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Randolph Hale Valley Music Theatre Scrapbooks LSC.2322
http://oac.cdlib.org/findaid/ark:/13030/c8nc67dr No online items Finding aid for the Randolph Hale Valley Music Theatre Scrapbooks LSC.2322 Finding aid prepared by Kelly Besser, 2021. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding aid for the Randolph Hale LSC.2322 1 Valley Music Theatre Scrapbooks LSC.2322 Contributing Institution: UCLA Library Special Collections Title: Randolph Hale Valley Music Theatre scrapbooks Creator: Hale, Randolph Identifier/Call Number: LSC.2322 Physical Description: 1 Linear Feet(1 flat box) Date (inclusive): circa 1964-1966 Abstract: Randolph Hale was vice president and treasurer of the Valley Music Theatre, in the San Fernando Valley. The collection consists of two scrapbooks related to productions staged at the Valley Music Theatre. Included are playbills and cast (group) photographs representing 40 productions staged at the theater. Additionally included is a very small amount of ephemera including a Valley Music Theatre securities brochure. Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Language of Material: English . Conditions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Conditions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. -
Classic Film Series
Pay-as-you-wish Friday Nights! CLASSIC PAID Non-Profit U.S. Postage Permit #1782 FILM SERIES White Plains, NY Fall 2014/Winter 2015 Pay-as-you-wish Friday Nights! Bernard and Irene Schwartz Classic Film Series Join us for the New-York Historical Society’s film series, featuring opening remarks by notable directors, writers, actors, and historians. Justice in Film This series explores how film has tackled social conflict, morality, and the perennial struggles between right and wrong that are waged from the highest levels of government to the smallest of local communities. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advanced reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. New-York Historical Society members receive priority. For more information on our featured films and speakers, please visit nyhistory.org/programs or call (212) 485-9205. Classic Film Series Film Classic Publication Team: Dale Gregory Vice President for Public Programs | Alex Kassl Manager of Public Programs | Genna Sarnak Assistant Manager of Public Programs | Katelyn Williams 170 Central Park170 West at Richard Gilder (77th Way Street) NY 10024New York, NEW-YORK HISTORICAL SOCIETY MUSEUM LIBRARY Don Pollard Don ZanettiLorella Collection of the Supreme Court of the United States Justice in Film Chang Lia Friday, October 17, 7 pm Flower Drum Song | 1961 | 133 min. Judge Denny Chin and distinguished playwright David Henry Hwang introduce this classic adaptation of C. Y. Lee’s novel, where Old World tradition and American romanticism collide in San Joan MarcusJoan Denis Racine Denis Francisco’s Chinatown. -
Ken Englund Papers, 1933-1972
http://oac.cdlib.org/findaid/ark:/13030/kt7h4nc9s8 No online items Finding Aid for the Ken Englund Papers, 1933-1972 Processed by Performing Arts Special Collections staff; machine-readable finding aid created by Caroline Cubé University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Ken Englund 157 1 Papers, 1933-1972 Finding Aid for the Ken Englund Papers, 1933-1972 Collection number: 157 Note This online finding aid is not edited. (Check this website for updates.) The complete, edited paper copy of the finding aid, with container list, is available at the UCLA Performing Arts Special Collections for in-house consultation and may be obtained for a fee. See Contact Information below. UCLA Library, Performing Arts Special Collections Los Angeles, CA Processed by: UCLA Library, Performing Arts Special Collections staff Encoded by: Cheryl E. Clayton and Caroline Cubé © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Ken Englund Papers, Date (inclusive): 1933-1972 Collection number: 157 Creator: Englund, Ken Extent: 21 boxes (14.0 linear ft.) Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Abstract: Ken Englund was a magazine writer when he began writing sketches and special material for vaudeville, radio, stage and film. -
A Look at Rodgers and Hammerstein's Asian Musicals and Racial
THE SOUND OF PREJUDICE: A LOOK AT RODGERS AND HAMMERSTEIN' S ASIAN MUSICALS AND RACIAL STEREOTYPES by Loretta M. Pippin A thesis submitted in partial fulfilhnent of the requirements of the University Honors Program St. Petersburg Campus University of South Florida December, 2000 Thesis Director: Raymond 0. Arsenault, Ph.D. University Honors Program University of South Florida St. Petersburg, Florida CERTIFICATE OF APPROVAL Honors Thesis This is to certify that the Honors Thesis of Loretta M. Pippin Has been approved by the Examining Committee on December 14, 2000 as satisfactory for the thesis requirement for the University Honors Program Examining Committee: Member: Gerald A Notaro, M.L.S. Member: Lisa S. Starks, Ph.D. - . '----.. Dedicated to Lee Pippin This is for my loving husband Lee. He had faith in my abilities and never doubted my capabilities when I was unsure of them myself. This project would not have been possible without his love, support, and encouragement. Lee was always by my side. He kept me going when I was down and ready to quit. My husband made tremendous personal sacrifices to help me complete my thesis. I thank him with all my heart for never losing faith in my work and me. - TABLE OF CONTENTS PREFACE ............ .... .... ... .. .................................. .. ............... ...... .. ......... .......... ..... .. ....... i ACKNOWLEDGMENTS ........ ..... ............ ........................ ... ................... .......... ............ .iii INTRODUCTION ................ .... .. ........................................... -
Asian American Romantic Comedies and Sociopolitical Influences
FROM PRINT TO SCREEN: ASIAN AMERICAN ROMANTIC COMEDIES AND SOCIOPOLITICAL INFLUENCES Karena S. Yu TC 660H Plan II Honors Program The University of Texas at Austin May 2019 ______________________________ Madhavi Mallapragada, Ph.D. Department of Radio-Television-Film Supervising Professor ______________________________ Chiu-Mi Lai, Ph.D. Department of Asian Studies Second Reader Abstract Author: Karena S. Yu Title: From Print to Screen: Asian American Romantic Comedies and Sociopolitical Influences Supervisor: Madhavi Mallapragada, Ph.D. In this thesis, I examine how sociopolitical contexts and production cultures have affected how original Asian American narrative texts have been adapted into mainstream romantic comedies. I begin by defining several terms used throughout my thesis: race, ethnicity, Asian American, and humor/comedy. Then, I give a history of Asian American media portrayals, as these earlier images have profoundly affected the ways in which Asian Americans are seen in media today. Finally, I compare the adaptation of humor in two case studies, Flower Drum Song (1961) which was created by Rodgers and Hammerstein, and Crazy Rich Asians (2018) which was directed by Jon M. Chu. From this analysis, I argue that both seek to undercut the perpetual foreigner myth, but the difference in sociocultural incentives and control of production have resulted in more nuanced portrayals of some Asian Americans in the latter case. However, its tendency to push towards the mainstream has limited its ability to challenge stereotyped representations, and it continues to privilege an Americentric perspective. 2 Acknowledgements I owe this thesis to the support and love of many people. To Dr. Mallapragada, thank you for helping me shape my topic through both your class and our meetings. -
An Analysis of Historic Preservation and Affordable Housing Incentives in Seattle’S Chinatown - International District
An Analysis of Historic Preservation and Affordable Housing Incentives in Seattle’s Chinatown - International District Brian P. Kalthoff A thesis submitted in partial fulfillment of the requirements for the degree of Master of Urban Planning University of Washington 2012 Committee: Daniel Abramson George Rolfe Program Authorized to Offer Degree: Department of Urban Planning University of Washington Abstract An Analysis of Historic Preservation and Affordable Housing Incentives in Seattle’s Chinatown - International District Brian Kalthoff 2012 Chair of the Supervisory Committee: Associate Professor Daniel Abramson Department of Urban Planning This thesis investigates the financial, social and the objectives of the current owners. Attention is given to political impacts of the historic preservation and affordable the ownership structure of the subject buildings, with a housing incentives that are available to historically significant particular focus on Chinese family associations. buildings in the Chinatown - International District of Seattle. This paper includes a detailed account of the The research aims to provide insight as to the effectiveness neighborhood’s complex social and political history, as of these incentives in achieving the goal of rehabilitating well as a study of the evolution of its built form, as these buildings and providing affordable housing, while meeting continue to influence the neighborhood today. The research was informed by a review of primary and secondary source material and by a series of confidential interviews with neighborhood property owners, city of Seattle employees, housing developers and a variety of community stakeholders. One significant finding is that many incentives are undesirable to individual property owners, Chinese family associations and other forms of collective ownership entities. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Nisei Reporter Covers 50-Mile Jacl SIGNS up in SUPPORT of HISTORY PROJECT Easi Wind Iropomd • I*- ,I-Arch Proi-I
Ut«M PobOcaUM Monbeni# NykaliM -ova 50,000 READERS- SECONO CLASS POSTAGE JaMM AMHm DliM LM*W ' PAID AT LOS ANGELES. CALIF PUBLISHED WEEKLY .' EXCEPT LAST WEEK OF YEAH PACIFIC CITIZEN VOL. 60 NO. 14 FRIDAY, APRIL 2. 1965 . BY WILLIAM MARUTANI - SAN FRANCISCO 15 U.S. SENATORSiHTKUSIASIlC Nisei reporter covers 50-mile JACl SIGNS UP IN SUPPORT OF HISTORY PROJECT Easi Wind iropoMd • I*- ,i-arch proi-i-. tu caUli's tu.<!or;e» Alabama voting rights march 1,600 MEMBERS and----- 1 e*pern.nci»-------- -- -rf«4. AmericsM «%lol .U-"-.-. I ..iiU W»rr«-ii C Wafrfuwti WHERE DOES IT STOP? BY RICHARD GIMA lui'ht. March 26. Tom: said. .'"Th' i& psecdmiQCT a( the uittv«rsR]r. Surpaues Previous Javanese aneesUr has drawn ea- >Sper:al to the Pacific Ciuzeo > face^. the words, .the nnss. the Mrs. Sprmgtt cn(ieaU>- is tram Ten of Letter * PllTlad^phia NatierMl All-Time thuiiasUc supper.' from S-m. HCXOLULU—Mrs. Tbmi Kairawa rc-.lmgs and the sceoes of that antfstUe. Gcor«tt Hdr grai^ I do not recall that it ever happened to me before but I Thomas H. Kuchel iR-CaUf i acd The letter <rf the 15 Seaatrrs Knu-fk-r. Nisei reponcr who co^ler^ these are jndeUWy e:ehed in father was a Ku fOu* Klaesfntn. Chapter High of 1,226 14 Senate eoUeagues. ashamedly adroit that as I read.this evening’s paper, tears the heafh beat for the Honolulu fn.v miiad, forevennore a par; ol Lett Interest Nm Kuchel was joined in fl letxr "It has come to our alteotxin Star-BuUct.-n. -
MARCH 2010 Belief Whatsoever
ello and welcome to the month of RB'S CORNER March…. Two weeks ago on Valentine’s REV. BOB OSHITA HDay, we also celebrated the beginning of the lunar New Year, the Year of the Tiger. I’ve always found it interesting that virtually all of us know the Asian New Year sign of our birth and also the Western Zodiac sign for the month of our birth. It is certainly interesting to read our horoscopes (both east and west) describing our characteristics. But when we begin to believe that these signs can predict our destinies or divine what sign will match up best with what other signs, then we begin to allow superstitious beliefs to influence our lives and how we respond to others. Astrology, both east and west, has had centuries to develop intricate and interesting stories to explain the mysterious workings of the universe. And these beliefs have impacted greatly on the cultures of humanity. For instance, in the Japanese culture, we often celebrate an event called “Kanreki” when someone turns 60 (although it should actually be SACRAMENTO 61). BETSUIN 2401 Riverside Blvd. This tradition comes from the 12 lunar signs from Sacramento, CA 95818 Rat to Rooster. But it is more intricate than this. Each 12-year cycle is under one of five different (916) 446-0121 “elemental” signs: Tree, Fire, Earth, Metal and (916) 446-1866 FAX Water. For instance, according to the lunar [email protected] calendar, I was born in the Year of the Rat, under the “element” of Earth. This year, we are INSIDE celebrating the Year of the Tiger, the third year in Calendar 2 the “element” cycle of Metal. -
The Thesis Committee for Steven Vern Reddicliffe
The Thesis committee for Steven Vern Reddicliffe Certifies that this is the approved version of the following thesis Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows APPROVED BY SUPERVISING COMMITTEE: Supervisor: ________________________________________ Janet Staiger __________________________________________ Michael Kackman Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, B.S.J. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August 2010 Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, MA The University of Texas at Austin, 2010 SUPERVISOR: Janet Staiger An oral history of television comedy from the early 1950s through the mid 1970s as told by the writers Sydney Zelinka, Larry Rhine, Milt Josefsberg, and the team of Seaman Jacobs and Fred S. Fox. The shows they wrote for included “The Honeymooners,” ‘The Phil Silvers Show,” “The Red Skelton Hour,” Bob Hope specials, “Here’s Lucy,” “All in the Family,” and “Maude.” These five writers were working in the earliest days of the medium and spent years writing for the personalities—from performers to producers—who pioneered and defined it. Most of them also wrote scripts during one of broadcast television’s greatest periods of transformation, when comedy took a decidedly topical turn that continued to have a significant impact on television comedy in the decades that followed. iii Table of Contents Introduction ……………………………..….……………….……..……1 Chapter One: Sydney Zelinka ……………………………....…..….…..15 Chapter Two: Larry Rhine ……………………………………......……32 Chapter Three: Milt Josefsberg ……………………...…….…...…....…58 Chapter Four: Seaman Jacobs and Fred S. -
Complete Casting and Cities Announced for North American Tour of Fiddler on the Roof
FOR IMMEDIATE RELEASE PRESS CONTACT: Molly Sommerhalder Email: [email protected] Phone: 414-273-7121 x399 COMPLETE CASTING AND CITIES ANNOUNCED FOR NORTH AMERICAN TOUR OF FIDDLER ON THE ROOF “BROADWAY’S FAVORITE MUSICAL.” - NY Daily News “A REASON FOR CELEBRATION!” -New York Magazine “ELECTRIFYING! SUPERB.” – The New York Times "MAGNIFICENT! LIFE-AFFIRMING.” – Time Out New York “A REMARKABLE ACHIEVEMENT. A TRIUMPH.“ - Associated Press “TIMELESS AND TIMELY.” - NBC New York (MILWAUKEE, WI)- Casting has been announced for the North American tour of the Tony Award ®- nominated Broadway revival of Fiddler on the RooF. A beloved theatrical classic from Tony-winner JosePh Stein and Pulitzer Prize-winners Jerry Bock and Sheldon Harnick, Fiddler on the RooF is directed by Tony-Award winner Bartlett Sher (South Pacific, The King and I) and choreographed by the acclaimed Israeli choreographer Hofesh Shechter. The cast is led by Israeli film and TV star, Yehezkel Lazarov who will take on the lead role of Tevye in this production of Fiddler on the RooF. The cast will also feature Maite Uzal as Golde, Jonathan von Mering as Lazar Wolf, Carol Beaugard as Yente, Mel Weyn as Tzeitel, Ruthy Froch as Hodel, Natalie Powers as Chava, Danielle Allen as Sphintze, Emerson Glick as Bielke, Jesse Weil as Motel, Ryne Nardecchia as Perchick, Joshua Logan Alexander as Fyedka and Jeffrey Brooks as Constable. The ensemble includes Danny Arnold, Eric Berey, Nicholas Berke, Eloise DeLuca, Derek Ege, David Ferguson, Olivia Gjurich, Michael Hegarty, Allegra Herman, Carolyn Keller, Paul Morland, Kelly Gabrielle MurPhy, Jacob Nahor, Jack O’Brien, Maxwell Parr Perkins, Leah Platt, Lynda Senisi, Nick Siccone, Brian Silver, and Britte Steele. -
Asian Pacific Islander Leaders and Luminaries Presented by the API Affinity Group Leaders in Justice Grace Lee Boggs
Asian Pacific Islander Leaders and Luminaries Presented by The API Affinity Group Leaders in Justice Grace Lee Boggs Grace Lee Boggs was an outspoken author, social activist, civil rights leader in Chicago, Detroit, and nationwide. Her activism was focused on workers’ rights and the rights of Black Americans, and she paved the way for conversations related to the intersectionality of Asian and African American oppression and our collective liberation. Her commitment to social justice for African Americans is a reminder of the power and privilege we yield as Asian Americans and Pacific Islanders to do anti‐racist work. Grace Lee also reminds me that while the world believes me meek, I am not. Photo: Robin Holland Larry itliong Labor activist and colleague of Cesar Chavez, Larry Itliong lead the Delano Grape Strike in 1965. A common tactic used by oppressors is to pit the oppressed against one another, and this method was exploited by the growers. Understanding that solidarity would bring strength to the movement, Itliong united the Filipino migrant workers and the Mexican migrant workers. Itliong and Chavez founded the United Farm Workers labor union together. “Itliong’s leadership helped spark the farmworkers movement, one of the most important social justice movements of the 20th century.” –Paula Mejia I learned about Itliong in college, but I learned about the labor movement and Chavez in 3rd grade. I believe this was not an accident, and it is another way to divide the people. Itliong’s exclusion from social justice history is a reminder Photo: George Ballis to me to question the stories we’re told.