Curriculum & Action Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. MAKING COMMUNITY: THE PLACES AND15 SPACES OF LGBTQ COLLECTIVE IDENTITY FORMATION Christina B. Hanhardt Introduction In the summer of 2012, posters reading "MORE GRINDR=FEWER GAY BARS” appeared taped to signposts in numerous gay neighborhoods in North America—from Greenwich Village in New York City to Davie Village in Vancouver, Canada.1 The signs expressed a brewing fear: that the popularity of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) social media—like Grindr, which connects gay men based on proximate location—would soon replace the bricks-and-mortar institutions that had long facilitated LGBTQ community building. -
How the U.S. Christian Right Is Transforming Sexual Politics in Africa
Colonizing African Values How the U.S. Christian Right is Transforming Sexual Politics in Africa A PUBLICATION OF POLITICAL RESEARCH ASSOCIATES BY KAPYA JOHN KAOMA Political Research Associates (PRA) is a progressive think tank devoted to supporting movements that build a more just and inclusive democratic society. We expose movements, institutions, and ideologies that undermine human rights. PRA seeks to advance progressive thinking and action by providing research-based information, analysis, and referrals. Copyright ©2012 Political Research Associates Kaoma, Kapya John. ISBN-10: 0-915987-26-0 ISBN-13: 978-0-915987-26-9 Design by: Mindflash Advertising Photographs by: Religion Dispatches, Michele Siblioni/AFP/Getty Images, Mark Taylor/markn3tel/Flickr This research was made possible by the generous support of the Arcus Foundation and the Wallace Global Fund. Political Research Associates 1310 Broadway, Suite 201 Somerville, MA 02144-1837 www.publiceye.org Colonizing African Values How the U.S. Christian Right is Transforming Sexual Politics in Africa A PUBLICATION OF POLITICAL RESEARCH ASSOCIATES BY KAPYA KAOMA POLITICAL RESEARCH ASSOCIATES i Colonizing African Values - How the U.S. Christian Right is Transforming Sexual Politics in Africa Foreword ganda’s infamous 2009 Anti-Homosexuality Bill, onstrates in Colonizing African Values that the Ameri- which would institute the death penalty for a can culture wars in Africa are growing hotter. Tracing U new and surreal category of offenses dubbed conflicts over homosexuality and women’s repro- “aggravated homosexuality,” captured international ductive autonomy back to their sources, Kaoma has headlines for months. The human rights community uncovered the expanding influence of an interde- and the Obama administration responded forcefully, nominational cast of conservative American inter- the bill was tabled, and the story largely receded ests. -
Abstract Pray the Gay Away
ABSTRACT PRAY THE GAY AWAY: RHETORICAL DILEMMAS OF THE AMERICAN EX-GAY MOVEMENT by Travis Allan Webster The Ex-Gay Movement marks a contemporary, traditionally North American emergence of “reparative” therapies and ministries that attempt to convert gay men and lesbians into “straight” identities. Pray the Gay Away theorizes these reparative rhetoric(s) as arenas that create discursive spaces of tension—what I call “second closets”—for “ex-gays” in virtual and material contexts. Through digital, rhetorical analyses, this thesis investigates the performative and linguistic reactions of ex-gays exhibited in online testimonies on pro-ex-gay websites, while examining rhetoric(s) of counter-hegemonic, online communities that seek to work against the Ex-Gay Movement. PRAY THE GAY AWAY: RHETORICAL DILEMMAS OF THE AMERICAN EX-GAY MOVEMENT A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Travis Allan Webster Miami University Oxford, Ohio 2008 Advisor________________________ LuMing Mao Reader_________________________ W. Michele Simmons Reader_________________________ Madelyn Detloff Table of Contents Dedication iv Acknowledgments v Chapter 1: An Introduction 1 Chapter 2: Theoretical Foundations 9 Chapter 3: The Second Closet Online 25 Chapter 4: Counter-Rhetoric(s) Online and Conclusions 38 Works Cited 51 ii This thesis is dedicated to Chuck Collins iii Acknowledgments First and foremost, I am indebted to my thesis committee, LuMing Mao, Michele Simmons, and Madelyn Detloff. This project would not have been possible without the support of these three teacher-scholars, whom I admire, respect, and model my pedagogy and scholarship after. -
UC Irvine X-Men Fan Club.Pdf
UC Irvine Tossups 4/17/043:51 PM Technophobia 4: Massive Quizbowl Overdose Tossups by DC Irvine X-Men Fan Club (Willie Chen, Jun Tokeshi, and Matt Adams) 1. 1bis man befriended Leonardo DiCaprio while they were making the 'IV series "Parenthood." Now, ignorant girls refer to him simply as "Leo's friend." His first lead role was in the 'IV sitcom "Great Scott!" He played a hitchhiker in Fear and Loathing in Las Vegas, Harvey Stem in Deconstructing Harry, and Paul Hood in The Ice Storm. For 10 points--identify this talented young actor who starred opposite Reese Witherspoon as Bud Parker in Pleasantville. answer: Tobey Maguire 2. In one of her novels, this author tells the stol)' ofWhittman Ah Sing, a San Francisco hippie who tries to stage an epic production of interwoven Chinese novels and folktales. In another novel, subtitled "Memoirs ofa Girlhood among Ghosts," this author retells the stories of Fa Mu-Lan and the woman who killed herself by jumping into a well. For 10 points--who is this Chinese-American author of Tripmaster Monkey and The Woman Warrior? answer: Maxine Hong Kingston 3. The northern part of this countl)' contains many hot springs and has its highest peak at Mt. R1;!apehu. The southern part contains many glaciers and mountain lakes in the Southern Alps, with the highest point at Mt. Cook. For 10 points--identify this island nation composed of the world's 12th and 15th largest islands, which are separated by the Cook Strait. answer: New Zealand 4. He was the alternate US representative to the United Nations General Assembly and a member of the US delegation to the UN Human Rights Commission. -
Homosexuality and the 1960S Crisis of Masculinity in the Gay Deceivers
Why Don’t You Take Your Dress Off and Fight Like a Man? WHY DON’T YOU TAKE YOUR DRESS OFF AND FIGHT LIKE A MAN?: HOMOSEXUALITY AND THE 1960S CRISIS OF MASCULINITY IN THE GAY DECEIVERS BRIAN W OODMAN University of Kansas During the 1960s, it seemed like everything changed. The youth culture shook up the status quo of the United States with its inves- titure in the counterculture, drugs, and rock and roll. Students turned their universities upside-down with the spirit of protest as they fought for free speech and equality and against the Vietnam War. Many previously ignored groups, such as African Americans and women, stood up for their rights. Radical politics began to challenge the primacy of the staid old national parties. “The Kids” were now in charge, and the traditional social and cultural roles were being challenged. Everything old was old-fashioned, and the future had never seemed more unknown. Nowhere was this spirit of youthful metamorphosis more ob- vious than in the transformation of views of sexuality. In the 1960s sexuality was finally removed from its private closet and cele- brated in the public sphere. Much of the nation latched onto this new feeling of openness and freedom toward sexual expression. In the era of “free love” that characterized the latter part of the decade, many individuals began to explore their own sexuality as well as what it meant to be a traditional man or woman. It is from this historical context that the Hollywood B-movie The Gay Deceivers (1969) emerged. This small exploitation film, directed by Bruce Kessler and written by Jerome Wish, capitalizes on the new view of sexuality in the 1960s with its novel (at least for the times) comedic exploration of homosexu- ality. -
Trans Resources
Resources Duke Child and Adolescent Gender Care www.dukehealth.org TransActive, support for trans* children and families http://www.transactiveonline.org Tarheel Transmen online support group Charlotte Gender Alliance, support group http://charlottegenderalliance.info/ Gender Benders- Greenville Support and Activist Group GLBTQ http://genderbenderssc.org/GenderBenders/Welcome.html Palmetto Gender Association, connecting trans* folks with resources in South Carolina chapters http://www.palmettotgassociation.org/default.html PFLAG: PFLAG Flat Rock/Hendersonville http://community.pflag.org WNC Trans Support Hotline through Campaign for Southern Equality 237-1323 Phoenix Transgender Support Group (meet every 2 months) phoenixtgs.weebly.com/ Asheville Transformers http://tranzmission.org/transformers-support- groups.html YouthOUTright for GLBTQ youth, ages 14-23, youthoutright.org/ QORDS a camp For lgbtqqia youth and youth of lgbtqqia parents ages 11-17. Social Justice and Music camp with year round events. www.qords.org Western NC Community Health Services 285-0622, www.wncchs.org/ Asheville Planned Parenthood 252-7928, hormone therapy, education, referrals Beloved House Asheville Trans* affirming homelessness resource, 39 Grove St. 242-8261 Mission Hospital Speech Therapy, contact Patricia Handlon 213-0850 24/7 Suicide Prevention Hotline 1-800-273-8255 the Trevor Project 866-4-U-TREVOR (866-488-7386) wehappytrans.com: for sharing positive trans experiences Anne L. Boedecker, PhD, The Transgender Guidebook: Keys to a Successful Transition, -
Curriculum & Action Guide
DVD TITLE ARTSARTSFacilitating a Discussion IN AC IN ACTION Finding a Facilitator DIVERSE VOICES ON PAGE AND STAGE KRUDAS DEFINITION: AYA DE LEON Identify your own. When the 90’s hit,a all film the by Opie Boero ImwinkelriedIdentify your own. Whena film the by Jennifer 90’s hit, Ongiri all the new communication technologies offered new communication technologies offered people a new way to communicate that was people a new way to communicate that was ARTSeasier and more. INeasier and more. AC Be knowledgeable. When the 90’s hit, all the Be knowledgeable. When the 90’s hit, all the new communication technologies offered new communication technologies offered people a new way to communicate that was people a new way to communicate that was easier and more. easier and more. Be clear about your role. When the 90’s hit, Be clear about your role. When the 90’s hit, all the new communication technologies all the new communication technologies offered people a new way to communicate offered people a new way to communicate ARTSthat was easier and more. INthat was easier and more. AC Know your group. When the 90’s hit, all the Know your group. When the 90’s hit, all the new communication technologies offered new communication technologies offered people a new way to communicate that was people a new way to communicate that was easier and more. easier and more. JUNK BOX WARRIOR EL ABUELO BYRON CHIEF-MOON: GREY a film by Preeti AK Mistry a film by Dino Dinco HORSE RIDER a film by Marlene Millar and ARTS INPhilip SzporerAC Curriculum Guide ARTS INwww.frameline.org/distribution -
Hormel, James C. (B
Hormel, James C. (b. 1933) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com James C. Hormel has a distinguished record as a philanthropist and a proponent of the cause of gay rights. His nomination to become the first openly gay ambassador from the United States drew criticism from conservative groups. A handful of Republican senators managed to forestall his confirmation for almost two years. Hormel comes from a prosperous family. In 1891 his German-born grandfather, George Hormel, founded Hormel Foods, which has grown into a leading meat packing company. Among its best-known products is Spam. James Catherwood Hormel was born on January 1, 1933 in Austin, Minnesota and grew up on the family estate there. He graduated from Swarthmore College in Pennsylvania with a B.A. in history in 1955. He went on to the University of Chicago Law School, where he earned his law degree in 1958. Hormel remained to teach in the law school at Chicago, eventually becoming dean of students. Hormel married in 1955, but a decade later he and his wife decided to divorce, mainly because of Hormel's sexual orientation. The couple have remained good friends, however, and Hormel has always enjoyed an excellent relationship with their son and four daughters. Hormel began a long-term relationship with artist Larry Soule in the early 1970s. The couple lived together for eighteen years. After sojourns in New York and Kauai, Hormel moved to San Francisco in 1976. There he founded Equidex, a company that manages his family's investments and philanthropic projects. -
The Creative Process
The Creative Process THE SEARCH FOR AN AUDIO-VISUAL LANGUAGE AND STRUCTURE SECOND EDITION by John Howard Lawson Preface by Jay Leyda dol HILL AND WANG • NEW YORK www.johnhowardlawson.com Copyright © 1964, 1967 by John Howard Lawson All rights reserved Library of Congress catalog card number: 67-26852 Manufactured in the United States of America First edition September 1964 Second edition November 1967 www.johnhowardlawson.com To the Association of Film Makers of the U.S.S.R. and all its members, whose proud traditions and present achievements have been an inspiration in the preparation of this book www.johnhowardlawson.com Preface The masters of cinema moved at a leisurely pace, enjoyed giving generalized instruction, and loved to abandon themselves to reminis cence. They made it clear that they possessed certain magical secrets of their profession, but they mentioned them evasively. Now and then they made lofty artistic pronouncements, but they showed a more sincere interest in anecdotes about scenarios that were written on a cuff during a gay supper.... This might well be a description of Hollywood during any period of its cultivated silence on the matter of film-making. Actually, it is Leningrad in 1924, described by Grigori Kozintsev in his memoirs.1 It is so seldom that we are allowed to study the disclosures of a Hollywood film-maker about his medium that I cannot recall the last instance that preceded John Howard Lawson's book. There is no dearth of books about Hollywood, but when did any other book come from there that takes such articulate pride in the art that is-or was-made there? I have never understood exactly why the makers of American films felt it necessary to hide their methods and aims under blankets of coyness and anecdotes, the one as impenetrable as the other. -
True Colors Resource Guide
bois M gender-neutral M t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian polyamorousBirls queer Femme queer bisexual GAY GrrlsAsexual bisexual GAY bi-curious bi-curious QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bois bois gender-neutral M gender-neutralLOVEM gender-neutral t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch Birls polyamorousBirls polyamorousBirls queer Femme queer Femme Asexual bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious transsexual QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bi-confident pansexualtranssexual bois M gender-neutral gender-neutral M t t F F ALLY Lesbian INTERSEX butch INTERSEXALLY Birls polyamorousBirls queer Femme queer bisexual Asexual GAY GrrlsAsexual bisexual bi-curious bi-curious transsexual QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bois bois LOVE gender-neutral M gender-neutral t F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch polyamorousBirls polyamorousBirls queer Femme queer Femme bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bi-confident pansexualtranssexual bois bois M gender-neutral M gender-neutral t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch polyamorousBirls polyamorousBirls queer Femme queer Femme bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious QUEstioningtransgender bi-confident -
Journal of Visual Culture
Journal of Visual Culture http://vcu.sagepub.com/ Just Joking? Chimps, Obama and Racial Stereotype Dora Apel Journal of Visual Culture 2009 8: 134 DOI: 10.1177/14704129090080020203 The online version of this article can be found at: http://vcu.sagepub.com/content/8/2/134 Published by: http://www.sagepublications.com Additional services and information for Journal of Visual Culture can be found at: Email Alerts: http://vcu.sagepub.com/cgi/alerts Subscriptions: http://vcu.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://vcu.sagepub.com/content/8/2/134.refs.html >> Version of Record - Nov 20, 2009 What is This? Downloaded from vcu.sagepub.com at WAYNE STATE UNIVERSITY on October 8, 2014 134 journal of visual culture 8(2) Just Joking? Chimps, Obama and Racial Stereotype We are decidedly not in a ‘post-racial’ America, whatever that may look like; indeed, many have been made more uneasy by the election of a black president and the accompanying euphoria, evoking a concomitant racial backlash in the form of allegedly satirical visual imagery. Such imagery attempts to dispel anxieties about race and ‘blackness’ by reifying the old racial stereotypes that suggest African Americans are really culturally and intellectually inferior and therefore not to be feared, that the threat of blackness can be neutralized or subverted through caricature and mockery. When the perpetrators and promulgators of such imagery are caught in the light of national media and accused of racial bias, whether blatant or implied, they always resort to the same ideological escape hatch: it was only ‘a joke’.