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Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
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ÐÑ €Ñ‚ Пепър ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) Straight Life https://bg.listvote.com/lists/music/albums/straight-life-1446067/songs So in Love https://bg.listvote.com/lists/music/albums/so-in-love-28452495/songs https://bg.listvote.com/lists/music/albums/art-pepper-with-warne-marsh- Art Pepper with Warne Marsh 2864557/songs New York Album https://bg.listvote.com/lists/music/albums/new-york-album-27818530/songs Modern Art https://bg.listvote.com/lists/music/albums/modern-art-11784473/songs Living Legend https://bg.listvote.com/lists/music/albums/living-legend-3257150/songs Popo https://bg.listvote.com/lists/music/albums/popo-1765447/songs Art 'n' Zoot https://bg.listvote.com/lists/music/albums/art-%27n%27-zoot-27818837/songs The Return of Art Pepper https://bg.listvote.com/lists/music/albums/the-return-of-art-pepper-9358181/songs Tokyo Debut https://bg.listvote.com/lists/music/albums/tokyo-debut-3530519/songs Art Pepper with Duke Jordan in Copenhagen https://bg.listvote.com/lists/music/albums/art-pepper-with-duke-jordan-in- 1981 copenhagen-1981-27818796/songs The Trip https://bg.listvote.com/lists/music/albums/the-trip-3523093/songs Art Pepper Today https://bg.listvote.com/lists/music/albums/art-pepper-today-3530231/songs The Art Pepper Quartet https://bg.listvote.com/lists/music/albums/the-art-pepper-quartet-3519815/songs Smack Up https://bg.listvote.com/lists/music/albums/smack-up-609881/songs The Early Show https://bg.listvote.com/lists/music/albums/the-early-show-1764297/songs Intensity -
Barney Kessel Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 3 Scope & Content …………………………………………………………………… 5 Series Notes …………………………………………………………………………… 6 Container List: Series I: Correspondence …………………………………………………… 9 Incoming, Dated …………………………………………………… 9 From Maurice J. Summerfield …………………………………… 33 Incoming, Undated …………………………………………………… 35 Incoming, Unsigned & Undated …………………………………… 37 Blank Envelopes …………………………………………………… 37 Outgoing, Dated …………………………………………………… 38 To Maurice J. Summerfield …………………………………………… 43 Outgoing, Undated …………………………………………………… 44 Outgoing, Unsigned & Undated …………………………………… 44 Correspondence Including Photographs …………………………… 45 Series II: Personal Documents …………………………………………… 46 Biographies …………………………………………………………… 46 Marriage Documents …………………………………………………… 46 Obituaries …………………………………………………………… 47 Series III: Seminar …………………………………………………………… 48 Business …………………………………………………………… 48 Promotional Material …………………………………………………… 48 Notes …………………………………………………………………… 49 Correspondence …………………………………………………… 49 Questionnaires …………………………………………………… 50 Series IV: Promotional Material …………………………………………… 51 Flyers …………………………………………………………………… 51 Press Releases …………………………………………………… 52 Programs & Booklets …………………………………………………… 53 Interview Transcripts …………………………………………………… 55 Reviews …………………………………………………………… 55 Oversized Posters …………………………………………………… 56 Series V: Notes …………………………………………………………… 57 Notebooks …………………………………………………………… -
En Guise D'avant-Propos
En guise d’avant-propos WEST COAST JAZZ — « La West Coast, qu’est‑ce que c’est ? » (Lee Konitz). — « C’est une étiquette, rien de plus. » (Hampton Hawes). — « Ça a été un pur accident. » (Chet Baker). L’appellation « Jazz West Coast » a toujours posé un problème à ceux‑là mêmes qui étaient censés l’avoir créée. Une étiquette rejetée plus ou moins violemment que quelques‑uns ont fini par accepter de guerre lasse. « On a toujours besoin d’un label », reconnaissait Shelly Manne. Apposer une estam‑ pille n’est guère difficile, les problèmes surgissent à partir du moment où il s’agit de préciser ce qu’elle est supposée recouvrir. Dans ce cas précis, s’agit‑il d’une forme de jazz inventée par des Californiens ? Certainement pas : le gros des musiciens venait de l’Est. Alors d’une variante jouée uniquement sur les bords du Pacifique ? Faux, il en existe des équivalents à New York, Boston, Chicago, en Suède et ailleurs encore. Peut‑ ISBN 978-2-86364-665-6 être un style pratiqué exclusivement par des jazzmen de race blanche ? Certes, / ils étaient majoritaires — et l’on verra pourquoi —, mais que deviennent Chico Jazz Hamilton, Buddy Collette, Curtis Counce, Leroy Vinnegar, Hampton Hawes et quelques autres ? Existe‑t‑il seulement une spécificité dans la musique inter‑ Coast prétée en Californie au cours des années 1952‑1965 ? Plus on en approfondit West l’étude, plus le doute s’installe. — Cette difficulté à appréhender globalement le «Jazz West Coast » ne lui appartient pas en propre. De semblables ambiguïtés se retrouvent Tercinet à propos de tous les styles dûment catalogués. -
WDR 3 Jazz & World, 11. Juli 2020
WDR 3 Jazz & World, 11. Juli 2020 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 08.06.2020 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Werner Wittersheim 22:04-24:00 Laufplan 1. Zing Went The Strings Of My Heart K/T: J.F. Hanley 6:43 BOBBY BROOKMEYER Vik 1071; LC: 00316 LP: Brookmeyer 2. Opus In Chartreuse K/T: Gene Roland 3:14 STAN KENTON Capitol 1931; LC: 00148 LP: Artistry In Bossa Nova 3. My Kinda Love K/T: Trent/ Alter 4:34 ANN RICHARDS & STAN KENTON Capitol 1495; LC: 00148 LP: Two Much! 4. No Moon At All K/T: Ann/ Evans 4:35 ANN RICHARDS & STAN KENTON wie Titel 3 5. Blue Moon K/T: Richard Rodgers/ Lorenz Hart 2:23 ROSEMARY CLOONEY Coral 57266; LC: 00171 LP: Swing Around Rosie 6. Summer Wind K/T: Henry Mayer/ H. Bradtke/ 2:29 BUD SHANK J. Mercer World Pacific 1853; LC: 00249 LP: Girl In Love 7. Aquarius K/T: Ragni/ Rado/ McDermot 3:00 STAN KENTON Capitol 305; LC: 00148 LP: Hair 8. Barbershop Boogie K/T: Ervin Drake/ Jimmy Shirl 2:41 TOMMY SOSEBEE Coral 64164; LC: 00171 Single 9. Exactly Like You K/T: Jimmy McHugh/ Dorothy Fields 3:05 JONAH JONES Emarcy 36023; LC: 00268 LP: Battle Of The Saxes 10. Lullaby Of The Leaves K/T: Petkere/ Young 3:04 CORKY COCORAN wie Titel 9 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. -
ED 119 715 TITLE INSTITUTION PUB DATE AVAILABLE from DOCUMENT RESUME IR 003 186 Video Program Catalogue, 1976/77. Public Televis
DOCUMENT RESUME ED 119 715 IR 003 186 TITLE Video Program Catalogue, 1976/77. INSTITUTION Public Television Library, Washington, D.C. PUB DATE 76 NOTE 123p. AVAILABLE FROM The Public Television Library, Video Program Service, 475 L'Enfant Plaza West, S.W., Washington, D.C. 20024 EDRS PRICE MF-$0.83 HC -$6.O1 Plus Postage DESCRIPTORS Art; Athletics; *Catalogs; Childhood; Children; Current Events; Deaf; *Film Libraries; Films; Health; Instructional Media; Programing (Broadcast); Public Affairs Education; *Public Television; Sciences; Video Cassette Systems; *Video Tape Recordings IDENTIFIERS Captioned Media; Public Broadcasting Service; Sixteen Millimeter Films ABSTRACT More than 2000 individual television programs produced by the nation's public broadcasting stations are listed in this catalog. The programs are divided among more than 270 subject headings, and they represent the general interest areas of public affairs, current issues, art, health, science, instruction, sports, and childrens shows. Programs and series are listed alphabetically by subject and by title. All title listings carry detailed information about each program. Special sections are included which list programs available on 16mm film, programs for the deaf, and programs for children. Unlisted, recently aired programs are also available upon special request. Rental and purchase price information is included. (EM H) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. -
Sonny Red Oral History 2020
BLUESVILLE: THE JOURNEY OF SONNY RED Anders Svanoe INTRODUCTION The first time I heard Sonny Red on record, I wondered, “Who is this guy?” Luckily for me, I had stumbled on Curtis Fuller's New Trombone, which started the nine-year (and still counting) love affair with Sonny Red (a.k.a. Sylvester Kyner). That particular record really caught my attention, since I had never heard that much trombone and alto saxophone pairing on the front line. But there was something almost suspicious in how these two masterful musicians blended and embellished every note together as if they were one. It seemed they knew each other well. Almost too well. Red's organic sound on the alto saxophone was a perfect match for Curtis Fuller. I couldn't explain why I liked it so much, other than to say it was captivating, heartfelt and real. Imperfectly perfect, if you can say that. In the following weeks I looked for additional record dates that featured Sonny, but found very few sessions available on CD. Not even Out Of the Blue, perhaps Red's finest effort, was available in the U.S. Now Sonny's albums are finally resurfacing on CD, and are beginning to attract positive attention. When these albums first came out in the late 1950s and early 1960s, they were sadly overlooked. This was a common problem for bebop alto players recording in the 1950s: there were just too many other great alto players recording a similar type of music, and Red's style somehow got lost in the mix. -
Downbeat.Com February 2016 U.K. £3.50
FEBRUARY 2016 U.K. £3.50 DOWNBEAT.COM FEBRUARY 2016 VOLUME 83 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, -
For Fresh Fans - a Powerful “Kenton Collection” by Walter W
For Fresh Fans - A Powerful “Kenton Collection” by Walter W. EY, Green Valley, AZ Kenton - Wagner - TAO - 2217. Kenton Live From the Las Vegas Tropicana - T-1460. Finian’s Rainbow - ST - 2971. Stan Kenton - The Stage Door Swings - T-1166. Artistry in Voices and Brass - T-2132. Stan Kenton’s Greatest Hits - T-2327. Standards in Silhouette - ST - 1394. Road Show - Stan Kenton, June Christy and The Four Artistry in Rhythm - T-167. Freshmen - Two Record Set - TBO-1327. Adventures in Blues - T-1985. The Four Freshmen Live at Butler University with Stan New concepts of Artistry in Rhythm - ST-1002. Kenton and his Orchestra - Two Record Set - ST-1059 Stan Kenton Today - Recorded live in London The Four Freshmen - Return to Romance - Autograph of Two record set - BP 44179-80. Ross Barbour. Stan Kenton and his orchestra Live at Brigham Young The Four Freshmen - Return to Ramance - Univ. - Two record set - ST-1039. Autograph of Ross Barbour and Ray Brown. Adventures in Standards - ST-1025 The Four Freshmen - Mount Freshmore. Stan Kenton - Music from Hair - ST-305. Kenton Showcase - ST-1026. The Ballad Style of Stan Kenton - T-1068. FOR THE RECORD, I HAVE THREE ADDED Stan Kenton - Lush Interlude - T-1130. TREASURED ALBUMS: The Romantic Approach in the ballad style of Stan Kenton - T-1533. Stan Kenton’s Christmas - ST-1001 - Autograph - Stan Kenton conducts the Los Angeles Neophonic “For Walter - Merry Christmas - Stan Kenton.” Orchestra - MAS #2424. Stan Kenton - Private Party - ST-1014. Stan Kenton - City of Glass this modern World - ST-1006, Stan Kenton - Adventures in Time - T-1844. -
Jazz Articles III Collection of Jazz Articles - III
1 Jazz Articles III Collection of Jazz Articles - III Albert Nichols Talks about Jelly Roll 1 Jelly Roll in Chicago (1927) 12 Jelly Roll 18 Empress of the Blues, Bessie Smith 19 The Taping of Bessie Smith 25 Visit with Satchmo 27 When Satchmo Was Zulu 29 Origin of Word “Jazz” 33 Impact of Creole Music on Jazz 36 Jazz! First As Dance 40 Jazz Dancing on the Way Back 45 Notes on the Banjo 48 The Problems of Provenance 51 Abbie Brunies and the Halfway House 52 Irving Fazola & the Glenn Miller Sound 54 Weeks Hall & Bunk Johnson 57 The Unknown Hoagy 60 I Wish I Could Shimmy Like My Sister Kate” 64 A Song from Westwego, “Lazy River 66 12th Street Rag 69 John Philip Sousa’ Impact on Jazz 69 Louisiana Brass Band & History in Relation To Jazz History 72 The Piano in New Orleans Jazz Ensemble 84 Chris Kelly-King of the Blues 85 Willie Parker 101 Jim Robinson 106 Harrison Barnes 120 Anita Gonzales (Jelly Roll’s Wife) 125 Second Line 134 Does jazz Belong to Art? - Gershwin 135 The Question of King Oliver’s Birth date 138 What is Dixieland 139 The Original Hot Five 141 Backroom Boys 143 Sleepy Time Down South 146 Lou’siana Swing 148 The Tio Family 152 Oscar “Papa” Celestin 158 A Handy Homage 162 Albert Nicholas Talks About Jelly Roll by William Russell Ever since I was a kid coming up in New Orleans I had heard of Jelly Roll and what a great pianist he was. They called him “Windin’ Boy” then. -
Lutist Quarterly Volume Xxxvi, No
VOLUMEXXXVI , NO . 4 S UMMER 2 0 1 1 THE lut i st QUARTERLY The Case of the Lost Flute Concerto The Sonatas of Eugène Walckiers Mercedes Smith: Two Weeks, Two Winning Performances Unity Through Diversity: Many Flutists, One World 39th Annual NFA Convention in Charlotte, North Carolina THEOFFICIALMAGAZINEOFTHENATIONALFLUTEASSOCIATION, INC Table of CONTENTS THE FLUTIST QUARTERLY VOLUME XXXVI, NO. 4 SUMMER 2011 DEPARTMENTS 11 From the Chair 65 NFA News 13 From the Editor 68 Notes from Around the World 16 High Notes 76 New Products 20 Flute Shots 80 Reviews 42 39th NFA Convention: 91 From the 2012 Convention Unity Through Diversity: Program Chair Many Flutists, One World 92 NFA Office, Coordinators, 59 Across the Miles Committee Chairs 62 Honor Roll of Donors to the NFA 97 Index of Advertisers 22 FEATURES 22 The Case of the Lost Flute Concerto by Andrew Woolley It wasn’t Scotland Yard, and he isn’t Sherlock Holmes, but a scholar’s discovery in Scotland of a flute concerto by Antonio Vivaldi, previously believed lost, is great news for flutists and historians alike. 26 The Sonatas of Eugène Walckiers by Ursula Pešek (translated by Traute Marshall) The last five works by the French flutist and composer, including one plucked from obscurity, offer modern flutists outstanding additions to the repertoire of original flute sonatas. This is the first of a two-part article, which continues in the Fall 2011 issue with a focus on the composer himself, dubbed by author R.S. Rockstro “a man of real genius.” 34 Two Weeks, Two Winning Performances by Kyle Dzapo Conscientious practice sessions, careful planning, and frequent recitals helped Mercedes Smith achieve her one-two punches in competition wins and an early jumpstart to a promising career as a flutist. -
The Music of John Luther Adams / Edited by Bernd Herzogenrath
The Farthest Place * * * * * * * * * The Farthest Place The Music of John Luther �dams Edited by Bernd Herzogenrath � Northeastern University Press Boston northeastern university press An imprint of University Press of New England www.upne.com © 2012 Northeastern University All rights reserved Manufactured in the United States of America Designed by Eric M. Brooks Typeset in Arnhem and Aeonis by Passumpsic Publishing University Press of New England is a member of the Green Press Initiative. The paper used in this book meets their minimum requirement for recycled paper. For permission to reproduce any of the material in this book, contact Permissions, University Press of New England, One Court Street, Suite 250, Lebanon NH 03766; or visit www.upne.com Library of Congress Cataloging-in-Publication Data The farthest place: the music of John Luther Adams / edited by Bernd Herzogenrath. p. cm. Includes bibliographical references and index. isbn 978-1-55553-762-3 (cloth: alk. paper)— isbn 978-1-55553-763-0 (pbk.: alk. paper)— isbn 978-1-55553-764-7 1. Adams, John Luther, 1953– —Analysis, appreciation. I. Herzogenrath, Bernd, 1964–. ml410.a2333f37 2011 780.92—dc23 2011040642 5 4 3 2 1 * For Frank and Janna Contents Acknowledgments * ix Introduction * 1 bernd herzogenrath 1 Song of the Earth * 13 alex ross 2 Music as Place, Place as Music The Sonic Geography of John Luther Adams * 23 sabine feisst 3 Time at the End of the World The Orchestral Tetralogy of John Luther Adams * 48 kyle gann 4 for Lou Harrison * 70 peter garland 5 Strange Noise, Sacred