Keep on the Sunny Side – a 1899

Total Page：16

File Type：pdf, Size：1020Kb

Keep On The Sunny Side – A 1899 4/4 A - D A / There's a dark and a troubled side of life. There's a bright and a E7 / A sunny side too. Though we meet with the darkness and strife, E7 A the sunny side we also may view. A D - A Chorus: Keep on the sunny side, always on the sunny side, A - B7 E7 A - A7 Keep on the sunny side of life. It will help us every day, it will D - A A - B7 - E7 A brighten all the way, if we keep on the sunny side of life. A - D A / The storm and its fury broke today, crushing hopes that we E7 / A cherish so dear. Clouds and storm will in time pass away. E7 A The sun again will shine bright and clear. Go to chorus A - D A / Let us greet with a song of hope each day. Though the moment E7 / A E7 be cloudy or fair. Let us trust in our Savior al-ways, to keep us A every-one in His care. Go to chorus Written in 1899 by Ada Blenkhorn and Howard Entwisle. Popularized by the Carter family in 1928. Appeared in the 2000 movie Brother, Where Art Thou? Also recorded by June Carter Cash. 8/12/2020 Keep On The Sunny Side – C 1899 4/4 C - F C / There's a dark and a troubled side of life. There's a bright and a G7 / C sunny side too. Though we meet with the darkness and strife, G7 C the sunny side we also may view. C F - C Chorus: Keep on the sunny side, always on the sunny side, C - D7 G7 C - C7 keep on the sunny side of life. It will help us every day, it will F - C C - D7 - G7 C brighten all the way, if we keep on the sunny side of life. C - F C / The storm and its fury broke today, crushing hopes that we G7 / C cherish so dear. Clouds and storm will in time pass away. G7 C The sun again will shine bright and clear. Go to Chorus C - F C / Let us greet with a song of hope each day. Though the moment G7 / C G7 be cloudy or fair. Let us trust in our Savior al-ways, to keep us C every-one in His care. Go to Chorus Written in 1899 by Ada Blenkhorn and Howard Entwisle. Popularized by the Carter family in 1928. Appeared in the 2000 movie Brother, Where Art Thou? Also recorded by June Carter Cash. 8/12/2020 .

Copy Link

Recommended publications

NEW Sacred Heart Song Book .Pages
#35 Ain’t No Grave #34 Live So God Can Use You #25 Alas! and Did My Savior Bleed #54 Lord I’m in Your Care #97 Alleluia, Alleluia, Give Thanks #112 Lord of the Dance #1 Amazing Grace #98 Lord’s Prayer #87 As the Deer #100 Morning Has Broken #56 Away in a Manger #73 My Hope is Built on Nothing Less #12 Be Thou My Vision #105 Nearer, My God, to Thee #91 Blessed Assurance #49 Nothing But the Blood #57 By the Mark #80 O Come O Come Emmanuel #4 Can the Circle be Unbroken #92 O Holy Night #10 Come Thou Fount of Every Blessing #38 O Mary Don’t You Weep #23 Come, Thou Long Expected Jesus #85 Oh Come, Angel Band #3 Down by the Riverside #9 On the Rock Where Moses Stood #2 Down to the River to Pray #61 Palms of Victory #27 Every Humble Knee Must Bow #24 Peace In The Valley #8 Farther Along #71 Praise the Lord! Ye Heavens, Adore Him #83 For the Beauty of the Earth #70 Revive us again #32 Glory, Glory #82 Ride On, King Jesus #77 Go Tell It on the Mountain #55 River of Jordan #30 Great is Thy Faithfulness #63 Rock of Ages Cleft for Me #60 Green Pastures #39 Shall We Gather At The River? #48 Hallelujah #86 Shouting on the Hills of Glory #88 Hallelujah 146 #81 Silent Night #67 Hallelujah Side #104 Simple Gifts #76 Hark the Herald Angels Sing #93 So Glad I’m Here #20 Hold to God’s Unchanging Hand #110 Somebody’s Knocking at Your Door #84 Holy, Holy, Holy #52 Sow 'Em On The Mountain #103 How Can I Keep From Singing? #45 Stand By Me #28 How Great Thou Art #107 Summons #5 I Am a Pilgrim #22 Sweet Hour of Prayer #96 I Am the Bread of Life #14 Swing Low Sweet
[Show full text]
Carter Family Songbook
Ukulele 2: Chord Families with the Carter Family with Song by Song™ Avery Hill, Instructor | www.learnsongbysong.com ! Will the Circle Be Unbroken Ada R. Habershon / Charles H. Gabriel (1907) ! Standard strum, full count: ! Standard time / Each chord = 4 beats, except * = 2 beats C C C7 C7 F F C C Chorus: Will the circle … be unbroken … by and by, Lord, by and by? C C C* Am* C* G7* C C There’s a better … home a-waitin’ in the sky, Lord, in the sky C C C7 C7 F F C C Verse 1: I was standing … by the window … on one cold and cloudy day C C C* Am* C* G7* C C When I saw that … hearse come rolling for to carry my mother away Chorus C C C7 C7 F F C C Verse 2: Undertaker … undertaker … undertaker please drive slow C C C* Am* C* G7* C C For this woman … you are carrying, Lord I hate to see her go Chorus !1 Worried Man Blues Traditional - As arranged by The Carter Family (1930) Key of D: Standard strum, full count: ! ! ! ! Standard time - Each chord = 4 beats Standard strum with emphasis on “backbeat” (Beats 2 + 4) D D D D Chorus: It takes a worried man to sing a worried song G G D D It takes a worried man to sing a worried song A7 A7 D D I’m worried now, but I won't be worried long D D D D Verse 1: I went across the river and I laid down to sleep G G D D I went across the river and I laid down to sleep A7 A7 D D When I woke up, I had shackles on my feet … Chorus D D D D Verse 2: If anyone asks you who composed this song G G D D If anyone asks you who composed this song A7 A7 D D Tell 'em t'was I, and I sing it all day long … Chorus !2 Keep on the Sunny Side A.
[Show full text]
WS11 COLLEGE Lesson Plan
WS11 COLLEGE Lesson Plan April Ballard, M.Ed, BS Title: Music; THE FIRST FAMILY OF COUNTRY MUSIC: THE CARTER FAMILY Inspiration, Support & Love Transaction Subjects: English, History, Critical Thinking, Creative Writing, Public Speaking Length: Three Class Sessions Grade Level: College Context (Topic and Summary of Lesson Identified): The topic of this lesson is, “Music: A source of Encouragement and Support" This lesson plan is designed to educate students about the history of The Great Depression, while also encouraging them to make a connection to music as an inspiration. This will hopefully inspire them to create their own music and art as well. One of the goals of this lesson is for students to understand the history of the Great Depression as it relates specifically to family life during that time, and, in turn, how the music of the Carter family uplifted people. The lesson will encourage the students to make a connection to the ways that music evokes emotions, which will inspire them as they write and create their own poetry, and eventually song. The poetry the students write will be entirely up to them as far as the style of poetry. The guideline and overall idea for the poetry will be for them to create a poem/song that will inspire, encourage, and/or celebrate moving beyond difficult times. The poetry does not have to be personal to them, but could be if they so choose. It could be that they want to write their poetry from the perspective of someone during the Great Depression. The lesson will allow students to apply what they learn about the Great Depression into their poetry and by creating their own words and eventually song (song design).
[Show full text]
1 the Words December 2007 Over the Last 15 Years Or So I Have Been
Songbook version January 2008 The Words December 2007 Over the last 15 years or so I have been collecting lyrics to songs - mostly old-time country, bluegrass, cowboy, and old blues songs. I wanted to consolidate these lyrics into one big searchable file that I could use as a reference. I started with the Carter Family, Stanley Brothers, Flatt & Scruggs, Bill Monroe, and Uncle Dave Macon sections, which I had in separate documents, previously downloaded from the web over the last few years. I can’t remember where I got the Carter Family or Uncle Dave songs, but the rest were mostly from Bluegrasslyrics.com. I had the rest of the songs in a huge binder. Excluding those that were already in the existing sections, I searched the web for lyrics that were close to the version I had. Other useful websites: www.mudcat.org www.traditionalmusic.co.uk http://mywebpages.comcast.net/barb923/lyrics/i_C.htm www.cowboylyrics.com http://prewarblues.org/ (not so many lyrics, but a cool site) There is a rough Table of Contents at the start of the document, and a detailed Index at the end. I’d recommend using the Index if you are looking for something in particular, or use your search tool. (There is no reason why some of the song titles are in CAPS but they are mostly Carter Family songs). I haven’t been able to read every song, so there may be lyrics that are insensitive, especially in the Uncle Dave Macon section. I’m sorry if I missed them.
[Show full text]
LABEL RECORD NOSK S SONG TITLE ARTIST BAND- Velvet Tone 2089-V B a Hobo's Life Is a Happy Life "Hobo" Jack Tuner Vocal Guitae Accomp
LABEL RECORD NOSK S SONG TITLE ARTIST BAND- Velvet Tone 2089-V B A Hobo's Life Is A Happy Life "Hobo" Jack Tuner Vocal Guitae accomp. Velvet Tone 2089-V A Everybody Dose It In Hawaii "Hobo" Jack Tuner Vocal Guitae accomp. Victor 18956 B Arkansaw Traveler A. C. (Eck) Robertson Violin Solo Victor 18956 A Sallie Gooden A. C. (Eck) Robertson Violin Solo Adelyne Hood and Vernon Columbia J-932 A Calamity Jane (from the West) Dalhart Novelty Accomp. Vocal Violin, Guitar & Mouth Harp Columbia 15109-D B The Fate Of Kinnie Wagner Al Craver accomp. Vocal Duet Violin and Guitar Columbia 15109-D A We Sat Beneath The Maple On The Hill Al Craver and Charlie Wells Accomp. Columbia M 449 A Saturday Night Boogie Al Dexter and his Troopers Brunswick 103 A East Tennessee Blues Al Hopkins with his Buckle Busters Brunswick 103 B Round Town Gals Al Hopkins with his Buckle Busters RCA Victor 20-2132 A A New Salty Dog Allen Brothers Allen Brothers Old Time Singin' With Yodel Acc. Supertone 9651 A Down In The Jail House On My Knee Amos Greene By Two Guitars Old Time Singin' Acc. By Two Supertone 9651 B My Carolina Sunshine Girl Amos Greene Guitars Andrews Sisters Vocal with Instrumental Decca 28163 B Hang Your Head In Shame and Red Foley Accompaniment Andrews Sisters Vocal with Instrumental Decca 28163 A Where Is Your Wandering Mother Tonight and Red Foley Accompaniment Intro 6015 B Dust Of A Rose Andy Parker and The Plainsmen Intro 6015 A Hangman's Guns Andy Parker and The Plainsmen Victor S-248 B I Dreamed Of A Hillbilly Heaven Anita Carter no data Starday 104 B Poor Ole Teacher Arlie Duff no data Starday 104 A You All Come Arlie Duff no data M-G-M 10914 A Beautiful Brown Eyes Arthur "Guitar Boogie" Smith Arthur Smith Vocalion 02554 A Times Ain't Like They Used To Be Ashley and Foster Vocal with Guitar & Harmonica Columbia 37964 A Ashamed To Own The Blessed Savior Bailes Brothers Vocal Duet with String Band Acc.
[Show full text]
“I'll Fly Away”: the Music and Career of Albert E. Brumley
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY Kevin Donald Kehrberg University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Kehrberg, Kevin Donald, "“I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY" (2010). University of Kentucky Doctoral Dissertations. 49. https://uknowledge.uky.edu/gradschool_diss/49 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Kevin Donald Kehrberg The Graduate School University of Kentucky 2010 “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Music at the University of Kentucky By Kevin Donald Kehrberg Lexington, Kentucky Director: Dr. Ronald Pen, Associate Professor of Musicology Lexington, Kentucky 2010 Copyright © Kevin Donald Kehrberg 2010 ABSTRACT OF DISSERTATION “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY Albert E. Brumley (1905-1977) was the most influential American gospel song composer of the twentieth century, penning such “classics” within the genre as “Jesus, Hold My Hand,” “I’ll Meet You in the Morning,” “If We Never Meet Again,” “Turn Your Radio On,” and “Rank Strangers to Me.” His “I’ll Fly Away” has become the most recorded gospel song in American history with over one thousand recordings to date, and several of his works transcend cultural boundaries of style, genre, race, denomination, and doctrine.
[Show full text]
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No.
[Show full text]
Listening for a Life
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2004 Listening for a Life Patricia Sawin Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation Sawin, P. (2004). Listening for a life: A dialogic ethnography of Bessie Eldreth through her songs and stories. Logan: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Listening for a Life 5/27/04 2:23 PM Page i Listening for a Life A Dialogic Ethnography of Bessie Eldreth through Her Songs and Stories Listening for a Life 5/27/04 2:23 PM Page ii Listening for a Life 5/27/04 2:23 PM Page iii Listening for a Life A Dialogic Ethnography of Bessie Eldreth through Her Songs and Stories Patricia Sawin Utah State University Press Logan, Utah Listening for a Life 5/27/04 2:23 PM Page iv Copyright © 2004 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Publication of this book was supported by a grant from the University Researcch Council at the University of North Carolina, Chapel Hill. Manufactured in the United States of America Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Sawin, Patricia. Listening for a life : a dialogic ethnography of Bessie Eldreth through her songs and stories / Patricia Sawin.
[Show full text]
Happy Reading! Robin & Chrissie
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik A complete (as far as is possible) index/encyclopaedia on every facet of Don & Phil Everly, covering their lives, careers, influences and connections – of course, from us as huge fans, with all due respect to them and their families. For more recording information, see also the various detailed discography lists on the EBI website (Everly.Net); for lyrics to songs, please refer to the Lyric List on the same website (http://www.everly.net/file/disco/disco.htm ). KEY/GLOSSARY/NOTES: • WB: Warner Brothers • EBs: The Everly Brothers • LPs, CDs etc. are generally (but not always) referred to throughout as ‘albums’. • Other than important (re)releases, only the original/initial album release is referred to. • Entries are listed under the first letter, including titles that start with a bracket, e.g. ‘(Why Am I) Chained To A Memory’, but exclude ‘The’ in which case they are listed under the second word. • Surnames or family names come first in the index. • Headings are coloured blue for song and album titles and maroon for everything else. • All words in bold type in the text are cross-references to other main entry headings – although no doubt we’ve missed a few! • Entries are generally aimed to be informative and we have attempted to keep them brief though some are lengthy due to the importance and significance in the life and career of Don and Phil. However, in some cases, due to the limitations of space and the huge volume of material available elsewhere, details have been kept to a bare minimum and relate mainly to the ‘Everly connection’ – e.g.
[Show full text]
Trouble Songs
trouble songs Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-proft press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afoat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t fnd a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la open-access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) trouble songs. Copyright © 2018 by Jef T. Johnson. Tis work carries a Cre- ative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and trans- formation, you distribute your rebuild under the same license. http://creative- commons.org/licenses/by-nc-sa/4.0/ First published in 2018 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-947447-44-8 (print) ISBN-13: 978-1-947447-45-5 (ePDF) lccn: 2018930421 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J.
[Show full text]
Jim's Song Book
J i m’s S o n g B o o k A C OLLE C TION OF F A VORITES , M OSTLY Back to Contents JIM’S SONG BOOK: A COLLECTION OF FAVORITES–PRETTY MUCH T ab LE OF C ONTENTS ( TITLES LINKED TO pa GES ) 1. Ain’t Nobody Gonna Miss Me 47. I’ll Fly Away 90. Rocky Road Blues 2. All the Good Times Are Past 48. I’m Blue, I’m Lonesome 91. Rocky Top and Gone 49. I’m Going Back to Old Kentucky 92. Roll In My Sweet Baby’s Arms 3. Amber Tresses Tied in Gold 50. I’m Gonna Sleep With One Eye Open 93. Russian Lullaby 4. Angel Band 51. I’m Just Here to Get My Baby 94. Salty Dog 5. Are You Tired of Me My Darling? Out of Jail 95. Shady Grove (Garcia) 6. Are You Waiting Just For Me 52. I’m On My Way Back To The 96. Shady Grove (Doc Watson) 7. Ashes of Love Old Home 97. She Caught the Katy 8. Big Spike Hammer 53. I’m Troubled 98. Sitting Alone in the Moonlight 9. Big Rock Candy Mountain 54. I’m Working On A Building 99. Sittin’ On Top Of The World 10. Blue Night 55. In Her Own Peculiar Way 100. Stealin’ 11. Blue Railroad Train 56. In The Pines 101. Sugar Coated Love 12. Blue Ridge Cabin Home 57. Jesus Is On the Main Line 102. Sunny Side of the Mountain 103. Sweetheart, You Done Me Wrong 13. Bury Me Beneath the Willow 58.
[Show full text]
Passover: the Agony and the Love of Messiah
Issue March 2016 / Adar 1-Adar 2 5776 The Zion Letter The Monthly Newsletter of For Zion’s Sake Ministries, Inc. PO Box 1486 Bristol, TN 37620 www.forzionsake.org Phone: 276-644-1678 * Fax: 276-644-1689 * Email: [email protected] * www.forzionsake.org Passover: The Agony and the Love of Messiah God commanded Moses to tell the children of Israel MT 26:39. Most people believe Jesus was agonizing to eat three things at Passover: unleavened bread about the physical pain He was about to endure. Oth- (Matzo), roast lamb, and bitter herbs. In Judaism the ers believe that His agony was His reluctance to take matzo (unleavened bread) is often referred to as “The the sins of the world upon Himself, which would be Bread of Affliction.” If you eat it for a week you’ll an unbearable weight for any natural man. This they understand why. It sure isn’t like eating a good bagel! say was symbolized in His inability to carry His cross fully. The bitter herb reminds us of the suffering of the Jewish people as slaves under Pharaoh. My ancestors suffered greatly for hundreds of years. To this day These interpretations may be true, but I think the Jewish people around the world greatest agony that Yeshua the man faced is an agony remember the suffering of our that we all face throughout life, which ancestors in Egypt. In a New is the agony of forgiving others when Covenant sense the bitter herb we’ve been betrayed, wronged, physi- recalls the bitter suffering en- cally abused, called names, had a loved dured by our savior, but was that one taken from us, etc.
[Show full text]