Jewish Influence in the Mass Media, Part Iii
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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Michel Drucker En Question(S)
Belgique-België P.P. 1050 Bruxelles 5 Comment 1/7610 16 août 2000 Périodique mensuel de l'Association des Téléspectateurs Actifs asbl Bureau de dépôt : Bruxelles 5 à 1050 Bruxelles Editeur responsable : télez Benoit Goossens Numéro vous? 56 ATA asbl • Rue Américaine, 106 • 1050 BRUXELLES ATA sur Internet : http://ata.qwentes.be • E-mail : [email protected] Du play-back aux faux directs MICHEL DRUCKER EN QUESTION(S) [01/08/2000] (1) d’années, se distinguait de “On a été un peu ses confrères en osant rece- Morceaux bavards mais c’était voir en direct un Guy Bedos intéressant de parler de au sommet de sa critique du choisis tout cela”. pouvoir politique. • “Finalement, n’est- ••• Au départ, nous deman- ce pas là le meilleur est par ces mots que dions simplement à Michel de la télévision ? Michel Drucker ter- Drucker de répondre à une Quand les artistes minera l’entretien lettre que nous lui avions viennent faire autre C’de près d’une heure adressée. Après un silence chose que de la et demie qu’il nous a accor- de plus de quatre mois, il promotion ?” dé, le 7 octobre 1999, dans nous a invité à le rencon- son bureau du Studio trer. Avant de vous présen- • “Quand je suis en Gabriel, à deux pas des ter de très larges extraits de direct, je le dis parce Champs Elysées à Paris. cet entretien, nous vous que c’est rare d’être proposons le texte et l’his- en direct complet.” Nous y avons abordé avec toire de cette lettre qui ne lui trois thématiques : recevra –hélas– jamais de • “Lorsqu’un invité l’invasion du play-back, les réponse écrite.. -
The Exotic Rhythms of Don Ellis a Dissertation Submitted to the Peabody Institute of the Johns Hopkins University in Partial Fu
THE EXOTIC RHYTHMS OF DON ELLIS A DISSERTATION SUBMITTED TO THE PEABODY INSTITUTE OF THE JOHNS HOPKINS UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS BY SEAN P. FENLON MAY 25, 2002 © Copyright 2002 Sean P. Fenlon All Rights Reserved ABSTRACT Fenlon, Sean P. The Exotic Rhythms of Don Ellis. Diss. The Peabody Institute of the Johns Hopkins University, 2002. This dissertation examines the rhythmic innovations of jazz musician and composer Don Ellis (1934-1978), both in Ellis’s theory and in his musical practice. It begins with a brief biographical overview of Ellis and his musical development. It then explores the historical development of jazz rhythms and meters, with special attention to Dave Brubeck and Stan Kenton, Ellis’s predecessors in the use of “exotic” rhythms. Three documents that Ellis wrote about his rhythmic theories are analyzed: “An Introduction to Indian Music for the Jazz Musician” (1965), The New Rhythm Book (1972), and Rhythm (c. 1973). Based on these sources a general framework is proposed that encompasses Ellis’s important concepts and innovations in rhythms. This framework is applied in a narrative analysis of “Strawberry Soup” (1971), one of Don Ellis’s most rhythmically-complex and also most-popular compositions. iii ACKNOWLEDGMENTS I wish to extend my heartfelt thanks to my dissertation advisor, Dr. John Spitzer, and other members of the Peabody staff that have endured my extended effort in completing this dissertation. Also, a special thanks goes out to Dr. H. Gene Griswold for his support during the early years of my music studies. -
The Winners Tab
The Winners Tab 2013 BETTER NEWSPAPERS CONTEST AWARDS PRESENTATION: SATURDAY, MAY 3, 2014 CALIFORNIA NEWSPAPER PUBLISHERS ASSOCIATION INSIDE ESTABLISHED 1888 2 General Excellence 5 Awards by Newspaper 6 Awards by Category 10 Campus Awards normally loquacious violinist is prone to becoming overwhelmed with emotion The Most Interesting Man in the Phil when discussing the physical, psychologi- How Vijay Gupta, a 26-Year-Old Former Med Student, cal and spiritual struggles of his non-Dis- Found Himself and Brought Classical Music to Skid Row ney Hall audience. “I’m this privileged musician,” he said recently. “Who the hell am I to think that I By Donna Evans could help anybody?” On a sweltering day in late August, raucous applause. Chasing Zubin Mehta Los Angeles Philharmonic violinist Vijay Screams of “Encore!” are heard. One Gupta will be front and center this week Gupta steps in front of a crowd and bows man, sitting amidst plastic bags of his when the Phil kicks off the celebration of his head to polite applause. belongings, belts out a curious request for the 10th anniversary of Walt Disney Con- He glances at the audience and surveys Ice Cube. Gupta and his fellow musicians, cert Hall. Along with the 105 other mem- the cellist and violist to his left . He takes Jacob Braun and Ben Ullery, smile widely bers of the orchestra, he’ll spend much of a breath, lift s his 2003 Krutz violin and and bow. the next nine months in formal clothes tucks it under his chin. Once it’s settled, Skid Row may seem an unlikely place and playing in front of affl uent crowds. -
Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers. -
DEBATES and PROCEEDINGS
Second Session - Thirty-Eighth Legislature of the Legislative Assembly of Manitoba DEBATES and PROCEEDINGS Official Report (Hansard) Published under the authority of The Honourable George Hickes Speaker Vol. LV No. 45B - 1:30 p.m., Thursday, May 27, 2004 MANITOBA LEGISLATIVE ASSEMBLY Thirty-Eighth Legislature Member Constituency Political Affiliation AGLUGUB, Cris The Maples N.D.P. ALLAN, Nancy, Hon. St. Vital N.D.P. ALTEMEYER, Rob Wolseley N.D.P. ASHTON, Steve, Hon. Thompson N.D.P. BJORNSON, Peter, Hon. Gimli N.D.P. BRICK, Marilyn St. Norbert N.D.P. CALDWELL, Drew Brandon East N.D.P. CHOMIAK, Dave, Hon. Kildonan N.D.P. CUMMINGS, Glen Ste. Rose P.C. DERKACH, Leonard Russell P.C. DEWAR, Gregory Selkirk N.D.P. DOER, Gary, Hon. Concordia N.D.P. DRIEDGER, Myrna Charleswood P.C. DYCK, Peter Pembina P.C. EICHLER, Ralph Lakeside P.C. FAURSCHOU, David Portage la Prairie P.C. GERRARD, Jon, Hon. River Heights Lib. GOERTZEN, Kelvin Steinbach P.C. HAWRANIK, Gerald Lac du Bonnet P.C. HICKES, George, Hon. Point Douglas N.D.P. IRVIN-ROSS, Kerri Fort Garry N.D.P. JENNISSEN, Gerard Flin Flon N.D.P. JHA, Bidhu Radisson N.D.P. KORZENIOWSKI, Bonnie St. James N.D.P. LAMOUREUX, Kevin Inkster Lib. LATHLIN, Oscar, Hon. The Pas N.D.P. LEMIEUX, Ron, Hon. La Verendrye N.D.P. LOEWEN, John Fort Whyte P.C. MACKINTOSH, Gord, Hon. St. Johns N.D.P. MAGUIRE, Larry Arthur-Virden P.C. MALOWAY, Jim Elmwood N.D.P. MARTINDALE, Doug Burrows N.D.P. McGIFFORD, Diane, Hon. -
Cashbox Subscription: Please Check Classification;
July 13, 1985 NEWSPAPER $3.00 v.'r '-I -.-^1 ;3i:v l‘••: • •'i *. •- i-s .{' *. » NE RIAA CERTIFICATIONS ANNOUNCED R.E.M. AFFILIATES LIVE-AID Crass Roots Audience Blossoms TWORK, GEAR FOR Story on Page 13 WEHIND THE BULLETS: TEARS FOR FEARS #1 MTV AWARDS ENTER NEXT PHASE GUEST EDITORIAL: AL KOOPER SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION: PLEASE CHECK CLASSIFICATION; RETAILER ARTIST I NAME VIDEO JUKEBOXES DEALER AMUSEMENT GAMES COMPANY TITLE ONE-STOP VENDING MACHINES DISTRIBUTOR RADIO SYNDICATOR ADDRESS BUSINESS HOME APT. NO. RACK JOBBER RADIO CONSULTANT PUBLISHER INDEPENDENT PROMOTION CITY STATE/PROVINCE/COUNTRY ZIP RECORD COMPANY INDEPENDENT MARKETING RADIO OTHER: NATURE OF BUSINESS PAYMENT ENCLOSED SIGNATURE DATE USA OUTSIDE USA FOR 1 YEAR I YEAR (52 ISSUES) $125.00 AIRMAIL $195.00 6 MONTHS (26 ISSUES) S75.00 1 YEAR FIRST CLASS/AIRMAIL SI 80.00 01SHBCK (Including Canada & Mexico) 330 WEST 58TH STREET • NEW YORK, NEW YORK 10019 ' 01SH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 5 — July 13, 1985 C4SHBO( Guest Editorial : T Taking Care Of Our Own ^ GEORGE ALBERT i. President and Publisher By A I Kooper MARK ALBERT 1 The recent and upcoming gargantuan Ethiopian benefits once In a very true sense. Bob Geldof has helped reawaken our social Vice President and General Manager “ again raise an issue that has troubled me for as long as I’ve been conscience; now we must use it to address problems much closer i SPENCE BERLAND a part of this industry. We, in the American music business do to home. -
Jazzletter P-Q Ocrober 1986 P 5Jno;..1O
Jazzletter P-Q ocrober 1986 P 5jNo;..1o . u-1'!-an J.R. Davis,.Bill Davis, Rusty Dedrick, Buddy DeFranco, Blair The Readers . Deiermann, Rene de Knight,‘ Ron Della Chiesa (WGBH), As of August 25, I986, the JazzIetrer’s readers were: Louise Dennys, Joe Derise, Vince Dellosa, Roger DeShon, Michael Abene, John Abbott, Mariano F. Accardi, Harlan John Dever, Harvey Diamond, Samuel H. Dibert’, Richard Adamcik, Keith Albano, Howard Alden, Eleanore Aldrich, DiCarlo, Gene DiNovi, Victor DiNovi, Chuck Domanico, Jeff Alexander, Steve Allen, Vernon Alley, Alternate and Arthur Domaschenz, Mr. and Mrs. Steve Donahue, William E. Independent Study Program, Bill Angel, Alfred Appel J r, Ted Donoghue, Bob Dorough, Ed Dougherty, Hermie Dressel, Len Arenson, Bruce R. Armstrong, Jim Armstrong, Tex Arnold, Dresslar, Kenny Drew, Ray Drummond, R.H. Duffield, Lloyd Kenny Ascher, George Avakian, Heman B. Averill, L. Dulbecco, Larry Dunlap, Marilyn Dunlap, Brian Duran, Jean Bach, Bob Bain, Charles Baker (Kent State University Eddie Duran, Mike Dutton (KCBX), ' School of Music), Bill Ballentine, Whitney Balliett, Julius Wendell Echols, Harry (Sweets) Edison,Jim_Eigo, Rachel Banas, Jim Barker, Robert H. Barnes, Charlie Barnet, Shira Elkind-Tourre, Jack Elliott, Herb Ellis, Jim Ellison, Jack r Barnett, Jeff Barr, E.M. Barto Jr, Randolph Bean, Jack Ellsworth (WLIM), Matt Elmore (KCBX FM), Gene Elzy Beckerman, Bruce B. Bee, Lori Bell, Malcolm Bell Jr, Carroll J . (WJR), Ralph Enriquez, Dewey Emey, Ricardo Estaban, Ray Bellis MD, Mr and Mrs Mike Benedict, Myron Bennett, Dick Eubanks (Capital University Conservatory of Music), Gil Bentley, Stephen C. Berens MD, Alan Bergman, James L. Evans, Prof Tom Everett (Harvard University), Berkowitz, Sheldon L. -
Reg Alcock: 1948-2011
C M Y K PAGE A3 AB WINNIPEG FREE PRESS,SATURDAY,OCTOBER 15, 2011 REGALCOCK: 1948-2011 winnipegfreepress.com A3 ‘Reg wasatruechampionfor ‘Hehad such astrongsocial “Reg... lived on aboutfive change andbelieved in the conscience andhewas so hours’ sleepaday;hewas vision of what theCanadian dedicatedtothe people of this dedicatedand hard-working. Museum forHuman Rights province.Itwas impossible not He also hadanenormouslysoft couldbring to our city, to be attractedtoReg’ heartand thatiswhatmanyin province andcountry’ —formerprime minister Paul Martin, our caucus will remember’ whomAlcock supported —GailAsper,national campaign forthe Liberalleadership —formerprovincial Liberalleader chairwoman of theFriends of the andnow SenatorSharonCarstairs Canadian Museumfor Human Rights Province losesfaithfulservant Ex-politician THELIFE Alcock gone of RegAlcock ❚ Born: Winnipeg on April16, aftercollapse 1948.Father, Reginald,was later policechief of theTuxedo policedepartment. at airport ❚ Education: Bachelor of arts from Simon Fraser University, master’s in public administra- By KevinRollason tion at Harvard. ❚ Earlycareer: Held senior ad- ORMER LiberalMPand MLAReg ministrative positionswiththe Alcock,who cast alarge political Children’sHomeofWinnipeg, Fshadow on both theprovinceand Camp Robertson, theManitoba countryfor morethanadecade, has CommunityTreatment Associa- died. tion andthe ManitobaSchool Alcock,who died of an apparentheart forthe Deaf. attack at theairport on Friday,was 63. Alcockwas superintendent As news of hissuddendeath became of theSeven -
Post Malone Announces North American Tour with 21 Savage and Special Guest Sob X Rbe
POST MALONE ANNOUNCES NORTH AMERICAN TOUR WITH 21 SAVAGE AND SPECIAL GUEST SOB X RBE Tickets On Sale to General Public Starting Friday, February 23 at LiveNation.com LOS ANGELES, CA (February 20, 2018) – Today, multi-platinum artist Post Malone announced his upcoming North American tour with multi-platinum rapper 21 Savage and special guest SOB X RBE. Produced by Live Nation and sponsored by blu, the outing will kick off April 26 in Portland, OR and make stops in 28 cities across North America including Seattle, Nashville, Toronto, Atlanta, Austin, and more. The tour will wrap in San Francisco, CA on June 24. Tickets will go on sale to the general public starting Friday, February 23 at 10am local time at LiveNation.com. Citi® is the official presale credit card of the Post Malone tour. As such, Citi® cardmembers will have access to purchase presale tickets beginning today, February 20th at 2pm local time until Thursday, February 22nd at 10pm local time through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Every pair of online tickets purchased comes with one physical copy of Post Malone’s forthcoming album, Beerbongs & Bentleys. Ticket purchasers will receive an additional email with instructions on how to redeem their album and will be notified at a later date on when they can expect to receive their CD. (U.S. and Canadian residents only.) The history-making Dallas, Texas artist, Post Malone, will also release his new single “Psycho” [feat. Ty Dolla $ign] on Friday February 23, 2018 via Republic Records. -
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Hebrew University of Jerusalem Faculty of Social Science Program in Cultural Studies Resistance in Circulation: Zionist and Anti-Zionist Mobilizations of “Apartheid” as Trope and Mode of Reference, 1948 -1980 Thesis in partial fulfillment of the requirements for the M.A. degree Submitted by Shimrit Baer Under the supervision of Dr. Louise Bethlehem (December 2015) Resistance in Circulation: Zionist and Anti-Zionist Mobilizations of “Apartheid” as Trope and Mode of Reference, 1948 -1980. Thesis in partial fulfillment of the requirements for the M.A. degree, Hebrew University of Jerusalem (2015). Abstract: This thesis traces the ways in which apartheid as a signifier had been mobilized by Zionist and anti-Zionist conversations in the 1950s-1970s, transforming the postcolonial organization of urban space. I initiate my historiographic narrative by viewing how apartheid was circulated as a trope during Israel’s early state-building years, shaping the ways in which Zionist spatial control could be discussed. I then move from mobilizations of apartheid as a trope to its use as a mode of analysis, presenting the case of how Palestinian discourses at the UN in the mid-60s had leveraged apartheid both as an analogical trope and as a human rights based analysis geared at international condemnations of Israel. Within this framework, I argue that early Palestinian analyses of Zionism as a style of apartheid were paradoxically limited in their capacities to render extreme segregation in Israel-Palestine legible. Finally, I posit that in the civil rights era, the relation between apartheid and events in Israel-Palestine was re-articulated by urban communities that were themselves struggling against extreme sociospatial control. -
Conservatives on Madison Avenue: Political Advertising and Direct Marketing in the 1950S
NANZAN REVIEW OF AMERICAN STUDIES Volume 41 (2019): 3-25 Conservatives on Madison Avenue: Political Advertising and Direct Marketing in the 1950s MORIYAMA Takahito * This article investigates how urban consumerism affected the rise of modern American conservatism by focusing on anticommunists’ political advertising in New York City during the 1950s. The advertising industry developed the new tactic of direct marketing in the post-World War II period and, over the years, several political activists adopted this new marketing technique for political campaigns. Direct mail, a product of the new marketing, was a personalized medium that built up a database of personal information and sent suitable messages to individuals, instead of standardized information to the masses. The medium was especially significant for conservatives to disseminate their ideology to prospective supporters across the country in the 1950s when the conservati ve media establishment did not exist. This research explores the development of the American right in urban areas by analyzing the role of direct mail in the conservative movement. The postwar era witnessed the rise of modern American conservatism as a political movement. Following World War II, anticommunism became widespread among Americans and the United States was confronted with communism abroad, whereas in domestic politics right-wing movements, such as McCarthyism, attacked liberalism. The New Deal had angered many Americans prior to the 1950s. Frustrated with government regulations since the 1930s, some businesspeople acclaimed the free enterprise system and individual liberties as the American ideal; several intellectuals and religious figures criticized the decline of traditional values in modern society; and white Southerners were adamant in preventing the federal government from interfering in the Jim Crow laws.