smithsonian Institution Archives, Washington, D.C., [email protected] Title: Theodore Roosevelt Collection, Newspaper Clippings Identifier: Record Unit 7472 Date: circa 1901-1928, 1933, 1936 and 1958 Extent: 0.25 cu. ft. (1 half document box) Creator:: Roosevelt Memorial Association Language: English Administrative Information Prefered Citation Smithsonian Institution Archives, Record Unit 7472, Theodore Roosevelt
    [Show full text]
  • Robert Morris, Minimalism, and the 1960S
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.
    [Show full text]