Title: Can the Notion of Raunch Culture Be Effectively Challenged by Contemporary Performance Makers?
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13 White Woman Listen! Black Feminism and the Boundaries of Sisterhood
13 White Woman Listen! Black Feminism and the Boundaries of Sisterhood Hazel V. Carby I'm leaving evidence. And you got to leave evidence too. And your children got to leave evidence.... They burned all the documents.... We got to burn out what they put in our minds, like you burn out a wound. Except we got to keep what we need to bear witness. That scar that's left to bear witness. We got to keep it as visible as our blood. (Jones 1975) The black women's critique of history has not only involved us in coming to terms with "absences"; we have also been outraged by the ways in which it has made us visible, when it has chosen to see us. History has constructed our sexuality and our femininity as deviating from those qualities with which white women, as the prize objects of the Western world, have been endowed. We have also been defined in less than human terms (Jordon 1969). Our continuing struggle with History began with its "discovery" of us. However, this chapter will be concerned with herstory rather than history. We wish to address questions to the feminist theories that have been developed during the last decade; a decade in which black women have been fighting, in the streets, in the schools, through the courts, inside and outside the wage relation. The significance of these struggles ought to inform the writing of the herstory of women in Britain. It is fundamental to the development of a feminist theory and practice that is meaningful for black women. -
Katy Shannahan Edited
1 Katy Shannahan OUHJ 2013 Submission The Impact of Failed Lesbian Feminist Ideology and Rhetoric Lesbian feminism was a radical feminist separatist movement that developed during the early 1970s with the advent of the second wave of feminism. The politics of this movement called for feminist women to extract themselves from the oppressive system of male supremacy by means of severing all personal and economic relationships with men. Unlike other feminist separatist movements, the politics of lesbian feminism are unique in that their arguments for separatism are linked fundamentally to lesbian identification. Lesbian feminist theory intended to represent the most radical form of the idea that the personal is political by conceptualizing lesbianism as a political choice open to all women.1 At the heart of this solution was a fundamental critique of the institution of heterosexuality as a mechanism for maintaining masculine power. In choosing lesbianism, lesbian feminists asserted that a woman was able to both extricate herself entirely from the system of male supremacy and to fundamentally challenge the patriarchal organization of society.2 In this way they privileged lesbianism as the ultimate expression of feminist political identity because it served as a means of avoiding any personal collaboration with men, who were analyzed as solely male oppressors within the lesbian feminist framework. Political lesbianism as an organized movement within the larger history of mainstream feminism was somewhat short lived, although within its limited lifetime it did produce a large body of impassioned rhetoric to achieve a significant theoretical 1 Radicalesbians, “The Woman-Identified Woman,” (1971). 2 Charlotte Bunch, “Lesbians In Revolt,” The Furies (1972): 8. -
The Wooster Group the Town Hall Affair (In De Vorm Van Een Eenakter) Gebaseerd Op De Film ‘Town Bloody Hall’ Van Chris Hegedus & D.A
theater The Wooster Group The Town Hall Affair (in de vorm van een eenakter) gebaseerd op de film ‘Town Bloody Hall’ van Chris Hegedus & D.A. Pennebaker The Town Hall Affair 1. Intro: uittreksel ‘Lesbian Nation’ 2. Het stuk Bzymek © Zbigniew 3. Coda: uittreksel ‘Lesbian Nation’ wo 21, do 22, vr 23 sep 2016 met licht Jennifer Tipton, Ryan Seelig geluid 20 uur / Theaterstudio Kate Valk Jill Johnston Eric Sluyter, Gareth Hobbs Ari Fliakos Norman Mailer/Norman video en projecties Robert Wuss za 24 sep 2016 Kingsley aanvullende video Zbigniew Bzymek 17 & 20.30 uur / Theaterstudio Scott Shepherd Norman Mailer/De kostuums Enver Chakartash regieas- Acteur sistentie Enver Chakartash, Matthew Lucy Taylor Germaine Greer/De Dipple productieleiding Bona Lee De voorstelling duurt ongeveer Echtgenote podiumregie Erin Mullin technische 1 uur, zonder pauze. Greg Mehrten Diana Trilling/De Vriend leiding Joseph Silovsky technische Erin Mullin Robyn/Ruth Mandel leiding tournee Eric Dyer productie Spreektaal Engels Gareth Hobbs (stem) Peter Fisher Cynthia Hedstrom zakelijke leiding boventiteling Enver Chakartash podiumassistentie Pamela Reichen Nederlands/Frans regie Elizabeth LeCompte speciale dank aan Matthias Neckermann en Sheena See. Na afloop van de voorstelling Bronnen: Town Bloody Hall, een documentaire van Chris Hegedus and D.A. Pennebaker, 1979, 88 min, op donderdag 22 september kleur. De film is een weergave van het Theater for Ideas debat uit 1971 met als titel ‘A Dialogue gaat Pieter T’jonck in gesprek on Women’s Liberation’ (‘Een dialoog over vrouwenemancipatie’). met Elizabeth LeCompte in de Maidstone, een film van Norman Mailer, 1970, 110 min, kleur. Een onafhankelijke film, geregis- Theaterstudio. -
Academic Feminist Activism on a Traditional STEM Campus: the Case of a Feminist Newspaper at MTU
Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Reports 2015 Academic Feminist Activism on a Traditional STEM Campus: The Case of a Feminist Newspaper at MTU Katie Snyder Michigan Technological University, [email protected] Copyright 2015 Katie Snyder Recommended Citation Snyder, Katie, "Academic Feminist Activism on a Traditional STEM Campus: The Case of a Feminist Newspaper at MTU", Open Access Dissertation, Michigan Technological University, 2015. https://doi.org/10.37099/mtu.dc.etdr/47 Follow this and additional works at: https://digitalcommons.mtu.edu/etdr Part of the Feminist, Gender, and Sexuality Studies Commons ACADEMIC FEMINIST ACTIVISM ON A TRADITIONAL STEM CAMPUS: THE CASE OF A FEMINIST NEWSPAPER AT MTU By Katie L. Snyder A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Rhetoric, Theory and Culture MICHIGAN TECHNOLOGICAL UNIVERSITY 2015 © 2015 Katie L. Snyder This dissertation has been approved in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY in Rhetoric, Theory and Culture. Department of Humanities Dissertation Advisor: Dr. Patricia Sotirin Committee Member: Dr. Ann Brady Committee Member: Dr. Elizabeth Flynn Committee Member: Dr. Audrey Mayer Department Chair: Dr. Ronald Strickland Table of Contents Acknowledgements ……………………………………………………………... iv Abstract …………………………………………………………………………. v Chapter 1: “Texts are the primary medium of power” ………………………... 1 Chapter 2: Ruling Relations …………………………………………………… 33 Chapter 3: Ceiling Makers ……………………………………...……………... 53 Chapter 4: Glass Breakers ……………………………………………………... 87 Chapter 5: A radical liberal feminism for engineering education ……………. 121 Bibliography ……………………………………………………………………. 141 iii Acknowledgements This project would not have been possible without the support of my family and committee members. -
Emma Domínguez-Rué Universitat De Lleida [email protected]
TRACES OF HERSTORY: REINVENTING WOMANHOOD IN THE KATE FANSLER MYSTERY SERIES BY AMANDA CROSS Emma Domínguez-Rué Universitat de Lleida [email protected] Although the American writer and Columbia professor Carolyn Gold Heilbrun (1926-2003) is best known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction in which she asserted her long-standing commitment to feminism. Taking Heilbrun’s essays in feminism and literary criticism as a basis and her 1990 novel The Players Come Again as substantiation to my argument, this paper will illustrate the ways in which her detective novels became an instrument to reach a mass audience of female readers who might not have read her theoretical work, but who were perhaps finding it difficult to reach fulfillment as women under patriarchy. My aim is to reveal the extent to which Heilbrun’s seemingly more superficial and much more commercial novels were used a catalyst that informed her feminist principles while vindicating the need to repair women’s historical invisibility. Keywords: Amanda Cross, Carolyn Heilbrun, feminism, detective fiction, female readership “As long as women are isolated one from the other, not allowed to offer other women the most personal accounts of their lives, they will not be part of any narrative of their own” (Heilbrun 1988: 46). Although the American writer and Columbia Professor Carolyn Gold Heilbrun (1926-2003) is best known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction in which she asserted her long-standing commitment to feminism. -
Germaine Greer on Shakespeare's Wife >>P 2
FREE MARCH 2008 Readings Monthly 9/52).$%0%.$%.4"//+ -53)#!.$$6$.%73,%44%2s%6%.43s.%72%,%!3%3s2%6)%73 IMAGE FROM GERMAINE GREER’S SEE EVENT P2 SHAKESPEARE’S WIFE (BLOOMSBURY) Germaine Greer on Shakespeare’s Wife >>p 2 March book, CD & DVD new releases. More inside >> POP CD CLASSICAL Nick Cave and Vivaldi Concerti and Cantate the Bad Seeds. Polverelli/L’Astree Normally $29.95 Normally $34.95. FICTION NON-FICTION NON-FICTION DVD Our price $24.95 Our price $12.95 Normally $29.95 Normally $49.95 Normally $89.95 Control >>p28 >>p30 Our price $24.95 Our price $39.95 Our price $69.95 $29.95 >>p8 >>p8 >>p18 >>p25 March event highlights. More Readings events inside >> TONI JORDAN MARK SEYMOUR THE VERY HUNGRY AT READINGS AT READINGS CATERPILLAR HAWTHORN CARLTON AT READINGS PORT MELBOURNE !,,3(/03/0%.$!93sCARLTON 309 LYGON 34sHAWTHORN 701 GLENFERRIE RD 9819 1917 s MALVERN 185 GLENFERRIE RD 9509 1952 s PORT MELBOURNE 253 BAY ST 9681 9255 s ST KILDA 112 ACLAND ST 9525 3852 s WWW.READINGS.COM.AU s EMAIL [email protected] Readings Events in March All our events are free, unless otherwise stated. For more information, please call the shop where the event is to be held, or the booking number provided. 5 MYER BLOOM 6 SIRI HUSTVEDT Shakespeare’s Wife (Bloomsbury, cation. The Incoming Tide (John Le- LAUNCH & PAUL AUSTER PB, $35), we are honoured to have onard, PB, $24.95) was shortlisted Germaine with us in our celebra- for the 2007 Queensland Premier’s Myer Bloom has interviewed many IN CONVERSATION WITH tion of International Women’s Literary Awards. -
Participatory Porn Culture Feminist Positions and Oppositions in the Internet Pornosphere Allegra W
from Paul G. Nixon and Isabel K. Düsterhöft (Eds.) Sex in the Digital Age. New York: Rougledge, 2018. CHAPTER 2 Participatory porn culture Feminist positions and oppositions in the internet pornosphere Allegra W. Smith Introductions: pornography, feminisms, and ongoing debate Though first-wave feminists had engaged in debate and advocacy surrounding sexual knowledge and obscenity since the late-19th century (Horowitz, 2003), American advocates did not begin to address pornography as a feminist concern until the 1970s, ostensibly beginning with the formation of the activist group Women Against Violence in Pornography and Media (WAVPM) in 1978. WAVPM was a reactionary response to the mainstreaming of hardcore pornography in the wake of American sexual liberation, which many second wave feminists claimed “…encouraged rape and other acts of violence, threatening women’s safety and establishing a climate of terror that silenced women and perpetuated their oppression… [thus helping] create and maintain women’s subordinate status” (Bronstein, 2011, pp. 178–179). The resulting “porn wars” (or, more broadly, “sex wars”) of the 1980s and 1990s polarized second- and third-wave feminists into two camps: (1) anti-porn feminists, such as writer Andrea Dworkin (1981) and legal scholar Catharine MacKinnon (1984), who opposed the creation and distribution of pornographic images and videos on moral and political grounds; and (2) pro-porn or sex-positive feminists, such as anthropologist Gayle Rubin and feminist pornographer Candida Royalle, who advocated for freedom of sexual expression and representation. The rhetoric surrounding the social and cultural ills perpetuated by pornography was duly acrimonious, with one prominent feminist writing, “pornography is the theory, rape is the practice” (Morgan, 1978, p. -
Feminism & Psychology
Feminism & Psychology http://fap.sagepub.com/ 'The whole playboy mansion image': Girls' fashioning and fashioned selves within a postfeminist culture Sue Jackson, Tiina Vares and Rosalind Gill Feminism & Psychology 2013 23: 143 originally published online 1 March 2012 DOI: 10.1177/0959353511433790 The online version of this article can be found at: http://fap.sagepub.com/content/23/2/143 Published by: http://www.sagepublications.com Additional services and information for Feminism & Psychology can be found at: Email Alerts: http://fap.sagepub.com/cgi/alerts Subscriptions: http://fap.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://fap.sagepub.com/content/23/2/143.refs.html >> Version of Record - Apr 25, 2013 OnlineFirst Version of Record - Mar 1, 2012 What is This? Downloaded from fap.sagepub.com at WESTERN ILLINOIS UNIV on February 18, 2014 eminism F & Psychology Article Feminism & Psychology 23(2) 143–162 ! The Author(s) 2012 ‘The whole playboy Reprints and permissions: sagepub.co.uk/journalsPermissions.nav mansion image’: Girls’ DOI: 10.1177/0959353511433790 fashioning and fashioned fap.sagepub.com selves within a postfeminist culture Sue Jackson Victoria University of Wellington, New Zealand Tiina Vares University of Canterbury, New Zealand Rosalind Gill King’s College, London, UK Abstract This article is located in contemporary feminist interrogations of postfeminism and postfeminist popular culture. Fashion articulates a postfeminist ideology through notions of empowerment via sexuality and consumption, and engages a postfeminist aesthetic of the ‘sexy’, desirable young woman. Recognising the potential complications of these postfeminist constructions and practices for embodied identities of girls within discourses of child innocence, in this article we explore how girls negotiate contem- porary postfeminist meanings of femininity marketed to them in fashion. -
Criminalization Downloads Evil: Reexamining the Approach to Electronic Possession When Child Pornography Goes International
\\jciprod01\productn\B\BIN\34-2\BIN203.txt unknown Seq: 1 2-JUN-16 14:19 CRIMINALIZATION DOWNLOADS EVIL: REEXAMINING THE APPROACH TO ELECTRONIC POSSESSION WHEN CHILD PORNOGRAPHY GOES INTERNATIONAL Asaf Harduf* INTRODUCTION ................................................... 280 R I. THE LADDER OF CRIMINALIZATION ....................... 281 R A. The Matter of Criminalization ......................... 282 R B. The Rungs of the Ladder of Criminalization ........... 284 R 1. First Rung: Identifying the Conduct, Causation, and Harm ......................................... 285 R 2. Second Rung: Examining the Ability to Achieve Goals ............................................. 286 R 3. Third Rung: Examining Alternatives to Criminalization .................................... 287 R 4. Fourth Rung: Assessing the Social Costs of Solutions and Striking a Balance .................. 288 R C. Towards an Analysis of Child Pornography Possession ............................................. 288 R II. APPLICATION TO THE ELECTRONIC POSSESSION OF CHILD PORNOGRAPHY ............................................ 289 R A. First Rung: The Offensive Conduct of Electronic Possession ............................................. 292 R 1. Conduct of Electronic Possession .................. 292 R 2. Harms to Children ................................ 294 R 3. Causation: Four Possible Links .................... 295 R 4. Offensiveness: Summation ......................... 302 R B. Second Rung: Criminal Law’s Ability to Reduce Harm to Children ........................................... -
“Herstory” Challenging Gender Stereotypes in Israeli Girls’ Perfect Love Stories
“HerStory” Challenging Gender Stereotypes in Israeli Girls’ Perfect Love Stories Shiri Reznik This study explores the love stories written by 77 Israeli girls, aged 11-12 years old, in order to examine the possible influence of the media on their romantic narratives and the gender roles embedded within them. The girls were asked to write their own perfect love story and then participated in focus groups during which they explained the stories they wrote. The stories have been analyzed with the method of discourse analysis. Although many girls chose to express their imaginary romantic world by using popular media characters, plot lines and idioms, others offered a new and even revolutionary perspective on what a perfect love story can be, and especially the gender roles it can depict. Stories about female protagonists who make the first romantic move, perform sisterhood as an act of resistance, or prefer to be an assertive non-stereotypical princess, are analyzed in light of the girls’ socioeconomic backgrounds and role models. If you had to imagine the perfect love story what would it be? This study aims to find out how tween Israeli girls perceive the concept of romantic love, what are their expectations regarding gender roles in the romantic sphere, and how do they imagine an ideal love story when given the opportunity to write their own romantic narrative. Another goal of the current study is to examine the possible influence of the media on girls’ romantic perceptions and dreams, since numerous studies have found that mediated representations of love are meaningful sources of identification, social learn- ing, and internalization of romantic narratives and behaviors among children, teens and adults as well (Bachen & Illouz, 1996; Hefner & Wilson, 2013). -
Greer's 'Bad Sex' and the Future of Consent
Sexuality & Culture https://doi.org/10.1007/s12119-019-09671-x ORIGINAL PAPER Greer’s ‘Bad Sex’ and the Future of Consent Victoria Brooks1 © The Author(s) 2019 Abstract Germaine Greer’s polemic ‘On Rape’ has proved controversial and has served to further divide feminist opinion on the way to move forward from #MeToo in consent reform. Greer’s work, along with other second wave feminists, has been rejected by third wave feminist scholarship for simultaneously minimising the harm caused to victims of sexual violence and claiming that rape is not ‘catastrophic’, with Naomi Wolf being Greer’s most vocal and powerful opponent. Yet, I claim that in maintain- ing this position in opposition to Greer we are missing the real transformative power of Greer’s revival of second-wave arguments in relation to reforming our laws on consent post #MeToo. The consent framework and the defnition of consent under the Sexual Ofences Act 2003 has been readily criticised for its vague defnition of ‘freedom’ and ‘capacity’ in that such a defnition misses the subtler, yet powerful, ways in which victims are coerced and abused—those which are most insidious, since they are embedded within the fabric of our society, and within the ‘tissue’ of heterosex. Greer’s position that rape is ‘bad sex’ may well hold some truth— since bad sex for women has long been accepted as part of life albeit reduced to suferance and duty. Inevitably, this leads us to the conclusion that there are many more instances of rape than we thought, and many more women sufering, than we thought. -
Feminism, Pornography and Ethical Heterosex Katherine Albury Phd, School of Media, Film and Theatre 2006
Impure Relations: Feminism, Pornography and Ethical Heterosex Katherine Albury PhD, School of Media, Film and Theatre 2006 ABSTRACT This thesis engages with feminist and queer theory to assert that heterosexuality can be understood not as a fixed, unchanging and oppressive institution, but as changing combination of erotic and social affects which coexist within public and private bodies, discourses and imaginations. Drawing on the work on Michel Foucault, William Connolly, Eve Sedgwick and others, it examines the multiple discourses of heterosexuality that are already circulating in popular culture, specifically, representations of sex and gender within sexually explicit media. It examines the fields of polyamory, ‘feminist porn’, amateur and DIY pornography and ‘taboo’ sexual practices to demonstrate the possibilities offered by non-normative readings of heterosex. These readings open up space not only for queerer, less oppressive heterosexualities, but also for models of ethical sexual learning which incorporate heterosexual eroticism and emphasise both the pleasures and dangers of heterosex. Keywords: Heterosexuality, Pornography, Sexual Ethics, Feminism 1 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Albury First name: Katherine Other name/s: Margaret Abbreviation for degree as given in the University calendar: margaret School: SAM (previously EMPA) Faculty: Arts and Social Sciences Title: Impure relations: Feminism, pornography and ethical heterosex Abstract 350 words maximum: (PLEASE TYPE) This thesis engages with feminist and queer theory to assert that heterosexuality can be understood not as a fixed, unchanging and oppressive institution, but as changing combination of erotic and social affects which coexist within public and private bodies, discourses and imaginations.