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JUST NOT AUSTRALIAN EDUCATION RESOURCE ARTSPACE | MUSEUMS & GALLERIES OF NSW INTRODUCTION This Education Resource has been produced by THIS RESOURCE OFFERS: Artspace, Sydney, in conjunction with Museums & • insight into the conception of Just Not Australian Galleries of NSW to support the touring exhibition and the practice of participating artists Just Not Australian. • an introduction for teachers It is intended to assist school students and teachers. • a timeline and conceptual framework While these activities have been written with late • a glossary of terms primary and secondary students in mind, the concepts they address are intended to be accessible and • worksheets and back-in-the-classroom activities adaptable to learners of all ages and abilities. We also for primary and secondary school students encourage community groups, as well as gallery staff, • creative activity suggestions for galleries to use the information and activities in this resource. PRE-VIEWING PLANNING Before you visit Just Not Australian it is suggested that of discrimination and representation and may be you contact gallery staff to determine the suitability distressing to some visitors. Works contain sexual of the exhibition content and subject matter for the references, strong language and references to strong intended student year level. Works address themes violence. HOW TO USE THIS EDUCATION KIT FOR TEACHERS AND STUDENTS The information in this resource is designed Please note the content of the exhibition and this Gordon Hookey, First Stolen Then Stolen Land, 1998, oil on masonite with timber frame, 134.5 x 196 cm. University of Wollongong Art Collection. Donated through the Australian to provide enrichment and promote deeper resource contains strong language and references to Government’s Cultural Gifts Program by Tess Allas. Photo: University of Wollongong Art understanding of key learning areas including violence. Collection Visual Arts and History (HASS). There is scope to build this resource into existing programs with FOR GALLERY STAFF, FAMILIES AND particular relevance to the Australian Curriculum COMMUNITY GROUPS cross curriculum priority of Aboriginal and Torres This resource can be used to assist or enhance a self- Strait Islander Histories and Cultures as well as directed visit to Just Not Australian. You can build develop it as a standalone program. We have on your experience by enjoying creative activities included some suggestions for pre-visit preparation inside the gallery or back in your community and post-visit activities. Teachers are free to adapt setting. We have provided suggested materials and these learning activities to suit their students and activities. particular contexts. cover: Hoda Afshar, If You Don’t Love it, Live it, 2011, archival inkjet print, 60.96 x 88.9 cm. Courtesy the artist 2 3 ABOUT MUSEUMS & GALLERIES OF NSW Museums & Galleries of NSW (M&G NSW) helps Our program reflects the capacity and diversity of museums, galleries and Aboriginal cultural centres the sector with a focus on access and engagement. of NSW create exciting and inspiring experiences We present the full spectrum of contemporary for visitors and strong, thriving local communities. art practice by leading artists, both emerging and We develop their skills, connect them with others established including Richard Bell, Shaun Gladwell, ABOUT ARTSPACE in the industry, provide funding, point visitors Claire Healy & Sean Cordeiro, Joyce Hinterding, their way, and give them access to ground-breaking Angelica Mesiti, Deborah Kelly, Jason Wing, Fiona exhibitions. Hall and Ken + Julia Yonetani. Each of our exhibitions engage diverse audiences through a range of public Ever changing, ever challenging, Artspace is where contemporary art and culture is contextualised M&G NSW runs the largest regional touring program and educational programs, interpretative material, audiences engage with the artists and the ideas of within current socio-political conditions. It has in NSW, delivering the very best contemporary digital resources and scholarly publications written our times. also spearheaded innumerable educational and Australian art to regional, remote and metropolitan by curators, academics and experts. outreach initiatives through its inter-relational and audiences through the comprehensive network of Established in 1983, Artspace is as an independent, complementary public programming. public galleries Australia wide. We partner with In the last five years, we have reached over 875,000 not-for-profit contemporary art space. It is an artists, curators, regional galleries, contemporary visitors nationwide through 24 exhibitions of institution in permanent transformation, with a As a public institution, Artspace understands its art spaces, university galleries and other producing contemporary art and craft that toured to 131 radically progressive vision to support artists and role as a citizen and a community resource. We are organisations to develop innovative exhibitions for galleries, art centres, museums and contemporary different modes of cultural production through risk, partners for soft diplomacy, education and social tour nationally. We work directly with artists and art organisations across six states and territories. experimentation and innovation. service and will continue to develop initiatives commission new work for the benefit of Australian With all our exhibitions, we provide quality that enable the organisation to look outward and regional audiences. Our exhibitions and associated publications, interpretation, educational material, As one of the leading institutions for the production build social capital in our communities. Artspace programs balance the programming needs of public program opportunities and activities. and presentation of contemporary art in the has a sustained focus on local, regional, national regional galleries and support their staff, facilitate Asia-Pacific region, Artspace’s curatorial vision and international partnerships, which provides skill sharing and professional development, foster is to commission and produce contemporary art, the bedrock for the organisation’s artistic program collaboration and build connections, capacity and supporting Australian and international artists of all and offers a diversified and generous approach to networks for artists, curators and arts workers generations, from emerging through to established, connecting with audiences. By situating partnerships across distance. to pursue new directions and make their most at the centre of all Artspace’s activities, its ambitious ambitious work to date. Artspace presents exhibitions collaborations amplify the organisation’s capacity to and hosts a rent-free studio residency program and present a collaborative, civic and creative platform is a site of critical thinking and dialogue, in which from Woolloomooloo to the Asia-Pacific and beyond. artspace.org.au mgnsw.org.au Follow us on social media Follow us on social media Instagram and Twitter: @ArtspaceSydney Instagram and Twitter: @mgnsw Facebook: Facebook.com/ArtspaceSydney Facebook: Facebook.com/mgnsw 4 5 ABOUT THE EXHIBITION Just Not Australian brings together 20 artists across nationalistic fantasies of what it means to be generations and diverse cultural backgrounds to Australian. Over the years the phrase has been deal broadly with the origins and implications of pitched against striking workers, communists, contemporary Australian nationhood. With works anti-war protestors, monarchists, migrants, asylum ranging from the late 1990s right through to newly seekers and just about anyone seen to be violating commissioned pieces, they are united by their desire Australian cultural ‘norms’. Its 2020 incarnation, to take Australia’s ‘official’ history to task, making according to current Prime Minister Scott Morrison, space for people and events that have, often wilfully, is the ‘un-Australian’ panic buying in the face of the been sidelined or omitted. coronavirus pandemic. The artists explore the politics of images, their Predicated on an Us-versus-Them dichotomy, at construction and circulation, as well as their its core the term is intended to exclude: what’s at connection to legacies of racial and cultural stake is a sense of belonging. Yet far from a simple misrepresentation. They utilise familiar nationalistic equation, a consideration of what’s not Australian symbols such as flags, maps and currency to ultimately leads to questions of what is, and it’s here interrogate individual and collective relationships that many of the artists in Just Not Australian weigh with the nation state. Adopting text in various forms in. Consciously enlisting tactics of larrikinism, satire from song lyrics to parliamentary records they and resistance, they present a multifarious nation reveal the use of language in cultural alienation, divided across numerous issues, from immigration subjugation and liberation alike. With creative and border protection to land rights and Indigenous invention and fortitude they address historical and sovereignty, bigotry and xenophobia to resource Jon Campbell, I’m not racist, but ..., 2013, enamel and spray paint on plywood, contemporary mistruths and injustices. exploitation and climate change. And as its title 35 x 45 cm. Collection of Harry Hobbs and Annabel Johnson, Sydney suggests, Just Not Australian also acknowledges Just Not Australian engages with the moral and that these matters do not just affect Australia but ethical undertones of the loaded rejoinder
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