A Brush with Georgia O'keeffe
On Creating A BRUSH WITH GEORGIA O’KEEFFE by Natalie Mosco Doctor of Creative Arts Candidate University of Western Sydney 2008 © Natalie Mosco 2008 Dedication To all those with whom I’ve worked, played, studied, and loved For my Mother, Sister and Nephew Acknowledgements In gratitude to my University of Western Sydney advisors: Jean Callaghan, Jane Goodall, Graham Marchant, and Glen McGillivray Special thanks to Robert Aberdeen, Rae Allen, Bayo, Michael Blakemore, Robert Kalfin, Thomas Hauser, Jeffrey Hogrefe, Lisa Parkins, Virginia Roncetti, William Rowley, Andrea Shapiro and Joel Silver Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. ___________________________________________________ Statement on Presentation This submission comprises: Exegesis; two-part DVD of the first full-scale production of the play in December, 2004; program and postcard for the December, 2004 production; scripts of the 2004 production and most recent version of the play. The Time Line for this DCA was governed by production opportunities. The dates for each of the productions along with their personnel are specified in Appendix G. Because the subject of this study was American born and the majority of reference material was published in the U.S.A. American spelling has been adopted in order to maintain the integrity of direct quotations. The paper on which this document has been printed is standard American- size “Letter” paper because the equivalent "International Standard A4” paper is not readily available in the United States.
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