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Venice's Marriage to the Sea Blog Post by Jeanne Willoz-Egnor
Venice’s Marriage to the Sea Blog post by Jeanne Willoz-Egnor published May 31, 2019 This weekend marks the annual Festa della Sensa in Venice. Although the festival didn’t start until 1965 it commemorates and recreates the ancient traditional ceremony of Sposalizio del Mar, the event in which Venice is symbolically married to the sea. Hand-colored copperplate engraving titled The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day. The original artwork was created by Canaletto and engraved by Giovanni Battista Brustolo. This third state engraving was printed by Teodoro Viera in Venice sometime around 1787. [Accession# LE 831] The origins of the ceremony date to the period when Venice was a sovereign state (from 697 AD to 1797 AD). It commemorates two important events in the state’s history: the May 9, 1000 departure of Doge Pietro II Orseolo with a fleet on the successful mission to subdue Narentine pirates threatening Venetian power, trade and travel on the Adriatic and Doge Sebastiano Ziani’s successful negotiation of the Treaty of Venice in 1177. The treaty ended a long standing conflict between the Holy Roman Empire headed by Frederick Barbarossa and the Papacy. Following Orseolo’s victory, each year on Ascension Day Venice celebrated the Doge’s conquest of Dalmatia with a solemn procession of boats led by the doge’s maestà nave to the San Pietro di Castello where the Bishop blessed the doge. The procession then proceeded to the lido at San Nicolò, Venice’s entrée to the Adriatic Sea, where the prayer "for us and all who sail thereon, may the sea be calm and quiet" was offered. -
Caterina Corner in Venetian History and Iconography Holly Hurlburt
Early Modern Women: An Interdisciplinary Journal 2009, vol. 4 Body of Empire: Caterina Corner in Venetian History and Iconography Holly Hurlburt n 1578, a committee of government officials and monk and historian IGirolamo Bardi planned a program of redecoration for the Sala del Maggior Consiglio (Great Council Hall) and the adjoining Scrutinio, among the largest and most important rooms in the Venetian Doge’s Palace. Completed, the schema would recount Venetian history in terms of its international stature, its victories, and particularly its conquests; by the sixteenth century Venice had created a sizable maritime empire that stretched across the eastern Mediterranean, to which it added considerable holdings on the Italian mainland.1 Yet what many Venetians regarded as the jewel of its empire, the island of Cyprus, was calamitously lost to the Ottoman Turks in 1571, three years before the first of two fires that would necessitate the redecoration of these civic spaces.2 Anxiety about such a loss, fear of future threats, concern for Venice’s place in evolving geopolitics, and nostalgia for the past prompted the creation of this triumphant pro- gram, which featured thirty-five historical scenes on the walls surmounted by a chronological series of ducal portraits. Complementing these were twenty-one large narratives on the ceiling, flanked by smaller depictions of the city’s feats spanning the previous seven hundred years. The program culminated in the Maggior Consiglio, with Tintoretto’s massive Paradise on one wall and, on the ceiling, three depictions of allegorical Venice in triumph by Tintoretto, Veronese, and Palma il Giovane. These rooms, a center of republican authority, became a showcase for the skills of these and other artists, whose history paintings in particular underscore the deeds of men: clothed, in armor, partially nude, frontal and foreshortened, 61 62 EMWJ 2009, vol. -
Petar Ii. Orseolo – Dux Veneticorum Et Dalmaticorum∗
PETAR II. ORSEOLO – DUX VENETICORUM ET DALMATICORUM∗ Gherardo ORTALLI UDK 945.31:949.75“04/14” Dipartimento di studi storici Izvorni znanstveni rad Università di Venezia, Italija Primljeno: 1. IX. 2003. Autor analizira ekspediciju dužda Petra II. Orseola god. 1000. u Dalmaciju, koja je poznata po izvješću Ivana Đakona; utvrđuje nejasnoće tog izvješća o pravom značenju te ekspedicije i pri tome u prvom redu uzima u obzir unutrašnje stanje Mletaka u doba te ekspedicije; prikazuje borbu dviju tendencija u mletačkim vodećim porodicama: pristajanje uz Njemačko Carstvo, kojem je na čelu bila porodica Kandijana, ili uže povezivanje s Bizantom, za koje se zalagala porodica Orseolo. Pobijedila je drugonavedena tendencija dolaskom na vlast Petra II. Orseola, koji je u najtješnjoj suradnji s Bizantom poduzeo s mletačkom flotom pohod sve do Korčule. Taj je pohod bio Bizantu vrlo važan zbog njegove borbe sa Samuilom, jer mu je cilj bio odvlačenje dijela Samuilovih snaga na zapad, ali je bio od velike koristi i za Mletke, jer je Bizant za naplatu mletačke intervencije bio prisiljen ustupiti stvarnu vlast nad kvarnerskim otocima, pridržavajući za sebe samo formalni suverenitet nad njima. Kao daljnji primjer nove snažne nazočnosti Mletaka na Jadranu autor analizira i pomoć koju je Petar II. Orseolo pružio bizantskome Bariju 1003. godine. O toj pomoći sačuvan je dragocjen grafit na otočiću blizu mjesta Vieste na Garganu. Ključne riječi: dužd Petar II. Orseolo, Mleci, Bizant, Dalmacija, 1000.–1003. 1. Trijumfalni prikaz ekspedicije u 1000. godini Ima mnogo prigoda kada se čini kao da povijest juri s događajima koji nameću ubrzanja, koja će kasnije označiti – na više ili manje trajan način, na bolje ili na lošije – opće okolnosti i uvjetovati buduće situacije. -
Reti Medievali Rivista 16, 2 (2015)
Reti Medievali Rivista 16, 2 (2015) http://rivista.retimedievali.it FIRENZE UNIVERSITY PRESS Tutti i testi pubblicati in RM Rivista sono vagliati, secondo le modalità del “doppio cieco” (double blind peer review), da non meno di due lettori individuati nell’ambito di un’ampia cerchia internazionale di specialisti. All published articles are double-blind peer reviewed at least by two referees selected among high-profile scientists, in great majority belonging to foreign institutions. Reti Medievali Rivista è presente nei cataloghi di centinaia di biblioteche nel mondo e nelle principali banche dati di periodici, tra cui Arts and Humanities Citation Index® e Current Contents®/Arts & Humanities di Thomson Reuters (già ISI). RM Journal is present worldwide in the catalogues of hundreds of academic and resear- ch libraries and indexed in the main databases of journals, like Thomson Reuters Arts and Humanities Citation Index® and Current Contents®/Arts & Humanities (former ISI). Reti Medievali – Firenze University Press ISSN 1593-2214 DOI 10.6092/1593-2214/485 Indice I. Interventi a tema Prospettive sulle nobiltà italiane. Intorno a Guido Castel- nuovo, Être noble dans la cité 1. Paolo Borsa Cittadini, nobili, poeti. A proposito di un libro recente sulla nobiltà medievale 3 2. Olivier Guyotjeannin Noblesses italiennes : les sources d’une identité 11 Saggi 3. Chiara Provesi Le due mogli di Pietro IV Candiano (959-976): le donne e i loro gruppi parentali nella Venezia del X secolo 21 4. Luigi Provero Fedeltà inaffidabili: aristocrazia e vassallaggio nell’Arazzo di Bayeux 53 Saggi in Sezioni monografiche I. Sezione monografica Costruire territori/costruire identità. Lagune archeologiche a confronto tra antichità e medioevo, a cura di Sauro Gelichi 5. -
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Byzantina Symmeikta Vol. 29, 2019 Byzantine families in Venetian context: The Gavalas and Ialinas family in Venetian Crete (XIIIth- XIVth centuries) ΓΑΣΠΑΡΗΣ Χαράλαμπος Institute of Historical Research, Athens https://doi.org/10.12681/byzsym.16249 Copyright © 2019 Χαράλαμπος Γάσπαρης To cite this article: ΓΑΣΠΑΡΗΣ, (2019). Byzantine families in Venetian context: The Gavalas and Ialinas family in Venetian Crete (XIIIth- XIVth centuries). Byzantina Symmeikta, 29, 1-132. doi:https://doi.org/10.12681/byzsym.16249 http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | INSTITUTE OF HISTORICAL RESEARCH ΙΝΣΤΙΤΟΥΤΟ ΙΣΤΟΡΙΚΩΝ ΕΡΕΥΝΩΝ SECTION OF BYZANTINE RESEARCH ΤΟΜΕΑΣ ΒΥΖΑΝΤΙΝΩΝ ΕΡΕΥΝΩΝ NATIONAL HELLENIC RESEARCH FOUNDATION ΕΘΝΙΚΟ IΔΡΥΜΑ ΕΡΕΥΝΩΝ CHARALAMBOS GASPARIS EFI RAGIA Byzantine Families in Venetian Context: THE GEOGRAPHY OF THE PROVINCIAL ADMINISTRATION OF THE TheBYZAN GavalasTINE E andMPI REIalinas (CA 600-1200):Families I.1.in T HVenetianE APOTHE CreteKAI OF (XIIIth–XIVthASIA MINOR (7T HCenturies)-8TH C.) ΤΟΜΟΣ 29 VOLUME ΠΑΡΑΡΤΗΜΑ / APPENDIX ΑΘΗΝΑ • 20092019 • ATHENS http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | ΒΥΖΑΝΤΙΝΑ ΣΥΜΜΕΙΚΤΑ 29 ΠΑΡΑΡΤΗΜΑ ΒΥΖΑΝΤΙΝΑ SYMMEIKTA 29 APPENDIX http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 30/09/2021 15:19:54 | NATIONAL HELLENIC RESEARCH FOUNDATION INSTITUTE OF -
Reinhold C. Mueller
Reinhold C. Mueller Aspects of Venetian Sovereignty in Medieval and Renaissance Dalmatia [A stampa in Quattrocento Adriatico , Fifteenth Century Art of the Adriatic Rim , Papers from a colloquium, Florence, 1994, edited by Charles Dempsey (Villa Spelman Colloquia Series, 5), Bologna, Nuova Alfa Editoriale, 1996, pp. 29-56 – Distribuito in formato digitale da “Reti Medievali”] The reader is forewarned that this paper, which maintains the character of the original oral presentation, makes no attempt at covering completely such a vast subject, on which there is an extensive bibliography - much of it in Serbo-Croatian, a language I do not know. My intent is simply to offer for discussion some little-exploited historical materials on well-known themes that exemplify contacts between the two coasts of the Adriatic Sea, especially - but not only - during the Quattrocento. Following an overview of the history of Venetian sovereignty in that part of the Stato da mar, attention will turn to aspects of politics and society, that is, to the political, financial and monetary administration of the subject territories and to the movement of people and peoples across the Adriatic. I. AN OVERVIEW OF HISTORY AND MYTH Venetian efforts at domination of the eastern Adriatic can be said to have begun in the year 1000, with the naval expedition commanded personally by doge Pietro II Orseolo, which put an end to the activity of pirates installed at the mouth of the Narenta River and first avowed control over the Adriatic as the “Gulf of Venice.” Lordship over the Adriatic was central to Venetian historiography and mythology over the centuries: from the supposed papal grant of lordship at the peace of 1177 with Barbarossa and the ceremony each Ascension day of the doge wedding the sea, to invocations of Jove and Neptune - all depicted as part of a political program in the redecoration of the Ducal Palace after the fire of 1577 As late as the eighteenth century, Tiepolo still represented Neptune and the sea as the source of Venice’s wealth, when that was already history. -
VENICE Grant Allen's Historical Guides
GR KS ^.At ENICE W VENICE Grant Allen's Historical Guides // is proposed to issue the Guides of this Series in the following order :— Paris, Florence, Cities of Belgium, Venice, Munich, Cities of North Italy (Milan, Verona, Padua, Bologna, Ravenna), Dresden (with Nuremberg, etc.), Rome (Pagan and Christian), Cities of Northern France (Rouen, Amiens, Blois, Tours, Orleans). The following arc now ready:— PARIS. FLORENCE. CITIES OF BELGIUM. VENICE. Fcap. 8vo, price 3s. 6d. each net. Bound in Green Cloth with rounded corners to slip into the pocket. THE TIMES.—" Good work in the way of showing students the right manner of approaching the history of a great city. These useful little volumes." THE SCOTSMAN "Those who travel for the sake of culture will be well catered for in Mr. Grant Allen's new series of historical guides. There are few more satisfactory books for a student who wishes to dig out the Paris of the past from the im- mense superincumbent mass of coffee-houses, kiosks, fashionable hotels, and other temples of civilisation, beneath which it is now submerged. Florence is more easily dug up, as you have only to go into the picture galleries, or into the churches or museums, whither Mr. Allen's^ guide accordingly conducts you, and tells you what to look at if you want to understand the art treasures of the city. The books, in a word, explain rather than describe. Such books are wanted nowadays. The more sober- minded among tourists will be grateful to him for the skill with which the new series promises to minister to their needs." GRANT RICHARDS 9 Henrietta St. -
The Role of Ezio's Struggle in Italian
THE ROLE OF EZIO’S STRUGGLE IN ITALIAN REVOLUTION ERA IN OLIVER BOWDEN’S ASSASSIN’S CREED RENAISSANCE THESIS BY REDY LUHUR BUDIASTA 0911110243 STUDY PROGRAM OF ENGLISH DEPARTMENT OF LANGUAGES AND LITERATURE FACULTY OF CULTURAL STUDIES UNIVERSITAS BRAWIJAYA 2013 THE ROLE OF EZIO’S STRUGGLE IN ITALIAN REVOLUTION ERA IN OLIVER BOWDEN’S ASSASSIN’S CREED RENAISSANCE THESIS BY REDY LUHUR BUDIASTA NIM 0911110243 STUDY PROGRAM OF ENGLISH DEPARTMENT OF LANGUAGES AND LITERATURE FACULTY OF CULTURAL STUDIES UNIVERSITAS BRAWIJAYA 2013 THE ROLE OF EZIO’S STRUGGLE IN ITALIAN REVOLUTION ERA IN OLIVER BOWDEN’S ASSASSIN’S CREED RENAISSANCE THESIS Presented to Universitas Brawijaya in partial fulfillment of the requirements for the degree of Sarjana Sastra BY REDY LUHUR BUDIASTA NIM 0911110243 STUDY PROGRAM OF ENGLISH DEPARTMENT OF LANGUAGES AND LITERATURE FACULTY OF CULTURAL STUDIES BRAWIJAYA UNIVERSITY 2013 DECLARATION OF AUTHORSHIP Herewith I: Name : Redy Luhur BudiAsta NIM : 0911110243 Address : Jl. Watugilang 17A, Malang declare that: 1. This thesis is the sole work of mine and has not been written in collaboration with any other person, nor does it include, without due acknowledgement, the work of any other person. 2. If at a later time it is found that this thesis is a product of plagiarism, I am willing to accept any legal consequences that may be imposed on me. Malang, 5 September 2013 Redy Luhur BudiAsta NIM. 0911110243 This is to certify that the Sarjana skripsi of Redy Luhur BudiAsta has been approved by the Boards of Supervisors. Malang, Supervisor Dr. Sri Herminingrum, M.Hum. NIP. 19550418 198303 2 001 Malang, Co-Supervisor Fredy Nugroho S, S.S., M.Hum NIK. -
Summary for Gambello, Vittore, 1455/1460-1537 (NAM0437)
KRESS COLLECTION DIGITAL ARCHIVE Gambello, Vittore, 1455/1460-1537 IDENTIFIER NAM0437 NATIONALITY Venetian BIRTH DATE 1455 DEATH DATE 1537 EXTERNAL LINKS UNION LIST OF ARTIST NAMES RECORD http://vocab.getty.edu/page/ulan/500023226 VIRTUAL INTERNATIONAL AUTHORITY FILE RECORD http://viaf.org/viaf/65180005 12 RELATED ART OBJECTS Vittore Gambello "Augustus" (Self-Portrait) [obverse]; Male Figure and Winged Caduceus [reverse] Vittore Gambello A Lion Style of Vittore Gambello Agostino Barbarigo, 1420-1501, Doge of Venice 1486 [obverse]; Venetia on Throne [reverse] NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 1 KRESS COLLECTION DIGITAL ARCHIVE Circle of Vittore Gambello Andrea Gritti, 1455-1538, Doge of Venice 1523 [obverse]; Venetia Holding Scales and Cornucopiae [reverse] Vittore Gambello Classical Subject: Male Figure Carrying a Stag [obverse]; Classical Subject: Flaming Tripod on Altar [reverse] Vittore Gambello Gentile Bellini, 1429-1507, Venetian Painter [obverse]; Incised Inscription [reverse] Vittore Gambello Giovanni Bellini, c. 1430-1516, Venetian Painter [obverse]; An Owl [reverse] Style of Vittore Gambello Giuliano II de' Medici, 1479-1516, Duc de Nemours 1515 [obverse]; Virtue and Fortune [reverse] NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 2 KRESS COLLECTION DIGITAL ARCHIVE Style of Vittore Gambello Leonardo Loredano, 1436-1521, Doge of Venice 1501 [obverse]; Equity Holding Scales and Septre [reverse] Circle of Vittore Gambello Marco Barbarigo, c. 1413-1486, Doge of Venice 1485 [obverse]; Inscription in Wreath of Ivy [reverse] Vittore Gambello Self-Portrait [obverse]; Sacrificial Scene [reverse] Vittore Gambello Sixtus IV (Francesco della Rovere, 1414-1481), Pope 1471 [obverse]; The Pope in Audience [reverse] RECORD LINK https://kress.nga.gov/Detail/entities/NAM0437 NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 3. -
THE BERNARD and MARY BERENSON COLLECTION of EUROPEAN PAINTINGS at I TATTI Carl Brandon Strehlke and Machtelt Brüggen Israëls
THE BERNARD AND MARY BERENSON COLLECTION OF EUROPEAN PAINTINGS AT I TATTI Carl Brandon Strehlke and Machtelt Brüggen Israëls GENERAL INDEX by Bonnie J. Blackburn Page numbers in italics indicate Albrighi, Luigi, 14, 34, 79, 143–44 Altichiero, 588 Amsterdam, Rijksmuseum catalogue entries. (Fig. 12.1) Alunno, Niccolò, 34, 59, 87–92, 618 Angelico (Fra), Virgin of Humility Alcanyiç, Miquel, and Starnina altarpiece for San Francesco, Cagli (no. SK-A-3011), 100 A Ascension (New York, (Milan, Brera, no. 504), 87, 91 Bellini, Giovanni, Virgin and Child Abbocatelli, Pentesilea di Guglielmo Metropolitan Museum altarpiece for San Nicolò, Foligno (nos. 3379 and A3287), 118 n. 4 degli, 574 of Art, no. 1876.10; New (Paris, Louvre, no. 53), 87 Bulgarini, Bartolomeo, Virgin of Abbott, Senda, 14, 43 nn. 17 and 41, 44 York, Hispanic Society of Annunciation for Confraternità Humility (no. A 4002), 193, 194 n. 60, 427, 674 n. 6 America, no. A2031), 527 dell’Annunziata, Perugia (Figs. 22.1, 22.2), 195–96 Abercorn, Duke of, 525 n. 3 Alessandro da Caravaggio, 203 (Perugia, Galleria Nazionale Cima da Conegliano (?), Virgin Aberdeen, Art Gallery Alesso di Benozzo and Gherardo dell’Umbria, no. 169), 92 and Child (no. SK–A 1219), Vecchietta, portable triptych del Fora Crucifixion (Claremont, Pomona 208 n. 14 (no. 4571), 607 Annunciation (App. 1), 536, 539 College Museum of Art, Giovanni di Paolo, Crucifixion Abraham, Bishop of Suzdal, 419 n. 2, 735 no. P 61.1.9), 92 n. 11 (no. SK-C-1596), 331 Accarigi family, 244 Alexander VI Borgia, Pope, 509, 576 Crucifixion (Foligno, Palazzo Gossaert, Jan, drawing of Hercules Acciaioli, Lorenzo, Bishop of Arezzo, Alexeivich, Alexei, Grand Duke of Arcivescovile), 90 Kills Eurythion (no. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters. -
Patrician Lawyers in Quattrocento Venice
_________________________________________________________________________Swansea University E-Theses Servants of the Republic: Patrician lawyers in Quattrocento Venice. Jones, Scott Lee How to cite: _________________________________________________________________________ Jones, Scott Lee (2010) Servants of the Republic: Patrician lawyers in Quattrocento Venice.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42517 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ Swansea University Prifysgol Abertawe Servants of the Republic: Patrician Lawyers inQuattrocento Venice Scott Lee Jones Submitted to the University of Wales in fulfillment of the requirements for the Degree of Doctor of Philosophy 2010 ProQuest Number: 10805266 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted.