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The UNESCO Courier ft UN SIGL ^^^^^j - Jean-Claude Carrière Milos Forman Vi Tomás Gutiérrez Alea Gaston Kaboré j^M ^^J Mani Kaul Abbas Kiarostami L ftf ^ Hhk Milco Mancevski ^llB Marcello Mastroianni ,; ! Nagisa Oshima Jean-Paul Rappeneau rm -*~ Ä' a Volker Schlöndorff Krzysztof Zanussi i Jfl V J l_ r 4 A mmmk I y un texto inédito ! de Elie Faure Lé.40^ , M 1205- 9508- 44,00 F í I I Amigos lectores, para esta sección confluencias, envíennos una fotografía o una reproducción de una pintura, una escultura o un conjunto arquitectónico que representen a sus ojos un cruzamiento o mestizaje creador entre varias culturas, o bien dos obras de distinto origen cultural en las que perciban un parecido o una relación sorprendente. Remítannoslas junto con un comentario de dos o tres líneas firmado. Cada mes publicaremos en una página entera una de esas contribuciones enviadas por los lectores. Sueños 1991, tintas sobre papel (50 x 70 cm) de Claudine Dufour Después de dedicar largos años al estudio de las escrituras del mundo entero, esta artista francesa ha centrado su búsqueda plástica en torno al signo. «Voy avanzando, dice, en una línea fronteriza entre la pintura y la escritura, y combinando, según mis descubrimientos (y por ende mi enriquecimiento), mis signos con los de otras culturas. Escribo, añade, más allá del significante, parodiando una huella, con la dicha de sentirme a la vez música, coreógrafa, calígrafa.» •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• UNUN SIGLOSIGLO DEDE eCINEI NE • ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• ESTEESTE NÚMERONUMERO JULIO-AGOSTOJULIO-AGOSTO 19951995 LlamamientoLlamamiento del DirectorDirector 5 Un arte que es tambl6ntambién una IndustriaIndustria por Peter Schepelem GeneralGeneral de lala UUnescoNESCO por Peter Schepelern salvarSalvar elel patrimoniopatrimonio clnematOlr6flcocinematográfico 9 InAtllInútil como Mozart por Krzysztof Zanussi ~,~s~" .... 122 HolI,woodHollywood por Tino Balio EntrevistasEntrevistas aa...••• 16 Las fórmulas de Norteamérica por Lionel Steketee 118 Miloso FormanForman 21 ¿El cine es joven o viejo? por Jean-Claude Carrière 26 Jean-Paulealn-r'Bul Rappeneau 29 Lo nacional y lo mundial 334 SureshPACltft JllnalalJindal por Jerry Palmer 336 Mani KaulI India: Los primeros estudios por Romain Maitra 38 Abbas _·Kiarostami...··ost¡ilml 41 Un lenguaje slnf6nlcosinfónico 533 Tomás Gutiérrez Alea por Elie Faure 60O Nagisa Oshima 49 Egipto: Un espejo Infiel por Magda Wassef 65 Marcello Mastroianni e o o n 56 Mélico:M6xlco: La aficiónaflcl6n por el melodrama 774 Milco Mancevskine- v por José Carlos Avellar 688 ClneclttéClnecltt6 77 Volker01 Schlondorfehlon f 77 o por Francesco Bono • ••••••••••••••••••••••••••••••• 70 Africa:Afrlca: Extranjeros en su propia tierra por GastonGastan Kaboré 86/ANIVERSARIOANIVERSARIO O Los estudios de Babelsberg Abal Kunanbalev 80 Los estudios de Babelsberg Una entrevista a Chinguiz Aitmatov 82 La memoria cinematográficaclnematogr6flca enen peligro por TherezaThereza Wagner 90 Los lectoreslectores nos escriben •••••••••••••••••••••••••••••••• • ••••••••••••••••••••••••••••••• Asesor especial: Jean-Claude CarrièreCarriére Consultores:Consultores: Nahal TadjadodTadjadod yy Niels Boel Nuestra portada: De arribaarnba haciahacia abajo:abajo: Vaabaláaba (Burkina(Burldna Faso,Faso, 1989)1989) dede IdrissaIdrissa Ouedraogo; Persona (Suecia,(Suecia, 1965) dede IngmarIngmar Bergman;Bergman; LaLa linternalinterna LasLas entrevistasentrevistas aa MiloäMilo~ Forman,Forman, Jean-PaulJean-Paul Rappeneau,Rappeneau, SureshSuresh Jindal,Jindal, rojaroja (China,(China, 1991) dede ZhangZhang Yimou;Yimou; ElEl viajeviaje (Argentina,(Argentina, 1992)1992) dede FernandoFemando ManiManí Kaul,Kau~ AbbasAbbas Kiarostami,Kiarosta~ NagisaNagisa OshimaOshinna yy MarcelloMarcello MastroianniMastroianní Solanas; MetoNido dede ratasratas (Estados(Estados Unidos, 1954)1954) dede EliaElia KazanKazan yyOnimaruOnimaru fueronfueron realizadasrealizadas porpor NahalNahal Tadjadod.Tadjadod. LasLas entrevistasentrevistas aa TomásTomás (Japón,(Japón, 1987)1987l dede YoshishgeYoshishge Yoshida.Yoshida. GutiérrezGutiérrez AleaAlea yy MilCoMUro Mancevski~evskl fueronfueron realizadas,realizadas, respectivamente,respectivamente, porpor NielsNiels BoelBoel yy JasminaJasmina SopovaSopova. "Los"Los gobiernosgobiernos dede loslos Estados PartesPartes enen lala presentepresente Constitución, enen nombrenombre dede sussus pueblos,pueblos. declaran:declaran: ELEL (jDRREQ Que,Que, puestopuesto queQue laslas guerrasguerras nacennacen enen lala mentemente dede loslos hombres,hombres. eses enen lala mentemente dede loslos hombreshombres dondedonde debendeben erigirseenglrse loslosbaluartesbaluartes dede lala paz;paz; DEPTUNESCODE (...)(...)Que.Que. unauna pazpaz fundadafundada exclusivamenteexclusivamente enen acuerdosacuerdos políticospolitlcos yyeconómicoseconómicos entreentre gobiernosgobternos nono podríapodría obtenerobtener elel apoyoapoyo unánime,unánime. sincerosinceroyyperdurableperdurable dede loslos pueblos,pueblos. yyque,Que. porporconsiguiente,consiguiente. esaesa pazpaz debedebe basarsebasarseenen lala solidaridadsohdandad intelectualIn electualyymoralmoral dede lalahumanidad.humanidad. Por estas razones, (...l, resuel en desarrollar e In enslficar las relaciones entre sus pueblos, a fin de Que éstos se comprendan mejor AñoAño XLVIIIXLVIII Por estas razones, (...), resuelven desarrollar e intensificar las relaciones entre sus pueblos, a fin de que éstos se comprendan mejor RevistaRevl.u mensualmen.u.1publicadapublicad. entreentre sísIyyadquieranadQ leran unun conocimientoconOCimiento másmás precisoprecIso yyverdaderoerdadero dede sussus respectivasrespectivas vidas."das.· enen 3030 idiomasIdioma. yyenen braillebrame TomadoTOMAOO delOEL PreámbuloPREAItISULO deDE lalA ConstituciónCOfotS ITUCIÓ deDE laLA Unesco,U ESCO, Londres,LOfotORES, 1616deDE noviembrefotOVIEMSRE deDE 19451945 iI el Correo DEIS-UNESCOL7TU Año XLVIII Revista mensual publicada en 30 Idiomas y en braille por la Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura. correr de los meses 31, rue François Bonvin, 75732 París Cedex 15, Francia. Teléfono: para comunicarse directamente con las personas que figuran a continuación marque el 4568 seguido de las cifras que aparecen entre paréntesis Junto a su nombre. FAX: 45.66.92.70 Para El Correo de la Unesco, cuya finalidad es explorar todas Director: Bahgat Elnadi las iniciativas, todas las formas de expresión con vocación uni¬ Jefe de redacción: Adel Rifaat versal, el centenario del cine es un acontecimiento excep¬ REDACCIÓN EN LA SEDE Secretaria de redacción: Gillian Whltcomb Español: Miguel Labarca, Araceli Ortiz de Urbina cional. ¿No es acaso el cine un arte que se nutre de todas las Francés: Alain Lévêque, Neda El Khazen Inglés: Roy Malkin demás, un vector de comunicación polimorfa, con recursos Secciones: Jasmina Sopova Unidad artística, fabricación: Georges Servat Ilustración: Arlane Bailey (46.90) inagotables, susceptible de plegarse a los caprichos de los cre¬ Documentación: José Banaag (46.85) Relaciones con las ediciones fuera de la sede y adores más dispares, de emocionar a los públicos más popu¬ prensa: Solange Belin (46.87) Secretaría de dirección: Annie Brächet (47.15), . Asistente administrativo: Theresa Pinck lares y de franquear sin dificultades todas las fronteras de la Ediciones en braille (francés, Inglés, español y coreano): Mouna Chatta (47.14). geografía y de la cultura? Consultores artísticos: Eric Frogé, Laurence Reyne EDICIONES FUERA LA SEDE Su aniversario nos brindaba la ocasión ideal de celebrar, Ruso: Irma Outkina (Moscú) Alemán: Dominique Anderes (Berna) en una suerte de fuego artificial internacional, la extraordi¬ Arabe: El-Said Mahmoud El Sheniti (El Cairo) Italiano: (Roma) Hindi: Ganga Prasad Vimal (Delhi) naria multiplicidad de los talentos que se han consagrado al Tamul: M. Mohammed Mustapha (Madras) Persa: Akbar Zargar (Teheran) cine durante el siglo que acaba de transcurrir y que han hecho Neerlandés: Claude Montrieux (Amberes) Portugués: Moacyr A. Fioravante (Río de Janeiro) Urdu: Javaid Iqbal Syed (Islamabad) posible ese milagro aventura artística única, mundial, Catalán: Joan Carreras I Marti (Barcelona) Malayo: Sidin Ahmad Ishak (Kuala Lumpur) que comprende una infinidad de experiencias estéticas perso¬ Coreano: Kang Woo-hyon (Seúl) Swahili: Leonard J. Shuma (Dar-es-Salaam) Esloveno: Aleksandra Kornhauser (Llubliana) nales, impregnadas de casi todas las sensibilidades nacionales Chino: Shen Guofen (Beijing) Búlgaro: Dragomir Petrov (Sofía) existentes. Griego: Sophie Costopoulos (Atenas) Clngalés: Neville Piyadlgama (Colombo) Finés: Katri Himma (Helsinki) No por eso podíamos ignorar las graves tensiones que Vascuence: Juxto Egaña (Donostia) Tal: Sudhasinee Vajrabul (Bangkok) atraviesan esta historia, los problemas planteados y no Vietnamita: Do Phuong (Hanoi) Pashtu: Nazer Mohammad (Kabul) Hausa: Habib Alhassan (Sokoto) resueltos, los atolladeros a veces, las amenazas ya presentes. Ucraniano: Volodymyr Vasiliuk (Kiev) Galllego: Xavier Senín Fernández (Santiago de ¿El cine es un arte o una industria? 0 más bien, ¿puede ser Compostela) PROMOCIÓN Y VENTAS Télécopia: 45.68.45.89 ambas cosas a la vez, y en qué condiciones? En un mercado Suscripciones: Marie-Thérèse Hardy (45.65), Jacqueline Louise-Julie, Manichan Ngonekeo, Michel en la actualidad sin Dios ni ley, ¿el cine norteamericano es Ravassard, Mohamed Salah El Din (49.19) Relaciones con los agentes y los suscrlptores: Ginette Motreff
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