Mary Poppins Returns

Total Page:16

File Type:pdf, Size:1020Kb

Mary Poppins Returns Mary Poppins Returns By: Dana 12 A SYNOPSIS “Now an adult with three children, bank teller Michael Banks learns that his house will be repossessed in five days unless he can pay back a loan. His only hope is to find a missing certificate that shows proof of valuable shares that his father left him years earlier. Just as all seems lost, Michael and his sister receive the surprise of a lifetime when Mary Poppins - the beloved nanny from their childhood - arrives to save the day and take the Banks family on a magical, fun-filled adventure.” TRAILER ABOUT THE MOVIE Mary Poppins Returns is a 2018 American musical fantasy film directed by Rob Marshall, with a screenplay written by David Magee and a story by Magee, Marshall, and John DeLuca. Based on the book series Mary Poppins by P. L. Travers, the film is a sequel to the 1964 film Mary Poppins, and stars Emily Blunt as the eponymous character with Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Dick Van Dyke, Angela Lansbury, Colin Firth, and Meryl Streep in supporting roles. Set in 1930s London, twenty-five years after the events of the original film, it sees Mary Poppins, the former nanny of Jane and Michael Banks, returning after a family tragedy. Walt Disney Pictures announced the film in September 2015. Marshall was hired later that month, and Blunt and Miranda were cast in February 2016. Principal photography lasted from February to July 2017, and took place at Shepperton Studios in Surrey, England. Mary Poppins Returns held its world premiere at the Dolby Theatre in Los Angeles on November 29, 2018, and was released in the United States on December 19, 2018, making it one of the longest gaps between film sequels in cinematic history at 54 years. The film has grossed over $329 million worldwide and received generally positive reviews from critics, who praised its acting (particularly Blunt's performance), direction, musical score, musical numbers, costume design, production values, visuals, and sense of nostalgia, although some critics found it derivative of its predecessor. It was chosen by both the National Board of Review and American Film Institute as one of the top ten films of 2018 and received numerous award nominations, including four at the 76th Golden Globe Awards (including for Best Motion Picture – Musical or Comedy), nine at the 24th Critics' Choice Awards, three at the 72nd British Academy Film Awards, and a SAG Award nomination for Blunt at the 25th Screen Actors Guild Awards. It also received four Academy Award nominations for Best Original Score, Best Original Song ("The Place Where Lost Things Go"), Best Production Design, and Best Costume Design at the 91st Academy Awards. Marshall has confirmed that a potential third Mary Poppins film with Blunt is in development as he stated that P. L. Travers wrote eight books in total with plenty more material to mine. PRODUCTION: DEVELOPMENT A sequel to Mary Poppins had been gestating in development hell since its release in 1964. Walt Disney attempted to produce a sequel a year later, but was rejected by the author P. L. Travers, who dismissed Disney's first adaptation. In the late 1980s, then-chairman of Walt Disney Studios Jeffrey Katzenberg and vice-president of live-action production Martin Kaplan approached Travers with the idea of a sequel set years after the first film, with the Banks children now as adults and Julie Andrews reprising her role as an older Mary Poppins. Travers again rejected the concept, except for Andrews' return, suggesting a sequel set one year after the original film with Andrews reprising the role, but her idea was shot down too because it was impossible to deal with her, who also imposed her own rules, including Poppins' clothing and barring it from being red. On September 14, 2015, Walt Disney Pictures president Sean Bailey pitched a new Mary Poppins film to Rob Marshall, John DeLuca, and Marc E. Platt, as the team had produced Into the Woods for the studio the year prior. With approval from Travers' estate, Disney greenlit the project with the film taking place 25 years after the first, featuring a standalone narrative, based on the remaining seven books in the series. Marshall was hired to direct, while DeLuca and Platt would serve as producers along with Marshall. David Magee was hired to write the script. Production: CASTING On February 18, 2016, Emily Blunt was cast in the film to play the title role in the sequel. On February 24, 2016, Lin-Manuel Miranda was cast in the film to play Jack, a lamplighter. In April 2016, Disney confirmed that the film was in development and that Blunt and Miranda had been cast in the lead roles. In May, Disney announced the film's title as Mary Poppins Returns. By July 2016, Meryl Streep had entered negotiations to join the cast to play cousin Topsy, and in the following month, Ben Whishaw in negotiations to play the grownup Michael Banks. In September, Streep formally joined the cast. The following month, Emily Mortimer was cast as the grownup Jane Banks, and Colin Firth joined the film as William Weatherall Wilkins, president of the Fidelity Fiduciary Bank. In February 2017, Angela Lansbury was cast to play the Balloon Lady. Julie Andrews, who portrayed Poppins in the 1964 film, was approached to do a cameo in the sequel, but turned down the offer as she wanted it to be "Emily's show". Dick Van Dyke, who portrayed Bert and Mr. Dawes Sr. in the original film, returns in the sequel as the latter's son, Mr. Dawes Jr., replacing Arthur Malet, who died in 2013. Emily Blunt as Mary Poppins Lin Manuel-Miranda as Jack the Lamplighter 9 Dick Van Dyke as Mr. Dawes Sr. Angela Lansbury as The Balloon Lady 10 Ben Whishaw as Michael Banks Emily Mortimer as Jane Banks Meryl Streep as Topsy Julie Walters as Ellen LIN-MANUEL MIRANDA: HOW WAS HE CAST INTO THE MOVIE? A few years ago, everyone couldn't stop buzzing about the hit rap musical Hamilton about one of America's Founding Fathers - and honestly has much changed since? Fans are still struggling to get Hamilton tickets and Lin-Manuel Miranda’s popularity has only soared higher. The Hamilton creator's life has certainly turned around thanks to his original musical, but it also was one the key reasons he nabbed the role of Jack the Lamplighter in Mary Poppins Returns. Here's how Lin-Manuel Miranda was picked to be in the Disney musical, according to director Rob Marshall: Well, that actually just happened organically. It wasn't even fully intentional. It was actually John DeLuca's idea. He said,“ 'What about Lin-Manuel?' I thought, 'Oh, what a great idea!' I mean, it was the height of the Hamilton craze. I sat with him in between shows. As soon as you sit with Lin, there's such an infectiousness about his enthusiasm and his very pure childlike spirit. It's very authentic, and I thought, 'Well, there's Jack.' It's like he's that cohort of Mary's who sees light in the darkness, and lights up London, figuratively and literally. Back in 2015, the musical-theater-loving community couldn't get Hamilton out of their heads. So when Rob Marshall and John DeLuca, who was producer, choreographer and screen story writer along with Marshall and screenwriter David Magee on Mary Poppins Returns were looking for a Jack, Lin-Manuel Miranda was a no-brainer. Looks like Lin-Manuel Miranda was on the filmmakers' minds right as they were trying to figure out casting. Once they met with him, it sealed the deal as he fit the bill for the sunshine-y character they were looking for in Mary Poppins Returns' Jack. In his interview with Deadline, Rob Marshall also said that he was following Hamilton from the beginning, before it made its debut on Broadway. While Lin-Manuel Miranda was getting a lot of credit at the time for creating the musical, Marshall saw it for himself, also saw his skill as a performer. Rob Marshall thinks part of why Mary Poppins Returns was an attractive project for Miranda was that it allowed him to hone in on just being an actor, and not also being involved in writing the project. His past projects like Moana and In the Heights have seen him primarily writing before lending his acting and singing chops. Lin-Manuel Miranda took his shot at being a part of the Mary Poppins sequel alongside Emily Blunt, and it certainly has paid off. The movie has been positively received by critics and audiences alike for its blend of nostalgia, new material and delightful message. PRODUCTION: FILMING Principal photography (phase of film production in which the bulk of the movie is filmed, with actors on set and the camera rolling, as distinct from pre-production and post-production) on the film began on February 10, 2017, at Shepperton Studios in Surrey, England. Eight soundstages were used to build practical sets for the film, including Cherry Tree Lane, Topsy’s Fix-It Shop, Big Ben, the interiors of the Banks home, and the enormous abandoned park, where a big part of the musical number, "Trip a Little Light Fantastic", was set. Scenes requiring green and blue screens for visual effects were first filmed on J and K Stages with physical set pieces for the cast to interact with, which were then replaced with animation in post-production. Filming also took place on location, including outside the Bank of England in March 2017, and outside Buckingham Palace in April 2017.
Recommended publications
  • FEELING WICKED Launceston, Are You Ready to Get Wicked?
    Encore Theatre Company SSHHOOWWBBUUZZZZ March 2016 encoretheatre.org.au FEELING WICKED Launceston, are you ready to get wicked? Don’t miss WICKED The Musical at the Princess Theatre in March 2017 Exclusive VIP & SHOWBUZZ SUBSCRIBER TICKET PRESALE starts 9am Monday 7 March 2016 Directed by Liz Bennett (Les Misérables, Jesus Christ Superstar, Evita) Musical Direction by Matt Dudfield (Mary Poppins, The Phantom of the Opera) Choreography by Jacquelyne France-Marsden (The Phantom of the Opera, Evita) Stage Manager Danny Gibson (Mary Poppins - Director, The Phantom of the Opera) Lighting Designer Jason Bovaird (Mary Poppins, Evita, The Phantom of the Opera) Sound Designer Marcello Lo Ricco (Mary Poppins, Evita, The Phantom of the Opera) Executive Producers Jamie Hillard, Belinda J King, Ross Marsden There are three easy ways to book IN PERSON at the Princess Theatre Box Office PHONE 6323 3666 ONLINE theatrenorth.com.au EXCLUSIVE PRESALE PASSWORD: WIZARD Presentation Partners H finalen t Encore Theatre Company SSHHOOWWBBUUZZZZ March 2016 encoretheatre.org.au A MAGNIFICENT 7 Encore Theatre Company has scooped the pool and is thrilled to have received 7 Tasmanian Theatre Awards (“The Errols”) last Saturday for their 2015 productions of Mary Poppins and Evita. Mary Poppins received 6 Awards in Community - Musical Theatre for Best Production, Best Lead Performances (Abbey Hansson & Frank Kerr), Best Direction (Danny Gibson), Best Choreography (Kelly Hortle) and Best Technical (Marcello Lo Ricco for Sound Design). And Evita picked up the Best Design Award (Darryl Rogers for Set Design). Company Co-President Belinda King says, “If Mary Poppins is about one central idea, then it has to be learning to fly.
    [Show full text]
  • Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
    Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well.
    [Show full text]
  • Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J
    Bridgewater Review Volume 1 | Issue 2 Article 9 Dec-1982 Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J. Liggera Bridgewater State College Recommended Citation Liggera, Joseph J. (1982). Cultural Commentary: Affectional Preference on Film: Giggle and Lib. Bridgewater Review, 1(2), 21-22. Available at: http://vc.bridgew.edu/br_rev/vol1/iss2/9 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. CULTURAL COMMENTARY Affectional Preference on Film: Giggle and Lib omantic attachments on screen the romantic man whose passionate desire With the great artist abandoning R these days require at least a hint of is for a person unquestionably of the romantic love--Bergman has lately something kinky to draw the pop audience opposite sex. So straight are his lusts that announced that his next two films will be his which in the days of yesteryear thrilled to no one seemed to notice the dilemma posed last--leaving the field to an oddity like Allen Bogart and Bacall, but which now winks in Manhattan of a man in his mid-forties or television's "Love Boat", the pop knowingly at Julie Andrews in drag. having physical congress with a fifteen year audience, which never warmed to Bergman Something equally aberrant, in fact moreso, old. This year, A -Midsummer Night's Sex or his like anyway, might find solace in Blake more blatant and proselytizing, quickens Comedy renders two points of sexual Edwards, an intriguing director whose last the mental loins of the liberal film-going metaphysics for those still lost in memories three films and his wife's, Julie Andrews, mind; anything less denies the backbone of a gender-differentiated past, the first changing image in them illustrate a syn­ upon which liberal sentiments are oddly enough insisted upon by the women: if thesis of audience demands with a structured.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • The Manchurian Candidate (1962) Directed by John Frankenheimer
    Why Don’t You Pass the Time by Playing a Little Solitaire? By Fearless Young Orphan The Manchurian Candidate (1962) Directed by John Frankenheimer I saw it: August 19, 2010 Why haven’t I seen it yet? For the longest time, I didn’t even know what it was supposed to be about, or that it was supposed to be any good. It seemed like one of those movies that is famous for its confusing title. I even saw the 2004 remake first, and then this little beauty turned up on my list of classics. Candidate A platoon of American soldiers stationed in Korea comes under attack. Most of the platoon is rescued by Raymond Shaw (Laurence Harvey), who displays such valiant behavior that he is awarded the Congressional Medal of Honor upon his return. This is good news for his mother, the Mrs. Iselin who is married to Senator Iselin (who, Raymond assures everyone adamantly, is only Raymond’s stepfather). Mrs. Iselin would like her husband to become the Vice President of the United States, and it certainly doesn’t hurt matters to have a hero in the family. Angela Lansbury, icy and quite beautiful, eats this role alive; she may be one of the most evil and frightening characters I’ve ever seen in a film. What is amusing about her is that we know from the moment we hear her speak that she is a villain, long before we know exactly what the hell she’s up to. Her son hates and fears her; he can’t get away from her fast enough.
    [Show full text]
  • A Comedy Revolution Comes to Starlight Indoors This Winter
    FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell A Comedy Revolution Comes to Starlight Indoors This Winter Playing November 5-17 only! “SMART, SILLY AND “SPAMILTON IS SO “THE NEXT BEST THING CONVULSIVELY FUNNY” INFECTIOUSLY FUN THAT IT TO SEEING HAMILTON!” - The New York Times COULD EASILY RUN AS LONG - New York Post AS ITS INSPIRATION!” – The Hollywood Reporter KANSAS CITY, Mo. – As the weather cools off, the stage house heats up with the 2019-20 Starlight Indoors series, sponsored by the Missouri Lottery. Now in its fifth season, this year’s lineup of hilarious Off-Broadway hits opens November 5-17 with the North American tour of Spamilton: An American Parody, making its Kansas City premiere. Tickets are on sale now. Created by Gerard Alessandrini, the comic mastermind behind the long-running hit Forbidden Broadway, which played the 2017-18 Starlight Indoors series, Spamilton: An American Parody is a side-splitting new musical parody based on a blockbuster hit of a similar name. After numerous extensions of its run in New York, this hilarious production made a splash in Chicago, Los Angeles and London. Now, Spamilton: An American Parody brings a singing, dancing and comedy revolution to Kansas City. “Spamilton pays a hilarious tribute to its inspiration and is smart, sharp and funny to its core— everything you’d want and more from a spoof of Broadway’s most popular musical,” Caroline Gibel, director of indoor programming at Starlight, said. “The best part is, you don’t have to have seen Hamilton to enjoy Spamilton.
    [Show full text]
  • Feed the Birds from Walt Disney’S Mary Poppins
    From: “Mary Poppins [Original Soundtrack]” Feed the Birds from Walt Disney’s Mary Poppins by RICHARD M. SHERMAN and ROBERT B. SHERMAN Published Under License From Walt Disney Music Publishing © 1963 Wonderland Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Authorized for use by Louis Lagalante NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Musicnotes.com. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties. Musicnotes.com FEED THE BIRDS from Walt Disney’s MARY POPPINS Words and Music by RICHARD M. SHERMAN Slowly, with feeling and ROBERT B. SHERMAN Em Am/E Em B o ooo x x o o ooo x Em Am/E Edim7 Am/E Em o ooo x x o x x x x o o ooo Ear - ly each day to the steps of Saint Paul’s the lit - tle old Am/E Em x x o o ooo bird wom - an comes. In her own spe - cial Am/E Edim7 Am/E Em x x o x x x x o o ooo way to the peo - ple she calls, “Come, buy my © 1963 Wonderland Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Musicnotes.com Authorized for use by: Louis Lagalante 2 B7 Em D7 x o o ooo x x o bags full of crumbs.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with James Earl Jones
    Biographical Description for The HistoryMakers® Video Oral History with James Earl Jones PERSON Jones, James Earl​ Alternative Names: James Earl Jones; Life Dates: January 17, 1931- Place of Birth: Arkabutla, Mississippi, USA Work: Pawling, NY Occupations: Actor Biographical Note Actor James Earl Jones was born on January 17, 1931 to Robert Earl Jones and Ruth Connolly in Arkabutla, Mississippi. When Jones was five years old, his family moved to Dublin, Michigan. He graduated from Dickson High School in Brethren, Michigan in 1949. In 1953, Jones participated in productions at Manistee Summer Theatre. After serving in the U.S. Army for two years, Jones received his B.A. degree from the University of Michigan in Ann Arbor in 1955. Following graduation, Jones relocated to New York City where he studied acting at the American Theatre Wing. Jones’ first speaking role on Broadway was as the valet in Sunrise at Campobello in 1958. Then, in 1960, Jones acted in the Shakespeare in Central Park production of Henry V while also playing the lead in the off-Broadway production of The Pretender. Geraldine Lust cast Jones in Jean Genet’s The Blacks in the following year. In 1963, Jones made his feature film debut as Lt. Lothar Zogg in Dr. Strangelove, directed by Stanley Kubrick. In 1964, Joseph Papp cast Jones as Othello for the Shakespeare in Central Park production of Othello. Jones portrayed champion boxer Jack Jefferson in the play The Great White Hope in 1969, and again in the 1970 film adaptation. His leading film performances of the 1970s include The Man (1972), Claudine (1974), The River Niger (1975) and The Bingo Long Traveling All-Stars and Motor Kings (1976).
    [Show full text]
  • Abigail Volk, Soprano
    Seattle Pacific University Music Department Presents Junior Recital Abigail Volk, soprano with Riley Kua, piano Tuesday, April 20, 2021 | 8:00pm Live Stream from Nickerson Studios Program Ave Maria Franz Schubert (1797-1828) Alleluia Wolfgang Amadeus Mozart (1756-1791) The Lass from the Low Countree John Jacob Niles (1892-1980) The K’e Celius Dougherty (1902-1986) Everywhere I Look Molly Carew (1886-1953) Intermission Mi Sueño Edward Kilenyi (1884-1968) Capullito Set by: Irma Urteaga (b. 1929) Think of Me Phantom of the Opera Andrew Lloyd Webber (b. 1948) (I’m in love with) A Wonderful Guy South Pacific Richard Rogers (1902-1979) Oscar Hammerstein II (1895-1960) White Baby Grand from the TV show Smash Marc Shaiman (b. 1959) Scott Wittman (b. 1954) Translations Mi Sueño “My Dream” ¡Ay! ¡sin tu amor morirè, Oh! Without your love I’ll die, sí mujer! indeed my dear! Porque tú eres ilusión. Because you are an illusion. Tú le das al corazón, You give my heart, La ventura que soné. The chance of which I dream. No me mires así, Don’t look at me so, porque voy a morir, because I will die. Pues no puedo vivir, con desprecio de ti. Well, I can’t live with your scorn. ¡Ay! Vuelve tú a mirar, Oh! Look again, que es mi adoración, which is my adoration Tener tú con passion, to have you with passion, ¡Angel de amor! Angel of love! Que aquí vengo a pedir That here I come to beg E implore el perdón, and plead forgiveness. por si fuse a morir, And if I should die ¡Adiós, Adiós! Farewell, Farewell! Capullito “Little Cocoon” Duerme entre mis brazos, Sleep in my arms, Capullito mio my little cocoon Mira que el ocaso está por llegar look that the sunset is yet to come.
    [Show full text]
  • Week Activity — Music Tic Tac
    Option 1 Use found sound (keys, Listen to a song that Write new lyrics to your drums, paper, pencils) you have never heard favorite song to drum along with the before and draw a rhythm to a song picture of how it makes you feel Listen to a song and draw the voice map. Teach a song from When the singer’s voice Write a song about music class to someone goes up, your line goes what you are doing at home (see attached up, and when the voice while you are home list) goes down, your line goes down Write 4 rhythms and Practice singing a song play them on found from music class in silly Teach a game from sounds (pots, pans, voices (monster voice, music class to someone pencils, etc) (rhythm queen voice, whisper at home (see attached worksheet) voice) (see attached list) list) Option 2 Watch a musical (a Play “The Young Compose your own movie with lots of Person’s Guide to the song at singing in it!) (see Orchestra” classicsforkids.com attached list) Learn about women Play “Isle of Tune” on a Download the Rhythm who composed music computer Cat app (for free!) to Listen to an episode practice your rhythms Do a worksheet Download the Watch some ukulele Pick some percussion Ningenius app (for free!) videos instruments and watch and try the rhythm (or watch these and play a Play-Along video (see game along with them!) attached instrument list) “Good Morning, Good Morning” “Buenos Dias, Como Estas?” “Snot” “Boa Constrictor” Music “Naughty Kitty Cat” Class “I Am A Pizza” (by Charlotte Diamond) Song “Little Bunny Foo Foo” List “Impossible to
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]