Chapter Twelve an Act for the Encouragement of Learning
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Milton and the Discursive Practice of Nation Building
―Methinks I see in my mind a noble and puissant nation‖ Milton, Print, and Nationhood by SANDY BUGEJA a thesis submitted to the Department of English in conformity with the requirements for the degree of Doctor of Philosophy Queen‘s University Kingston, Ontario, Canada September, 2008 Copyright © Sandy Bugeja, 2008 Abstract This study begins by examining the interconnections between print and nationalism in John Milton‘s prose works in order to demonstrate that Milton‘s interest in print—including print-related activities like reading, writing, and publishing—is not simply a byproduct of his vocation. Instead, I argue that Milton consciously registered his reliance on and use of print in writing the nation. Further, I argue that Milton‘s writing of the nation is in keeping with a modern definition of nationalism as a unifying cultural construct that wields considerable emotional poignancy despite its lack of ideological specificity. In making this argument, I am adapting a modern definition of nationalism and arguing against scholars who see nationalism as a product of modernity. I organize my dissertation into two sections: the first section, chapters 2 and 3, discusses the confluence of print and nationalism while the second section, chapters 4 and 5, examines Milton‘s poems, Paradise Lost and Samson Agonistes, as nation-building texts. As chapters 2 and 3 demonstrate, Milton had an acute awareness of the role of print in the public life of the nation, and he shaped his own identity as an author based on his contribution to England‘s print culture. In chapters 4 and 5, I look at the ways Milton‘s poems suggest a continuation of his commitment to nation-building although the poems were written during the Restoration: a period of time when Milton would have doubted the critical capabilities of his fellow countrymen. -
Milton's Inward Liberty
Università degli Studi di Milano Scuola di Dottorato Humanae Litterae Dipartimento di Scienze del Linguaggio e Letterature Straniere Comparate Dottorato di Ricerca in Lingue, Letterature e Culture Straniere Sezione di Anglistica XXIV ciclo Milton’s Inward Liberty A Study of Christian Liberty from the Prose to Paradise Lost L-Lin/10 Tutor: Prof. Marialuisa Bignami Giuliana Iannaccaro Edward Jones Coordinatore del Dottorato: Tesi di Dottorato di: Prof. Alessandro Costazza Filippo Falcone Anno Accademico 2010-2011 Milton’s Inward Liberty For Sandra, Miriam and Benjamin, My associate souls 2 Milton’s Inward Liberty Contents Introduction 5-13 1. Christian Liberty Towards Paradise Lost I. Pauline Christian Liberty 14-16 II. Freedom from the Slavery of Sin and Thus from the Rule of the Law 16-24 III. Adult Sonship 24-32 IV. Freedom from the Slavery of Sin and Thus from the Rule of Men 32-56 2. Christian Liberty and Paradise Lost 57-72 3. Inner Light and Christian Liberty 73-93 4. The Prison of Satan 94-108 5. Eschatology Realized I. Prelapsarian Liberty 109-115 II. Adam and Eve’s Perfectibility 115-122 III. The Separation Scene 122-134 IV. The Fall 134-140 V. The Slavery of Sin 140-148 VI. A Transmuted Lump of Futurity 148-167 Conclusion 168-170 Bibliography 171-208 Index 209-213 3 Milton’s Inward Liberty Abbreviations CM Frank A. Patterson et al (eds.), The Works of John Milton CPW Don M. Wolfe et al (eds.), The Complete Prose Works of John Milton De Doctrina De Doctrina Christiana ELH English Literary History ELR English Literary Renaissance -
What Is the Point of Copyright History? Reflections on Copyright at Common Law in 1774 by H
CREATe Working Paper 2016/04 (March 2016) What is the Point of Copyright History? Reflections on Copyright at Common Law in 1774 by H. Tomás Gómez-Arostegui Editors Elena Cooper Ronan Deazley University of Glasgow Queen’s University Belfast [email protected] [email protected] CREATe Working Paper Series DOI: 10.5281/zenodo.47710. This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. What is the Point of Copyright History? Reflections on Copyright at Common Law in 1774 by H. Tomás Gómez-Arostegui Elena Cooper and Ronan Deazley (eds) 1. What is the Point of Copyright History? 3 Elena Cooper and Ronan Deazley 2. The Persistent Myth of Perpetual Common Law Copyright 11 Howard B. Abrams 3. A Few Remarks on Copyright at Common law in 1774 24 Lionel Bently 4. A Page of History 31 Oren Bracha 5. Donaldson and the Muse of History 38 Mark Rose 6. Personal Comments on a Policy Perspective 43 Charlotte Waelde 7. A Reply to my Colleagues regarding Donaldson v Becket 46 H. Tomás Gómez-Arostegui 8. Excerpts from the Symposium 61 Elena Cooper and Ronan Deazley (eds) Appendix 83 What is the Point of Copyright History? Elena Cooper and Ronan Deazley An understanding of the past – how we got to where we are today – informs the approach of much recent scholarship about copyright. This has been traced to a ‘historical turn’ in scholarship in the late 1990s, which marked a move away from the more forward-looking approach of the earlier twentieth century, when lawyers had little time for historical perspectives. -
Licensing of the Press Act of 1662
Cum privilegio: Licensing of the Press Act of 1662 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nipps, Karen. 2014. “Cum Privilegio: Licensing of the Press Act of 1662.” The Library Quarterly: Information, Community, Policy 84 (4) (October): 494–500. doi:10.1086/677787. Published Version doi:10.1086/677787 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17219056 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Cum privilegio: Licensing of the Press Act of 1662 HISTORY OF THE BOOK opyright has troubled humans for almost as long as our thoughts have been re- corded. The ancient Greeks, Jews, and Romans all set down laws concerning an author’s C personal rights, a sponsor/publisher’s economic rights, an owner’s rights to an individual copy, and a ruler’s right to censor and to regulate the industry. The Church and various gov- ernments ðboth totalitarian and democraticÞ have tried copyrighting any number of times. We are still at it today. As of the writing of this piece, currently pending in Washington is legisla- tion that some have referred to as “the next great copyright act” ðPallante 2013Þ. This act—if it ever comes to pass—will have the American government ruling on procedures regarding such varied property as orphan works, musical recordings, film, and fashion design, particularly as they relate to digitization and the Internet. -
Literary Property in Scotland in the Eighteenth and Nineteenth
Edinburgh Research Explorer Literary Property in Scotland in the Eighteenth and Nineteenth Centuries Citation for published version: MacQueen, H 2016, Literary Property in Scotland in the Eighteenth and Nineteenth Centuries. in I Alexander & HT Gomez-Arostegui (eds), Research Handbook on the History of Copyright Law. Research Handbooks in Intellectual Property, Edward Elgar, Cheltenham, UK, pp. 119-138. https://doi.org/10.4337/9781783472406 Digital Object Identifier (DOI): 10.4337/9781783472406 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Research Handbook on the History of Copyright Law Publisher Rights Statement: This is a draft of a chapter that has been published by Edward Elgar Publishing in The History of Copyright Law; A Handbook of Contemporary Research edited by Isabella Alexander and H. Tomás Gómez-Arostegui, published in 2016. http://www.e-elgar.com/shop/the-history-of-copyright-law General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 [fresh page][cn] 7. [ct] Literary property in Scotland in the eighteenth and nineteenth centuries [au]Hector MacQueen [a] 1. -
§ a Statute of Anne (1710)
Copyright Enactments Prior to the 1909 Act, Including the English Statute of Anne (1710) and Original State Statutes from 1783 Statute of Anne (1710) An act for the encouragement of learning, by the vesting the copies of printed books in the author's or purchasers of such copies, during the times therein mentioned. WHEREAS printers, booksellers, and other persons have of late frequently taken the liberty of printing, reprinting, and publishing, or causing to be printed, reprinted, and published, books and other writings, without the consent of the authors or proprietors of such books and writings, to their very great detriment, and too often to the ruin of them and their families: for preventing therefore such practices for the future, and for the encouragement of learned men to compose and write useful books; may it please your Majesty, that it may be enacted, and be it enacted by the Queen's most excellent majesty, by and with the advice and consent of the lords spiritual and temporal, and commons, in this present parliament assembled, and by the authority of the same, That from and after the tenth day of April, one thousand seven hundred and ten, the author of any book or books already printed, who hath not transferred to any other the copy or copies of such book or books, share or shares thereof, or the bookseller or booksellers, printer or printers, or other person or persons, who hath or have purchased or acquired the copy or copies of any book or books, in order to print or reprint the same, shall have the sole right and liberty -
Quick Overview: Regulation of the Press Henry VIII Ruled 1509–47
Quick overview: Regulation of the Press Henry VIII ruled 1509–47 Act of 1534: • prevented “aliens” becoming printers • concentrated the production of books in London Proclamation of 1538 against “naughty printed books”: “no book in English was to be printed without the approval of a royal licenser” (Blagden 30–1) Edward VI (Protestant) ruled 1547 – 1553 Edward is fiercely Protestant; imposes the Book of Common Prayer in 1549 (replaced Latin services with English) proclamations against popish books are issued by Edward Quick overview: Regulation of the Press • 1555: royal proclamation prohibits the printing or importation of the works of Luther, Calvin, Tindale, and other reformers • 1557: the Worshipful Company of Stationers receives royal charter (purpose is to prevent propagation of the Protestant Reformation) • very small membership has sole right throughout England to print, publish, and sell printed works Mary I 1558: proclamation directed against heretical reigned 1553–8 • and treasonable books including the service books of Edward VI What was in the 1557 Charter? • Only freemen who were members of the Stationers’ Co. or those with royal permission were allowed to print books • Stationers’ Co. authorities had the right to “search the houses and business premises of all printers, bookbinders and booksellers” (Blagden 21) Quick overview: Regulation of the Press • 1558: Injunctions geven by the Quenes Majestie: no book or paper to be printed without license of the Queen, her privy council, Archbishops of Canterbury and York, Bishop of London, or chancellors of both universities • 1566: the Star chamber issues a decree against the printing, importing, or selling of prohibited books • 1579: John Stubbe has his right hand cut off for his critique of proposed marriage of the queen and Duke of Anjou Elizabeth I • 1584: William Carter, printer, condemned for high treason reigned 1558–1603 and hanged, bowelled and quartered no manner of book or paper should be printed unless it: “be first licenced by her maiestie by expresse wordes in writynge, or by .vi. -
The Public Sphere and the Emergence of Copyright: Areopagitica, the Stationers’ Company, and the Statute of Anne*
The Public Sphere and the Emergence of Copyright: Areopagitica, the Stationers’ Company, and the Statute of Anne* Mark Rose† I. INTRODUCTION ................................................................................. 123 II. HABERMAS AND THE PUBLIC SPHERE .............................................. 124 III. AREOPAGITICA .................................................................................. 128 IV. THE EARLY MODERN STATIONERS’ COMPANY ................................ 132 V. THE STATUTE OF ANNE ..................................................................... 136 VI. THE “HOLLOWING OUT” OF THE PUBLIC SPHERE ............................ 139 I. INTRODUCTION The notion of the public sphere, or more precisely the bourgeois public sphere, associated with German philosopher Jürgen Habermas, has become ubiquitous in eighteenth-century cultural studies. Scholars concerned with media and democratic discourse have also invoked Habermas. Nonetheless, the relationship between the emergence of the public sphere and the emergence of copyright in early modern England has not been much discussed. In this Article, I will explore the relationship between the Habermasian public sphere and the inauguration 1 of modern copyright law in the Statute of Anne in 1710. * This Article will also appear in PRIVILEGE AND PROPERTY: ESSAYS ON THE HISTORY OF COPYRIGHT (Ronan Deazley, Martin Kretschmer, and Lionel Bently eds., forthcoming 2010). † © 2009 Mark Rose. Mark Rose (AB Princeton, BLitt Oxford, PhD Harvard) is Professor Emeritus at the University of California, Santa Barbara, where he has taught in the English Department since 1977. He has also held positions at Yale, the University of Illinois, Urbana-Champaign, and the University of California, Irvine. Authors and Owners, his study of the emergence of copyright in eighteenth-century England, was a finalist for a National Book Critics’ Circle Award. Rose also regularly serves as a consultant and expert witness in matters involving allegations of copyright infringement. -
How WE LOST OUR MORAL RIGHTS and the DOOR CLOSED on NON-ECONOMIC VALUES in COPYRIGHT
THE JOHN MARSHALL REVIEW OF INTELLECTUALF' PROPERTY LAW How WE LOST OUR MORAL RIGHTS AND THE DOOR CLOSED ON NON-ECONOMIC VALUES IN COPYRIGHT SUSAN P. LIEMER ABSTRACT The Visual Artists Rights Act ('VARA") is a piece of modern legislation preceded by a rich history, with a significant gap. As early as the 1400's, patents were offered as economic incentive to develop new processes in the trades and applied arts. By the 1700's, the Statute of Anne became the first statute to protect the literary work of individual creators. The Engravers' Act of 1735 soon followed, expanding this protection to include the first works of visual art and providing the precursor to the modern right of integrity. Millar v. Taylor was the landmark case that alluded to moral rights protection and found copyright existed at common law; however, it was replaced by statutory copyright in Donaldson v. Beckott. From then on, only the statute could prescribe protection. This effectively closed the door on moral rights protection in the United States, because the Donaldson interpretation provided the groundwork for interpretation of the first United States copyright statute. Until VARA, the United States copyright law focused on economic protection, disregarding most other values. This article traces moral rights through the early intellectual property law history, discusses the importance of the rights granted, and argues that VARA is most useful if jurists and legislators become aware of the history and the legislation itself. Copyright © 2005 The John Marshall Law School Cite as Susan P. Liemer, How We Lost Our MoralRights and the Door Closed on Non -Economic Values in Copyright,5 J. -
Media Trial and Right to Freedom of Speech and Expression: an Analysis
MEDIA TRIAL AND RIGHT TO FREEDOM OF SPEECH AND EXPRESSION: AN ANALYSIS Dissertation submitted to National Law University, Assam in partial fulfilment for award of the degree of MASTER OF LAWS Supervised by: Submitted by: Mr. Saheb Chowdhury Arunav Talukdar Assistant Professor of Law UID: SM0217003 2017-2018 National Law University, Assam Jume, 2018 SUPERVISOR CERTIFICATE It is to certify that Mr. Arunav Talukdar is pursuing Master of Laws (LL.M.) from National Law University, Assam and has completed his dissertation titled “Media Trial and Right to Freedom of Speech and Expression: An Analysis” under my supervision. The research work is found to be original and suitable for submission. Date: Mr. Saheb Chowdhury Assistant Professor of Law National Law University, Assam DECLARATION I, Arunav Talukdar, pursuing Master of Laws (LL.M.) from National Law University, Assam, do hereby declare that the present dissertation titled “Media Trial and Right to Freedom of Speech and Expression: An Analysis” is an original research work and has not been submitted, either in part or full anywhere else for any purpose, academic or otherwise, to the best of my knowledge. Date : Arunav Talukdar UID: SM0217003 ACKNOWLEDGMENT At the very outset, I would like to express my deep sense of gratitude and indebtedness to Dr. J. S. Patil, Vice-Chancellor, National Law University, Assam for allowing me to write my dissertation entitled “Media Trial and Right to Freedom of Speech and Expression: An Analysis” and for his valued and scholarly suggestions, encouragement and guidance from time to time who is always an inspiration to us. I must express my deep gratitude to my teacher and supervisor respected Mr. -
Pre-Copyright Rights Carl W
Notre Dame Law Review Volume 14 | Issue 4 Article 3 5-1-1939 Pre-Copyright Rights Carl W. Doozan Follow this and additional works at: http://scholarship.law.nd.edu/ndlr Part of the Law Commons Recommended Citation Carl W. Doozan, Pre-Copyright Rights, 14 Notre Dame L. Rev. 391 (1939). Available at: http://scholarship.law.nd.edu/ndlr/vol14/iss4/3 This Article is brought to you for free and open access by NDLScholarship. It has been accepted for inclusion in Notre Dame Law Review by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. PRE-COPYRIGHT RIGHTS To occupy himself during his spare moments a prominent citizen wrote a small biographichl sketch of a famous old character in the community and upon completion passed around the manuscript to a few close friends. An editor of a local" publication gained possession of the manuscript and without permission published the article. Immediately, the question arose, what are the author's rights? The work of course was not copyrighted. In that event he has no rights, you say? Well, perhaps - but be not too hasty in your reply. Copyright law, like the Constitution is a topic which makes fine conversational material among intelligent men, but con- cerning which very few have actual first hand information - surprisingly so, in view of the fact that copyright concerns almost exclusively intelligent men and women. Artists, pro- fessors, musicians, photographers are only a few of those affected by these laws and who should be vitally interested in knowing what their rights are. -
LIBERTY AS PRO-GRESSION: a STUDY of the REVOLUTIONS IDEALIZED in AREOPAGITICA, the MARRIAGE of HEAVEN and HELL and the MATRIX B
LIBERTY AS PRO-GRESSION: A STUDY OF THE REVOLUTIONS IDEALIZED IN AREOPAGITICA, THE MARRIAGE OF HEAVEN AND HELL AND THE MATRIX by Adalberto Teixeira de Andrade Rocha A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Programa de Pós-Graduação em Letras: Estudos Literários Faculdade de Letras Universidade Federal de Minas Gerais 2007 ACKNOWLEDGEMENTS To my Professor and adviser Luiz Fernando Ferreira Sá, for bringing my attention to literature in the first place through the works of John Milton. Thank you for helping me realize what it means to read. To my mother, for the example of commitment and hard work; and for her life-long dedication to my sister and I. Special thanks for putting up with me for yet one more year as I returned home for the writing of this thesis. To my father, for all the support and for always believing in me. Thank you for helping me keep all sorts of things into perspective and my priorities straight. To my great friends Fernando Barboza, Leda Edna and Eddie Aragão, not only for your endless hospitality, but for your sincere friendship and presence during both the difficult and great moments. In my distance from home, I have found one in all three of you. To Miriam Mansur, who has helped me in more ways than one during the writing of this thesis. Abstract Impressions of truth and liberty are time and space specific. Historically, works of art stand as material manifestations of the physical conversions required by ideologies in their “hailings” of individuals and reminders of those individuals’ statuses as always-already subjects.