Nina C. Young

Assistant Professor of Music Composition and Multimedia Performance www.ninacyoung.com Department of the Arts 120 Cabrini Blvd., Apt.62 Rensselaer Polytechnic Institute (RPI) New York, NY 10033 Visiting Composer – The Peabody Institute of the Johns Hopkins University +1.845.270.2382 [email protected] Music published by Peermusic Classical

Curriculum Vitae – November 2017 ______

EDUCATION / RESEARCH EXPERIENCE: • : D.M.A. in Music Composition (2017) Columbia University Center (CMC), 2011 – 2016 • McGill University: M.Mus in Composition (2011) CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology) - Research Assistant in the Expanded Music Practice axis (Sean Ferguson), 2008 – 2011. McGill Digital Composition Studios (DCS): Studio, teaching, and research assistant, 2008 – 2011 • Massachusetts Institute of Technology: B.S. in Music (2007), B.S. in Ocean Engineering (2007) MIT Media Lab: (Under)graduate Research Assistant: ’s Hyperinstruments and Opera of the Future groups, 2006 – 2008

AWARDS / HONORS / FELLOWSHIPS: • Civitella Ranieri Music Fellowship, 2018-19. • Minnesota Orchestra Composer Institute, selected composer, November 2017. • Chouftouhonna Feminist Art Festival, 1er Prix en Arts Scéniques for RITE OF PASSAGE (with collaborator Erin Helfert), 2017. • Akademie Schloss Solitude International Masterclass for Young Composers, 2017. • Look and Listen Festival Competition winner, 2017. • Montalvo Arts Center – Sally and Don Lucas Artist Residency Program – Composer Fellow, 2016-18. • Fondation Royaumont – Académie Voix Nouvelles 2016 – fellow (declined) • Rome Prize in Musical Composition (Frederic A. Juilliard / Walter Damrosch Prize), American Academy in Rome, 2015-16 • American Composers Forum National Composition Contest Winner, 2015 • IRCAM Cursus I– selected composer (declined), 2015-16 • Aspen Music Festival and School Jacob Druckman Prize for Orchestra Composition, 2014-15: Agnosco Veteris • Salvatore Martirano Memorial Composition Award, First Prize, 2014: Traced Upon Cinders • American Academy of Arts and Letters Charles Ives Scholarship, 2014 • Milwaukee Symphony Composer Institute, 2014: Fata Morgana (version for orchestra) • Nouvel Ensemble Modern (le NEM) 12th International Forum for Young Composers, 2014 • IAWM (International Alliance of Women in Music) New Music Competition Winner, Libby Larsen Prize, 2014: Remnants • Nutrire La Musica International Composition Competition of the Milan EXPO, Finalist and Commissioned Composer, 2014 • Aspen Music Festival and School: Susan and Ford Schumann Center for Composition Studies Fellowship, 2014 • Lake George Music Festival Composition Competition, Winner, 2014: Memento Mori – Phase I • American Composers Orchestra 22nd Annual Underwood New Music Readings, Audience Choice Award, 2013: Remnants • Tanglewood Music Center Composition Fellow, 2013 • SEAMUS/ASCAP Student Commission Competition, 1st Place, 2013: Sun Propeller • Wild Rumpus Commissioning Project, Winner, 2013 • USF New Music Consortium International Call for Scores, Winner – Electronic Category, 2013: Sun Propeller • University of Iowa SCI Conference Competition, Winner, 2013: Sun Propeller • Atlantic Music Festival, Composition Fellow, 2012 • Bennington Chamber Music Conference, Composer Fellow, 2012 • IAWM New Music Composition Competition, Pauline Oliveros Prize, 2011: Kashchei • Columbia University Faculty Fellow – Department of Music, 2011-2016 • Orkest de ereprijs: 17th International Young Composers Meeting, 2011 • BMI Student Composer Awards, 2010: Kolokol

Nina C. Young

Composer & Sound Artist

SELECTED COMMISSIONS: CV – pg. 2 of 14 • Jennifer Koh and the Phoenix Symphony (Tito Muñoz) – new concerto, 2019-2020. • The Koussevitzky Music Foundation at the Library of Congress: Making Tellus: An Opera for the Anthropocene, a multimedia, mixed-reality opera for bass voice, female vocal trio, mixed chamber ensemble, electronics, and video, soft premiere – Spring 2019 Arts Letters & Numbers. • The American Brass Quintet – new work 2019-2020. • Mike Compitello – new work for solo snare drum and interactive media, 2019. • Sympho Concerts – new work for experimental silent film, the Del Sol Quartet, Living Earth Show, and interactive media; collaboration with film maker Jennifer Reeves, 2018. • BMI Surinach Commission – new work for solo guitar and interactive media for Jiji Kim, 2018. • Ensemble Échappé and violist Jocelin Pan (co-commissioner The Riot Ensemble) –viola concerto: EarPlay, 2018. • Jennifer Koh and National Sawdust – new solo concert version of Temenos, 2017. • LA Phil and the HOCKET Ensemble – Tête-à-Tête for 2 toy , deskbells, and interactive electronic media for the LA Phil’s Noon to Midnight 2, November 2017 • American Composers Orchestra (Orchestra Underground), with support of the Jerome Foundation: Out of whose womb came the ice for baritone voice, orchestra, and generative video, 2017. Part 2 supported by McGill University for their 2018 Conference. • and the Processional Arts Workshop – sound installation / design / processional music - Morningside Lights: 2016 TRAVERSE • Emily Levin, 2016 – new solo harp piece as part of “Shel Silverstein Invitation” Project: If you are… a liar… • Anssi Karttunen, 2016 – new solo piece as part of the Creative Dialogues Suite: Ainsi soit-il • Marilyn Nonken, 2016 – new solo piece as part of the Grisey’s Vortex Temporum Commissioning Project: À bout de souffle • wild Up ensemble supported by the American Composers Forum 2015 National Composition Contest: When Eyes Meet • Aspen Music Festival Jacob Druckman Prize – Robert Spano and the Aspen Philharmonic Orchestra, 2015: Agnosco Veteris • 2015 Milano Expo – Italian Pavilion: Divertimento Ensemble via the Nutrire la Musica Composition Competition: Rising Tide • Steve Dibner, Brad Balliett, and the Metropolis Ensemble, 2015: Fleeting Musings and Restless Pause: A Bassoon Pocket Concerto • Nouvel Ensemble Moderne 2014 Forum: Vestigia Flammae • Tanglewood Music Center Symphonic Brass Ensemble, 2014: Fata Morgana • SEAMUS/ASCAP Student Commission Competition (for pianist Kathleen Supové), 2013/15: Metal Works • Jocelin Pan (violist) and Daniel James (flautist), 2013: L’heure bleue • Sixtrum percussion ensemble, 2012-13: Etched in Sand • CIRMMT Expanded Musical Practice Axis, 2010-11: Kashchei

FESTIVALS / RESIDENCIES / GUEST APPEARANCES: • McGill University Mixed Music Conference, guest artist, November 2018. • Lifebridge Foundation , guest artist (with Making Tellus), March 2018. • Visiting Composer at the Peabody Institute 2017-18 • Chouftouhonna Feminist Arts Festival, Tunisia (performance of RITE OF PASSAGE with artist Erin Helfert), September 2017. • Arts, Letters & Numbers, Visiting Artist, July 2017; Visiting Artist and Music Program Faculty, July-August 2018. • Avaloch Farms, resident composer, July 2017 • Nief-Norf 2017 Summer Festival, Composer-in-Residence, Guest Faculty. • Riot Ensemble (UK), Composer-in-Residence 2016-17 • Indiana University, Bloomington - Guest resident, September 27-30, 2016 • Lake Champlain Chamber Music Festival – Guest composer, August 2016 • Bowdoin International Music Festival – Guest composer (Gamper Festival), July 2016 • Roosevelt University (Chicago), guest composer, Feb 2016 • Liquid Music presented by the SPCO, guest composer and electronic performer with Miranda Cuckson, 2015 • Ensemble Échappé (NY), Composer-in-Residence 2015-17 • Ensemble 212 (NY), Composer-in-Residence, 2015-16 • Aspen Music Festival and School, guest composer, 2015 • Wild Up with LA Phil’s Next on Grand, guest composer, 2015 • Creative Dialogue VII Symposium (Finland), composer, Musica Nova Helsinki, 2015 • Kimmel Harding Nelson Center for the Arts (NE), Artist Residence, 2015 • Nouvel Ensemble Moderne 12th International FORUM (Montreal, QC), composer, 2014 • Third Practice Festival (VA), guest composer, 2014 • Gérard Grisey, the spectral moment, and its legacy – Colloquium (Montreal, QC), guest composer, 2014

Nina C. Young • University of Illinois at Urbana-Champaign Global Crossroads, Guest-in-Residence, 2014 Composer & Sound Artist • Lake George Music Festival (NY), guest composer, 2014 • Aspen Music Festival and School, composer fellow, 2014 CV – pg. 3 of 14 • Tanglewood Music Center, guest composer, 2014 • SEAMUS Conference, composer, Miami, FL – 2011; St. Paul, MN – 2013; Wesleyan University – 2014 • N SEME (National Student Event) Conference, composer, Peabody Institute – 2011; Temple University – 2013 • Sixtrum Young Composers Lab (Montreal, QC), featured composer, 2013 • Tanglewood Music Center, composer fellow, 2013 • Austrian Cultural Forum’s Moving Sounds Festival (NY), featured composer, 2013 • Westfield Festival of New Music, featured composer, 2013 • Electroacoustic Barn Dance, featured composer, 2012 • Domaine Forget New Music Session with the Nouvel Ensemble Moderne (St. Irénée, QC), composer, 2009

TALKS / INVITED LECTURES / GUEST TEACHING: • Arts Letters & Numbers, Averill Park, NY, July 14 – August 7, 2018. Composition / Sound Art Faculty; Private Lessons, Workshops, Artist Talk. • Arizona State University in partnership with the Phoenix Symphony, April 20, 2018. Artist Talk. • UC Berkeley Composition Seminar, January 16, 2018. Artist Talk. • LA Phil National Composer Institute (in Partnership with wild Up), November 17, 2017. Artist Talk. • University of Northern Colorado Contemporary Music Ensemble, November 14, 2017. Workshop, Coaching, Artist Talk. • Brooklyn College Computer/Electronic Music Seminar; November 2, 2017. Artist Talk. • RPI RED Talks: “What’s Art Got To Do With It” – TED-style talk with Jonas Braasch (associate professor of architecture). • Akademie Schloss Solitude – Summer Composition Masterclass, Stuttgart, Germany, September 18, 2017. Artist Talk. • Nief-Norf Summer Festival Composer in Residence, Nashville, TN, June 2017. Artist Talk, Private lessons, Coachings. • Bard College Conservatory Vocal Graduate Program, Annandale-on-Hudson, NY, April 10, 2017. Artist Talk / Vocal Composition Workshop. • Brown University, Providence, RI, March 17, 2017. Artist Talk, Composition Seminar. • , NJ, March 16, 2017. Composition seminar guest. • Gledhill Arts Collective, National Opera Center, NY Feb 2, 2017. Artist Talk. • Peabody Institute, Baltimore, MD, November 10, 2016. Composition seminar guest. • MIT, Cambridge, MA, October 25, 2016. Composition seminar guest. • Bard College Conservatory, Annandale-on-Hudson, NY, October 23, 2017. Gen-Y group composer talk (with Chris Cerrone, Andy Akiho). • Indiana University, Bloomington, September 27-30, 2016. Guest composer-in-residence at IU, including composition seminar, computer music seminar, lessons, Women in Music Composition - Unapologetically Female Panel Guest. • Arizona State University in partnership with the Phoenix Symphony, September 14, 2016. Artist Talk. • American Composers Orchestra’s “Composer Yourself” High School Composers Intensive, August 18, 2016. Composition seminar guest; Artist Talk. • Bowdoin International Music Festival, July 29, 2016. Artist Talk. • American Academy in Rome, Villa Aurelia, Rome, Italy, March 14, 2016 . Artist Talk. • Roosevelt University, Chicago, IL, Feb. 2016. Artist Talk, Masterclass, Guest Composition lessons. • Cornell University, Ithaca, NY, Feb, 2016. Lecture on personal artistic practice, undergraduate lecture on Timbre and Texture. • Université de Montréal, QC, 2014. Artist Talk. • Manhattan School of Music Composition Seminar, New York, NY, 2013; Artist talk. • Atlantic Music Festival, Colby College, ME, 2012. Led graduate and undergraduate seminars on the history and composition of mixed music. • Peabody Institute, Baltimore, MD, 2011. Lecture to Graduate Electronic Music Seminar: “What is the sound source? Using source material and spatialization as compositional solutions to integrating instrumental writing with electronics”.

TEACHING EXPERIENCE: • The Peabody Institute of The Johns Hopkins University, August 2017 – current COMPOSITION LESSONS AND TOPIC SEMINARS

• Rensselaer Polytechnic Institute, Department of the Arts, August 2016 – current MUSIC AND SOUND I (ARTS-1440): Fall 2017, Fall 2016, course designed August 2016

Nina C. Young

Composer & Sound Artist

CV – pg. 4 of 14

MUSIC AND SOUND II (ARTS-2150): Spring, 2018, Spring 2017, course designed August 2017 COMPOSITION SEMINAR (ARTS-TBD): Fall 2017 EXPLORING MUSIC AT RENSSELAER (ARTS-XXXX): Spring 2018 ART IN THE ANTHROPOCENE (Independent Study), Fall 2017 CRITICAL DECOMPOSITION (Independent Study), Fall 2017 INTRO TO MUSIC COMPOSITION (Independent Study), Fall 2017 MUSIC FOR GAMES (Independent Study), Spring 2017 PSYCHOLOGY AND PERCEPTION OF MUSIC (Independent Study), Fall 2016 ADVANCED COMPUTER MUSIC (Independent Study), Fall 2016

• Columbia University , Fall 2012 – Spring 2015 INTRO TO DIGITAL MUSIC: Lecturer (Spring 2015) and Co-Lecturer (Fall 2014, with Brad Garton) http://music.columbia.edu/cmc/courses/v2205/spring2015/ http://music.columbia.edu/cmc/courses/v2205/fall2014/ PROGRAMMING AND ELECTRONICS FOR ART AND MUSIC (previously ELECTRONIC MUSIC II): Teaching Assistant (Spring 2014, with Douglas Repetto) http://music.columbia.edu/cmc/courses/g6602/spring2014/ COMPUTER MUSIC II: Teaching Assistant / Co-Lecturer (Spring 2013, with Brad Garton) http://music.columbia.edu/cmc/courses/g6611/spring2013/ INTERACTIVE SOUND AND VIDEO (previously ELECTRONIC MUSIC I) Teaching Assistant / Co-Lecturer (Fall 2012 with Terence Pender; 2013, with Damon Holzborn) http://music.columbia.edu/cmc/courses/g6601/fall2012/ http://music.columbia.edu/cmc/courses/g6601/fall2013/

• McGill University Digital Composition Studios, Fall 2008 – Fall 2011 INTRODUCTION TO DIGITAL STUDIO COMPOSITION I (MUCO341) Teaching Assistant (Fall 2008, with Eliot Britton) INTRODUCTION TO DIGITAL STUDIO COMPOSITION II (MUCO342) Teaching Assistant (Spring 2009 with Eliot Britton, 2010 with Anthony Tan, 2011 with David Adamcyk) ADVACNED DIGITAL STUDIO COMPOSITION I (MUCO541) Teaching Assistant (Fall 2009, 2010 with Marlon Schumacher).

SERVICE & TECHNICAL / ORGANIZATION EXPERIENCE: • Arts Letters & Numbers Summer Workshop – Music, Composition, and Sound Art Co-Coordinator (with Michael Harrison), 2017 – present. • Composers Now – Board of Advisors, 2016 – present. • Jury member for New York Youth Symphony First Music commission, 2017. • Juror for SEAMUS 2017 National Conference; SEAMUS 2018 National Conference. • Juror for Periapsis. • Composition portfolio juror for Kimmel-Harding Nelson Center for the Arts, 2016-17 • Music Major Development Committee and Curriculum Design, RPI Dept of the Arts, 2016-17. • Co-founder and Co-Artistic Director of Ensemble Échappé (NYC-based new music sinfonietta, 2015-current. • Jury member of Nuova Consonanza’s 2015 F. Evangelisti Composition Competition (Rome, Italy), 2015 • Jury member of the 1st annual American Composers Forum NEXTNOTES High School Composition Awards, 2015 • Production member for Making Tellus: Sketches of a Cosmogram for the Anthropocene (2015 – present) • General Manager of APNM – The Association for the Promotion of New Music: composer collective, publisher, concert production (2012 – August 2015) • New York Women Composers Seed Grant Committee member, 2014, 2017.

Nina C. Young

Composer & Sound Artist

CV – pg. 5 of 14 • Student member of Columbia University’s 2013-14 Music Department Assistant Professor in Composition Search Committee • Board Member of Columbia Composers (2012 – 2014) • Computer Consultant for the McGill Marvin Duchow Music Library Music Student Computer Room (2010 – 2011) • Reference Librarian at the McGill University Marvin Duchow Music Library (2010 – 2011) • Composer, Arranger, Sound Designer for Montreal-based dance studio Les Ateliers Turcotte. (2009 – 2012) • Recording and Post Production Engineer for MIT’s Lewis Music Library’s Oral History Archiving Project (2008) • Archiving Intern for the Computer Music Journal (CMJ) (2007 – 2008) • Audio Engineer: recordings, live sound, electronics (2006 – current) • Student Librarian at the MIT Lewis Music Library (2003 – 2007)

PROFESSIONAL AFFILIATIONS: • ACF – American Composers Forum • American Academy in Rome • APNM – Association for the Promotion of New Music • BMI – Broadcast Music Inc. • CIRMMT – Centre for Interdisciplinary Research in Music Media and Technology • Columbia CMC – Computer Music Center • IAWM – International Alliance for Women in Music • NYWC – New York Women Composers • SEAMUS – Society of Electro-Acoustic Music in the

REFERENCES: • Brad Garton: Music Department, Columbia University – [email protected] Office tel: 212.854.9266 • Georg Friedrich Haas: Music Department, Columbia University – [email protected] tel: 212.663.5181 • John Harbison: Music Department, MIT – [email protected] tel: 617.515.2403 • Tania León: Music Department, Brooklyn College – CUNY – [email protected] tel: 845.596.3598 • : Music Department, Columbia University – [email protected] Office tel: 212.854.3825 • George Lewis: Music Department, Columbia University – [email protected] Office tel: 212.854.3825 • Keeril Makan: Music Department, MIT – [email protected] tel: 617.515.5674 • Todd Vunderink: Peermusic Classical, Vice President – [email protected] tel: 914.584.9189

Nina C. Young

Composer & Sound Artist REPERTOIRE LIST (WITH WORLD PREMIERES): CV – pg. 6 of 14 Large Ensemble:

Out of whose womb came the ice (2017), for baritone, orchestra [1111.1111, perc., harp, pno., strings: 86442] , and optional generative video (~11:30). Original text by Nina C. Young and David Tinervia, generative video by R. Luke DuBois. Commissioned by the American Composers Orchestra with support of the Jerome Foundation. Premiered May 23, 2017 – American Composers Orchestra, Symphony Space, NY.

EarPlay (2018), concerto for viola and sinfonietta (~10:30) For Ensemble Échappé To be premiered April 20, 2018, Saint Peters Church, New York, NY

Agnosco Veteris (2015), for orchestra [2222.4331, 3 perc., harp, pno., strings: 10.8.8.6.4] (~15:30) Commissioned by the Aspen Music Festival as part of the 2014 Jacob Druckman Prize Premiered July 15, 2015 – Aspen Philharmonic Orchestra, Stephen Mulligan – conductor, Benedict Music Tent, Aspen, CO.

Vestigia Flammae (2014), for ensemble [1121.1110, perc., pno., single strings] (~14:00) Written for the Nouvel Ensemble Moderne Forum 2014 Premiered Nov. 21, 2014 – Nouvel Ensemble Moderne – Salle Claude Champaign, Montreal, QC

Fata Morgana (2014), for symphonic brass ensemble: [6.4.3.1 +2 perc.] (~09:15) Commissioned by the Tanglewood Music Center Premiered June 29, 2014 – Seiji Ozawa Hall, Lenox, MA

Fata Morgana (2014), version for orchestra: [2222.4221.timp.,3perc., harp, pno, strings: 10 8 6 6 4] (~10:30) Premiered Aug. 10, 2014 – American Academy of Conducting at Aspen Orchestra, Oliver Hagen – conductor, Harris Hall, Aspen CO

Traced Upon Cinders (2014), for chamber orchestra [1010.1110, perc., pno., egtr., single strings] (~11:00) Written for Ensemble Either/Or (based on sketches from Etched in Sand) Premiered Apr. 12, 2014 – DiMenna Center, New York, NY

Remnants (2012), for orchestra [2222.4222, 3 perc, hapr, pno, strings] (~11:15) Premiered: Apr. 9, 2013 – American Composers Orchestra – Underwood New Music Readings, New York, NY

The Moon in the Water (2011), for mezzo-soprano and chamber wind ensemble (~03:45) Written for the Orkest de ereprijs for the 2011 Young Composers Meeting. Premiered Feb. 18, 2011 – Orkest de ereprijs, Apeldoorn, The Netherlands

Not Waving But Drowning (2009), for mixed choir, solo viola, and piano (~10:50). Text by Stevie Smith. Premiered Nov. 21, 2009 – Marcin Swoboda (viola), Thomas Carr (piano), Christ Church Cathedral, Montreal, QC

Adieu (2008, rev. 2010), for orchestra (~08:00) Premiered Mar. 20, 2010 – The Independent Orchestra and Chamber Players at McGill – Christ Church Cathedral, Montreal, QC

Chamber Music (medium / large):

Fleeting Musings and Restless Pause: A Bassoon Pocket Concerto (2015), for solo bassoon and chamber ensemble [fl, vla, cb, hp] (~05:30) Steve Dibner, Brad Balliett, and the Metropolis Ensemble Premiered Oct. 11, 2015 – Brad Balliett, the Metropolis Ensemble, Le Poisson Rouge, New York, NY

Nina C. Young

Composer & Sound Artist

When Eyes Meet (2015), for 10 musicians [fl, cl, tbn, 2 perc, pno, egtr, vln, vla, vlc] (~07:00) CV – pg. 7 of 14 Commissioned by the American Composers Forum for the 2015 National Composition Contest Premiered Sept. 11, 2015 – wild Up ensemble, REDCAT, Los Angeles, CA

Rising Tide (2015), for , clarinet, percussion, piano, violin, cello (~08:30) Written for the Divertimento Ensemble as part of the Nutrire la Musica Composition Competition. Premiered Sept. 21, 2015 – Divertimento Ensemble, Milano EXPO Gates, Milan, Italy

Spero Lucem (2015), for piano quartet (~06:00) Written for the Creative Dialogue Symposium VII, hosted by the Sibelius Academy Premiered Feb. 7, 2015 – Musica Nova Helsinki, Organo Hall, Helsinki Music Center, Finland

Tethered Within (2013), for eight musicians: a.fl, b.cl, pno, perc, 2 vln, vla, vlc (~05:45) Written for the New Fromm Players of Tanglewood Music Center, read July 20, 2013, MA Premiered Sept. 20, 2013 – Argento Chamber Ensemble, Moving Sounds Festival - Czech Center, New York, NY

Memento Mori – Phase I (of IV) (2013), for string quartet (~07:00) Written for the JACK Quartet Premiered Mar. 12, 2013 – JACK Quartet – The DiMenna Center, New York, NY

Etched In Sand (2013), for percussion sextet [mallet percussion] (~09:00) Commissioned by Sixtrum percussion ensemble, read Jan. 30, 2013 – Sixtrum Percussion Composer Lab, Montreal, QC Premiered Dec. 7, 2013 – Sixtrum - Salle Bourgie, Musée des Beaux-Arts de Montréal, QC

Canicule (2012), for clarinet, violin, violoncello, and piano (~06:00) Commissioned by the Bennington Chamber Music Conference Premiered Aug. 8, 2012 – Bennington Chamber Music Conference, Carriage Barn, Bennington College, VT

Remains (2011), for two pianos and two percussion (~11:00) Written for Yarn/Wire. Premiered Jan. 27, 2012 – Yarn/Wire, DiMenna Center for Classical Music, New York, NY

Kashchei (2010), for nine instruments and electronics (~19:00) Commissioned by the McGill Contemporary Music Ensemble in partial completion of M.Mus Thesis. Premiered Live@CIRMMT Series Feb. 8, 2011 – Multimedia Room – McGill University, Montreal, QC

Chamber Music (duos / trios):

Tête-à-Tête (2017, ~8:30) For two toy pianos, desk bells, and interactive media. Commissioned by the LA Phil for the HOCKET Ensemble. Premiered November 18, 2017, HOCKET Ensemble, Disney Concert Hall, Los Angeles, CA.

Temenos (2018, ~12:00), version for violin and piano Version for Kathleen Supové and Jennifer Choi adapted from original site-specific piece (2015). To be premiered in Spring 2018.

Prelude to Making Tellus (2015), for bass voice, piano, contrabass (~06:00). Original text by Andrew R. Munn. Pilot project for Making Tellus: Sketches of a Cosmogram for the Anthropocene Premiered Apr. 19, 2015, Andrew Munn – bass, Rami Sariddine – piano, Julian Lambert – bass, Bard First Songs – Edward Pickman Concert Hall, Longy School of Music, Cambridge, MA

L’heure bleue (2013), for flute and viola (~08:00) Commissioned by Jocelin Pan and Daniel James Premiered Dec. 5, 2013, The Juilliard School, New York, NY

Nina C. Young

Composer & Sound Artist Void (2013), for soprano, viola, and piano (~06:30). Text by Emily Dickinson. Written for the Tanglewood Music Center CV – pg. 8 of 14 Premiered July 10, 2013, Seiji Ozawa Hall, Tanglewood Music Festival, MA

Waltz in Sepia (2013), a theatrical work for violin, viola, and monophonic playback (~04:30) Written for the 2013 New Fromm Players of the Tanglewood Music Center Premiered Aug. 17, 2013, Seiji Ozawa Hall, Tanglewood Music Festival, MA

Meditation (2013), for violin and violoncello (~05:00) Written for the 2013 New Fromm Players of the Tanglewood Music Center Premiered Aug. 17, 2013, Seiji Ozawa Hall, Tanglewood Music Festival, MA

Creeping Ivy (2013), for flute and clarinet (~04:00) Written for the 2013 New Fromm Players of the Tanglewood Music Center Premiered Aug. 17, 2013, Seiji Ozawa Hall, Tanglewood Music Festival, MA

Kolokol (2010), for two pianos and electronics (11:09) Student composer-in-residence commission – McGill University. Premiered Mar. 19, 2010 – Yuxi Qin, Wensi Yan - Pollack Hall – McGill University, Montreal, QC

Solo:

The Un-Snared Drum (work-in-progress, 2017-18, ~12:00) For solo snare drum, transducers, live electronics, and generative video. Commissioned by Mike Compitello with support of Vic Firth. Premiere TBD; workshopped July 2017, Avaloch Farm, NH.

[untitled] (work-in-progress, 2017, 08:00 – 10:00) For solo classical guitar. Co-commissioned by Concert Artists Guild and the BMI Foundation. To be premiered February 13, 2018 by Jiji, Weill Recital Hall at Carnegie Hall, New York, NY.

If you are… a liar… (2016), for solo harp (~02:30) Commissioned by Emily Levin as part of her Shel Silverstein “Invitation” Project Recorded November 2, 2016 for commercial release (2017).

À bout de souffle (2016), for solo piano scordatura (~05:00) Commissioned by Marilyn Nonken as part of the Vortex Temporum Revisited Project Premiered May 18, 2016 – Tufts University; May 23, 2016 – Roulette, New York, NY

Ainsi soit-il (2016), for solo cello (~06:00) Commissioned by Anssi Karttunen as part of the Creative Dialogues Suite Premiered February 15, 2016 – Grande Salle – – Columbia Global Center – Paris, France

Temenos (2015), for violin and electronics (~15:00) – a collaboration with the New Chamber Ballet Sponsored by the American Academy in Rome Fellows Project Fund and the Cinque Mostre Exhibit Premiered Mar. 3, 2016 at the Tempietto del Bramante (Real Accademia di Spagna a Roma) with the New Chamber Ballet

Metal Works (2014), for piano and electronics (~27:00) Commissioned by ASCAP/SEAMUS Part 1 premiered Mar. 27, 2014 by Kathleen Supové at the 2014 SEAMUS Conference – Wesleyan Univ., CT

Sun Propeller (2012), for violin and electronics (~10:00) Written for Emily Westell Premiered Mar. 24, 2012 – Emily Westell – Musical Interactivity Festival, Miller Theatre, New York, NY

Nina C. Young

Composer & Sound Artist

Chatter (2011), for trumpet and electronics (~08:00) CV – pg. 9 of 14 Commissioned by Amy Horvey Premiered Apr. 5, 2011 – Amy Horvey, Clara Lichtenstein Hall, Montreal, QC

Purely Electroacoustic:

Mark as Unsent (2015), electronic composition / fixed media (05:45). Text by Nina C. Young. Mar. 27, 2015 – mise-en|Acoustic+ #2, MISE_EN_PLACE Bushwick, New York, NY

Bayu-bayu (2011), electronic composition / fixed media (09:00) November 15, 2012 – BullDog Bytes Concert Series, South Carolina State University, SC Oct. 20 – 16, 2015 – Truman Art Gallery of the New Horizons Music Festival, Kirksville, MO

Incubus (2010), electronic composition / fixed media (02:45) Mar. 31, 2011 – Designs in Harmony, The Lily Pad, Cambridge, MA

Site-Specific Projects / Installation / Sound-Art Collaborations:

Morningside Lights: TRAVERSE (2016) (1.5 hour processional and sound installation) A site-specific collaboration with Processional Arts Workshop artists Alex Hahn and Sophia Michahelles that culminates in community makers and marches participating in a lantern processional that illuminates favorite passages by winning poets. The sound component includes an immersive sonic installation throughout the park and an interactive call-and- response community chant. Commissioned by Miller Theatre and Columbia University’s Arts Initiative. Sep. 23, 2015 – Morningside Park, New York, NY

Rite of Passage (2016), (1 hour sound installation performance) A collaborative, participatory performance piece (with women’s rights activist and performance artist Erin Helfert) that explores the emotional landscape of her five-year rape trial in a Moroccan Court. Commissioned by Erin Helfert. Premiered Oct. 8, 2016 – Federal Hall, New York, NY

Temenos (2015) (15-minute site-specific performance piece for violin, 2 dancers, and electronics) A site specific piece for 2 dancers, violin, and quadraphonic electronics at the Tempietto del Bramante that addresses the union of architecture, movement, sound, and the human experience (~15:00) – a collaboration with Miro Magloire and the New Chamber Ballet. Sponsored by the American Academy in Rome Fellows Project Fund and the Cinque Mostre Exhibit Premiered Mar. 3, 2016 at the Tempietto del Bramante, Real Accademia di Spagna a Roma, IT

Opera:

Making Tellus: An opera for the Anthropocene (work-in-progress, 2019, ~70:00) Multimedia opera scored for bass, 2 sopranos, 1 mezzo, fl, cl, perc, pno, vn, vc, electronics, video projection. Commissioned by Koussevitzky Music Foundation at the Library of Congress and the Nouveau Classical Project. Scene 1 workshop and documentation, August 27-30, 2017, Nouveau Classical Project; Andrew Munn, bass; Charlotte Mundy, soprano; Sharon Harms, soprano; Kate Maroney, mezzo; Scholes Street Studio, Brooklyn, NY. Full semi-staged music showcase, April 22, 2018. Staged premiere Spring 2019. Collaborators: producer and performance artist Sugar Vendil; bass vocalist and librettist Andrew R. Munn; acclaimed new media artist R. Luke DuBois; 2015 Ecco Domani winner, fashion designer Titania Inglis; and choreographer Miro Magloire of the New Chamber Ballet.

Current as of October 2017.

Nina C. Young

Composer & Sound Artist

LIST OF RECENT PERFORMANCES CV – pg. 10 of 14

2017-18: • May 26, 2018: Sun Propeller - Karen Pollic, violin, CCRMA Stage, Stanford, CA • April 20, 2018: EarPlay (premiere), Ensemble Échappé featuring Jocelin Pan, viola, Saint Peter’s Church, New York, NY • April 13-14, 2018: Agnosco Veteris – The Phoenix Symphony led by Tito Muñoz, Symphony Hall, Phoenix, AZ • March 31, 2018: Temenos (premiere of version for violin and electronics), Jennifer Koh, violin, National Sawdust, Brooklyn, NY • March 12, 2018: Music showcase of Act I of Making Tellus: Baryshnikov Arts Center, New York, NY • March 7, 2018: Music showcase of Act I of Making Tellus: Bard College, NY • February 2018: Sun Propeller – Access Contemporary Music’s “In Stereo”, Jeff Yang, violin, David Theatre, Chicago, IL. • February 5, 2018: Sun Propeller (premiere of version for viola and electronics), Anne Lanzilotti faculty recital, University of Northern Colorado, Greeley, CO. • February 3, 2018: Ainsi soit-il (US premiere) – Verdant Vibes Benefit Concert, Zan Berry – cello, Music Mansion, Providence, RI • December 10, 2017: Spero Lucem – The Peoples’ Symphony Concerts presents the Variation String Trio with Orion Weiss. Town Hall, New York, NY • November 20, 2017: l’heure bleue – Transatlantic Premieres featuring Elissa Cassini and Ensemble CAIRN, Argento Chamber Ensemble, La Marberie, Montreuil, France • November 18, 2017: Tête-à-Tete – HOCKET Ensemble presented by LA Phil Noon to Midnight, Disney Concert Hall, Los Angeles, CA • November 10, 2017: Agnosco Veteris – Minnesota Orchestra led by Osmo Vänskä, Minneapolis, MN • October 26, 2017: Traced Upon Cinders– Alterity Chamber Orchestra, Factur, Orlando, FL • October 20, 2017: l’heure bleue – Transatlantic Premieres featuring Elissa Cassini and Ensemble CAIRN, Argento Chamber Ensemble, Saint Peter’s Church, New York, NY • September 19, 2017: if you are …a liar… – Emily Levin: Something Borrowed CD Release Concert and Party, (le) poisson rouge, New York, NY • September 9, 2017: RITE OF PASSAGE – Chouftouhonna International Feminist Art Festival, Theatre National Tunisien, Tunisia

2016-17: • August 26, 2017: Sun Propeller as part of Alone/Not Alone curated by Emma Logan, Marian Yang, violin. Center for New Music, San Francisco, CA • August 20, 2017: Rising Tide (German premiere), Ensemble SurPlus, Schloss Solitude Summer Academy Final Concerts, Guibal Salla, Stuttgart, Germany • July 21 – Oct. 22, 2017: Temenos Remix as part of Soundings – Montalvo Arts Center’s immersive musical experience in conjunction with the Now Hear This! An Exercise in Listening, Saratoga, CA • July 17, 2017: Mark as Unsent – The Society for New Music – Electroacoustic Music and Light Show with lighting design by Katie Gilliand, Cazenovia, NY • July 7, 2017: Rising Tide – ROLE / PLAY by Michal Novotny, Scholes Street Studios, Brooklyn, NY • June 12, 2017: Rising Tide – Nief Nor Summer Festival – Concert 4 – Natalie L. Haslam Music Center, Knoxville, TN • June 12, 2017: Remains– Nief Nor Summer Festival – Concert 3 – Natalie L. Haslam Music Center, Knoxville, TN • June 12, 2017: Etched in Sand – Nief Nor Summer Festival – Concert 2 – Natalie L. Haslam Music Center, Knoxville, TN • June 12, 2017: Kolokol – Nief Nor Summer Festival – Concert 1 – Natalie L. Haslam Music Center, Knoxville, TN • June 10, 2017: Etched in Sand – Sixtrum Percussion Ensemble at Domaine Forget, Saint Irénée, QC • May 23, 2017: Out of whose womb came the ice (world premiere) – The American Composers Orchestra with David Tinervia and R. Luke DuBois, ACO Parables, Symphony Space, New York, NY • May 19, 2017: Spero Lucem – Ensemble Échappé at the Look and Listen Festival, BRIC Arts, Brooklyn, New York • April 29, 2017: Tethered Within – Present Music presents “Time, Nature, Culture, Sound” – Milwaukee Public Museum, WI • April 13, 2017: Void – Bard First Songs, Morgan Library, New York, NY • April 11, 2017: Void – Bard First Songs Preview Concert, Bard College Conservatory of Music, Annendale-on-Hudson, NY • Mar. 29, 2017: Meditation – Chistopher’s Classics Autumns Series presents Mark Menzies, The Piano, Christchurch, NZ • Mar. 8, 2017: Sun Propeller – Mioi Takeda, Miolina – A Concert to Celebrate International Women’s Day, The National Opera Center, New York, NY • Mar. 3, 2017: Meditation – WireTap New Music presents Immutable Dreams, The Shed, Durham, NC • Feb. 13, 2017: Void – Twos and Threes - Justine Aronson, Richard Valitutto, Aperture Duo, Clausen Hall, Los Angelas City College, CA • Nov. 14, 2016: Fleeting Musings and Restless Pause: A Bassoon Pocket Concerto – Lex54 Concerts presents Ensemble Échappé – Jeffrey Milarsky, New York, NY • Nov. 11, 2016: Metal Works – Theresa Steward presented by the Electro Acoustic Barn Dance, University of Mary Washington, VA • Nov. 6, 2016: Creeping Ivy – Eric Umble Solo Recital, The Firehouse Space, Brooklyn, NY

Nina C. Young

Composer & Sound Artist

CV – pg. 11 of 14

• Oct. 24, 2016: Rising Tide – Collage New Music, Longy School of Music, Cambridge, MA • Oct. 23, 2016: Metal Works – Blair McMillan, Music Alive! Gen-Y, Bard College Conservatory of Music, Annandale-on-Hudson, NY • Oct.21, 2016: Creeping Ivy – Present Music: Angst, Horror & Fun, Milwaukee Art Museum, WI • Oct. 8, 2016: Rite of Passage – Erin Helfert, Federal Hall, New York, NY • Oct. 1, 2016: Void – The Riot Ensemble live on BBC Radio 3 (Hear and Now) at the South Bank Center, London, UK • Sept. 29, 2016: Traced Upon Cinders – Indiana University New Music Ensemble – David Dzubay – Bloomington, IN • Sept. 24, 2016: Traverse – Morningside Lights – Miller Theatre and the Processional Arts Workshop, Morningside Park, New York, NY • Sept. 16 - 18, 2016: Remnants – The Phoenix Symphony – Tito Munoz, Symphony Hall, Phoenix AZ

2015-16: • August 24, 2016: Memento Mori – Lake Champlain Chamber Music Festival, FlynnSpace, Burlington, VT. • July 28, 2016: Spero Lucem – Bowdoin International Music Festival – Gamper Festival, Brunswick, ME. • July 21, 2016: Rising Tide - New Music from Morningside Heights – Manhattan School of Music Contemporary Performance Performers, The Firehouse Space, Brooklyn, NY. • June 19, 2016: Traced Upon Cinders – Face The Music: “Solar Flare” conducted by David Bloom, Merkin Concert Hall, New York, NY • June 14, 2016: Meditation – Hear and Now: Hannah Collins and Clara Lyon, Geneva Music Festival, NY • June 11, 2016: Vestigia Flammae – Ensemble 212: Annual Young Artist Showcase Concert, Good Shepherd-Faith Presbyterian Church, New York, NY • June 8, 2016: Rising Tide (US premiere) – The Aspen Contemporary Music Ensemble, NY Phil Biennial, the Whitney, New York, NY • June 7, 2016: Remains (Ian Rosenbaum, Mike Compitello, Marilyn Nonken, Richard Valitutto – European premiere), Kolokol (Marilyn Nonken, Richard Valitutto – European Premiere) – American Academy in Rome Trustees Week Concert, Villa Aurelia, Rome, Italy • May 23, 2016: À bout de souffle– Marilyn Nonken’s Grisey Vortex Temporum Revisited Project, Roulette, Brooklyn, NY • May 21, 2016: Adieu – Ensemble 212, Good Shepherd-Faith Presbyterian Church, New York, NY • May 19, 2016: À bout de souffle (world premiere) – Marilyn Nonken Grisey Vortex Temporum Revisited Project, Tufts University, Boston, MA • April 30, 2016: l’heure bleue – Margaret Lancaster, flute; Jocelin Pan, viola; Columbia Composers presents Wet Ink, St. Peter’s Chelsea, New York, NY • April 29, 2016: Traced Upon Cinders (UK premiere) – The Riot Ensemble conducted by Aaron Holloway-Nahum, St. Leonard’s Church, Shoreditch, UK • March 15, 2016: Sun Propeller – Miranda Cuckson in residence at the Met Breuer Museum, New York, NY • March 3, 2016: Temenos (world premiere) – Miro Magloire, the New Chamber Ballet, Nina C. Young – Cinque Mostre Exhibit, American Academy in Rome, Italy • February 27, 2016: Kolokol – Khasma Piano Duo, Presser Hall, Westbrook Auditorium, Illinois Wesleyan University, IL • February 25, 2016: Traced Upon Cinders – Ensemble Échappé: Unleashed, Symphony Space, New York, NY • February 22, 2016: Kolokol – Kathy Supové & Nadia Shpachenko in Concert – Cal Poly Pomona Music Recital Hall, Pomona, CA • February 20, 2016: Kolokol – Kathy Supové & Nadia Shpachenko Piano Duo – New Horizons Concert Series, Salmon Recital Hall, Chapman University, Orange, CA • February 20, 2016: Tethered Within and Spero Lucem – Ensemble 212: New Music For Young Audiences, Good Shepherd-Faith Presbyterian Church, New York, NY • February 15, 2016: Ainsi soit-il (world premiere) – Anssi Karttunen, cello: Creative Dialogues, Reid Hall, Paris, France • February 14, 2016: Tethered Within – Collage New Music: Eddie’s Musical Spheres Edward Cohen Memorial Concert, Killian Hall, MIT, Cambridge, MA • February 11, 2016: Meditation – Musiqa ensemble, Contemporary Arts Museum Houston, TX • January 28, 29, and 30, 2016: Tethered Within (European premiere), Sun Propeller (European premiere), Memento Mori (European Premiere), l’heure bleue (European premiere) – The Scharoun Ensemble Berlin: The American Academy in Rome presents two evenings of music by 2015-16 Rome Prize Winners Christopher Cerrone and Nina C. Young, Villa Aurelia, Rome, Italy • December 10, 2015: Vestigia Flammae – Nell Flanders conducting the Peabody Players, Friedberg Concert Hall, Peabody Conservatory, Baltimore, MD • December 7, 2015: Traced Upon Cinders – Samuel McCoy leading the Mannes American Composers Ensemble (MACE), Mannes Concert Hall, New York, NY • November 22, 2015: Sun Propeller – Maya Bennardo, violin; Nick Nelson, electronics. The Curiosity Cabinet – The Sphere of Influence: (a)lone and Circuit Bridges, Staller Recital Hall, Stony Brook University, New York. • November 19, 2015: Sun Propeller – Maya Bennardo, violin; Nick Nelson, electronics. The Curiosity Cabinet – The Sphere of Influence: (a)lone and Circuit Bridges, Gallery MC, New York, NY

Nina C. Young

Composer & Sound Artist

CV – pg. 12 of 14 • November 16, 2015: Spero Lucem – Ensemble Échappé: A Taste of Échappé, Lex54 Concerts at Saint Peter’s Church, New York, NY • November 14, 2015: Sun Propeller – Boston New Music Initiative, Clarendon Hill Church, Somerville, MA • November 14, 2015: Sun Propeller – Liquid Music Series presents Miranda Cuckson, Amsterdam Bar and Hall, Saint Paul, MN • November 1, 2015: Vestigia Flammae (US premiere) – Inscape Chamber Orchestra, National Gallery of Art – Washington, DC • October 24, 2015: Sun Propeller – Ensemble 212: Season Opener – The Sounds of the Cosmos, Good Shepherd-Faith Presbyterian Church, New York, NY • October 21, 2015: Sun Propeller – APNM presents Strings and Circuits: Hajnal Pivnick in a solo recital for violin and electronics, Dixon Place, New York, NY • Oct.18, 2015: Mark As Unsent (west coast premiere) – AUX, Experimental Theatre, UCSD Conrad Prebys Music Center, San Diego, CA • October 18, 2015: Kolokol – Khasma Piano Duo, Knox College Concert Series in Kresge Recital Hall, Galesburg, IL • October 17, 2015: Kolokol – Khasma Piano Duo, Illinois College Fine Arts Series in Rammelkamp Chapel, Jacksonville, IL • October 11, 2015: Fleeting Musings and Restless Pause: A Bassoon Pocket Concerto (world premiere) – Brad Balliett and the Metropolis Ensemble: Multiphonics, Le Poisson Rouge, New York, NY • October 1, 2015: Void (UK premiere) – The Riot Ensemble: My Life on the Plains, Brixton East, London, UK • September 21, and 22, 2015: Rising Tide (world premiere) – The Divertimento Ensemble, EXPO Milano 2015 Nutrire La Musica – EXPO Gate, Milan, Italy • September 11, 2015: When Eyes Meet (world premiere) – wild UP: The American Composers Forum 2015 National Composition Competition, REDCAT, Los Angeles, CA

2014-15: • July 28, 2015: Fata Morgana– A Recital by the American Brass Quintet, Aspen Music Festival and School, Harris Hall, Aspen, CO • July 15, 2015: Agnosco Veteris (world premiere) – The Aspen Philharmonic Orchestra with conductor Stephen Mulligan, Benedict Music Tent, Aspen, CO • May 30, 2015: Traced Upon Cinders (west coast premiere) – wild Up: LA Phil Next on Grand series, The Regent Theatre, Los Angeles, CA • May 30, 2015: l’heure bleue – Margaret Lancaster, flute; Jocelin Pan, viola; Jocelin Pan Solo Recital, Tenri Cultural Institute, New York, NY • April 25, 2015: Metal Works – Part 1 – Kathleen Supové, piano: Columbia Composers Concert Series, The DiMenna Center for Classical Music, Cary Hall, New York, NY • April 19, 2015: Prelude from Making Tellus (world premiere) – Andrew Munn, bass; Rami Sarieddine, piano; Julian Lambert, contrabass; First Songs: Dawn Upshaw and Bard Graduate Vocal Arts Program, Edward M. Pickman Concert Hall, Longy School of Music, Cambridge, MA • April 15, 2015: Prelude from Making Tellus – Andrew Munn, bass; Rami Sarieddine, piano; Julian Lambert, contrabass; First Songs: Dawn Upshaw and Bard Graduate Vocal Arts Program Preview Concert, Olin Hall, Bard College Conservatory of Music, NY • April 8 and 9, 2015: Void and Meditation – The Nouveau Classical Project: Sacred-Profane, CSV Flamboyan Theatre, New York, NY • March 27, 2015: Mark as Unsent (world premiere) – mise-en | Acoustic+ #2, MISE-EN_PLACE Bushwick, Brooklyn, NY • March 22, 2015: Memento Mori – Phase I – Aurea Ensemble, Slater Mill, Pawtucket RI • February 28, 2015: Traced Upon Cinders – Dynamic Music Festival 2015, Frederick Loewe Theatre, NYU Steinhardt, New York, NY • February 7, 2015: Spero Lucem (world premiere) – Creative Dialogue Concert: Musica Nova Helsinki, Organo Hall, Helsinki, Finland • December 2, 2014: Meditation – Sarah Thornblade, violin; Ashley Walters, cello; Synchronomy’s Outpost Concert Series, Culver Center, University of California, Riverside • November 21, 2014: Vestigia Flammae (world premiere) – Nouvel Ensemble Modern’s 2014 Forum, Salle Claude-Champagne, Université de Montréal, Montréal, QC • November 16, 2014: Tethered Within – University of Tennessee Contemporary Music Ensemble, Sandra G. Powell Recital Hall, University of Tennessee, Knoxville, TN • November 15, 2014: Void – Fresh Squeezed Opera Company: Operatic Arias and Songs, National Opera Center, New York, NY • November 18, 2014: Kolokol – Duo (Aaron Kallay and Genevieve Feiwen Lee), Third Practice Electroacoustic Music Festival, Camp Concert Hall, University of Richmond, VA • October 25, 2014: Fata Morgana (version for orchestra) – The Milwaukee Symphony Orchestra with conductor Jeffrey Milarsky, Helene Zelazo Center for the Performing Arts, Milwaukee, WI • October 21, 2014: Etched in Sand – Sixtrum Percussion Ensemble, Gérard Grisey, the spectral moment, and its legacy – Salle Claude Champagne, Université de Montréal, Montréal, QC • October 20-26, 2014: Bayu-bayu – A gallery of fixed media works curated by Robert Marti displayed at the Truman Art Gallery, New Horizons Music Festival, Truman State University, Kirksville, MO • September 24, 2014: Traced Upon Cinders – Illinois Modern Ensemble conducted by Andrew Taylor, Tryon Festival Theatre, Krannert Center for the Performing Arts, University of Illinois Urbana-Champaign

Nina C. Young

Composer & Sound Artist

CV – pg. 13 of 14 2013-14: • August 19, 2014: Memento Mori – Phase I – Lake George Music Festival, St. James Episcopal Church, Lake George, NY • August 10, 2014: Fata Morgana (version for orchestra) (world premiere) – The American Academy of Conducting at Aspen (AACA) conducted by Oliver Hagen: Composer Showcase, Harris Hall, Aspen CO • July 30, 2014: Memento Mori – Phase I – First Glimpse Concert – Composition Recital No.2, Aspen Music Festival and School, Harris Hall, Aspen, CO • July 16, 2014: Fata Morgana (version for orchestra) (reading) – The American Academy of Conducting at Aspen (AACA) conducted by Oliver Hagen, Harris Hall, Aspen CO • June 29, 2014: Fata Morgana (version for symphonic brass ensemble) (world premiere) – The TMC Symphonic Brass Ensemble conducted by Karina Canellakis; Tanglewood Music Center: Brass Extravaganza, Seiji Ozawa Hall, Lenox, MA • June 22, 2014: Meditation – Hajnal Pivnick, violin; Alexandra Jones, cello; Ensemble mise-en New Music Marathon, Tenri Cultural Institute, New York, NY • June 20, 2014: l’heure bleue – Margaret Lancaster, flute; Jocelin Pan, viola; Brooklyn New Music Collective Concert Series, Spectrum, New York, NY • June18, 2014: Chatter – Alexandria Smith, trumpet, Institute & Festival for Contemporary Performers, Mannes College Hall, New York, NY • May 21, 2014: Sun Propeller and Meditation – Azure Ensemble Light and Shadow Festival, DiMenna Center for Classical Music, Benzaquen Hall, New York, NY • May 21, 2014: Exquisite Corpse (world premiere) – The Curiosity Cabinet conducted by Whitney George, Elebash Recital Hall, The Graduate Center, New York, NY • April 25, 2014: Memento Mori – Phase I – Acoustic Uproar, Lily Pad, Cambridge, MA • April 12, 2014: Traced Upon Cinders (world premiere)– Either/Or presented by Columbia Composers, DiMenna Center for Classical Music, Cary Hall, New York, NY • April 4, 2014: Meditation (west coast premiere) – Mark Menzies, violin; Ashley Walters, cello; wasteland concert series, ArtShareLA, Los Angeles, CA • April 4, 2014: Kolokol – Tristan McKay and Jade Conlee, pianos, Electroacoustic Music Society, Copland School of Music, Queens College, NY • March 30, 2014: Sun Propeller– Szuhwa Wu with the Ensemble de Musique Interactive, Espace Multimedia Gantner, Bourgogne, France • March 29, 2014: Metal Works (world premiere) – Kathleen Supové, 2014 SEAMUS National Conference, Crowell Hall, Wesleyan University, Middletown, CT • December 7, 2013: Etched in Sand (world premiere) – Sixtrum presents De l’itération, Salle Bourgie, The Montreal Museum of Fine Arts, Montreal, QC • December 5, 2013: l’heure bleue (world premiere) – Daniel James, flute; Jocelin Pan, viola; Jocelin Pan Solo Recital, The Juilliard School, New York, NY • November 23, 2013: Meditation (NY premiere) – The Nouveau Classical Project, Composed Cocktails – Spectrum, New York, NY • September 20, 2013: Tethered Within (NY premiere) – The Argento Chamber Ensemble with Miro Magloire’s New Chamber Ballet: Austrian Cultural Forum’s Moving Sounds Festival 2013, Bohemian National Hall, New York, NY

2012-13: • August 17, 2013: Waltz in Sepia, Creeping Ivy, and Meditation (world premiers) – New Fromm Players of the Tanglewood Music Center: Piece-A-Day Concert, Seiji Ozawa Hall, Lenox, MA • July 21, 2013: Remains – Tanglewood Music Center Sunday Morning Chamber Music Concert, Seiji Ozawa Hall, Lenox MA • July 20, 2013: Tethered Within – New Fromm Players of the Tanglewood Music Center: Composer-As-Conductor Project, Seiji Ozawa Hall, Lenox, MA • July 10, 2013: Void – Marie Marquis, soprano; Wei-Han Wu, piano; Jocelin Pan, viola; Tanglewood Music Center Vocal Concert, Seiji Ozawa Hall, Lenox, MA • April 18, 2013: Sun Propeller – Leonid Iogansen, SEAMUS 2013, Central Presbyterian Church, Saint Paul, MN • April 9, 2013: Remnants (world premiere) – American Composers Orchestra, Under New Music Readings, The DiMenna Center for Classical Music, New York, NY • April 6, 2013: Sun Propeller – USF New Music Consortium Spring New Music Concert, Lewis and Enid Barness Recital Hall, University of South Florida, Tampa, FL • April 4, 2013: Sun Propeller – Emily Westell, New York Electroacoustic Music Festival, Elebash Recital Hall, The Graduate Center CUNY, New York, NY • Mar. 24, 2013: Sun Propeller – Emily Westell Solo Recital, Tanna Schulich Hall, McGill University, Montréal, QC

Nina C. Young

Composer & Sound Artist

CV – pg. 14 of 14 • Mar. 22, 2013: Sun Propeller – Emily Westell, N SEME & conTemplum’s New Music Symposium, Rock Hall Auditorium, Temple University, Philadelphia, PA • Mar. 14, 2013: Memento Mori – Phase I (world premiere) – the JACK Quartet presented by Columbia Composers, The DiMenna Center for Classical Music, New York, NY • Mar. 3, 2013: Sun Propeller – Emily Westell, Westfield Festival of New Music, Dever Stage, Parenzo Hall, Westfield State University, MA • Feb. 10, 2013: Sun Propeller – Leonid Iogansen, SCI Student Chapter Concert, Riverside Recital Hall, University of Iowa, Iowa City, IA • January 30, 2013: Etched in Sand (excerpt) – Sixtrum Percussion Atelier, Timpano Percussion, Montréal, QC • January 26, 2013: Sun Propeller – Quatuor Leonis: Cordes Électriques, Cartoucherie Théâtre de L’Aquarium, Paris, France • December 4, 2012: Sun Propeller – Emily Westell, Advanced Mixed Music Workshop, Columbia Computer Music Center, Prentis Hall, New York, NY • November 15, 2012: Bayu-bayu – Bulldog Bytes, South Carolina State University, Orangeburg, SC • November 9, 2012: Sun Propeller – Kris Miller, Electroacoustic Barn Dance, University of Mary Washington, Fredericksburg, VA • November 3, 2012: Sun Propeller– Szuhwa Wu with the Ensemble de Musique Interactive, 25 Tage Neuer Musik in Weimar, Jugendzentrum “mon ami” Goetheplatz, Weimar, Germany • August 8, 2012: Canicule – Chamber Music Conference of the East, Carriage Barn, Bennington College, VT • August 1, 2012: Kolokol – Elyse Weakley and Jade Conlee, Atlantic Music Festival Electronic Music Concert, Given Auditorium, Colby College, Waterville, ME • July 14, 2012: Canicule (world premiere) – Atlantic Music Festival, Lorimer Chapel, Colby College, Waterville, ME • March 24, 2012: Sun Propeller (world premiere) – Emily Westell, Musical Interactivity Festival, Miller Theatre, New York, NY • February 3, 2012: Kolokol (west coast premiere) – Aaron Kallay and Genevieve Feiwen Lee, 20th International Ussachevsky Memorial Festival, Lyman Hall, Pamona College, Claremont, CA • January 27, 2012: Remains (world premiere) – Yarn/Wire presented by Columbia Composers, The DiMenna Center for Classical Music, New York, NY • November 5, 2011: Incubus – Third Practice Electroacoustic Music Festival, University of Richmond, VA • May 6, 2011: Chatter – Amy Horvey Doctoral Lecture Recital, Tanna Schulich Hall, McGill University, Montréal, QC • April 14, 2011: Kolokol – Xenia Pestova and Julia Den Boer, Clavisphere: Live@CIRMMT Performance Series, MMR, McGill Univ., Montréal, QC • April 5, 2011: Chatter (world premiere), Incubus – Amy Horvey, Designs in Harmony Concert Series, Clara Lichenstein Hall, McGill University, Montréal, QC • March 31, 2011: Incubus – Designs in Harmony Concert Series, LilyPond, Cambridge, MA • February 18, 2011: Moon in the Water (world premiere) – Orkest de ereprijs, Gigant, Apledoorn, The Netherlands • February 8, 2011: Kashchei (world premiere) – Expanded Musical Practice Group conducted by Fabrice Marandola, Expanded Musical Practice Live@CIRMMT Performance Series, MMR, McGill University, Montréal, QC • January 23, 2011: Kolokol (US premiere) – Yuxi Qin and Devon Joiner – SEAMUS