Words: Dragon, Andromeda, Medusa, Perseus, Myth
Athens Journal of Mediterranean Studies - Volume 7, Issue 3, July 2021 – Pages 201-232 Medusa Must Die! The Virgin and the Defiled in Greco-Roman Medusa and Andromeda Myths By Sharon Khalifa-Gueta* Andromeda and Medusa are two types within the same motif—that of the motif of ―the woman and the dragon‖. This article positions a mythical hero between these two women and contrasts their relationship with dragons, along with a further fresh investigation of women and dragons in ritual and cultural context. The complexity of this motif, in contrast to the dragon-slayer topos, is explored, shedding light on social views, desires, and fears toward women in the ancient Greco-Roman cultural context. These female figures are contrasted within one mythical sequence, elucidating their educational role for men. This investigation also confronts the ―good‖ versus the ―defiled‖ woman and clarifies why a ―holy-defiled‖ woman, such as Medusa, cannot exist in patriarchal cultures, and therefore must be isolated, killed, or otherwise controlled by patriarchal society. Keywords: dragon, Andromeda, Medusa, Perseus, myth Introduction The myth sequence of Perseus is well studied, mostly as part of the dragon- slayer topos. This article aims to shift the attention from Perseus to his two encounters with females, Andromeda and Medusa, and suggest that by placing them together in the same myth sequence a motif with binary visualisations emerges. While Medusa‘s image has already been broadly investigated, Andromeda has mostly been neglected, with Perseus‘s figure gaining the most attention in this myth. Focusing on the artistic manifestation of the syntagm ―the woman and the dragon‖ reveals a Greco-Roman cultural binary of the ―good‖ versus the ―bad‖ woman.
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