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The One Who Knocks: the Hero As Villain in Contemporary Televised Narra�Ves
The One Who Knocks: The Hero as Villain in Contemporary Televised Narra�ves Maria João Brasão Marques The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Maria João Brasão Marques 3 Editora online em acesso aberto ESTC edições, criada em dezembro de 2016, é a editora académica da Escola Superior de Teatro e Cinema, destinada a publicar, a convite, textos e outros trabalhos produzidos, em primeiro lugar, pelos seus professores, investigadores e alunos, mas também por autores próximos da Escola. A editora promove a edição online de ensaio e ficção. Editor responsável: João Maria Mendes Conselho Editorial: Álvaro Correia, David Antunes, Eugénia Vasques, José Bogalheiro, Luca Aprea, Manuela Viegas, Marta Mendes e Vítor Gonçalves Articulação com as edições da Biblioteca da ESTC: Luísa Marques, bibliotecária. Editor executivo: Roger Madureira, Gabinete de Comunicação e Imagem da ESTC. Secretariado executivo: Rute Fialho. Avenida Marquês de Pombal, 22-B 2700-571 Amadora PORTUGAL Tel.: (+351) 214 989 400 Telm.: (+351) 965 912 370 · (+351) 910 510 304 Fax: (+351) 214 989 401 Endereço eletrónico: [email protected] Título: The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Autor: Maria João Brasão Marques Série: Ensaio ISBN: 978-972-9370-27-4 Citações do texto: MARQUES, Maria João Brasão (2016), The one who knocks: the hero as villain in contemporary televised narratives, Amadora, ESTC Edições, disponível em <www.estc.ipl.pt>. This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 International License. https://wiki.creativecommons.org/wiki/CC_Affiliate_Network O conteúdo desta obra está protegido por Lei. -
Clifford the Big Red Dog Goes on Tour! MAY 2018 See Page 31 for Details
Clifford The Big Red Dog goes on tour! MAY 2018 See page 31 for details NOVA Wonders Airs 8pm Wednesdays Journey to the frontiers of science, where researchers are tackling some of the biggest questions about life and the cosmos in this six-part mini-series. See story, p. 2 MONTANAPBS PROGRAM GUIDE MontanaPBS Guide On the Cover MAY 2018 · VOL. 31 · NO. 11 COPYRIGHT © 2018 MONTANAPBS, ALL RIGHTS RESERVED MEMBERSHIP 1-866-832-0829 SHOP 1-800-406-6383 EMAIL [email protected] WEBSITE www.montanapbs.org ONLINE VIDEO PLAYER watch.montanapbs.org The Guide to MontanaPBS is printed monthly by the Bozeman Daily Chronicle for MontanaPBS and the Friends of MontanaPBS, Inc., a nonprofit corporation (501(c)3) P.O. Box 10715, Bozeman, MT 59719-0715. The publication is sent to contributors to MontanaPBS. Basic annual membership is $35. Nonprofit periodical postage paid at Bozeman, MT. PLEASE SEND CHANGE OF ADDRESS INFORMATION TO: SHUTTERSTOCK OF COURTESY MontanaPBS Membership, P.O. Box 173345, Bozeman, MT 59717 KUSM-TV Channel Guide P.O. Box 173340 · Montana State University Mont. Capitol Coverage Bozeman, MT 59717–3340 MontanaPBS World OFFICE (406) 994-3437 FAX (406) 994-6545 MontanaPBS Create E-MAIL [email protected] MontanaPBS Kids BOZEMAN STAFF MontanaPBS HD INTERIM GENERAL MANAGER Aaron Pruitt INTERIM DIRECTOR OF CONTENT/ Billings 16.1 16.2 16.3 16.4 16.5 CHIEF OPERATOR Paul Heitt-Rennie Butte/Bozeman 9.1 9.2 9.3 9.4 9.5 SENIOR DIRECTOR OF DEVELOPMENT Crystal Beaty MEMBERSHIP/EVENTS MANAGER Erika Matsuda Great Falls 21.1 21.2 21.3 21.4 21.5 DEVELOPMENT ASST. -
IX. Photometry Collected in 1993
A&A 367, 910–930 (2001) Astronomy DOI: 10.1051/0004-6361:20000549 & c ESO 2001 Astrophysics Long-term monitoring of active stars?,?? IX. Photometry collected in 1993 G. Cutispoto1,S.Messina1, and M. Rodon`o1,2 1 Catania Astrophysical Observatory, v. S. Sofia 78, 95125 Catania, Italy e-mail: [email protected] 2 Department of Physics and Astronomy, Catania University, v. S. Sofia 78, 95125 Catania, Italy e-mail: [email protected] Received 25 October 2000 / Accepted 15 December 2000 Abstract. As a part of an extensive program focused on the global properties and evolution of active stars, high-precision UBV(RI)c and UBV photometry of 31 selected stars is presented. The UBV(RI)c observations were collected at the European Southern Observatory over the 31 December 1992–18 January 1993 and the 20 November–3 December 1993 intervals. Additional UBV photometry obtained by the “Phoenix” and by the Catania Astrophysical Observatory Automatic Photoelectric Telescopes from 1990 to 1993 is also presented for some of the program stars. Significant evolution of the light curves, period variations and evidence for long- term variability of the global degree of spottedness are found. Some spectral classifications are revised and the inferred photometric parallaxes are compared, whenever possible, with the values measured by the Hipparcos satellite. These observations are finalized to the construction of an extended photometric database, which can give important clues on topics such as the stability of spotted areas, differential rotation, solar-like cycles and the correlation between inhomogeneities at different atmospheric levels. Key words. -
Redox DAS Artist List for Period: 01.09.2017
Page: 1 Redox D.A.S. Artist List for period: 01.09.2017 - 30.09.2017 Date time: Number: Title: Artist: Publisher Lang: 01.09.2017 00:00:40 HD 15073 NOCOJ LJUBILA BI SE S TEBOJ DAMJANA GOLAVSEK IN HOT HOT HOT SLO 01.09.2017 00:04:10 HD 31975 GOOD OLE BOYS LIKE ME DON WILLIAMS ANG 01.09.2017 00:08:22 HD 25035 YEARS GUNS N' ROSES ANG 01.09.2017 00:12:37 HD 44397 VEDNO ME LAHKO POKLICES NINA OSENAR SLO 01.09.2017 00:16:26 HD 38796 CAN & CANNOT DO GIA FARRELL ANG 01.09.2017 00:20:19 HD 03104 BLACK COFFEE ALL SAINTS ANG 01.09.2017 00:24:57 HD 13851 NAJ TI BO LEPO PIRAMIDA SLO 01.09.2017 00:28:40 HD 52192 THE CONVERSATION TEXAS ANG 01.09.2017 00:31:33 HD 05827 GOOD TIMES POINTER SISTERS ANG 01.09.2017 00:35:09 HD 12363 NE IZZIVAJ ME DON MENTONY BAND SLO 01.09.2017 00:39:43 HD 07165 NEVER LEAVE YOU (RMX) LUMIDEE FEAT. BUSTA RHYMES ANG 01.09.2017 00:43:23 HD 54905 LIMBO DADDY YANKEE SPA 01.09.2017 00:47:08 HD 52264 KO BOM UMRL FLIRRT SLO 01.09.2017 00:50:15 HD 58268 SUMMER STORY ZAN SERCIC SLO 01.09.2017 00:53:21 HD 45692 SUMMER DAY SHERYL CROW ANG 01.09.2017 00:57:11 HD 52251 ZAPLEZALI SMO SE ZORAN PREDIN IN COVERLOVER SLO 01.09.2017 01:00:44 HD 05897 THE SHOW MUST GO ON QUEEN ANG 01.09.2017 01:04:58 HD 58371 LAY YOU DOWN EASY MAGIC FEAT SEAN PAUL ANG 01.09.2017 01:07:40 HD 55050 RIBICA MARKO VOZELJ & MOJS3 SLO 01.09.2017 01:11:06 HD 55085 PRAYER IN C LILLY WOOD & THE PRICK AND ROBIN SCHULZ ANG 01.09.2017 01:14:26 HD 25011 PARADISE CITY GUNS N' ROSES ANG 01.09.2017 01:21:11 HD 52218 LJUBEZEN NA DALJAVO FELIKS LANGUS SLO 01.09.2017 01:23:49 HD 55951 I NEED YOUR LOVE (FEAT. -
The Hero As Villain in Contemporary Televised Narratives
THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES Maria João Brasão Marques Dissertação de Mestrado em Línguas, Literaturas e Culturas Estudos Ingleses e Norte-Americanos Março de 2016 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas – Estudos Ingleses e Norte-Americanos realizada sob a orientação científica da Professora Doutora Isabel Oliveira Martins. Show me a hero and I will write you a tragedy. F. Scott Fitzgerald AGRADECIMENTOS À minha orientadora, a Professora Doutora Isabel Oliveira Martins, pela confiança e pelo carinho nesta jornada e fora dela, por me fazer amar e odiar os Estados Unidos da América em igual medida (promessa feita no primeiro ano da faculdade), por me ensinar a ser cúmplice de Twain, Fitzgerald, Melville, McCarthy, Whitman, Carver, tantos outros. Agradeço principalmente a sua generosidade maior e uma paixão que contagia. Às Professoras Iolanda Ramos e Teresa Botelho, por encorajarem o meu investimento académico e por me facultarem materiais indispensáveis nesta dissertação, ao mesmo tempo que contribuíram para o meu gosto pela cultura inglesa e norte-americana. À professora Júlia Cardoso, por acreditar nesta demanda comigo e me fazer persistir até chegar a bom porto. Ao Professor João Maria Mendes, para sempre responsável pela minha paixão pelas narrativas, pelos heróis, pelo prazer de contar histórias que se mostram, pelo gosto de construir personagens que falham constantemente e que constantemente se reerguem. Aos meus pais, por me deixarem continuar a estudar. THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES MARIA JOÃO BRASÃO MARQUES RESUMO PALAVRAS-CHAVE: herói, anti-herói, protagonista, storytelling televisivo, revolução criativa, paradigma do herói, vilão. -
Volume 63, Number 09 (September 1945) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1945 Volume 63, Number 09 (September 1945) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 63, Number 09 (September 1945)." , (1945). https://digitalcommons.gardner-webb.edu/etude/202 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. The Qualities . Successful Elementary Teaching Pieces Should Have / EDUCATIONAL POINTS / APPEALING TO PUPIL /MELODY /PLEASING TO These Favorite Easy Piano LISTENERS /ADHERENCE TO GRADE /ATTRACTIVELY PUBLISHED Pieces Have Such Qualities GRADE TWO—Legato and Staccato GRADE ONE—Various Keys Cat. No. Title Composer Price Price Cat. No. Title Composer 19219 Humming Birds’ Lullaby M. L. Preston .25 A descriptive little number giving an Ella Ketterer .30 opportunity for 23666 The Bobolink legato practice. Key of G. May be both played and sung. 25292 Hawaiian Nights .Daniel Rowe .25 Frank H. Grey 35 8400 The Contented Bird Very popular with young pianists. in In fancy one can hear This little piano piece is very popular. Written mostly the steel guitar and ukulele in the dreamy waltz melody, quarter and eighth notes. Key of F. -
This Is the File GUTINDEX.ALL Updated to July 5, 2013
This is the file GUTINDEX.ALL Updated to July 5, 2013 -=] INTRODUCTION [=- This catalog is a plain text compilation of our eBook files, as follows: GUTINDEX.2013 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2013 and December 31, 2013 with eBook numbers starting at 41750. GUTINDEX.2012 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2012 and December 31, 2012 with eBook numbers starting at 38460 and ending with 41749. GUTINDEX.2011 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2011 and December 31, 2011 with eBook numbers starting at 34807 and ending with 38459. GUTINDEX.2010 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2010 and December 31, 2010 with eBook numbers starting at 30822 and ending with 34806. GUTINDEX.2009 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2009 and December 31, 2009 with eBook numbers starting at 27681 and ending with 30821. GUTINDEX.2008 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2008 and December 31, 2008 with eBook numbers starting at 24098 and ending with 27680. GUTINDEX.2007 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2007 and December 31, 2007 with eBook numbers starting at 20240 and ending with 24097. GUTINDEX.2006 is a plain text listing of eBooks posted to the Project Gutenberg collection between January 1, 2006 and December 31, 2006 with eBook numbers starting at 17438 and ending with 20239. -
Low Temperature Physics Division (TT) Overview
Low Temperature Physics Division (TT) Overview Low Temperature Physics Division Fachverband Tiefe Temperaturen (TT) Michael Siegel Universit¨atKarlsruhe Institut f¨ur Mikro- und Nanoelektronische Systeme Hertzstraße 16 76128 Karlsruhe [email protected] Overview of Invited Talks and Sessions (Lecture rooms H 0104, H 2053, H3010, EB 202; Poster B) Invited Talks TT 3.5 Mon 10:30–11:00 H 2053 Noise and current cross-correlations in nano-electromechanical sys- tems — •Christoph Bruder TT 3.6 Mon 11:00–11:30 H 2053 Nonlinear dynamics and cooling in optomechanical systems — •Florian Marquardt TT 4.1 Mon 9:30–10:00 H 3010 Can nuclear spins reveal the nature of tunneling systems in glasses? — •Andreas Fleischmann TT 9.3 Mon 14:30–15:00 H 2053 Coherent Oscillations in Josephson Phase Qubits — •Jurgen¨ Lisen- feld, Alexander Lukashenko, Alexey V. Ustinov TT 11.1 Mon 15:15–15:45 H 3010 Superconducting Quantum Interference Filters — •Nils Schopohl TT 17.3 Tue 14:30–15:00 H 2053 The centennial of helium liquefaction - a century of low temperature physics — •Dietrich Einzel TT 20.1 Tue 14:00–14:30 EB 202 Adiabatic pumping in nanostructures — •Michele Governale TT 29.8 Thu 11:30–12:00 H 3010 Charge redistribution at YBCO-metal interfaces — •Udo Schwingen- schlogl,¨ Cosima Schuster TT 31.3 Thu 12:15–12:45 EB 202 Electronic transport through nanostructures — •Peter Schmitteck- ert TT 39.1 Fri 10:15–10:45 EB 202 EuO1−x Epitaxially Integrated with Silicon — •Andreas Schmehl, Stefan Thiel, Christoph Richter, Ross Ulbricht, Tassilo Heeg, Marco Liberati, Martin Rockerath,¨ Sebastian Muhlbauer,¨ Pe- ter Boni,¨ Yuri Barash, Jurgen¨ Schubert, Yves Idzerda, Jochen Mannhart, Darrell G. -
Download This Article in PDF Format
ASTRONOMY & ASTROPHYSICS AUGUST 1998, PAGE 321 SUPPLEMENT SERIES Astron. Astrophys. Suppl. Ser. 131, 321–344 (1998) Long-term monitoring of active stars?,?? VIII. UBV (RI)c photometry collected in February 1992 G. Cutispoto Osservatorio Astrofisico di Catania, V.le A. Doria 6, I-95125 Catania, Italy e-mail: [email protected] Received January 28; accepted March 16, 1998 Abstract. As a part of an extensive program focusing on In most cases multicolor photometry shows a reddening of the global properties and evolution of active stars, high- the star at minimum luminosity (i.e. the light curve am- precision UBV(RI)c photometry of 31 selected stars, col- plitude decreases at longer wavelengths), thus support- lected at the European Southern Observatory over the 14- ing the cool starspot hypothesis. However, anticorrelation 29 February 1992 interval, is presented. Significant evolu- of the U − B and B − V color indices with respect to tion of the light curves, period variations and evidence for the V -band light modulation has been observed for some long-term variability of the global degree of spottedness stars such as V711 Tau, TW Lep, CC Eri and UX Ari are found. Some spectral classifications are revised and (Cutispoto 1992, 1998; Rodon`o & Cutispoto 1992; this the inferred photometric parallaxes are compared, when- paper). The orbital/photometric periods of active stars ever possible, with the values measured by the Hipparcos span from less than one day to several weeks and the pho- satellite. Flare events were detected for the star HD 16157 tometric waves can undergo noticeable changes over time = CC Eri, EXO 055609−3804.4 = TY Col and HD 119285 scales as short as few stellar rotations (cf. -
Remix: Here, There, and Everywhere (Or the Three Faces of Yoko Ono, “Remix Artist”)
Journal of Contemporary Rhetoric, Vol. 7, No.2/3, 2017, pp. 116-129. Remix: Here, There, and Everywhere (or the Three Faces of Yoko Ono, “Remix Artist”) John Logie Yoko Ono is unusual in that she is a site of considerable activity in three distinct spaces where the term “remix” is in common use. This paper reviews her activity in these distinct remix spaces and examines the spaces for identifiable variations in the term’s resonances and meaning. First, the “here” of academia reflects academic conversations about remix and remix cultures that can be traced back to the mid 1990s. The second site is the site in which the general public first encountered the term “remix”— the “there” of music and music production. Within this space we pursue the shift from remix as a purely technical term occurring within the recording process to remix as an aesthetic term reflecting expanding and shifting aspirations for the composer of a remix. Finally, this paper will consider the “everywhere” of an Internet-based popular culture grounded in current social media. Keywords: bricolage, collage, mashup, remix, rhetoric On January 19, 2017, the song at the top of the Billboard Dance Charts was a remix, formally titled “Hell in Paradise 2016 – Kue Remix.”1 Though credited to ONO, the vocalist and artist at the heart of the project is Yoko Ono, and by topping the dance club charts with this version of the song, Yoko Ono achieved one of the most remarkable feats in the history of commercial music. Over the course of 31 years, Ono was able to take three separate versions of the same song to the Top 20 of Billboard’s Dance Club Song charts. -
Report of Contributions
EPS-HEP2019 Report of Contributions https://indico.cern.ch/e/EPS-HEP2019 EPS-HEP2019 / Report of Contributions A Composite 2-Higgs Doublet Model Contribution ID: 4 Type: Parallel talk A Composite 2-Higgs Doublet Model Friday, 12 July 2019 14:30 (15 minutes) We consider a Composite Higgs Model with two isospin doublet Higgs fields arising as pseudo Nambu-Goldstone bosons from a SO(6)->SO(4)xSO(2) breaking. The main focus is to explicitly compute the properties of these Higgses in terms of the fundamental parameters of the composite sector such as masses, Yukawa and gauge couplings of the new spin-1 and spin-1/2 resonances. Concretely, we calculate the Higgs potential at one-loop level through the Coleman-Weinberg mechanism from the explicit breaking of the SO(6) global symmetry by the partial compositeness of fermions and gauge bosons. We derive then the phenomenological properties of the Higgs states and highlight the main signatures of this Composite 2-Higgs Doublet Model at the Large Hadron Collider, including modifications to the SM-like Higgs couplings as well as production anddecay channels of heavier Higgs bosons. Primary authors: DELLE ROSE, Luigi (University of Florence); DE CURTIS, Stefania (Universita e INFN, Firenze (IT)); MORETTI, Stefano (Science and Technology Facilities Council STFC (GB)); YAGYU, Kei (Seikei University) Presenter: DELLE ROSE, Luigi (University of Florence) Session Classification: Higgs Physics Track Classification: Higgs Physics October 4, 2021 Page 1 EPS-HEP2019 / Report of Contributions Directional Dark Matter Search wi … Contribution ID: 5 Type: Parallel talk Directional Dark Matter Search with Nuclear Emulsion Thursday, 11 July 2019 17:35 (20 minutes) The NEWSdm experiment, based on nuclear emulsions, is proposed to measure the direction of WIMP-induced nuclear recoils. -
The Embodied and Disembodied Performances of Yoko Ono
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2012 Instructing, constructing, deconstructing: the embodied and disembodied performances of Yoko Ono Vera Mackie University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Mackie, Vera, Instructing, constructing, deconstructing: the embodied and disembodied performances of Yoko Ono 2012, 490-501. https://ro.uow.edu.au/artspapers/1197 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] INSTRUCTING, CONSTRUCTING, DECONSTRUCTING: THE EMBODIED AND DISEMBODIED PERFORMANCES OF YOKO ONO Vera Mackie Modernism, Postmodernism and the Avant-Garde Modernism has been described as ‘either a time-bound or a genre- bound art form’.1 In generic terms. modernist art has been described as ‘experimental, formally complex, elliptical, contain[ing] elements of decreation as well as creation, and tend[ing] to associate notions of the artist’s freedom from realism, materialism, traditional genre and form . ’.2 Modernist art forms have further been described as those which are ‘ . aesthetically radical, contain striking technical innova- tion, emphasize spatial or “fugal” as opposed to chronological form, tend towards ironic modes, and involve a certain “dehumanization” of art’.3 Modernist art deploys the techniques of montage, collage, mixed-media assemblages, genre-crossing, generic indeterminacy, formalism, anti- realism and fragmentation. One could also, however, ask whether mod- ernism is rather a matter of reading strategies.