Schubert Compiled by David Barker
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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Bach's Birthday Concert
73 The Conservatory of Music at LYNN UNIVERSI1Y 'from t!U Stuiio . ofJohanne Perron Bach's Birthday Concert 7:30 p.m. March 21, 2001 Recital Room PROGRAM. Brandenburg Concerto No. 6 ···········:······· J. S. Bach (arranged by Lynn Latham} ( 1685-1750) Johanne Perron, cello Martin Gueorguiev, cello Robin Miller, cello William Dale, cello Simona Barbu, cello Victor Coo, cello Partita No. 2 in d minor .......................... J. S. Bach (arranged by Lynn Latham} ( 1685-1750) Chaconne Victor Coo, cello Robin Miller, cello William Dale, cello Martin Gueorguiev, cello INTERMISSION 0 Vos Omnes .......................................... Pablo Casals ( 1876-1973) Johanne Perron, cello Victor Coo, cello Martin Gueorguiev, cello Simona Barbu, cello Ana-MariaAchitei, cello Adrian Teodorescu, cello Robin Miller, cello William Dale, cello Sonata No. 1 in G major .......................... J. S. Bach Adagio (1685-1750) Allegro ma non tanto William Dale, cello Tao Lin, harpsichord Cello Suite No. 3 ..................................... J. S. Bach Prelude (1685-1750) Sarabande Robin Miller, cello Cello Suite No. 5 ..................................... J. S. Bach Sarabande (1685-1750) Gigue Ana-MariaAchitei, cello Cello Suite No. 4 ..................................... J. S. Bach Gigue (1685-1750) Boureel-11 Simona Barbu, cello Bachianas Brasileiras No. 5 ....................... Heitor Villa-Lobos Aria (Canti/ena) (1887-1959) Dama (Marte/o) Claire Pereira, guest soprano Claudio Jaffe, conductor Johanne Perron, cello Victor Coo, cello William Dale, cello Ana-MariaAchitei, cello Robin Miller, cello Adrian Teodorescu, cello Martin Gueorguiev, cello Simona Barbu, cello JOHANNE PERRON Cello · Johanne Perron is well established as an important artist and teacher, enjoying a career at an international level. She has appeared with orchestras and in recitals in Canada, Brazil, the United States, and Europe, and currently maintains a concert schedule as a soloist and chamber musician. -
October 30, 2018
October 30, 2018: (Full-page version) Close Window “Music is the social act of communication among people, a gesture of friendship, the strongest there is.” —Malcolm Arnold Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Franck The Breezes (A Symphonic Poem) National Orchestra of Belgium/Cluytens EMI Classics 13207 Awake! 00:13 Buy Now! Vivaldi Trio in G minor for Winds, RV 103 Camerata of Cologne Harmonia Mundi 77018 054727701825 00:23 Buy Now! Brahms Piano Trio No. 1 in B, Op. 8 Trio Fontenay Teldec 9031-76036 090317603629 01:01 Buy Now! Warlock Capriol Suite English Sinfonia/Dilkes EMI 62529 077776252926 01:12 Buy Now! Respighi The Birds Orpheus Chamber Orchestra DG 437 533 N/A 01:32 Buy Now! Mozart String Quartet No. 17 in B flat, K. 458 "Hunt" Alban Berg Quartet Teldec 72480 090317248028 02:00 Buy Now! Handel Flute Sonata in A minor Bruggen/Bylsma/van Asperen Sony 60100 074646010020 Symphony No. 9 in E minor, Op. 95 "From the 02:12 Buy Now! Dvorak Houston Symphony/Eschenbach Virgin 91476 075679147622 New World" 03:00 Buy Now! Boccherini Cello Concerto No. 3 in G Bylsma/Tafelmusik/Lamon DHM 7867 054727786723 03:17 Buy Now! Schumann Manfred Overture, Op. 115 Royal Concertgebouw/Haitink Philips 411 104 028941110428 03:30 Buy Now! Franck Violin Sonata in A Mintz/Bronfman DG 415 683 028941568328 First Suite in E flat, Op. 28 No. 1 (for military 03:59 Buy Now! Holst Central Band of the RAF/Banks EMI 49608 077774960823 band) 04:11 Buy Now! Mozart Symphony No. -
Texte Und Rezension Furtwängler Box Engl.Indd
MUSIKPRODUKTION Press Info: Wilhelm Furtwängler Berlin Philharmonic MASTERst RELEASE THE COMPLETE ORIGINAL TAPES RIAS RECORDINGS 1 Live in Berlin (1947 - 1954) 12 CD-Box + Bonus-CD The majority of the concerts given by Wilhelm Furtwängler and the Berlin Philharmonic between 1947 and 1954 were recorded by the RIAS Berlin; all of these recordings are documented in this boxed set. The original tapes from the RIAS archives have been made available for the first time for this edition so these CDs also offer unsurpassed technical quality. Furthermore, some of the recordings are presented for the very first time, such as the Fortner Violin Concerto with Gerhard Taschner. These RIAS recordings are documents of historical value: they contain a major part of Furtwängler’s late oeuvre as a conductor, which was characterised by a high level of focus in different respects. Focus on repertoire which has at its core the symphonic works of Beethoven, Brahms and Bruckner and is supplemented by works by Bach and Handel and also by topical composers of the time, including Hindemith, Blacher and Fortner: artists who were counted amongst the members of “moderate modernism” and who were not perceived to have been tainted by the cultural politics of the National Socialists. Focus was also a guiding principle in Furtwängler’s concert programmes which always feature a particular idea. His interpretations also demonstrate extremely high levels of focus: concentration and focus for him meant a contem- porary decoding, a re-creation, which would express the fundamental content of a work. A number of works – the Third, Fifth and Sixth Symphonies by Ludwig van Beethoven as well as Johannes Brahms’ Third Symphony – are included in two interpretations. -
DAVID SCHEPPS, Associate Professor University of New Mexico Department of Music Albuquerque, NM 87131 Email: [email protected] Cell Phone/Text: (505) 263-2170
DAVID SCHEPPS, Associate Professor University of New Mexico Department of Music Albuquerque, NM 87131 Email: [email protected] Cell phone/text: (505) 263-2170 EDUCATION Degrees Doctor of Musical Arts, Arizona State University 1988 Master of Music, Arizona State University 1980 Bachelor of Music, Mannes College of Music, New York City 1978 Other studies Preparatory Division, Manhattan School of Music, NYC 1970-74 Banff Centre, Alberta, Canada, 1983-84 (6 months) Summer: Yale/Norfolk Chamber Music Festival, Connecticut Bach Aria Festival, State University of NY, Stony Brook National Cello Institute- University of Wisconsin- Madison CELLO TEACHERS Principal cello teachers Pierre Fournier 1982, 1985 Claus Adam 1975-78 Timothy Eddy 1970-73 Takayori Atsumi (Arizona State Univ.)1978-80, 1982-88; Thomas Liberti (NY Phil. /Cleveland Orch.) 1967-70; 3x) Post graduate study: Harvey Shapiro 1994, 2006, 2007; Alan Harris 2016 Master classes: Janos Starker, Lynn Harrell, Zara Nelsova AWARDS New Mexico Symphony Concerto Competition, 1st prize, Bloch "Schelomo" performed on 3 subscription concerts, 2010 University of New Mexico Research grants (2) University of New Mexico research grant (study with Harvey Shapiro), 2006 ITT International Fellowship (Pierre Fournier, 1 year of study in Geneva), 1982 Arizona State University graduate research grant (Fournier study), 1985 North Arkansas Symphony Competition (23 states), 2nd prize/solo with symphony, 1986 Banff Concerto Competition, 1st prize/solo with Calgary Philharmonic, 1984 Wichita State University research -
Rezension Für: Deutsches Symphonie-Orchester Berlin
Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin. -
The Piano Trio Repertoire Discography & Review Index: Franz
The Piano Trio Repertoire Discography & Review Index: Franz Joseph Haydn Prepared by David Barker Project Index Notes 1. Only versions for keyboard, violin and cello are included here. 2. Trios 8 (Hob. XIV/33) & 9 (Hob. XIV/D1) are lost, but are still included in the numbering system. 3. Certain recordings, including the Phoenix complete set 161 and some of the Naxos releases, do not use the standard numbering system, instead opting to number the trio on the basis of the Hoboken number. I have not used “their” numbering in this discography. Trio 1 in F, Hob. XV/37 Beaux Arts Trio (in Complete Trios) Trio 1790 Philips 4540982 (+ Trios 2, 5, 7, 12 & 17) Decca 4831563 CPO 7772442 (in Complete Trios) Trio Fontenay CPO 7776492 (in Haydn Edition Volume 2: Piano Trios) Warner Classics 2564 696503 Beaux Arts Trio (in Complete Trios) Haydn Trio Eisenstadt Philips 4540982 (+ Trios 6, 7, 13, 18, 19, 22-24, 26, 32, 34, 36, Decca 4831563 37, 40-42, 44 & 45) Capriccio C49489 [review] Trio Fontenay (in Complete Trios) (in Haydn Edition Volume 2: Piano Trios) Phoenix Edition 161 [review] Warner Classics 2564 696503 Mendelssohn Piano Trio Haydn Trio Eisenstadt (+ Trios 24, 35 & 42) (in Complete Trios) Centaur CRC3392 Phoenix Edition 161 [review] Trio van Swieten Trio van Swieten (in Complete Trios) (in Complete Trios) Brilliant Classics 92794 Brilliant Classics 92794 Bob Van Asperen, Jaap Schröder, Wouter Bob Van Asperen, Jaap Schröder, Wouter Möller Möller (in Haydn Edition Volume 2: Piano Trios) (in Haydn Edition Volume 2: Piano Trios) Warner Classics 2564 696503 Warner Classics 2564 696503 Trio 3 in G, Hob. -
Radio 3 Listings for 6 – 12 March 2021 Page 1 of 14 SATURDAY 06 MARCH 2021 Piano, Strings and Soundtracks to Bring You Comfort and Escape
Radio 3 Listings for 6 – 12 March 2021 Page 1 of 14 SATURDAY 06 MARCH 2021 piano, strings and soundtracks to bring you comfort and escape. production.php&bestnr=00810 SAT 01:00 Through the Night (m000ss13) This episode features American rappers who have dabbled in Anna Clyne: Mythologies Baroque music from Zug in Switzerland the world of strings and piano, including Kanye West, Jay BBC Symphony Orchestra Electronica and Mac Miller. Marin Alsop (conductor) Concerti by Telemann, Couperin and Vivaldi. Presented by Avie AV2434 Catriona Young. http://www.avie-records.com/releases/anna-clyne-mythologies/ SAT 06:00 Downtime Symphony (m000sxtv) 01:01 AM Recharge with a mix of relaxing piano and orchestral sounds The Dark Night Has Vanished Georg Philipp Telemann (1681-1767) Catriona Morison (mezzo) Concerto in G, TWV 53:G1 An hour of wind-down music to help you press pause and reset Malcolm Martineau (piano) Zug Chamber Soloists your mind. Power your downtime with chilled orchestral, Linn CKD637 ambient and lo-fi tracks from artists including Chance the https://www.linnrecords.com/recording-dark-night-has-vanished 01:13 AM Rapper, Matthew Bourne and Alice Sara Ott. Georg Philipp Telemann (1681-1767) Caroline Shaw: Narrow Sea Concerto in D minor, TWV 52:d1 Sō Percussion Zug Chamber Soloists SAT 07:00 Breakfast (m000sxtx) Gilbert Kalish (piano) Saturday - Elizabeth Alker Dawn Upshaw (vocals, percussion) 01:25 AM Caroline Shaw (organ) Francois Couperin (1668-1733) Classical music for breakfast time, plus found sounds and the Nonesuch 7559791788 (2 CDs) Concerto no 13, from 'Les goûts-réunis (Nouveaux Concerts)' odd unclassified track. -
Cellists' Corner Brief Career Details of Important Cellists
Cellists’ Corner Brief Career Details of Important Cellists prepared by David Johnstone from public information Any image linked here is claimed to be used under fair use as: # the photo or image is only being used solely for informational purposes If any copyright holder is not agreed such an image could be removed at short notice SPECIAL FEATURE on PIERRE FOURNIER .. .. Pierre Fournier was born in Paris on 24th June 1906, and known in his lifetime as "the aristocrat of cellists," because of his lyrical playing especially with the bowing arm, and for his impeccable artistic sensitivity. Fournier was the son of a French army general, and as a child was taught piano by his mother. However, at the age of nine he suffered a mild case of polio and lost some of the dexterity in his legs and feet; therefore no longer able to comfortably use the piano pedals he searched for another musical instrument, and luckily for us turned to the cello! .. He quickly made good progress on his new instrument, and was able to win entrance to the Paris Conservatoire, where he became a pupil of Paul Bazelaire, and later Anton Hekking. He graduated at the age of seventeen, in the year 1923. Maurice Marechal called him "the cellist of the future." Fournier became well known in 1925 after a successful performance with the Edouard Colonne Orchestra in Paris, and began to give concerts all over Europe. In the period 1925-1929 he was a member of the Krettly Quartet, led by Odette's brother Robert Krettly. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
An a to Z of the Piano Trio Repertoire Discography & Review Index: "R” Composers Compiled by David Barker
An A to Z of the Piano Trio Repertoire Discography & Review Index: "R” Composers Compiled by David Barker Project Index Jan Rääts (+ Bloch: Nocturnes, Honegger, Martin) 1932-, Estonia Claves CD502912 Trio 6, op. 81 (1989) Trio Opus 8 (+ Trio 4) Vladimir Igoschew, Mari Tampere-Bezrodny, CPO 9996162 [review] Peter Paemurru (+ Piano sonata, quintet, Violin concerto) Jan Schultsz, Jonathan Allen, Daniel Pezzotti Bella Musica BMCD319065 [review] (+ Trios 2-4) Arte Nova 74321888332 Walter Rabl Trio 2 in G, op. 112 (1863) 1873-1940, Austria Trio Opus 8 Fantasiestücke, op. 2 (+ Trio 3) CPO 9998002 [review] Oliver Triendl, Geneviève Laurenceau, László Fenyö Jan Schultsz, Jonathan Allen, Daniel Pezzotti (+ Clarinet quartet, Violin sonata) (+ Trios 1, 3 & 4) CPO 7778492 [review] Arte Nova 74321888332 Trio 3 in a, op. 155 (1870) Sergei Rachmaninov – see separate file Trio Opus 8 (+ Trio 2) Robert Radecke CPO 9998002 [review] 1830-1911, Germany Jan Schultsz, Jonathan Allen, Daniel Pezzotti (+ Trios 1, 2 & 4) Trio in A flat, Op. 30 (1864) Arte Nova 74321888332 Trio Fontane Trio 4 in D, op. 158 (1870) (+ Trio in b, Fantasy pieces) CPO 7779962 [review] Trio Opus 8 (+ Trio 1) Trio in b, Op. 33 (1868) CPO 9996162 [review] Trio Fontane Jan Schultsz, Jonathan Allen, Daniel Pezzotti (+ Trio in A flat, Fantasy pieces) (+ Trios 1-3) CPO 7779962 [review] Arte Nova 74321888332 Joachim Raff Shulamit Ran 1822-1882, Germany/Switzerland 1949-, Israel Trio 1 in c, op. 102 (1861) Excursions (1980) Trio Nota Bene MusicWeb International Updated: June 2021 Piano Trios: -
Pierre Fournier Dvoˇrák Cello Concerto Swiss Festival Orchestra | István Kertész Saint-Saëns Cello Concerto No
HISTORIC PERFORMANCES Pierre Fournier Dvoˇrák Cello Concerto Swiss Festival Orchestra | István Kertész Saint-Saëns Cello Concerto No. 1 Orchestre Philharmonique de la RTF | Jean Martinon Casals El cant dels ocells Festival Strings Lucerne | Matthias Bamert Antonín Dvoˇrák (1841–1904) Cello Concerto in B minor, Op. 104 I. Allegro 14:38 II. Adagio, ma non troppo 10:58 III. Finale. Allegro moderato 11:30 PIERRE FOURNIER cello SWISS FESTIVAL ORCheSTRA | ISTVÁN KERTÉSZ Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 in A minor, Op. 33 I. Allegro non troppo 5:27 II. Allegretto con moto 4:30 III. Tempo primo 8:32 PIERRE FOURNIER cello ORCheSTRE PHILhaRMONIQUE de LA RTF | Jean MARTINON Dedication announcement: Pierre Fournier Pablo Casals (1876–1973) El cant dels ocells 4:13 PIERRE FOURNIER cello FESTIVAL STRINGS LUCERne | MATTHIAS BameRT The singing cello – repertoire of which he made several stu- Pierre Fournier in Lucerne dio recordings: in the summer of 1962 he interpreted Camille Saint-Saëns’ First Cello Piano, violin and cello: these three instru- Concerto in A minor, Op. 33, alongside the ments ranked most highly in solo perform- Orchestre Philharmonique de la RTF and ances during the first decades of LUCERNE Jean Martinon, with whom he had recorded FESTIVAL – and it is hardly surprising that the work two years previously (together with this is still the case today. Among the cel- a different orchestra, however – the Orches- lists, the frontrunner was, and still is, tre Lamoureux). Fournier’s encounter with Enrico Mainardi who travelled to Lucerne István Kertész in 1967, resulting in a mem- each year between 1946 and 1967, appear- orable performance of Antonín Dvorˇák’s ing twenty-two times in total.